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Dead And Gone
Songs like
Dead And Gone
by
Jess Locke
Based on a tempo of (+/- 10%) and a similar genre
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Noble Son
Lake
126 bpm • G Maj • 03:36 • -8.04db
7% Popularity • 56% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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The Wild Hymns
Cathedral Bells
126 bpm • C Maj • 03:51 • -7.49db
14% Popularity • 56% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 41% Positiveness
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Emily Grace Taylor
Say What You Need
126 bpm • E Maj • 03:23 • -4.19db
10% Popularity • 59% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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CORIN
what i want with you
126 bpm • A# Maj • 02:59 • -10.71db
17% Popularity • 52% Danceability • 48% Energy • 14% Liveness
1% Instrumentalness • 14% Positiveness
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Leah Wilcox
Origami Flowers
126 bpm • C# min • 03:20 • -6.34db
12% Popularity • 62% Danceability • 58% Energy • 21% Liveness
1% Instrumentalness • 53% Positiveness
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Fur Trader
St. Katherine of the Angels
126 bpm • G Maj • 03:55 • -15.81db
9% Popularity • 38% Danceability • 22% Energy • 55% Liveness
44% Instrumentalness • 8% Positiveness
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Junaco
Call You Back
126 bpm • B min • 02:22 • -9.5db
18% Popularity • 65% Danceability • 35% Energy • 15% Liveness
63% Instrumentalness • 33% Positiveness
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Jess Locke
Radio
126 bpm • G# Maj • 05:54 • -14.19db
0% Popularity • 55% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Ella Haber
Good For Me
126 bpm • E Maj • 03:24 • -12.52db
17% Popularity • 48% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Okay Alright
true love will find u
126 bpm • G Maj • 02:01 • -7.65db
19% Popularity • 72% Danceability • 59% Energy • 8% Liveness
2% Instrumentalness • 73% Positiveness
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Nature Kids
Amnesia Sun
126 bpm • G# min • 03:30 • -9.74db
19% Popularity • 61% Danceability • 34% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
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Roofman
don't listen to the rain
127 bpm • B Maj • 01:21 • -10.71db
20% Popularity • 41% Danceability • 20% Energy • 8% Liveness
16% Instrumentalness • 20% Positiveness
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Ron Gallo
yucca valley marshalls - acoustic versio...
125 bpm • G# min • 03:53 • -6.33db
14% Popularity • 59% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Jess Locke
Dead And Gone
126 bpm • F min • 04:12 • -10.9db
6% Popularity • 54% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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annie hamilton
Talk
127 bpm • D Maj • 04:12 • -7.87db
34% Popularity • 56% Danceability • 77% Energy • 54% Liveness
7% Instrumentalness • 53% Positiveness
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Kylie Dailey
Land of the Living
125 bpm • E min • 03:32 • -14.72db
28% Popularity • 75% Danceability • 37% Energy • 9% Liveness
75% Instrumentalness • 70% Positiveness
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Joe Bel
Lose a friend
125 bpm • A Maj • 04:47 • -10.2db
20% Popularity • 56% Danceability • 43% Energy • 12% Liveness
28% Instrumentalness • 46% Positiveness
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Julie Arsenault
Start Again
127 bpm • G Maj • 02:44 • -10.22db
7% Popularity • 54% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Demeter
The Breaks
125 bpm • A Maj • 03:33 • -9.83db
14% Popularity • 60% Danceability • 48% Energy • 16% Liveness
21% Instrumentalness • 43% Positiveness
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Jess Locke
Better/Bitter
127 bpm • A Maj • 02:18 • -5.84db
14% Popularity • 50% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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Harpers
Give It a Little Time
125 bpm • A Maj • 02:31 • -13.41db
16% Popularity • 64% Danceability • 22% Energy • 12% Liveness
51% Instrumentalness • 36% Positiveness
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bottombunk
Red Coat
128 bpm • C Maj • 05:32 • -13.06db
7% Popularity • 40% Danceability • 37% Energy • 9% Liveness
88% Instrumentalness • 10% Positiveness
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Antonia Estelle
Attrition
128 bpm • B min • 04:15 • -12.7db
13% Popularity • 60% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Quiet Takes
No One Again
128 bpm • A min • 03:34 • -10.05db
23% Popularity • 66% Danceability • 26% Energy • 8% Liveness
4% Instrumentalness • 40% Positiveness
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Farser
Nowhere Wind
128 bpm • F# Maj • 03:47 • -11.68db
12% Popularity • 54% Danceability • 51% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
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Jess Locke
Radio
124 bpm • C# Maj • 05:27 • -7.46db
1% Popularity • 71% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Keren Ilan
Wonder If you Care
128 bpm • G Maj • 03:16 • -13.07db
19% Popularity • 73% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Claudia Fenoglio
Stay With You
124 bpm • D Maj • 03:32 • -9.59db
18% Popularity • 60% Danceability • 57% Energy • 6% Liveness
27% Instrumentalness • 70% Positiveness
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Katie Cruel
Calling Out Your Name
128 bpm • A Maj • 02:32 • -11.6db
22% Popularity • 66% Danceability • 36% Energy • 9% Liveness
1% Instrumentalness • 41% Positiveness
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Tyler Ramsey
Arrow To Bow
124 bpm • C Maj • 04:48 • -10.49db
19% Popularity • 55% Danceability • 28% Energy • 11% Liveness
12% Instrumentalness • 15% Positiveness
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AP Arias
Six Days Swimming
124 bpm • F Maj • 03:40 • -9.97db
18% Popularity • 64% Danceability • 54% Energy • 13% Liveness
53% Instrumentalness • 50% Positiveness
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Jess Locke
Sublime Anxiety
128 bpm • A Maj • 03:41 • -7.24db
6% Popularity • 55% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Isaac Ratliff
Absurdosphere
123 bpm • D# Maj • 02:55 • -10.06db
12% Popularity • 77% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 65% Positiveness
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golda may
I Got a Cat
129 bpm • A# Maj • 03:07 • -9.59db
13% Popularity • 40% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Soft Loft
Late
123 bpm • A min • 03:57 • -9.6db
17% Popularity • 64% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Slow Hollows
Homebody
129 bpm • A# Maj • 02:58 • -11.51db
24% Popularity • 38% Danceability • 37% Energy • 9% Liveness
45% Instrumentalness • 29% Positiveness
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Emma Jeanne
shape up / ship out
123 bpm • D Maj • 02:25 • -7.15db
9% Popularity • 55% Danceability • 45% Energy • 24% Liveness
0% Instrumentalness • 25% Positiveness
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Malaika
Better off Alone
123 bpm • A Maj • 02:31 • -11.71db
34% Popularity • 94% Danceability • 37% Energy • 10% Liveness
13% Instrumentalness • 76% Positiveness
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Brother Bird
state of mind
123 bpm • C Maj • 03:15 • -7.64db
18% Popularity • 60% Danceability • 71% Energy • 9% Liveness
35% Instrumentalness • 55% Positiveness
► Preview
Becca Mancari
Monday Monday Monday
123 bpm • G# min • 03:04 • -7.06db
28% Popularity • 63% Danceability • 74% Energy • 10% Liveness
56% Instrumentalness • 67% Positiveness
► Preview
Jess Locke
Dangerous
129 bpm • A Maj • 03:30 • -6.81db
6% Popularity • 62% Danceability • 66% Energy • 41% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
The Mukherjee Development
Should I Dance For You?
129 bpm • A Maj • 04:41 • -4.59db
10% Popularity • 53% Danceability • 83% Energy • 8% Liveness
11% Instrumentalness • 64% Positiveness
► Preview
Shelley Byron
Isabel (Just Start a Band)
129 bpm • A# Maj • 04:08 • -9.91db
11% Popularity • 47% Danceability • 48% Energy • 8% Liveness
30% Instrumentalness • 48% Positiveness
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Ron Gallo
big truck energy - acoustic version
130 bpm • D Maj • 03:58 • -7.35db
16% Popularity • 58% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Beauty Queen
Low Life
130 bpm • D Maj • 04:01 • -7.67db
21% Popularity • 61% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Blunt Chunks
High Hopes
130 bpm • G# Maj • 03:56 • -9.56db
18% Popularity • 62% Danceability • 44% Energy • 12% Liveness
16% Instrumentalness • 54% Positiveness
► Preview
Jess Locke
Border Security
129 bpm • E Maj • 04:14 • -7.62db
3% Popularity • 40% Danceability • 68% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
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Breezers
No Problem
130 bpm • F Maj • 04:06 • -8.45db
10% Popularity • 40% Danceability • 56% Energy • 10% Liveness
52% Instrumentalness • 57% Positiveness
► Preview
Albert Newton
YIMTYK
130 bpm • A Maj • 03:02 • -13.42db
14% Popularity • 62% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Ryan Gebhardt
If All My Dreams Survive
130 bpm • D Maj • 03:07 • -8.15db
26% Popularity • 62% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Xanadu
Hold Me
130 bpm • E Maj • 03:37 • -11.03db
26% Popularity • 41% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Sofia Bolt
Go Away
130 bpm • G# min • 02:57 • -9.36db
23% Popularity • 74% Danceability • 53% Energy • 10% Liveness
89% Instrumentalness • 56% Positiveness
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Jess Locke
Winner
123 bpm • G# min • 02:38 • -11.08db
3% Popularity • 42% Danceability • 23% Energy • 30% Liveness
0% Instrumentalness • 31% Positiveness
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This Way North
Punching Underwater
122 bpm • D Maj • 03:12 • -7.01db
14% Popularity • 70% Danceability • 57% Energy • 57% Liveness
0% Instrumentalness • 77% Positiveness
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Josh Cashman
Sungazing - Demo
130 bpm • D Maj • 03:03 • -14.74db
18% Popularity • 56% Danceability • 24% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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L. Martin
Dirty Muck
130 bpm • C Maj • 02:56 • -15.44db
13% Popularity • 59% Danceability • 19% Energy • 13% Liveness
73% Instrumentalness • 27% Positiveness
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Aggie Miller
Good Mourning
130 bpm • G# Maj • 04:56 • -7.85db
9% Popularity • 50% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Grace Corsi
Hotel Mattress
130 bpm • A# Maj • 02:13 • -10.07db
31% Popularity • 65% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 52% Positiveness
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Falls Hall
Wasting Days
130 bpm • G Maj • 02:56 • -15.63db
11% Popularity • 65% Danceability • 29% Energy • 11% Liveness
9% Instrumentalness • 36% Positiveness
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D.A. Crimson
Olly Olly Oxen Free
130 bpm • B min • 03:17 • -10.11db
10% Popularity • 67% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Dirty Nice
SHARK! (Acoustic Version)
130 bpm • C Maj • 03:36 • -9.9db
6% Popularity • 66% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Brother Bird
i'm sorry
130 bpm • C# Maj • 03:33 • -13.9db
24% Popularity • 38% Danceability • 29% Energy • 30% Liveness
1% Instrumentalness • 17% Positiveness
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Work Wife
Coeur d'Alene
130 bpm • A# Maj • 03:26 • -12.14db
16% Popularity • 61% Danceability • 43% Energy • 11% Liveness
3% Instrumentalness • 24% Positiveness
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Jess Locke
Look
122 bpm • G Maj • 03:32 • -8.81db
1% Popularity • 56% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Sasha Adrian
IMDb
122 bpm • C# Maj • 04:29 • -8.2db
11% Popularity • 63% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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The Bygones
How Do You Waste a Day?
122 bpm • G min • 02:57 • -10.21db
18% Popularity • 62% Danceability • 72% Energy • 18% Liveness
24% Instrumentalness • 71% Positiveness
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Ariella
Blindsided
130 bpm • B min • 02:59 • -13.97db
11% Popularity • 62% Danceability • 30% Energy • 12% Liveness
10% Instrumentalness • 57% Positiveness
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Ron Gallo
anything but this - acoustic version
122 bpm • E Maj • 02:17 • -8.98db
14% Popularity • 57% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Bonny Light Horseman
When I Was Younger
131 bpm • C Maj • 03:17 • -7.9db
46% Popularity • 52% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
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drea
Dear Emily
131 bpm • D Maj • 03:30 • -12.09db
30% Popularity • 56% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Alexander
Certainty
131 bpm • C Maj • 02:23 • -11.11db
14% Popularity • 69% Danceability • 34% Energy • 17% Liveness
6% Instrumentalness • 15% Positiveness
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Hugo Cottu
Seventeen
121 bpm • A Maj • 05:57 • -8.44db
14% Popularity • 57% Danceability • 65% Energy • 17% Liveness
1% Instrumentalness • 57% Positiveness
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Bendigo Fletcher
Rental Skates
131 bpm • D Maj • 05:44 • -9.81db
27% Popularity • 31% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Alycia Lang
Bad Luck Bad Habit
121 bpm • C# Maj • 03:30 • -10.14db
43% Popularity • 59% Danceability • 54% Energy • 16% Liveness
2% Instrumentalness • 38% Positiveness
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Nat Vazer
2am Diner (Radio Edit)
131 bpm • D Maj • 03:50 • -8.23db
18% Popularity • 35% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Julie Arsenault
Where I'm Sitting
131 bpm • A min • 03:25 • -9.19db
10% Popularity • 54% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Roofman
hamburg to hell
120 bpm • C Maj • 03:00 • -11.08db
15% Popularity • 62% Danceability • 31% Energy • 12% Liveness
1% Instrumentalness • 42% Positiveness
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Asha Jefferies
Brand New Bitch
132 bpm • E Maj • 03:29 • -6.69db
27% Popularity • 42% Danceability • 92% Energy • 60% Liveness
0% Instrumentalness • 10% Positiveness
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Francis of Delirium
Give It Back to Me
132 bpm • C Maj • 04:22 • -5.78db
24% Popularity • 52% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Bats
Are you like me?
120 bpm • A# Maj • 04:57 • -8.18db
29% Popularity • 47% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Jess Locke
Don’t Ask Yourself Why
132 bpm • E Maj • 02:59 • -8.41db
3% Popularity • 51% Danceability • 46% Energy • 27% Liveness
1% Instrumentalness • 55% Positiveness
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Good Morning
As The Dogs Were Playing
132 bpm • C Maj • 02:12 • -10.64db
28% Popularity • 45% Danceability • 43% Energy • 12% Liveness
85% Instrumentalness • 13% Positiveness
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The Future Us
Body Armour
132 bpm • A Maj • 03:40 • -9db
16% Popularity • 54% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Anna Rose Baker
Hesitant Hurry
132 bpm • C Maj • 04:09 • -7.82db
10% Popularity • 39% Danceability • 63% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Lost in Lona
Lose It All
132 bpm • D Maj • 03:05 • -12.29db
33% Popularity • 67% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Laura Jean Anderson
Tomorrow Never Waits
120 bpm • C Maj • 02:18 • -15.22db
29% Popularity • 67% Danceability • 14% Energy • 12% Liveness
1% Instrumentalness • 31% Positiveness
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My Life As A Moth
Heated Heart
120 bpm • E Maj • 03:58 • -8.03db
15% Popularity • 57% Danceability • 59% Energy • 14% Liveness
26% Instrumentalness • 33% Positiveness
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Scotti Mars
Two to Tangle
120 bpm • G Maj • 03:28 • -7.17db
0% Popularity • 72% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Jess Locke
Skin
120 bpm • A# Maj • 04:46 • -12.55db
0% Popularity • 65% Danceability • 18% Energy • 28% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Rasmus Fynbo
Departure
120 bpm • A min • 03:42 • -4.56db
36% Popularity • 64% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
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Delacey
Same Song Forever
120 bpm • F# min • 03:27 • -11.44db
29% Popularity • 69% Danceability • 33% Energy • 11% Liveness
8% Instrumentalness • 38% Positiveness
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Hana Vu
Hammer
120 bpm • E Maj • 03:39 • -6.85db
45% Popularity • 61% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Niki Kand
No Regrets
120 bpm • E Maj • 03:04 • -9.92db
11% Popularity • 70% Danceability • 49% Energy • 14% Liveness
32% Instrumentalness • 51% Positiveness
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Echobaby
Clementines
120 bpm • D Maj • 02:40 • -9.12db
17% Popularity • 81% Danceability • 64% Energy • 17% Liveness
6% Instrumentalness • 78% Positiveness
► Preview
Jess Locke
The Place
120 bpm • F# min • 03:51 • -7.72db
44% Popularity • 55% Danceability • 47% Energy • 24% Liveness
7% Instrumentalness • 43% Positiveness
► Preview
Cynthia Ruth
Whatever Gets You High
120 bpm • A Maj • 03:02 • -12.97db
12% Popularity • 60% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Bats
Oh My God
120 bpm • E Maj • 03:53 • -9.02db
15% Popularity • 68% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
► Preview
Dekker
Raymond
120 bpm • G# min • 04:47 • -11.15db
39% Popularity • 83% Danceability • 29% Energy • 10% Liveness
45% Instrumentalness • 53% Positiveness
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Ellen B
Moabit
120 bpm • G Maj • 04:08 • -9.47db
18% Popularity • 85% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
► Preview
A-Go-Go
Union Gate
120 bpm • A Maj • 03:36 • -7.18db
5% Popularity • 56% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Dead And Gone