Songs like Dear Luca by ayokay
Based on a tempo of (+/- 10%) and a similar genre
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Dylan Dunlap
Here for Me
160 bpm • F# Maj • 02:59 • -9.17db
23% Popularity • 55% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
23% Popularity • 55% Danceability • 49% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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ayokay
Dear Luca
160 bpm • C Maj • 02:35 • -6.38db
24% Popularity • 70% Danceability • 61% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
24% Popularity • 70% Danceability • 61% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
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GROUPLOVE
Deleter - ayokay Remix
160 bpm • G# Maj • 03:26 • -7db
16% Popularity • 57% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
16% Popularity • 57% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Lennon Stella
La Di Da - Aaron Redding Remix
160 bpm • G Maj • 03:46 • -5.71db
35% Popularity • 56% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
35% Popularity • 56% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Bea Miller
NEVER GONNA LIKE YOU
160 bpm • F Maj • 03:26 • -1.72db
41% Popularity • 67% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 67% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Jack Gray
Down Side Of Up
160 bpm • E Maj • 02:17 • -3.66db
28% Popularity • 57% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 57% Danceability • 86% Energy • 27% Liveness
0% Instrumentalness • 87% Positiveness
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shy martin
Nobody Likes Moving On
160 bpm • B Maj • 02:46 • -10.78db
43% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
43% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Ivy Adara
Callgirl
158 bpm • G Maj • 02:44 • -7db
29% Popularity • 75% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 75% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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CVBZ
Feel Like You’re Mine (Taigo Remix)
159 bpm • C Maj • 03:23 • -5db
31% Popularity • 41% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 41% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 33% Positiveness
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Beyond The Sun
Be My Queen
162 bpm • D min • 04:10 • -6.24db
16% Popularity • 65% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
16% Popularity • 65% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Cody Lovaas
Talk Slow
158 bpm • G Maj • 02:44 • -7db
31% Popularity • 74% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
31% Popularity • 74% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Lost Kings
LA & The Parties
158 bpm • A# Maj • 02:45 • -4db
42% Popularity • 54% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 54% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Hunter Plake
Morning Glow
163 bpm • F Maj • 02:26 • -7.59db
37% Popularity • 64% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 64% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Greyson Chance
Bad To Myself - Slow Magic Remix
157 bpm • C# Maj • 02:56 • -5db
11% Popularity • 58% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 58% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Logan Prescott
How We Wanted
164 bpm • C# Maj • 03:35 • -5.55db
14% Popularity • 64% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 64% Danceability • 66% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Julia Wolf
Hoops
157 bpm • C Maj • 03:19 • -9.18db
41% Popularity • 62% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
41% Popularity • 62% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Austin Cain
Till Forever Runs Out
164 bpm • G Maj • 03:24 • -7.78db
11% Popularity • 59% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 59% Danceability • 73% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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DREAMDNVR
90's Kid
156 bpm • G Maj • 02:45 • -10.47db
17% Popularity • 69% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 69% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Max Leone
The Beach
155 bpm • A min • 02:45 • -6.55db
29% Popularity • 60% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 60% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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lovelytheband
love somebody else
155 bpm • B min • 03:20 • -8.28db
27% Popularity • 50% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
27% Popularity • 50% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 33% Positiveness
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Balcony
Parking Lots
166 bpm • A Maj • 03:15 • -9.09db
7% Popularity • 55% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
7% Popularity • 55% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Theo Kandel
Running Blind
155 bpm • E Maj • 03:44 • -6.4db
17% Popularity • 72% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 72% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 57% Positiveness
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Manila Killa
Skin
154 bpm • C Maj • 03:13 • -5db
29% Popularity • 50% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 50% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Opia
So Long
166 bpm • A Maj • 02:48 • -12.39db
20% Popularity • 48% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
20% Popularity • 48% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 24% Positiveness
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Ella Vos
State of Emotion
154 bpm • C# Maj • 02:45 • -10.12db
19% Popularity • 71% Danceability • 53% Energy • 46% Liveness
3% Instrumentalness • 34% Positiveness
19% Popularity • 71% Danceability • 53% Energy • 46% Liveness
3% Instrumentalness • 34% Positiveness
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JT Roach
Make It Up To You
153 bpm • G Maj • 03:38 • -7.85db
12% Popularity • 49% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 49% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Jack Gray
Drunk Talk
167 bpm • B Maj • 03:29 • -7db
15% Popularity • 32% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 32% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 28% Positiveness
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Blake Rose
Lady
168 bpm • G# Maj • 04:02 • -4db
44% Popularity • 44% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
44% Popularity • 44% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Anthony Russo
Never Been
168 bpm • G# Maj • 02:57 • -7db
22% Popularity • 62% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 62% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Ben Zaidi
What if I Took Your Place..?
168 bpm • G# min • 02:07 • -12.07db
30% Popularity • 64% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
30% Popularity • 64% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Ella Isaacson
Expectations
152 bpm • G# Maj • 02:36 • -9db
19% Popularity • 44% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
19% Popularity • 44% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Jay Alan
No Lie
151 bpm • B Maj • 03:12 • -4.58db
8% Popularity • 58% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
8% Popularity • 58% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Alice Gray
Take Me to the Water
152 bpm • A Maj • 03:06 • -9db
30% Popularity • 59% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
30% Popularity • 59% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Nick Lopez
Who Needs to Know?
170 bpm • G# Maj • 02:55 • -9db
8% Popularity • 49% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
8% Popularity • 49% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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MacKenzie Bourg
Big
170 bpm • D Maj • 02:44 • -5.68db
24% Popularity • 55% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 55% Danceability • 53% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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Ryann
JFK
151 bpm • D Maj • 02:29 • -6.31db
12% Popularity • 45% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 45% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Sleeping Lion
Windowseat
170 bpm • G min • 02:44 • -8.75db
22% Popularity • 52% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 52% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Buddy Wright
A Little Off
170 bpm • A Maj • 03:27 • -13db
22% Popularity • 71% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 71% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Flawes
Ghost Town
170 bpm • A Maj • 03:02 • -6.06db
11% Popularity • 55% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 55% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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ayokay
Don't Wanna Be Your Friend
170 bpm • C# min • 02:33 • -5.46db
41% Popularity • 66% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
41% Popularity • 66% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Chey Rose
V.C.R.
170 bpm • B Maj • 02:55 • -7.02db
13% Popularity • 64% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 64% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Carlie Hanson
Back in My Arms
150 bpm • C# min • 03:15 • -4.85db
41% Popularity • 54% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 54% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Chaz Cardigan
Over
150 bpm • C# Maj • 02:55 • -4.77db
22% Popularity • 65% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 65% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Jason Reeves
Kids
150 bpm • C Maj • 04:45 • -7.23db
12% Popularity • 61% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 61% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Sleeping Lion
How We Know
150 bpm • E Maj • 03:05 • -8.27db
28% Popularity • 65% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 65% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Max Reichert
Shaking
150 bpm • F Maj • 03:56 • -9.91db
27% Popularity • 56% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
27% Popularity • 56% Danceability • 69% Energy • 24% Liveness
0% Instrumentalness • 18% Positiveness
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CAL
So Cal
150 bpm • G Maj • 02:44 • -8.2db
32% Popularity • 82% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
32% Popularity • 82% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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will hyde
easy for u.
150 bpm • F# min • 02:16 • -6db
25% Popularity • 69% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 69% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Hotel Apache
Maybe, One Day
150 bpm • B Maj • 03:50 • -8.64db
39% Popularity • 59% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
39% Popularity • 59% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Yønah
she do it to me
150 bpm • B min • 03:21 • -8.72db
18% Popularity • 78% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
18% Popularity • 78% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Lauv
Believed
150 bpm • B min • 02:49 • -8.09db
42% Popularity • 80% Danceability • 52% Energy • 44% Liveness
0% Instrumentalness • 49% Positiveness
42% Popularity • 80% Danceability • 52% Energy • 44% Liveness
0% Instrumentalness • 49% Positiveness
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RITUAL
Using
150 bpm • D# Maj • 03:16 • -5db
32% Popularity • 59% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 59% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Kwesi
Mistakes of My Youth
150 bpm • C Maj • 02:43 • -7db
39% Popularity • 78% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
39% Popularity • 78% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 33% Positiveness
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Party Favor
Be Ok - Acoustic
150 bpm • A# Maj • 02:27 • -11.43db
21% Popularity • 56% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 56% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Hotel Apache
Head vs Heart
150 bpm • C# Maj • 04:51 • -6.9db
30% Popularity • 57% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 57% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
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Brooke Sierra
Poetry & Stars
150 bpm • F min • 03:17 • -10.98db
23% Popularity • 57% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 57% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 25% Positiveness
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dyme.
Could Be Anything
171 bpm • D min • 03:36 • -9.69db
13% Popularity • 68% Danceability • 58% Energy • 9% Liveness
2% Instrumentalness • 68% Positiveness
13% Popularity • 68% Danceability • 58% Energy • 9% Liveness
2% Instrumentalness • 68% Positiveness
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Carlie Hanson
Daze Inn
149 bpm • C Maj • 02:38 • -5.33db
41% Popularity • 64% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
41% Popularity • 64% Danceability • 77% Energy • 38% Liveness
0% Instrumentalness • 58% Positiveness
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Evie Irie
The Optimist
172 bpm • A# Maj • 03:54 • -4.74db
34% Popularity • 43% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 13% Positiveness
34% Popularity • 43% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 13% Positiveness
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Max Frost
Back In The Summer
172 bpm • A Maj • 03:00 • -5.24db
28% Popularity • 70% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 70% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Emily Warren
As Long As I'm Alive
172 bpm • F Maj • 02:52 • -5.91db
9% Popularity • 64% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
9% Popularity • 64% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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joan
magnetic
172 bpm • A# Maj • 03:05 • -4.51db
34% Popularity • 66% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
34% Popularity • 66% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Carling
Driving Me Insane
148 bpm • G# Maj • 03:08 • -7.81db
11% Popularity • 77% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
11% Popularity • 77% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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Christian French
bright side of the moon
148 bpm • B min • 03:10 • -5.88db
41% Popularity • 65% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
41% Popularity • 65% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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Ridgely
'Til the Morning
174 bpm • G# Maj • 03:33 • -6db
15% Popularity • 65% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 65% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Lewis Watson
castles of sand
174 bpm • D Maj • 03:07 • -7.73db
8% Popularity • 55% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 55% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Emily Warren
Just Click
172 bpm • B Maj • 03:39 • -5.59db
22% Popularity • 64% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 64% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 60% Positiveness
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Cobrayama
I Don't Want to Live Without You
174 bpm • F Maj • 02:45 • -8.61db
21% Popularity • 66% Danceability • 41% Energy • 16% Liveness
29% Instrumentalness • 40% Positiveness
21% Popularity • 66% Danceability • 41% Energy • 16% Liveness
29% Instrumentalness • 40% Positiveness
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shy martin
Same Old
174 bpm • B Maj • 02:55 • -8.12db
36% Popularity • 68% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
36% Popularity • 68% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 47% Positiveness
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Tyzo Bloom
Before U Go
174 bpm • B Maj • 03:51 • -7.41db
25% Popularity • 56% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
25% Popularity • 56% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Luke & Jay
Memos
175 bpm • B Maj • 03:58 • -6.57db
8% Popularity • 48% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
8% Popularity • 48% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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MAYLYN
Something Good
175 bpm • A# Maj • 02:41 • -6.81db
10% Popularity • 67% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 67% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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NICE.
Ms. Chances
146 bpm • C Maj • 04:18 • -10.23db
7% Popularity • 55% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
7% Popularity • 55% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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Anthony Russo
It's A Risk
146 bpm • C# Maj • 03:30 • -8db
30% Popularity • 84% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 84% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Sam Setton
Santiago
176 bpm • E min • 03:40 • -7db
30% Popularity • 49% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 49% Danceability • 67% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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Pikoe
Love Some
146 bpm • B Maj • 04:06 • -6.73db
25% Popularity • 36% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
25% Popularity • 36% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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ayokay
Over & Out
176 bpm • G Maj • 03:03 • -8.46db
23% Popularity • 59% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 59% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Axel Mansoor
Busy
176 bpm • B Maj • 03:06 • -10db
19% Popularity • 59% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
19% Popularity • 59% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 55% Positiveness
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Adam Ragsdale
Drive-In
145 bpm • C# Maj • 03:40 • -10.89db
15% Popularity • 45% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
15% Popularity • 45% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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laye
sicker
145 bpm • C Maj • 03:13 • -6db
24% Popularity • 36% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
24% Popularity • 36% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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LALAKI
Catch Phrase
145 bpm • G Maj • 03:10 • -5.89db
16% Popularity • 71% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
16% Popularity • 71% Danceability • 58% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
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Lauv
Billy
177 bpm • D Maj • 03:00 • -8.75db
41% Popularity • 79% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 79% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Hayden Everett
Who Are You
145 bpm • D Maj • 03:54 • -7.73db
16% Popularity • 53% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 53% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Dylan Dunlap
Face Value
144 bpm • C# Maj • 03:31 • -8db
28% Popularity • 61% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
28% Popularity • 61% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Vacation Club
Fire Goes Out
144 bpm • A# Maj • 05:11 • -8.46db
22% Popularity • 55% Danceability • 49% Energy • 8% Liveness
6% Instrumentalness • 22% Positiveness
22% Popularity • 55% Danceability • 49% Energy • 8% Liveness
6% Instrumentalness • 22% Positiveness
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Christian French
time of our lives
178 bpm • C min • 03:00 • -6.48db
28% Popularity • 56% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
28% Popularity • 56% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 61% Positiveness
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KIN
It's Cool
178 bpm • B Maj • 03:19 • -13.22db
22% Popularity • 65% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
22% Popularity • 65% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Colton Avery
Far Too Long
179 bpm • C Maj • 03:42 • -8.59db
19% Popularity • 41% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 41% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Wells*
Picture On The Wall
143 bpm • C Maj • 03:28 • -5.27db
8% Popularity • 66% Danceability • 72% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 66% Danceability • 72% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
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Hotel Apache
plsrspnd
180 bpm • A# Maj • 03:38 • -4.82db
23% Popularity • 55% Danceability • 88% Energy • 9% Liveness
3% Instrumentalness • 62% Positiveness
23% Popularity • 55% Danceability • 88% Energy • 9% Liveness
3% Instrumentalness • 62% Positiveness
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Drive!Drive!
Just Say
180 bpm • G Maj • 03:26 • -8.11db
14% Popularity • 51% Danceability • 65% Energy • 15% Liveness
6% Instrumentalness • 42% Positiveness
14% Popularity • 51% Danceability • 65% Energy • 15% Liveness
6% Instrumentalness • 42% Positiveness
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SADBOii
Nothing
180 bpm • G Maj • 03:28 • -7.01db
18% Popularity • 51% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
18% Popularity • 51% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Abe Parker
Cool Kid
180 bpm • C Maj • 03:12 • -3.13db
23% Popularity • 60% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 60% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 49% Positiveness
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No Rome
Talk Nice
180 bpm • C Maj • 03:17 • -6.88db
40% Popularity • 55% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
40% Popularity • 55% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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ayokay
California Will Never Rest
142 bpm • D Maj • 03:29 • -8.31db
22% Popularity • 64% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 64% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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John The Blind
Bottle of Pills
142 bpm • F Maj • 03:22 • -4.81db
14% Popularity • 57% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 57% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Isaac French
Better This Way
142 bpm • G Maj • 03:47 • -12.17db
15% Popularity • 60% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 60% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Lost Kings
Feather
141 bpm • D Maj • 03:31 • -6.6db
40% Popularity • 76% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
40% Popularity • 76% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
