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Dear Scarlett
Songs like
Dear Scarlett
by
Cameron Dallas
Based on a tempo of (+/- 10%) and a similar genre
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Cameron Dallas
Dear Scarlett
143 bpm • D Maj • 02:17 • -10.36db
11% Popularity • 56% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 39% Positiveness
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Norma Jean Martine
Basketball
143 bpm • C Maj • 02:55 • -8.25db
7% Popularity • 51% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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dempsey hope
time flies
144 bpm • G# Maj • 02:18 • -9.4db
36% Popularity • 51% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Alec Wigdahl
Misbehaving
144 bpm • C min • 03:23 • -7.93db
19% Popularity • 73% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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30
in love
144 bpm • C Maj • 04:03 • -10.04db
12% Popularity • 69% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Olivia O'Brien
Was It All In My Head?
142 bpm • E Maj • 03:22 • -5.77db
38% Popularity • 62% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Ruel
Painkiller - Mr. Carmack Remix
142 bpm • C Maj • 03:30 • -4.2db
23% Popularity • 73% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
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X Lovers
Play Your Game
144 bpm • F# Maj • 02:41 • -5.39db
23% Popularity • 66% Danceability • 58% Energy • 18% Liveness
0% Instrumentalness • 80% Positiveness
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Trevor Daniel
OMG
142 bpm • B Maj • 02:26 • -7.25db
35% Popularity • 66% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 84% Positiveness
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Evie Irie
Stupid Things
142 bpm • F min • 03:28 • -5.7db
16% Popularity • 64% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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John The Blind
Bottle of Pills
142 bpm • F Maj • 03:22 • -4.81db
14% Popularity • 57% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Restless Modern
Penance
144 bpm • C min • 02:50 • -7db
22% Popularity • 68% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Carlie Hanson
Fires
144 bpm • G# Maj • 02:44 • -7db
25% Popularity • 76% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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blackbear
I feel bad
144 bpm • A min • 02:55 • -3db
51% Popularity • 64% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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Trevi Moran
Now You Got Me
144 bpm • C Maj • 03:56 • -5.85db
13% Popularity • 51% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 21% Positiveness
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Nolie
Clever
144 bpm • A min • 02:31 • -11.5db
17% Popularity • 82% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Shaylen
Sprite
142 bpm • F Maj • 02:25 • -6.4db
12% Popularity • 75% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Mike Ruby
Don't Want You Back (wtf)
142 bpm • C# min • 02:50 • -6.54db
8% Popularity • 75% Danceability • 51% Energy • 43% Liveness
0% Instrumentalness • 65% Positiveness
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Emilee
High Hopes
145 bpm • G Maj • 02:52 • -13.69db
27% Popularity • 83% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Tate McRae
don't be sad
145 bpm • C# Maj • 02:23 • -6.18db
52% Popularity • 69% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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EBEN
Sad Song
145 bpm • C# Maj • 02:55 • -5.44db
18% Popularity • 71% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Broderick Jones
Facetime
145 bpm • E Maj • 03:21 • -8.98db
10% Popularity • 82% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Maggie Andrew
Sleep 4Ever
145 bpm • B Maj • 02:42 • -5.92db
33% Popularity • 72% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Gavin Haley
It's Getting Worse
145 bpm • G# Maj • 02:45 • -6.41db
17% Popularity • 65% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Goody Grace
If I Want To
145 bpm • E Maj • 02:36 • -3.92db
29% Popularity • 53% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Bonbon Anglais
Stalemate
141 bpm • A# min • 04:09 • -9db
11% Popularity • 68% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Alec Wigdahl
Cologne
141 bpm • F# min • 02:48 • -8.97db
35% Popularity • 73% Danceability • 50% Energy • 11% Liveness
2% Instrumentalness • 62% Positiveness
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Dava
New Ceilings
146 bpm • G# Maj • 03:06 • -6db
13% Popularity • 66% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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MAX
Missed Calls
146 bpm • C# Maj • 02:34 • -6.65db
30% Popularity • 69% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Leo Bhanji
White Hills
146 bpm • B Maj • 02:02 • -6.93db
11% Popularity • 70% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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JVCKJ
STEP UP
140 bpm • F min • 02:34 • -9.31db
9% Popularity • 82% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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jackson lee morgan
time to let go
146 bpm • E min • 03:28 • -9.35db
9% Popularity • 63% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Cannon
CONVERSATIONS
146 bpm • F min • 03:15 • -10.73db
14% Popularity • 65% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
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Mac Hunt
Haircut
140 bpm • E Maj • 02:58 • -8.16db
23% Popularity • 63% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Sonia Ammar
I Don't Know
140 bpm • A# min • 03:14 • -9.64db
17% Popularity • 73% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Valid Point.
Fiji
140 bpm • G# Maj • 02:30 • -6.8db
10% Popularity • 80% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Jesse Aicher
Last Night, 4 Years Ago
140 bpm • B Maj • 03:15 • -6.91db
22% Popularity • 63% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Gavin Haley
Love That's Left
140 bpm • C Maj • 02:33 • -6db
8% Popularity • 82% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
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Alex Devon
Mood Change
140 bpm • F# min • 03:01 • -8.78db
6% Popularity • 62% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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HAVEN
Be With You
146 bpm • E min • 02:55 • -3.99db
18% Popularity • 68% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Cameron Dallas
Used To Me
140 bpm • C Maj • 02:54 • -10db
22% Popularity • 82% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Wesley Tucker
Weakness
146 bpm • F min • 02:59 • -4.66db
4% Popularity • 67% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
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Jordyn Jones
Love You Less
140 bpm • A# Maj • 02:49 • -13.33db
15% Popularity • 78% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Zachary Knowles
super sad songs
140 bpm • C# min • 03:29 • -10.18db
28% Popularity • 47% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Mallory Merk
Fresh Out
140 bpm • D Maj • 03:28 • -3.37db
5% Popularity • 67% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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B. Chaps
Don't Stop
140 bpm • A# Maj • 02:59 • -11.57db
13% Popularity • 85% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 77% Positiveness
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Roman Rouge
I Cry
140 bpm • D Maj • 03:30 • -7.64db
18% Popularity • 60% Danceability • 54% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Emily Burns
Press Pause
140 bpm • E Maj • 02:25 • -5.88db
12% Popularity • 75% Danceability • 46% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Alex Angelo
Kick It (3am)
140 bpm • G Maj • 02:35 • -7.69db
10% Popularity • 67% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Carlie Hanson
Stealing All My Friends
147 bpm • A Maj • 02:41 • -10.53db
24% Popularity • 61% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Sam Fischer
Everybody's Got Somebody
139 bpm • G Maj • 03:10 • -8db
25% Popularity • 57% Danceability • 59% Energy • 49% Liveness
0% Instrumentalness • 41% Positiveness
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Bryce Vine
It Falls Apart
139 bpm • D Maj • 02:21 • -5.89db
39% Popularity • 73% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Johan Lenox
no one wants to dance anymore
139 bpm • G Maj • 02:49 • -4.55db
22% Popularity • 59% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Grady
when you're lonely
139 bpm • F min • 03:23 • -8.42db
9% Popularity • 45% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Chris LaRocca
In My Ends
148 bpm • F# min • 02:53 • -4.11db
13% Popularity • 65% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Louyah
Drift
148 bpm • C# min • 03:11 • -5.25db
15% Popularity • 76% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Alec Wigdahl
Lipstick
148 bpm • A Maj • 02:55 • -7.5db
22% Popularity • 80% Danceability • 39% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Cameron Dallas
Helpless
148 bpm • A Maj • 02:45 • -8db
23% Popularity • 70% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Olivia O'Brien
NOW
148 bpm • G min • 03:02 • -4.11db
47% Popularity • 76% Danceability • 78% Energy • 24% Liveness
0% Instrumentalness • 81% Positiveness
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AJ Mitchell
Unstoppable
138 bpm • G# min • 03:15 • -7.15db
27% Popularity • 76% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Emily Weisband
Dumber
138 bpm • C Maj • 03:30 • -6.56db
11% Popularity • 68% Danceability • 49% Energy • 4% Liveness
0% Instrumentalness • 56% Positiveness
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Emma Oliver
i'm sorry, i miss you
138 bpm • B Maj • 02:55 • -7db
21% Popularity • 55% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Harry Hudson
Closing Doors
138 bpm • G Maj • 02:26 • -8db
31% Popularity • 50% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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EBEN
Bad Drug
149 bpm • D Maj • 02:43 • -8.27db
12% Popularity • 58% Danceability • 59% Energy • 39% Liveness
0% Instrumentalness • 29% Positiveness
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Jack Duff
Bad For Me
137 bpm • F# min • 02:49 • -9.44db
20% Popularity • 76% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Aaron Carpenter
Chase
137 bpm • B Maj • 03:18 • -7.21db
29% Popularity • 82% Danceability • 57% Energy • 51% Liveness
0% Instrumentalness • 54% Positiveness
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Sam Setton
My Dream Girl Is My Ex Now
137 bpm • G Maj • 02:55 • -7.12db
23% Popularity • 54% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Restless Modern
It's Just Quiet
150 bpm • G# min • 02:36 • -9.17db
11% Popularity • 43% Danceability • 38% Energy • 24% Liveness
6% Instrumentalness • 13% Positiveness
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Rapta
Farewell
150 bpm • C Maj • 04:38 • -7db
20% Popularity • 76% Danceability • 59% Energy • 2% Liveness
0% Instrumentalness • 18% Positiveness
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Cameron Dallas
Secrets
150 bpm • A# Maj • 02:44 • -5.22db
23% Popularity • 83% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Leah Sykes
Surprise
150 bpm • F# Maj • 02:47 • -7.81db
12% Popularity • 74% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Aaron Carpenter
Next
150 bpm • A# min • 02:31 • -6.15db
11% Popularity • 49% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Florian Picasso
Like You Do
150 bpm • E min • 03:12 • -6db
16% Popularity • 38% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Brendan Bennett
It Gets Better
150 bpm • D Maj • 02:45 • -9.43db
19% Popularity • 68% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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will hyde
easy for u.
150 bpm • F# min • 02:16 • -6db
27% Popularity • 69% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Brandon Andre
goodbye.
150 bpm • D Maj • 03:28 • -7db
17% Popularity • 66% Danceability • 85% Energy • 38% Liveness
0% Instrumentalness • 76% Positiveness
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benny mayne
HURT ME
150 bpm • D Maj • 02:30 • -6.99db
19% Popularity • 77% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Alex Frew
Get Out Alive
150 bpm • C Maj • 03:11 • -5.78db
23% Popularity • 66% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Alec Wigdahl
Summer Is Over
150 bpm • D Maj • 02:40 • -6.16db
24% Popularity • 85% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 96% Positiveness
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Kwaku
Faults
150 bpm • G# Maj • 02:22 • -6.63db
16% Popularity • 74% Danceability • 66% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Black Atlass
Do For Love
150 bpm • F Maj • 02:39 • -8.37db
35% Popularity • 55% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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AJ Mitchell
Spring Break
136 bpm • A Maj • 02:59 • -6.82db
32% Popularity • 88% Danceability • 60% Energy • 27% Liveness
0% Instrumentalness • 72% Positiveness
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Cameron Dallas
Comets Interlude
136 bpm • A min • 01:55 • -10.81db
7% Popularity • 38% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Alex Huston
Mixed Signals
136 bpm • E Maj • 03:06 • -8db
12% Popularity • 89% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 94% Positiveness
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Christian French
make or break up
136 bpm • G# Maj • 03:06 • -8.42db
24% Popularity • 63% Danceability • 45% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Jay Alan
No Lie
151 bpm • B Maj • 03:12 • -4.58db
10% Popularity • 58% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 76% Positiveness
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Joel Blackmon
Get Over You
136 bpm • F Maj • 02:49 • -10.97db
11% Popularity • 55% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Trevor Daniel
Disaster
135 bpm • A min • 02:46 • -8.2db
27% Popularity • 74% Danceability • 52% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Social House
At Least We Can Say That We Tried
151 bpm • D# Maj • 02:36 • -7.8db
35% Popularity • 62% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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ALX
Crash
135 bpm • G min • 02:19 • -7.32db
18% Popularity • 87% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Nodis
Missed Calls, Broken Hearts
151 bpm • C Maj • 02:32 • -9.4db
10% Popularity • 73% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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lexisnothere
Hours
135 bpm • G# min • 02:21 • -14.52db
8% Popularity • 48% Danceability • 26% Energy • 27% Liveness
0% Instrumentalness • 15% Positiveness
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Adam Oh
PLUTO
135 bpm • G Maj • 03:12 • -7.93db
12% Popularity • 70% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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gianni & kyle
wdym
135 bpm • B Maj • 02:43 • -10.33db
28% Popularity • 77% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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kennedi
apology
135 bpm • G# Maj • 03:02 • -10db
12% Popularity • 73% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Harry Hudson
Cut Me Down
135 bpm • B min • 02:36 • -4.63db
23% Popularity • 65% Danceability • 74% Energy • 64% Liveness
0% Instrumentalness • 61% Positiveness
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L Devine
Don't Say It
152 bpm • D Maj • 02:53 • -6db
21% Popularity • 46% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Olivia O'Brien
Sad Together
152 bpm • F Maj • 02:50 • -4.14db
34% Popularity • 65% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Sophia Messa
Ice Cream & Cigarettes
152 bpm • B Maj • 02:46 • -7.07db
18% Popularity • 63% Danceability • 52% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
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Peach Tree Rascals
not ok
152 bpm • A# Maj • 02:46 • -3.92db
29% Popularity • 67% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Dear Scarlett