Songs like Debussy: 2 Arabesques, CD 74, L. 66: No. 1, Andantino con moto by Claude Debussy
Based on a tempo of (+/- 10%) and a similar genre
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Maurice Ravel
Ravel: Miroirs, M. 43: V. La Vallée des...
132 bpm • C# Maj • 06:06 • -33db
39% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
39% Popularity • 44% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Jean Roger-Ducasse
6 Préludes: No. 2. Très calme
132 bpm • B Maj • 01:34 • -35.31db
43% Popularity • 33% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
43% Popularity • 33% Danceability • 1% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
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Claude Debussy
Debussy: 2 Arabesques, CD 74, L. 66: No....
132 bpm • F# min • 04:31 • -29db
48% Popularity • 33% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
48% Popularity • 33% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Frédéric Chopin
Chopin: Scherzo No. 2 in B-Flat Minor, O...
131 bpm • C# Maj • 09:47 • -21.51db
39% Popularity • 38% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
39% Popularity • 38% Danceability • 8% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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AntonÃn Dvořák
Slavonic Dances, Op. 72, B. 145: No. 2 i...
132 bpm • C Maj • 02:01 • -25db
57% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
57% Popularity • 34% Danceability • 5% Energy • 11% Liveness
87% Instrumentalness • 5% Positiveness
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Lang Lang
Bagatelle No. 25 in A Minor, WoO 59 "Fü...
133 bpm • A min • 03:26 • -27.7db
51% Popularity • 24% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
51% Popularity • 24% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
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Andre Caplet
Children's Corner (arr. A. Caplet for or...
131 bpm • C# min • 03:04 • -31db
19% Popularity • 22% Danceability • 1% Energy • 8% Liveness
31% Instrumentalness • 6% Positiveness
19% Popularity • 22% Danceability • 1% Energy • 8% Liveness
31% Instrumentalness • 6% Positiveness
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Bedřich Smetana
3 Polkas de salon, Op. 7, JB 1:60: No. 3...
131 bpm • E Maj • 01:54 • -30db
49% Popularity • 36% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
49% Popularity • 36% Danceability • 3% Energy • 8% Liveness
82% Instrumentalness • 4% Positiveness
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Claude Debussy
Debussy: 2 Arabesques, CD 74, L. 66: No....
133 bpm • F# min • 03:25 • -23.46db
21% Popularity • 27% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
21% Popularity • 27% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
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Frédéric Chopin
Nocturne No. 2 In E Flat, Op. 9 No. 2
133 bpm • A# Maj • 04:02 • -31db
54% Popularity • 33% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
54% Popularity • 33% Danceability • 1% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
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Maurice Ravel
Ravel: Sonatine, M. 40: II. Mouvement de...
131 bpm • C# Maj • 02:56 • -27.01db
34% Popularity • 39% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
34% Popularity • 39% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Alexander Scriabin
3 Pieces, Op. 2: Prelude in B Major, Op....
131 bpm • B Maj • 00:59 • -41db
56% Popularity • 31% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
56% Popularity • 31% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
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Sergei Prokofiev
Piano Concerto No. 3 in C, Op. 26: 1. An...
133 bpm • A min • 09:24 • -16db
46% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
46% Popularity • 35% Danceability • 25% Energy • 8% Liveness
86% Instrumentalness • 10% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
134 bpm • C Maj • 01:17 • -34db
59% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
59% Popularity • 22% Danceability • 1% Energy • 7% Liveness
80% Instrumentalness • 22% Positiveness
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Claude Debussy
Suite Bergamasque, L. 75: III. Clair de ...
133 bpm • C# Maj • 04:39 • -27db
58% Popularity • 36% Danceability • 2% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
58% Popularity • 36% Danceability • 2% Energy • 5% Liveness
93% Instrumentalness • 4% Positiveness
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Frédéric Chopin
Chopin: 24 Preludes, Op. 28: No. 15 in D...
130 bpm • C# Maj • 05:48 • -29.48db
50% Popularity • 40% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
50% Popularity • 40% Danceability • 0% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: No. 7 in F Major, ...
130 bpm • F Maj • 03:06 • -30.17db
60% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
60% Popularity • 50% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 31% Positiveness
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Jean-Philippe Rameau
Les Boréades, RCT 31, Acte IV, Scène I...
130 bpm • C# Maj • 07:01 • -19db
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
35% Popularity • 16% Danceability • 14% Energy • 16% Liveness
19% Instrumentalness • 4% Positiveness
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Lang Lang
The Well-Tempered Clavier, Book 1, BWV 8...
134 bpm • C Maj • 02:19 • -25.42db
63% Popularity • 24% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
63% Popularity • 24% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
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Pyotr Ilyich Tchaikovsky
X. October - Autumn Song
134 bpm • D min • 05:43 • -34db
25% Popularity • 42% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 11% Positiveness
25% Popularity • 42% Danceability • 0% Energy • 8% Liveness
93% Instrumentalness • 11% Positiveness
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Claude Debussy
Debussy: Arabesques, CD 74, L. 66: No. 1...
131 bpm • F# min • 04:21 • -24.19db
23% Popularity • 33% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 17% Positiveness
23% Popularity • 33% Danceability • 6% Energy • 11% Liveness
93% Instrumentalness • 17% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: 13. Le ...
130 bpm • G Maj • 02:45 • -31.63db
59% Popularity • 17% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
59% Popularity • 17% Danceability • 2% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
130 bpm • F Maj • 02:55 • -42.24db
56% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
56% Popularity • 41% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 32% Positiveness
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Edvard Grieg
Lyric Pieces Book I, Op. 12: No. 1 Ariet...
130 bpm • D# Maj • 01:25 • -41db
52% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 37% Positiveness
52% Popularity • 44% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 37% Positiveness
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Lang Lang
24 Préludes, Op. 28: No. 15 in D Flat M...
134 bpm • C# Maj • 06:34 • -22db
27% Popularity • 42% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
27% Popularity • 42% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Johann Christian Bach
Sonata No. 5 in A Major, Op. 17, No. 5: ...
135 bpm • A Maj • 03:38 • -27.59db
41% Popularity • 24% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
41% Popularity • 24% Danceability • 11% Energy • 13% Liveness
90% Instrumentalness • 44% Positiveness
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Claude Debussy
Préludes / Book 1, L.117: 8. La fille a...
135 bpm • F# Maj • 02:21 • -36.79db
37% Popularity • 37% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
37% Popularity • 37% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
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Johann Sebastian Bach
The Well-Tempered Clavier: Book I, BWV 8...
129 bpm • C Maj • 02:17 • -42db
53% Popularity • 12% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
53% Popularity • 12% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 20% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 7. Träumerei
135 bpm • F Maj • 02:30 • -35.8db
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
52% Popularity • 40% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 28% Positiveness
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Georges Bizet
L'Arlésienne Suite No. 2: Menuet
128 bpm • D# Maj • 04:27 • -31.31db
42% Popularity • 27% Danceability • 2% Energy • 10% Liveness
58% Instrumentalness • 25% Positiveness
42% Popularity • 27% Danceability • 2% Energy • 10% Liveness
58% Instrumentalness • 25% Positiveness
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Ignaz Friedman
Orfeo ed Euridice, Act II: Dance of the ...
128 bpm • D min • 04:11 • -34db
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Takashi Yoshimatsu
Noel in Midnight
136 bpm • A# Maj • 02:43 • -30.94db
16% Popularity • 44% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 20% Positiveness
16% Popularity • 44% Danceability • 1% Energy • 8% Liveness
85% Instrumentalness • 20% Positiveness
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Claude Debussy
Deux arabesques, L. 66: No. 1 Andante co...
129 bpm • F# min • 05:30 • -30db
26% Popularity • 35% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
26% Popularity • 35% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: 7. Aqua...
136 bpm • A min • 02:31 • -35.4db
55% Popularity • 19% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
55% Popularity • 19% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 15% Positiveness
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Jean-Philippe Rameau
The Arts and the Hours
136 bpm • C# Maj • 04:45 • -36.7db
64% Popularity • 42% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
64% Popularity • 42% Danceability • 3% Energy • 11% Liveness
94% Instrumentalness • 27% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 1. Von fremden Lä...
128 bpm • G Maj • 01:53 • -41.93db
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
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Edvard Grieg
Lyric Pieces, Op. 57, Book VI: VI. Hjemv...
137 bpm • E min • 04:33 • -34db
44% Popularity • 37% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
44% Popularity • 37% Danceability • 1% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
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Gabriel Fauré
Fauré: Sicilienne, Op. 78
137 bpm • D# Maj • 03:52 • -27.4db
36% Popularity • 22% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 13% Positiveness
36% Popularity • 22% Danceability • 3% Energy • 12% Liveness
96% Instrumentalness • 13% Positiveness
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Claude Debussy
Suite bergamasque, L. 75: III. Clair de ...
135 bpm • C# Maj • 05:30 • -32db
54% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
54% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Gustav Holst
Brook Green Suite: II. Air
127 bpm • F Maj • 02:05 • -22.64db
53% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
53% Popularity • 18% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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César Franck
Franck: Prélude, fugue et variation, Op...
127 bpm • B min • 04:21 • -34.47db
26% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
26% Popularity • 45% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 34% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: XIII. T...
127 bpm • G Maj • 03:06 • -41.41db
35% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
35% Popularity • 17% Danceability • 0% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Dmitri Shostakovich
Tahiti Trot, Op. 16 (orchestral transcri...
138 bpm • G# Maj • 04:09 • -23.16db
48% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
48% Popularity • 29% Danceability • 10% Energy • 28% Liveness
86% Instrumentalness • 19% Positiveness
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Claude Debussy
Préludes / Book 1, L. 117: VIII. La fil...
128 bpm • F# Maj • 02:31 • -33db
51% Popularity • 34% Danceability • 0% Energy • 5% Liveness
90% Instrumentalness • 13% Positiveness
51% Popularity • 34% Danceability • 0% Energy • 5% Liveness
90% Instrumentalness • 13% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19, No. 1
138 bpm • E Maj • 03:14 • -34db
46% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
46% Popularity • 22% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Johann Sebastian Bach
Unaccompanied Cello Suite No. 1 in G maj...
137 bpm • G Maj • 02:30 • -22db
60% Popularity • 33% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 42% Positiveness
60% Popularity • 33% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 42% Positiveness
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Maurice Ravel
Ravel: Pavane pour une infante défunte,...
126 bpm • E min • 05:46 • -27db
60% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
60% Popularity • 49% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Janos Sebestyen
Prelude In C Major, BWV 924 : Praeambulu...
139 bpm • C Maj • 01:07 • -26db
62% Popularity • 27% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 60% Positiveness
62% Popularity • 27% Danceability • 22% Energy • 12% Liveness
85% Instrumentalness • 60% Positiveness
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Gustav Holst
The Planets, Op. 32: II. Venus, the Brin...
139 bpm • G# Maj • 07:09 • -30.69db
24% Popularity • 15% Danceability • 1% Energy • 13% Liveness
86% Instrumentalness • 3% Positiveness
24% Popularity • 15% Danceability • 1% Energy • 13% Liveness
86% Instrumentalness • 3% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D.899: No. 4 in A ...
125 bpm • G# Maj • 08:17 • -27db
50% Popularity • 34% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
50% Popularity • 34% Danceability • 2% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Fanny Mendelssohn
Notturno in G Minor
125 bpm • G min • 04:40 • -27db
33% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
33% Popularity • 40% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Edvard Grieg
Peer Gynt Suite No. 2, Op. 55: IV. Solve...
139 bpm • E min • 04:37 • -30db
33% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
33% Popularity • 40% Danceability • 1% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
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Benjamin Frith
Nocturne No. 12 In G Major, H. 58d: Noct...
125 bpm • G Maj • 02:27 • -32db
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
52% Popularity • 34% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 13% Positiveness
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Janos Sebestyen
Prelude In D Minor, BWV 926 : Prelude In...
126 bpm • G min • 01:15 • -25.58db
65% Popularity • 35% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
65% Popularity • 35% Danceability • 18% Energy • 12% Liveness
90% Instrumentalness • 53% Positiveness
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AntonÃn Dvořák
Gypsy Melodies, Op. 55, B. 104: IV. Song...
125 bpm • D Maj • 02:31 • -25.5db
44% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
44% Popularity • 24% Danceability • 5% Energy • 13% Liveness
82% Instrumentalness • 6% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 2. Etude
140 bpm • A min • 01:12 • -24db
60% Popularity • 33% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 92% Positiveness
60% Popularity • 33% Danceability • 23% Energy • 10% Liveness
90% Instrumentalness • 92% Positiveness
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Maurice Ravel
Ravel: Jeux d'eaux, M. 30
140 bpm • F# min • 05:38 • -21.49db
28% Popularity • 31% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 31% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Philip Glass
Orphée Suite: VI. Orphée's Return
125 bpm • F Maj • 07:51 • -23.59db
44% Popularity • 41% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
44% Popularity • 41% Danceability • 10% Energy • 9% Liveness
89% Instrumentalness • 3% Positiveness
► Preview
Johannes Brahms
16 Waltzes, Op. 39 (1867 version): No. 3...
124 bpm • G# min • 00:52 • -41.7db
65% Popularity • 29% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 69% Positiveness
65% Popularity • 29% Danceability • 1% Energy • 10% Liveness
91% Instrumentalness • 69% Positiveness
► Preview
Giacomo Puccini
Gianni Schicchi, SC 88: "O mio babbino c...
124 bpm • G# Maj • 02:49 • -24db
27% Popularity • 35% Danceability • 6% Energy • 8% Liveness
86% Instrumentalness • 11% Positiveness
27% Popularity • 35% Danceability • 6% Energy • 8% Liveness
86% Instrumentalness • 11% Positiveness
► Preview
Robert Schumann
Kinderszenen, Op. 15: 12. Kind im Einsch...
123 bpm • E min • 02:23 • -40db
48% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
48% Popularity • 40% Danceability • 0% Energy • 7% Liveness
96% Instrumentalness • 10% Positiveness
► Preview
Jean Sibelius
13 Pieces, Op. 76: No. 1 Esquisse
141 bpm • A Maj • 00:55 • -25.06db
54% Popularity • 29% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 54% Positiveness
54% Popularity • 29% Danceability • 10% Energy • 10% Liveness
93% Instrumentalness • 54% Positiveness
► Preview
Lavinia Meijer
Suite bergamasque, L. 75: III. Clair de ...
141 bpm • C# Maj • 04:38 • -26db
40% Popularity • 37% Danceability • 2% Energy • 24% Liveness
89% Instrumentalness • 4% Positiveness
40% Popularity • 37% Danceability • 2% Energy • 24% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Gabriel Fauré
Sicilienne, Op. 78
123 bpm • D# Maj • 03:31 • -25db
52% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
52% Popularity • 29% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
► Preview
Johann Sebastian Bach
The Well-Tempered Clavier, Book 1, BWV 8...
121 bpm • C Maj • 03:53 • -25.76db
41% Popularity • 34% Danceability • 10% Energy • 13% Liveness
85% Instrumentalness • 15% Positiveness
41% Popularity • 34% Danceability • 10% Energy • 13% Liveness
85% Instrumentalness • 15% Positiveness
► Preview
Frédéric Chopin
Nocturne en Mi Bémol Majeur, Op. 9 No. ...
120 bpm • D# Maj • 04:28 • -24.7db
61% Popularity • 43% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
61% Popularity • 43% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Edvard Grieg
Arietta
142 bpm • D# Maj • 01:38 • -26.7db
51% Popularity • 40% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 19% Positiveness
51% Popularity • 40% Danceability • 1% Energy • 15% Liveness
94% Instrumentalness • 19% Positiveness
► Preview
Franz Schubert
Winterreise, Op. 89, D. 911: No. 21, Tau...
119 bpm • A Maj • 01:24 • -35.9db
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
56% Popularity • 31% Danceability • 1% Energy • 7% Liveness
82% Instrumentalness • 12% Positiveness
► Preview
Lavinia Meijer
Dances for Harp and Orchestra, L. 103: 2...
142 bpm • G Maj • 04:39 • -21.07db
53% Popularity • 27% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
53% Popularity • 27% Danceability • 7% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Camille Saint-Saëns
Carnival of the Animals, R. 125: The Swa...
118 bpm • G Maj • 03:04 • -33.12db
60% Popularity • 21% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
60% Popularity • 21% Danceability • 1% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
► Preview
Tom Peters
Suite bergamsque, L. 75: III. Clair de l...
147 bpm • C# Maj • 04:24 • -22.94db
27% Popularity • 67% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
27% Popularity • 67% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 14% Positiveness
► Preview
Franz Liszt
Mendelssohns Lieder, S. 547: Auf Flugeln...
149 bpm • G# Maj • 03:19 • -30.75db
53% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
53% Popularity • 30% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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Edward Elgar
Sospiri, Op. 70
117 bpm • F Maj • 05:07 • -30db
38% Popularity • 17% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
38% Popularity • 17% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Ottorino Respighi
Gli uccelli (The Birds), P. 154: V. Il c...
117 bpm • A Maj • 04:22 • -20.39db
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
42% Popularity • 26% Danceability • 7% Energy • 33% Liveness
44% Instrumentalness • 14% Positiveness
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Traditional
Scarborough Fair (Arr. Parkin for Cello ...
117 bpm • D Maj • 03:14 • -30.56db
53% Popularity • 31% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 25% Positiveness
53% Popularity • 31% Danceability • 3% Energy • 12% Liveness
90% Instrumentalness • 25% Positiveness
► Preview
Maurice Ravel
Ma mère l'Oye, M. 60: I. Pavane de la b...
116 bpm • C Maj • 01:33 • -47.07db
47% Popularity • 43% Danceability • 0% Energy • 4% Liveness
80% Instrumentalness • 29% Positiveness
47% Popularity • 43% Danceability • 0% Energy • 4% Liveness
80% Instrumentalness • 29% Positiveness
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Sergei Rachmaninoff
Prélude in C-Sharp Minor, Op. 3, No. 2
115 bpm • F# min • 03:43 • -19db
45% Popularity • 52% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
45% Popularity • 52% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Domenico Scarlatti
Keyboard Sonata in B-Flat Major, K.266/L...
151 bpm • A# Maj • 05:28 • -29.68db
27% Popularity • 24% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
27% Popularity • 24% Danceability • 5% Energy • 10% Liveness
88% Instrumentalness • 18% Positiveness
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Robert Schumann
No. 7, Träumerei
114 bpm • F Maj • 02:54 • -38db
39% Popularity • 47% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 37% Positiveness
39% Popularity • 47% Danceability • 1% Energy • 7% Liveness
94% Instrumentalness • 37% Positiveness
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Johann Sebastian Bach
Orchestral Suite No. 3 in D Major, BWV 1...
115 bpm • D Maj • 05:27 • -26.76db
50% Popularity • 50% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 13% Positiveness
50% Popularity • 50% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 13% Positiveness
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Antonio Vivaldi
Concerto for Lute, 2 Violins and Continu...
114 bpm • D Maj • 05:09 • -20db
50% Popularity • 35% Danceability • 10% Energy • 14% Liveness
74% Instrumentalness • 21% Positiveness
50% Popularity • 35% Danceability • 10% Energy • 14% Liveness
74% Instrumentalness • 21% Positiveness
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Edward Elgar
Enigma Variations, Op. 36: Theme. Andant...
113 bpm • G min • 01:58 • -33db
50% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
50% Popularity • 18% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
Rachmaninov: 10 Preludes, Op. 23: No. 5 ...
113 bpm • G min • 03:47 • -22db
28% Popularity • 42% Danceability • 15% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
28% Popularity • 42% Danceability • 15% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
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Felix Mendelssohn
Lieder ohne Worte, Op. 19: No. 6 in G Mi...
168 bpm • G min • 01:58 • -37db
55% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
55% Popularity • 30% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 19% Positiveness
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Jean Sibelius
13 Pieces for Piano, Op. 76: Elegiaco, N...
169 bpm • E Maj • 01:32 • -33.11db
47% Popularity • 24% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
47% Popularity • 24% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 14% Positiveness
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Amy Beach
Young Birches, Op. 128, No. 2
170 bpm • F# min • 02:39 • -29.55db
51% Popularity • 24% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
51% Popularity • 24% Danceability • 8% Energy • 8% Liveness
94% Instrumentalness • 19% Positiveness
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Claude Debussy
Debussy: Fantaisie for Piano and Orchest...
170 bpm • D Maj • 07:22 • -20.69db
12% Popularity • 17% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
12% Popularity • 17% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Max Bruch
Violin Concerto No. 1 in G minor, Op. 26...
170 bpm • D# Maj • 07:53 • -21db
41% Popularity • 17% Danceability • 10% Energy • 9% Liveness
63% Instrumentalness • 5% Positiveness
41% Popularity • 17% Danceability • 10% Energy • 9% Liveness
63% Instrumentalness • 5% Positiveness
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Ottorino Respighi
Antiche danze ed arie per liuto, Suite N...
172 bpm • A# Maj • 03:14 • -26db
39% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
39% Popularity • 10% Danceability • 8% Energy • 35% Liveness
80% Instrumentalness • 14% Positiveness
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Lang Lang
Lieder ohne Worte, Op. 67: No. 4 in C Ma...
173 bpm • C Maj • 01:49 • -20db
52% Popularity • 26% Danceability • 37% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness
52% Popularity • 26% Danceability • 37% Energy • 11% Liveness
92% Instrumentalness • 48% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
The Seasons, Op. 37a, TH 135: No. 6 in G...
170 bpm • G min • 04:59 • -30db
35% Popularity • 29% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
35% Popularity • 29% Danceability • 2% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
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Johannes Brahms
Symphony No. 3 in F Major, Op. 90: III. ...
173 bpm • C min • 06:14 • -28.78db
50% Popularity • 8% Danceability • 2% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
50% Popularity • 8% Danceability • 2% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
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Carl Maria von Weber
7 Variations on the Air Vien qua, Dorina...
173 bpm • C Maj • 01:34 • -35db
61% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
61% Popularity • 23% Danceability • 1% Energy • 10% Liveness
86% Instrumentalness • 24% Positiveness
► Preview
Nora Mercz
Petite Suite No. 1: En bateau (arr. for ...
173 bpm • G Maj • 04:15 • -27.64db
26% Popularity • 16% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
26% Popularity • 16% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
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Robert Schumann
Schumann: 6 Studien in kanonischer Form,...
173 bpm • C Maj • 02:05 • -37db
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
49% Popularity • 8% Danceability • 4% Energy • 7% Liveness
94% Instrumentalness • 26% Positiveness
► Preview
Peter Warlock
Capriol Suite: 5. Pied-en- l'air
174 bpm • G Maj • 02:24 • -30db
53% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
53% Popularity • 8% Danceability • 6% Energy • 31% Liveness
87% Instrumentalness • 4% Positiveness
► Preview
Camille Saint-Saëns
Saint-Saëns: Carnival of the Animals, R...
175 bpm • G Maj • 02:49 • -28.78db
25% Popularity • 9% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 4% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
