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Defenceless
Songs like
Defenceless
by
Louis Tomlinson
Based on a tempo of (+/- 10%) and a similar genre
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Louis Tomlinson
Defenceless
119 bpm • B Maj • 03:43 • -5.87db
57% Popularity • 64% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Isaac Anderson
Light Me In Red
119 bpm • G# Maj • 02:52 • -5.06db
20% Popularity • 59% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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R5
Heart Made Up On You
119 bpm • F min • 02:59 • -5.39db
51% Popularity • 75% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 74% Positiveness
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Luke Hemmings
Starting Line
120 bpm • D Maj • 04:30 • -5.31db
53% Popularity • 26% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Ashe
Moral of the Story - Bonus Track
120 bpm • A# Maj • 03:18 • -8.9db
70% Popularity • 58% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Jillian Rossi
Fever Dream
120 bpm • D Maj • 02:51 • -8.47db
50% Popularity • 56% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Louis Tomlinson
Kill My Mind - Track By Track
119 bpm • C# min • 01:23 • -20.39db
19% Popularity • 72% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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One Direction
Olivia
118 bpm • F# Maj • 02:57 • -5.36db
68% Popularity • 64% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Liam Payne
Bedroom Floor
120 bpm • C# Maj • 03:08 • -7.15db
51% Popularity • 62% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Harry Styles
Love Of My Life
118 bpm • G Maj • 03:11 • -8.23db
72% Popularity • 56% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 20% Positiveness
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Taylor Swift
dorothea
120 bpm • E Maj • 03:45 • -8.33db
60% Popularity • 61% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Jonas Brothers
Hesitate
118 bpm • D Maj • 03:28 • -7db
54% Popularity • 62% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Louis Tomlinson
Change
120 bpm • E Maj • 04:42 • -10.36db
53% Popularity • 59% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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FINNEAS
Shelter
120 bpm • D# min • 03:07 • -10.04db
48% Popularity • 89% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Steve Aoki
Just Hold On - TJH87 Remix
120 bpm • B Maj • 04:56 • -5.31db
24% Popularity • 55% Danceability • 84% Energy • 14% Liveness
3% Instrumentalness • 12% Positiveness
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Omar Rudberg
Symphony
120 bpm • F# Maj • 02:49 • -5.74db
45% Popularity • 69% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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THE DRIVER ERA
Preacher Man
120 bpm • C# Maj • 03:39 • -3.93db
53% Popularity • 69% Danceability • 95% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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Taylor Grey
Fallin'
118 bpm • A# Maj • 04:44 • -8.32db
12% Popularity • 75% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Michael Schulte
Someone
120 bpm • A# Maj • 03:37 • -4.36db
38% Popularity • 66% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Alexander 23
Cry Over Boys
118 bpm • G Maj • 02:50 • -13.55db
53% Popularity • 86% Danceability • 25% Energy • 53% Liveness
0% Instrumentalness • 38% Positiveness
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Johnny Orlando
everything i hate about you
120 bpm • B Maj • 03:27 • -7.71db
33% Popularity • 71% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Louis Tomlinson
That's The Way Love Goes
120 bpm • F# Maj • 02:30 • -6.27db
53% Popularity • 58% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Steve Aoki
Just Hold On - Rain Man Remix
120 bpm • B Maj • 03:09 • -4.79db
23% Popularity • 50% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Mimi Webb
I'll Break My Heart Again
118 bpm • G# Maj • 03:35 • -8.53db
44% Popularity • 58% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Ashe
Taylor
118 bpm • B Maj • 02:47 • -10.02db
39% Popularity • 64% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Jonah Kagen
Wish You Did
118 bpm • C# min • 02:50 • -6db
39% Popularity • 42% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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One Direction
Stockholm Syndrome
121 bpm • D Maj • 03:34 • -4.96db
69% Popularity • 68% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Louis Tomlinson
Walls - Track By Track
120 bpm • F# Maj • 01:46 • -20.57db
18% Popularity • 74% Danceability • 14% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Sasha Alex Sloan
Glad You Did
121 bpm • E Maj • 03:11 • -10.98db
45% Popularity • 71% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Maggie Lindemann
Love Songs
121 bpm • F# Maj • 02:26 • -10.39db
40% Popularity • 55% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Luke Hemmings
Saigon
117 bpm • D min • 03:41 • -5.47db
54% Popularity • 60% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Isaac Anderson
No More Days Alone
121 bpm • D Maj • 03:08 • -4.41db
30% Popularity • 77% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 70% Positiveness
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Sarah Cothran
Don't Want My Heart
117 bpm • C Maj • 02:52 • -4.77db
41% Popularity • 62% Danceability • 60% Energy • 43% Liveness
0% Instrumentalness • 22% Positiveness
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ZAYN
Tonight
122 bpm • A# Maj • 03:40 • -5db
50% Popularity • 64% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Alexander 23
Come Here and Leave Me Alone
117 bpm • C# min • 03:06 • -12.4db
40% Popularity • 69% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Sara Kays
Traffic Lights
122 bpm • B Maj • 03:24 • -7.63db
49% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Lexi Jayde
If I Really Love You
122 bpm • C Maj • 03:14 • -14.1db
47% Popularity • 50% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Victoria Justice
Treat Myself
122 bpm • E min • 02:42 • -5.7db
41% Popularity • 79% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Liam Payne
Say It All
122 bpm • F# Maj • 03:27 • -4.69db
37% Popularity • 62% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Harry Styles
Carolina
122 bpm • E min • 03:09 • -4.02db
65% Popularity • 62% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Hailee Steinfeld
Afterlife
122 bpm • C# min • 03:29 • -4.73db
55% Popularity • 67% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Ashton Irwin
Perfect Lie - LIVE
116 bpm • A Maj • 05:00 • -10db
15% Popularity • 61% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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R5
If
116 bpm • G Maj • 03:11 • -5.73db
40% Popularity • 65% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Bryce Xavier
Romeo
122 bpm • D# Maj • 03:03 • -13.66db
36% Popularity • 57% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Luke Hemmings
Repeat
115 bpm • G Maj • 03:32 • -10db
46% Popularity • 45% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Harry Styles
Treat People With Kindness
122 bpm • F Maj • 03:17 • -3.73db
65% Popularity • 65% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Ashe
Me Without You
123 bpm • B Maj • 03:09 • -8.67db
40% Popularity • 74% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Ashton Irwin
Perfect Lie
116 bpm • A Maj • 04:14 • -9db
32% Popularity • 65% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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One Direction
Where Do Broken Hearts Go
123 bpm • E Maj • 03:49 • -3.72db
66% Popularity • 56% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Wayfarers
Swimming in Stars
115 bpm • F# Maj • 03:18 • -6.04db
43% Popularity • 56% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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We Three
Nightlight
115 bpm • C Maj • 03:18 • -8db
41% Popularity • 75% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Yoandri
Cherry on Top
115 bpm • E Maj • 03:45 • -7.09db
26% Popularity • 70% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Jorge Blanco
Hot Damn
115 bpm • G# min • 02:58 • -5.16db
14% Popularity • 70% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Stephen Sanchez
Missing You
115 bpm • C min • 03:55 • -12.19db
56% Popularity • 64% Danceability • 34% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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One Direction
Ready to Run
115 bpm • D Maj • 03:16 • -4.17db
63% Popularity • 52% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Lauren Cimorelli
Atom Bomb
115 bpm • F Maj • 03:28 • -5.79db
34% Popularity • 68% Danceability • 59% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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Kodaline
Spend It With You
115 bpm • C# Maj • 03:20 • -10.76db
45% Popularity • 30% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Jonas Brothers
Rollercoaster
124 bpm • B min • 03:01 • -7.99db
57% Popularity • 70% Danceability • 58% Energy • 39% Liveness
0% Instrumentalness • 47% Positiveness
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Here At Last
Remedy
124 bpm • D Maj • 02:35 • -10.59db
35% Popularity • 70% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Sara Kays
I’m Okay Though
124 bpm • C Maj • 03:02 • -6.68db
39% Popularity • 66% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
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One Direction
Wolves
123 bpm • F Maj • 04:01 • -4.24db
61% Popularity • 63% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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Luke Hemmings
Baby Blue
124 bpm • C Maj • 03:43 • -3.85db
56% Popularity • 54% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Only The Poets
stolen bikes - demo
124 bpm • C Maj • 03:39 • -5.59db
34% Popularity • 65% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Niall Horan
Cross Your Mind
124 bpm • C# Maj • 03:48 • -3.96db
59% Popularity • 63% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 76% Positiveness
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Louis Tomlinson
Written All Over Your Face
124 bpm • C Maj • 02:40 • -4.54db
62% Popularity • 75% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Jonas Blue
Polaroid
114 bpm • G min • 03:13 • -4.48db
63% Popularity • 65% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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One Direction
Walking in the Wind
115 bpm • G# Maj • 03:22 • -6.59db
64% Popularity • 69% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Sofia Carson
Blue Side of the Sky
114 bpm • E min • 03:02 • -4.16db
53% Popularity • 70% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Harry Styles
Only Angel
114 bpm • F Maj • 04:51 • -4.11db
65% Popularity • 55% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Madison Beer
Blue
114 bpm • G Maj • 03:49 • -7.86db
51% Popularity • 64% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Louis Tomlinson
Lucky Again
124 bpm • D Maj • 03:27 • -4.69db
57% Popularity • 71% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Tom Shawcroft
Bitter Irony
114 bpm • A min • 03:23 • -8db
11% Popularity • 86% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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THE DRIVER ERA
Heaven Angel
114 bpm • F Maj • 03:39 • -4.52db
54% Popularity • 75% Danceability • 79% Energy • 66% Liveness
2% Instrumentalness • 78% Positiveness
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Lexi Jayde
Oldest Teenager
114 bpm • C# Maj • 03:16 • -12.6db
40% Popularity • 65% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Cate
Funny Story
114 bpm • F# Maj • 02:55 • -5.76db
39% Popularity • 67% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Lindsay Liebro
Wasted Potential
114 bpm • E Maj • 03:49 • -5db
32% Popularity • 71% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Nicholas Galitzine
Comfort
125 bpm • G Maj • 03:22 • -10db
51% Popularity • 72% Danceability • 56% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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Sofia Carson
I Hate the Way
125 bpm • A min • 03:13 • -5db
59% Popularity • 63% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
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Felicia Lu
Just Fine
125 bpm • E Maj • 02:59 • -5.4db
24% Popularity • 67% Danceability • 84% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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Dua Lipa
Boys Will Be Boys
125 bpm • D# Maj • 02:46 • -5.95db
56% Popularity • 77% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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1dVault
Where We Are
125 bpm • C Maj • 03:40 • -8.11db
49% Popularity • 63% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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FINNEAS
Mona Lisa, Mona Lisa
125 bpm • C Maj • 02:52 • -6.84db
51% Popularity • 74% Danceability • 52% Energy • 58% Liveness
2% Instrumentalness • 65% Positiveness
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Louis Tomlinson
Headline
125 bpm • G Maj • 02:53 • -3.64db
54% Popularity • 64% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Lewis Capaldi
Hollywood
125 bpm • A# Maj • 03:11 • -4.9db
55% Popularity • 72% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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ZAYN
Outside
113 bpm • B Maj • 03:28 • -9.41db
52% Popularity • 48% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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FLETCHER
On Fire Again
113 bpm • D Maj • 03:03 • -7.32db
41% Popularity • 63% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Omar Rudberg
It Takes A Fool To Remain Sane
126 bpm • C Maj • 02:57 • -7.22db
53% Popularity • 68% Danceability • 83% Energy • 37% Liveness
0% Instrumentalness • 56% Positiveness
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Kodaline
Wherever You Are
126 bpm • E Maj • 03:05 • -7.05db
53% Popularity • 52% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Louis Tomlinson
Two of Us - Acoustic
126 bpm • C Maj • 03:46 • -8db
42% Popularity • 71% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Only The Poets
ceasefire - demo
126 bpm • F Maj • 03:52 • -9.08db
40% Popularity • 59% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Christian Leave
Can't Help Falling in Love
126 bpm • C Maj • 02:15 • -7.2db
52% Popularity • 61% Danceability • 27% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
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Taylor Swift
gold rush
112 bpm • A Maj • 03:05 • -10.49db
71% Popularity • 51% Danceability • 46% Energy • 12% Liveness
17% Instrumentalness • 35% Positiveness
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Here At Last
Tongue
112 bpm • D Maj • 02:42 • -4.88db
33% Popularity • 85% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Johnny Orlando
Flaws
112 bpm • D Maj • 03:45 • -6.87db
35% Popularity • 64% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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david hugo
Dangerous
112 bpm • F# min • 02:51 • -7.33db
41% Popularity • 83% Danceability • 58% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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Only The Poets
Every Song I Ever Wrote
112 bpm • D# Maj • 03:17 • -4.68db
42% Popularity • 66% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Lewis Capaldi
Before You Go
112 bpm • D# Maj • 03:35 • -4.86db
84% Popularity • 46% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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The Academic
I Feel It Too
127 bpm • F Maj • 03:39 • -3.51db
40% Popularity • 56% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Sara Kays
Home for the Summer
127 bpm • E Maj • 02:35 • -9.86db
53% Popularity • 68% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Niall Horan
Since We're Alone
127 bpm • C# Maj • 04:02 • -7.99db
59% Popularity • 71% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Defenceless