Songs like Defense by Wonu Ogunfowora
Based on a tempo of (+/- 10%) and a similar genre
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Matt Doyle
Stroke by Stroke
108 bpm • D Maj • 03:41 • -6db
14% Popularity • 52% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 52% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Derek Klena
Dreamer in Disguise
108 bpm • G# Maj • 01:39 • -17.96db
32% Popularity • 48% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 48% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Original StarKid Cast of Twisted
If I Believed
108 bpm • D Maj • 01:57 • -9db
35% Popularity • 43% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
35% Popularity • 43% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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NaTasha Yvette Williams
Watch Your Back
108 bpm • G# Maj • 03:27 • -6.56db
25% Popularity • 76% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 76% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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Brooks Ashmanskas
Barry Is Going to Prom
108 bpm • C Maj • 02:33 • -5.7db
16% Popularity • 55% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 55% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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Steven Boyer
Happy for Her
107 bpm • A# Maj • 02:31 • -11db
26% Popularity • 60% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
26% Popularity • 60% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 79% Positiveness
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Wonu Ogunfowora
Defense
108 bpm • G min • 03:57 • -7.28db
18% Popularity • 62% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
18% Popularity • 62% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Erika Henningsen
It Roars
107 bpm • A# Maj • 03:31 • -5db
52% Popularity • 54% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
52% Popularity • 54% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Amina Faye
Oh Well
107 bpm • G# Maj • 05:30 • -8.06db
14% Popularity • 50% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 50% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Jason Gotay
Women and Sandwiches
107 bpm • G# Maj • 03:24 • -7.62db
28% Popularity • 73% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
28% Popularity • 73% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Ariana DeBose
Alyssa Greene
107 bpm • C# Maj • 02:20 • -9db
39% Popularity • 53% Danceability • 37% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 53% Danceability • 37% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
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Original StarKid Cast of The Trail To Oregon!
You Gotta Go (Daughter)
109 bpm • B Maj • 03:12 • -9.2db
15% Popularity • 41% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 41% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Original StarKid Cast of Twisted
I Steal Everything
109 bpm • F Maj • 03:07 • -8.68db
33% Popularity • 66% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 66% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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Sarah Charles Lewis
Everlasting
106 bpm • A# Maj • 02:43 • -10.45db
25% Popularity • 51% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 51% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Molly Ranson
Carrie
110 bpm • D Maj • 04:09 • -5.11db
39% Popularity • 44% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
39% Popularity • 44% Danceability • 56% Energy • 30% Liveness
0% Instrumentalness • 40% Positiveness
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Rebecca Lock
Shine a Light
110 bpm • A Maj • 02:34 • -4.14db
37% Popularity • 72% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
37% Popularity • 72% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 82% Positiveness
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Lauren Zakrin
Kathryn's Turn Medley
106 bpm • A min • 05:26 • -9db
20% Popularity • 53% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 53% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Andrew Keenan-Bolger
Top of the World
106 bpm • D Maj • 02:36 • -9.48db
33% Popularity • 64% Danceability • 48% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 64% Danceability • 48% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
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Priscilla Lopez
Enough
106 bpm • C# Maj • 02:38 • -6.68db
35% Popularity • 84% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
35% Popularity • 84% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Daniella Bowen
Look to the Sky
106 bpm • A min • 02:58 • -7.25db
7% Popularity • 72% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
7% Popularity • 72% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Original Cast of Amélie
When The Booth Goes Bright
110 bpm • F Maj • 03:05 • -8db
24% Popularity • 40% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 40% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Jason Tam
Be More Chill, Pt. 2
110 bpm • E Maj • 02:14 • -7.56db
24% Popularity • 55% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
24% Popularity • 55% Danceability • 41% Energy • 21% Liveness
0% Instrumentalness • 52% Positiveness
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Krystina Alabado
Moving On
111 bpm • A# Maj • 05:45 • -7.37db
17% Popularity • 54% Danceability • 34% Energy • 3% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 54% Danceability • 34% Energy • 3% Liveness
0% Instrumentalness • 38% Positiveness
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Sarah Charles Lewis
The Wheel
105 bpm • D# Maj • 04:18 • -12.44db
27% Popularity • 47% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 47% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Jonathan Raviv
Their Sign
105 bpm • E Maj • 03:00 • -9.73db
38% Popularity • 60% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 60% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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Barrett Wilbert Weed
A Cautionary Tale
105 bpm • D min • 01:36 • -4.21db
55% Popularity • 55% Danceability • 74% Energy • 55% Liveness
0% Instrumentalness • 42% Positiveness
55% Popularity • 55% Danceability • 74% Energy • 55% Liveness
0% Instrumentalness • 42% Positiveness
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Grace McLean
A Call to Pierre
111 bpm • E min • 02:22 • -7.25db
34% Popularity • 65% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 65% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
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Will Roland
Two-Player Game
112 bpm • D Maj • 04:02 • -7db
28% Popularity • 59% Danceability • 62% Energy • 60% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 59% Danceability • 62% Energy • 60% Liveness
0% Instrumentalness • 58% Positiveness
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'Twelfth Night' Company
Word On The Street
104 bpm • C Maj • 01:04 • -7.84db
19% Popularity • 63% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 63% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Heidi Blickenstaff
What You Got
112 bpm • G Maj • 03:00 • -5db
30% Popularity • 74% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 74% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Carrie Compere
The Oracle
111 bpm • F min • 01:14 • -6.76db
36% Popularity • 54% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 14% Positiveness
36% Popularity • 54% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 14% Positiveness
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Krystina Alabado
Babbling Brooke
112 bpm • G# Maj • 04:45 • -9.44db
27% Popularity • 78% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 78% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Grace McLean
In My House
111 bpm • B min • 03:07 • -8.79db
36% Popularity • 63% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
36% Popularity • 63% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Jason Tam
The Pitiful Children
104 bpm • C min • 04:16 • -5db
29% Popularity • 39% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 39% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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SIX
"But there's only one you need to hear f...
112 bpm • C# Maj • 01:27 • -15db
48% Popularity • 72% Danceability • 58% Energy • 72% Liveness
0% Instrumentalness • 55% Positiveness
48% Popularity • 72% Danceability • 58% Energy • 72% Liveness
0% Instrumentalness • 55% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Do Your Own Thing
104 bpm • A# Maj • 04:41 • -5.59db
36% Popularity • 77% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 77% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Sophia Anne Caruso
Jump in the Line / Dead Mom - Reprise
112 bpm • C Maj • 02:05 • -6.16db
48% Popularity • 57% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
48% Popularity • 57% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Katie Thompson
Miles To Go
113 bpm • C# Maj • 04:58 • -7.85db
19% Popularity • 43% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 43% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Jodie Steele
You're Goin' Back To Jail
113 bpm • C min • 03:37 • -7.94db
28% Popularity • 73% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
28% Popularity • 73% Danceability • 61% Energy • 34% Liveness
0% Instrumentalness • 82% Positiveness
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Will Roland
Voices in My Head
112 bpm • F Maj • 04:44 • -7.94db
26% Popularity • 55% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 55% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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SIX
I Don't Need Your Love - Remix
104 bpm • C Maj • 02:11 • -6.33db
44% Popularity • 62% Danceability • 82% Energy • 69% Liveness
0% Instrumentalness • 55% Positiveness
44% Popularity • 62% Danceability • 82% Energy • 69% Liveness
0% Instrumentalness • 55% Positiveness
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Bring It On: The Musical - Original Broadway Cast
One Perfect Moment
112 bpm • C Maj • 03:54 • -5.96db
43% Popularity • 41% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
43% Popularity • 41% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Wayne Alan Wilcox
Open Your Heart
103 bpm • F Maj • 01:54 • -6.58db
28% Popularity • 48% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 48% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Sydney Farley
Revolution Song
103 bpm • C Maj • 04:17 • -6db
10% Popularity • 52% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
10% Popularity • 52% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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Josh Groban
Find Anatole
114 bpm • C# Maj • 02:10 • -8db
33% Popularity • 71% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
33% Popularity • 71% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 11% Positiveness
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Jason Tam
Be More Chill, Pt. 1
114 bpm • B min • 04:24 • -7.71db
26% Popularity • 62% Danceability • 46% Energy • 39% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 62% Danceability • 46% Energy • 39% Liveness
0% Instrumentalness • 30% Positiveness
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Erika Henningsen
Do This Thing
102 bpm • G# Maj • 03:33 • -4.52db
46% Popularity • 56% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
46% Popularity • 56% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Bring It On
104 bpm • F# min • 02:38 • -5.73db
35% Popularity • 64% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 64% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Ben Fankhauser
The Proposal
102 bpm • F Maj • 02:19 • -7.77db
17% Popularity • 48% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
17% Popularity • 48% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Alice Ripley
You Don't Know
102 bpm • C Maj • 01:30 • -6.86db
35% Popularity • 62% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
35% Popularity • 62% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Alan Zachary
The Awkward Pause
102 bpm • D min • 02:00 • -6.73db
17% Popularity • 48% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
17% Popularity • 48% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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George Salazar
The Tree on the Hill
102 bpm • G Maj • 02:57 • -12.41db
40% Popularity • 41% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
40% Popularity • 41% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Melissa Van Der Schyff
You're Going Back to Jail
114 bpm • C min • 03:30 • -9.08db
32% Popularity • 78% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
32% Popularity • 78% Danceability • 58% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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Laura Bell Bundy
Serious
114 bpm • C# Maj • 03:13 • -11.98db
47% Popularity • 59% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
47% Popularity • 59% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Noah Galvin
Your Shell of Grief
115 bpm • E min • 02:11 • -11.83db
31% Popularity • 66% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 66% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 35% Positiveness
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Joriah Kwamé
Before We Go
115 bpm • F Maj • 03:17 • -7.38db
14% Popularity • 59% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 59% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
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Alan Zachary
Safer
102 bpm • G# Maj • 03:17 • -5.32db
33% Popularity • 44% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 44% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Krystina Alabado
There Was A Party
102 bpm • F# min • 02:03 • -15.98db
20% Popularity • 62% Danceability • 21% Energy • 37% Liveness
1% Instrumentalness • 21% Positiveness
20% Popularity • 62% Danceability • 21% Energy • 37% Liveness
1% Instrumentalness • 21% Positiveness
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StarKid Productions
Take Me Back
115 bpm • C Maj • 05:35 • -10.33db
33% Popularity • 67% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
33% Popularity • 67% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Ann Harada
"Stepsister's Lament"
101 bpm • C Maj • 02:40 • -6.93db
39% Popularity • 78% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
39% Popularity • 78% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Arielle Jacobs
A Whole New Story
101 bpm • G# Maj • 03:50 • -9.68db
20% Popularity • 33% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
20% Popularity • 33% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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Denée Benton
Natasha & Bolkonskys
115 bpm • B min • 03:28 • -11.2db
35% Popularity • 79% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
35% Popularity • 79% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 11% Positiveness
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Spencer Kayden
We're Not Sorry
115 bpm • C# Maj • 01:56 • -8.49db
28% Popularity • 62% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
28% Popularity • 62% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
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Jeremy Jordan
When I Drive
115 bpm • B Maj • 02:14 • -8db
37% Popularity • 70% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
37% Popularity • 70% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 74% Positiveness
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Cheech Manohar
Whose House Is This?
101 bpm • A Maj • 02:36 • -4.85db
46% Popularity • 82% Danceability • 89% Energy • 83% Liveness
0% Instrumentalness • 59% Positiveness
46% Popularity • 82% Danceability • 89% Energy • 83% Liveness
0% Instrumentalness • 59% Positiveness
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Fra Fee
Where You'll Be
115 bpm • F# Maj • 03:07 • -10.51db
16% Popularity • 30% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
16% Popularity • 30% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Derek Klena
Come to a Party
101 bpm • C Maj • 04:33 • -8db
31% Popularity • 55% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 55% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Neil Bartram
I'm Allergic to Cats
101 bpm • F Maj • 03:31 • -12db
21% Popularity • 60% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 60% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Janet Dacal
Through the Looking Glass
100 bpm • G# Maj • 02:42 • -10db
23% Popularity • 37% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 37% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Rob McClure
Easy Peasy
116 bpm • F min • 05:07 • -6db
26% Popularity • 65% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 65% Danceability • 67% Energy • 30% Liveness
0% Instrumentalness • 58% Positiveness
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Andrew Keenan-Bolger
Partner in Crime
116 bpm • D Maj • 04:27 • -8.46db
35% Popularity • 75% Danceability • 50% Energy • 48% Liveness
0% Instrumentalness • 78% Positiveness
35% Popularity • 75% Danceability • 50% Energy • 48% Liveness
0% Instrumentalness • 78% Positiveness
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Chris McCarrell
Drive
116 bpm • E Maj • 04:34 • -7.05db
43% Popularity • 68% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 68% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Cathryn Wake
Pussy Power
100 bpm • B Maj • 03:39 • -6.21db
0% Popularity • 92% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
0% Popularity • 92% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Bonnie Milligan
How Much More
100 bpm • C# min • 02:03 • -3.02db
21% Popularity • 62% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 62% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Finn Anderson
Same but Different
100 bpm • A# Maj • 04:54 • -14db
18% Popularity • 84% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 84% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Celia Rose Gooding
Wake Up
100 bpm • G Maj • 04:23 • -3.65db
27% Popularity • 49% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 49% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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SIX
The One You've Been Waiting For
100 bpm • F min • 01:06 • -10.32db
49% Popularity • 63% Danceability • 59% Energy • 74% Liveness
0% Instrumentalness • 57% Positiveness
49% Popularity • 63% Danceability • 59% Energy • 74% Liveness
0% Instrumentalness • 57% Positiveness
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Kelly McIntyre
The Three Failed Escape Attempts Of Shei...
117 bpm • F min • 07:01 • -7.2db
11% Popularity • 58% Danceability • 50% Energy • 62% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 58% Danceability • 50% Energy • 62% Liveness
0% Instrumentalness • 49% Positiveness
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Marin Mazzie
I Remember How Those Boys Could Dance
100 bpm • D# Maj • 05:17 • -6.54db
28% Popularity • 44% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
28% Popularity • 44% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Carrie Compere
D.O.A.
118 bpm • G# Maj • 03:13 • -4.72db
40% Popularity • 74% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 74% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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Original Cast of Amélie
Sister's Pickle
99 bpm • F# Maj • 02:07 • -7db
28% Popularity • 56% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 56% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Sarah Charles Lewis
Good Girl Winnie Foster - Reprise
99 bpm • G Maj • 00:59 • -11.53db
27% Popularity • 51% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
27% Popularity • 51% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Kate Shindle
The Mad Hatter
98 bpm • E min • 03:02 • -10.23db
38% Popularity • 52% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
38% Popularity • 52% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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Troy Britton Johnson
Accident Waiting to Happen
119 bpm • F Maj • 03:05 • -11db
25% Popularity • 51% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
25% Popularity • 51% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Angie Schworer
Zazz
119 bpm • C# Maj • 02:47 • -6.43db
29% Popularity • 77% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 77% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Graham Phillips
All Hail the Brain / Terminal Illness
119 bpm • E min • 06:22 • -6.31db
21% Popularity • 68% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
21% Popularity • 68% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Leslie Kritzer
No Reason
98 bpm • F# Maj • 03:11 • -5.6db
50% Popularity • 69% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
50% Popularity • 69% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Lareun Zakrin
The Breakdown
98 bpm • G Maj • 02:45 • -8.71db
18% Popularity • 61% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 61% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 33% Positiveness
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Neil Bartram
Me & Ricky
98 bpm • F min • 05:54 • -11.04db
22% Popularity • 55% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 55% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Sarah Charles Lewis
Good Girl Winnie Foster
98 bpm • F# Maj • 02:59 • -9.39db
36% Popularity • 66% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
36% Popularity • 66% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Christopher Sieber
Love Thy Neighbor
119 bpm • G Maj • 04:19 • -5.24db
36% Popularity • 56% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
36% Popularity • 56% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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The Original Broadway Cast Of School Of Rock
Give up Your Dreams
98 bpm • F Maj • 03:20 • -4db
30% Popularity • 59% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 59% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Aaron Tveit
Aftershocks
120 bpm • F# min • 01:47 • -19db
32% Popularity • 58% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 58% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Amina Faye
The Other One
120 bpm • E Maj • 04:24 • -7.98db
11% Popularity • 73% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 73% Danceability • 55% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Adam Riegler
What If
97 bpm • D Maj • 02:06 • -14db
36% Popularity • 47% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 47% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Ben Fankhauser
Seize The Day (Full Song With Dance Brea...
120 bpm • A# Maj • 06:39 • -9.51db
36% Popularity • 50% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 50% Danceability • 43% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Joey Richter
Paint Me
120 bpm • C# Maj • 02:17 • -9.31db
26% Popularity • 38% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
26% Popularity • 38% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Annaleigh Ashford
Dogfight
97 bpm • D min • 03:03 • -5.05db
35% Popularity • 63% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 63% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness