Songs like Defense by Isaac Zale
Based on a tempo of (+/- 10%) and a similar genre
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Cesar Santalo
You Gotta - Remix
150 bpm • G Maj • 02:48 • -9.66db
3% Popularity • 74% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
3% Popularity • 74% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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donnyxo
SAiNT
150 bpm • D Maj • 03:01 • -10.56db
0% Popularity • 62% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 62% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Bando.
Joy
150 bpm • C# min • 02:10 • -9.91db
8% Popularity • 68% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
8% Popularity • 68% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Doley Bernays
Believe In Drugs Not People
150 bpm • G# Maj • 02:25 • -9.16db
19% Popularity • 48% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
19% Popularity • 48% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Siimbiie Lakew
BUSHWIICK
150 bpm • B min • 03:18 • -7.98db
16% Popularity • 83% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 83% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Kembe X
Killscope
150 bpm • B min • 02:24 • -8.45db
19% Popularity • 73% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
19% Popularity • 73% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 91% Positiveness
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Isaac Zale
Defense
150 bpm • G# min • 03:28 • -8.73db
4% Popularity • 68% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
4% Popularity • 68% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Jaywop
B Roll
150 bpm • F# min • 02:54 • -7.1db
13% Popularity • 56% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
13% Popularity • 56% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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SWAVAY
Dog Food
150 bpm • A Maj • 03:00 • -5.35db
26% Popularity • 75% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
26% Popularity • 75% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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ARDN
RUNNER UP
150 bpm • F min • 02:04 • -6.47db
44% Popularity • 70% Danceability • 77% Energy • 41% Liveness
0% Instrumentalness • 90% Positiveness
44% Popularity • 70% Danceability • 77% Energy • 41% Liveness
0% Instrumentalness • 90% Positiveness
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Sylvan LaCue
Distractions
150 bpm • F min • 04:31 • -5.04db
25% Popularity • 65% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 65% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
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WIL$ON
INSANITY
149 bpm • D Maj • 02:08 • -8.11db
31% Popularity • 63% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 63% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Isaac Zale
F a Friend
150 bpm • A# min • 03:16 • -7.62db
11% Popularity • 74% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
11% Popularity • 74% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Marlon Craft
Cry For Me
151 bpm • D# min • 01:56 • -7db
28% Popularity • 60% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
28% Popularity • 60% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Garrett Merk
Beam
152 bpm • F# min • 02:13 • -9.42db
17% Popularity • 69% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 69% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Jaypitts
Blk Rose
148 bpm • C# Maj • 03:05 • -6.2db
27% Popularity • 82% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
27% Popularity • 82% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Angelo Mota
the rounds
148 bpm • C# Maj • 03:23 • -7.75db
12% Popularity • 67% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
12% Popularity • 67% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
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Chase Murphy
Hometown Hotshot
147 bpm • G Maj • 01:44 • -7.95db
38% Popularity • 77% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
38% Popularity • 77% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Trent the HOOLiGAN
Momma Pt. II
153 bpm • C Maj • 02:59 • -8.97db
17% Popularity • 55% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
17% Popularity • 55% Danceability • 68% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Marlon Craft
Gettin Wasted
148 bpm • G Maj • 03:22 • -6.77db
30% Popularity • 51% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 51% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Gyyps
Cognac Cadillacs
147 bpm • A# min • 02:23 • -11.9db
21% Popularity • 80% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
21% Popularity • 80% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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CHRIS YONGE
Pleasure
146 bpm • G# min • 01:59 • -9db
24% Popularity • 85% Danceability • 62% Energy • 6% Liveness
1% Instrumentalness • 86% Positiveness
24% Popularity • 85% Danceability • 62% Energy • 6% Liveness
1% Instrumentalness • 86% Positiveness
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Trevor Spitta
FRONT DOOR
153 bpm • E min • 02:46 • -5.72db
38% Popularity • 82% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
38% Popularity • 82% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Kakuyon
Same Kind
155 bpm • E min • 02:19 • -7.88db
28% Popularity • 50% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
28% Popularity • 50% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Timi O
THREAT
145 bpm • C Maj • 01:22 • -9.76db
30% Popularity • 72% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 72% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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Samad Savage
Good N Evil
145 bpm • A min • 03:18 • -8db
17% Popularity • 63% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 63% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Ahmad Anonimis
Helluva Day
145 bpm • B min • 02:12 • -8.61db
18% Popularity • 66% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 66% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Yoshi T.
BODY SHOT
155 bpm • A Maj • 03:30 • -11.27db
13% Popularity • 78% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
13% Popularity • 78% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Angelo Mota
come back in an hour
145 bpm • C Maj • 03:20 • -10db
19% Popularity • 46% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 46% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 40% Positiveness
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Isaac Zale
Annabelle
145 bpm • F min • 02:33 • -7.96db
12% Popularity • 80% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 80% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Benji.
Good Morning
145 bpm • A min • 02:33 • -11.32db
16% Popularity • 84% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 84% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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HunnaV
Michelin Star
145 bpm • F Maj • 02:25 • -7.58db
1% Popularity • 74% Danceability • 68% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
1% Popularity • 74% Danceability • 68% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
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Trevor Spitta
4 My Eyes Only
145 bpm • B min • 03:05 • -8db
40% Popularity • 79% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
40% Popularity • 79% Danceability • 56% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
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O.E.
Feelings
155 bpm • F min • 02:55 • -7.42db
42% Popularity • 84% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
42% Popularity • 84% Danceability • 59% Energy • 23% Liveness
0% Instrumentalness • 86% Positiveness
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TOBi
Hoodwinked
145 bpm • F min • 02:54 • -7.92db
27% Popularity • 91% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
27% Popularity • 91% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Loutribe Jigg
Tunnel Vision
144 bpm • B min • 03:34 • -9.8db
17% Popularity • 84% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 84% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Isaac Zale
Eyelids
156 bpm • D# min • 03:47 • -7db
29% Popularity • 74% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 74% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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mynameisntjmack
TELETHON
144 bpm • D min • 02:27 • -6.28db
17% Popularity • 63% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
17% Popularity • 63% Danceability • 68% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
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Langston Bristol
My Own Lane
144 bpm • A min • 02:17 • -6.79db
49% Popularity • 80% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
49% Popularity • 80% Danceability • 74% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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Pell
Cruel
143 bpm • A min • 02:57 • -7.91db
25% Popularity • 68% Danceability • 46% Energy • 13% Liveness
1% Instrumentalness • 24% Positiveness
25% Popularity • 68% Danceability • 46% Energy • 13% Liveness
1% Instrumentalness • 24% Positiveness
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Angelo Mota
cat got my tongue
143 bpm • C Maj • 02:57 • -8.44db
16% Popularity • 54% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
16% Popularity • 54% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Peter $un
Gtfu
158 bpm • A# min • 02:47 • -6.78db
8% Popularity • 64% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 64% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Clairmont The Second
intres-ting
158 bpm • G Maj • 02:17 • -9.83db
35% Popularity • 80% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 80% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Marlon Craft
Young Man
158 bpm • G# Maj • 02:15 • -6.95db
46% Popularity • 57% Danceability • 61% Energy • 44% Liveness
0% Instrumentalness • 45% Positiveness
46% Popularity • 57% Danceability • 61% Energy • 44% Liveness
0% Instrumentalness • 45% Positiveness
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Trevor Spitta
I'm Outside
142 bpm • B min • 02:57 • -9.05db
27% Popularity • 84% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
27% Popularity • 84% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Burgundy Soul
Eve
142 bpm • C# min • 03:16 • -7.68db
4% Popularity • 76% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
4% Popularity • 76% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Langston Bristol
Activate
142 bpm • G# Maj • 03:09 • -7.33db
44% Popularity • 78% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
44% Popularity • 78% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Lucas Home
Know Me
141 bpm • A min • 03:14 • -12db
30% Popularity • 71% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
30% Popularity • 71% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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AKINYEMI
GLACIERS
159 bpm • D Maj • 02:25 • -10.56db
30% Popularity • 60% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
30% Popularity • 60% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Isaac Zale
Gasoline - Extended
141 bpm • D Maj • 02:45 • -5.58db
7% Popularity • 73% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
7% Popularity • 73% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Vic August
Terry Crews
160 bpm • B min • 03:48 • -4.49db
0% Popularity • 72% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 72% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Zaia
ON GOD
160 bpm • B Maj • 02:03 • -8.76db
20% Popularity • 82% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
20% Popularity • 82% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
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Oblé Reed
downsize.
160 bpm • G Maj • 03:04 • -6.71db
29% Popularity • 62% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
29% Popularity • 62% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Young Saab
SOURFACE
160 bpm • A# min • 02:06 • -5.82db
30% Popularity • 78% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 78% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Alec Jordan
Hypnotized
160 bpm • E min • 02:39 • -12.17db
2% Popularity • 72% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
2% Popularity • 72% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Isaac Zale
Gasoline
141 bpm • D Maj • 02:21 • -6.45db
5% Popularity • 68% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
5% Popularity • 68% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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AKINYEMI
Phone Down
160 bpm • D# min • 02:38 • -8.34db
10% Popularity • 70% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 70% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Connor Gilbert
Cheap Thrills
160 bpm • B Maj • 01:48 • -8.43db
36% Popularity • 76% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
36% Popularity • 76% Danceability • 75% Energy • 35% Liveness
0% Instrumentalness • 92% Positiveness
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Trent the HOOLiGAN
Yellow
140 bpm • G Maj • 03:12 • -10.97db
16% Popularity • 57% Danceability • 63% Energy • 54% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 57% Danceability • 63% Energy • 54% Liveness
0% Instrumentalness • 56% Positiveness
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Kavale
TRUMAN SHOW
140 bpm • G Maj • 03:08 • -8.12db
12% Popularity • 78% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 78% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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YTK
Laylow - Yeartokill
140 bpm • G min • 02:17 • -6.69db
34% Popularity • 68% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
34% Popularity • 68% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 43% Positiveness
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Isaac Zale
Ouroboros
160 bpm • E Maj • 02:36 • -5.04db
21% Popularity • 68% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
21% Popularity • 68% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
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Wale the Sage
Smoking On Soprano (S.O.S.)
140 bpm • G# Maj • 02:36 • -6db
53% Popularity • 76% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
53% Popularity • 76% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Jden Ray
255
140 bpm • G Maj • 01:27 • -8.24db
39% Popularity • 79% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 79% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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JRB
Champagne
140 bpm • C# Maj • 01:36 • -7db
14% Popularity • 89% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 89% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Angelo Mota
vendetta
140 bpm • C Maj • 02:44 • -8.4db
14% Popularity • 63% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 63% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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YTK
Prada
140 bpm • G min • 02:01 • -12.48db
39% Popularity • 80% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
39% Popularity • 80% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
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Isaac Zale
Ricochet
140 bpm • G min • 02:45 • -6.49db
11% Popularity • 74% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 74% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Loutribe Jigg
Outside Nem
140 bpm • E min • 03:19 • -9.34db
21% Popularity • 83% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
21% Popularity • 83% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Kenneth Cash
In Effect
140 bpm • E min • 03:13 • -8.88db
15% Popularity • 72% Danceability • 55% Energy • 12% Liveness
4% Instrumentalness • 61% Positiveness
15% Popularity • 72% Danceability • 55% Energy • 12% Liveness
4% Instrumentalness • 61% Positiveness
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Oblé Reed
SKYISFALLING.
140 bpm • A min • 02:40 • -6.88db
33% Popularity • 78% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 78% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Marcellus Juvann
Havin Thangs
140 bpm • C# Maj • 01:18 • -7.84db
42% Popularity • 78% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 78% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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O.E.
Double Take
140 bpm • B min • 02:31 • -12.38db
15% Popularity • 90% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
15% Popularity • 90% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Isaac Zale
TRY ALL YOU WANT!
160 bpm • B min • 03:00 • -3.91db
11% Popularity • 63% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 63% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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GREGNWMN
SOLAR FLARE
140 bpm • C# Maj • 04:01 • -8db
32% Popularity • 62% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
32% Popularity • 62% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Nyck Caution
DntFWM (On The Radar Freestyle)
140 bpm • C# Maj • 01:49 • -7.52db
30% Popularity • 91% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
30% Popularity • 91% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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maderanged
it's always water
140 bpm • F# min • 03:02 • -7.87db
28% Popularity • 77% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 77% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Peter $un
Pray4Me
140 bpm • C# min • 03:18 • -6.71db
8% Popularity • 75% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
8% Popularity • 75% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 89% Positiveness
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C Dot Castro
Don't Play with My Peace
140 bpm • A Maj • 03:15 • -8db
15% Popularity • 69% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 69% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 12% Positiveness
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Isaac Zale
DON'T GET MOBILIZED!
140 bpm • A# Maj • 02:37 • -6.4db
10% Popularity • 79% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 79% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Shea Michael
Coast
140 bpm • E min • 02:59 • -8.44db
6% Popularity • 83% Danceability • 53% Energy • 12% Liveness
1% Instrumentalness • 60% Positiveness
6% Popularity • 83% Danceability • 53% Energy • 12% Liveness
1% Instrumentalness • 60% Positiveness
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Eric Reprid
Final Level
140 bpm • A# min • 02:54 • -7.24db
10% Popularity • 85% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 85% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Khary
Counseling
140 bpm • C# Maj • 03:28 • -8.28db
16% Popularity • 78% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 78% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Jaywop
Outside
140 bpm • C Maj • 02:44 • -8db
19% Popularity • 74% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 74% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Langston Bristol
Hello From The M-Side
140 bpm • C# Maj • 03:01 • -7.3db
13% Popularity • 57% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
13% Popularity • 57% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Isaac Zale
Marionettes
140 bpm • C Maj • 02:03 • -4.25db
25% Popularity • 90% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 90% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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HunnaV
Picture Perfect
161 bpm • C# Maj • 03:10 • -10.51db
2% Popularity • 61% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
2% Popularity • 61% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Cilo
Don't B Bitter / 101
140 bpm • C Maj • 04:36 • -8db
16% Popularity • 71% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
16% Popularity • 71% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Angelo Mota
chemicals
140 bpm • F Maj • 02:45 • -7.33db
12% Popularity • 59% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
12% Popularity • 59% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Piff Marti
Dance or Die
139 bpm • G# min • 02:42 • -11.15db
28% Popularity • 63% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 63% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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201JUN
CHUNG KING
139 bpm • F min • 01:58 • -13db
28% Popularity • 73% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 73% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Isaac Zale
LUMBAR SUPPORT!
140 bpm • F# min • 02:44 • -5.83db
22% Popularity • 68% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
22% Popularity • 68% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
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LOCS
Settle Down
138 bpm • D# min • 03:28 • -7db
19% Popularity • 84% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 84% Danceability • 53% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
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Kresnt
BLACK MIRROR
138 bpm • F min • 03:46 • -8db
1% Popularity • 78% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
1% Popularity • 78% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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kamau
POST HASTE
138 bpm • B min • 02:48 • -7.12db
9% Popularity • 68% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 68% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 29% Positiveness
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Luke Bar$
Die With Pride
138 bpm • C# Maj • 01:52 • -7.16db
32% Popularity • 73% Danceability • 79% Energy • 22% Liveness
10% Instrumentalness • 62% Positiveness
32% Popularity • 73% Danceability • 79% Energy • 22% Liveness
10% Instrumentalness • 62% Positiveness
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Angelo Mota
HIDE IN THE PHANTOM
138 bpm • C# Maj • 02:36 • -7.23db
28% Popularity • 68% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 68% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
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Isaac Zale
Danny Phantom
140 bpm • C min • 03:25 • -7.69db
11% Popularity • 80% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 80% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 76% Positiveness
