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Déjà la nuit
Songs like
Déjà la nuit
by
Anouar Brahem
Based on a tempo of (+/- 10%) and a similar genre
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Anouar Brahem
Déjà la nuit
133 bpm • F min • 05:10 • -32.22db
24% Popularity • 32% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 9% Positiveness
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Jon Balke
This Is The Movie
134 bpm • C Maj • 05:18 • -26.98db
26% Popularity • 30% Danceability • 1% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Michel Godard
A Trace of Grace
132 bpm • G min • 05:36 • -25.79db
21% Popularity • 39% Danceability • 3% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Mathias Eick
Parents
132 bpm • C Maj • 05:16 • -16db
17% Popularity • 54% Danceability • 26% Energy • 9% Liveness
88% Instrumentalness • 24% Positiveness
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Jan Garbarek
Epilogue
132 bpm • C min • 00:52 • -33.49db
18% Popularity • 66% Danceability • 0% Energy • 8% Liveness
87% Instrumentalness • 0% Positiveness
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The Touré-Raichel Collective
Tidhar
132 bpm • G# min • 05:26 • -13db
26% Popularity • 35% Danceability • 79% Energy • 7% Liveness
90% Instrumentalness • 26% Positiveness
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Mats Eilertsen
22
132 bpm • A# min • 04:58 • -28.56db
29% Popularity • 33% Danceability • 14% Energy • 10% Liveness
78% Instrumentalness • 7% Positiveness
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Meredith Monk
Ellis Island
134 bpm • A min • 03:02 • -32.62db
46% Popularity • 43% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 52% Positiveness
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Anouar Brahem
Un point bleu
134 bpm • G Maj • 01:52 • -28.01db
36% Popularity • 48% Danceability • 0% Energy • 22% Liveness
96% Instrumentalness • 76% Positiveness
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Trygve Seim
Nu Seglar Vi Inn
131 bpm • C min • 04:34 • -19.28db
13% Popularity • 34% Danceability • 3% Energy • 10% Liveness
13% Instrumentalness • 19% Positiveness
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Anat Fort Trio
Minnesota
135 bpm • D Maj • 07:34 • -21db
27% Popularity • 45% Danceability • 16% Energy • 13% Liveness
83% Instrumentalness • 14% Positiveness
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Nik Bärtsch
Modul 42
131 bpm • C# Maj • 06:27 • -23.64db
18% Popularity • 48% Danceability • 9% Energy • 19% Liveness
86% Instrumentalness • 3% Positiveness
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Paolo Damiani
Part 2 (Estramadure) - Live
135 bpm • A min • 02:46 • -10.04db
0% Popularity • 34% Danceability • 35% Energy • 65% Liveness
32% Instrumentalness • 11% Positiveness
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Eberhard Weber
Maurizius
135 bpm • F Maj • 08:13 • -24db
18% Popularity • 25% Danceability • 4% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Anouar Brahem
La chambre - Variation
135 bpm • F min • 03:47 • -20.88db
22% Popularity • 52% Danceability • 3% Energy • 11% Liveness
85% Instrumentalness • 24% Positiveness
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Avi Avital
Zamzama
131 bpm • C# Maj • 07:57 • -13.56db
22% Popularity • 45% Danceability • 32% Energy • 6% Liveness
93% Instrumentalness • 19% Positiveness
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Ballaké Sissoko
N'kapalema
131 bpm • F Maj • 07:52 • -17db
31% Popularity • 45% Danceability • 29% Energy • 11% Liveness
91% Instrumentalness • 25% Positiveness
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Dobrinka Tabakova
Frozen River Flows
135 bpm • D# Maj • 06:12 • -21.4db
19% Popularity • 21% Danceability • 3% Energy • 10% Liveness
20% Instrumentalness • 4% Positiveness
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Georgs Pelēcis
Flowering Jasmine
135 bpm • A min • 06:48 • -30db
28% Popularity • 30% Danceability • 3% Energy • 6% Liveness
71% Instrumentalness • 6% Positiveness
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Esbjörn Svensson
Prelude in D-Minor
130 bpm • F Maj • 04:13 • -15db
23% Popularity • 44% Danceability • 11% Energy • 8% Liveness
90% Instrumentalness • 26% Positiveness
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Anouar Brahem
Souvenance
135 bpm • B min • 09:16 • -26.32db
16% Popularity • 28% Danceability • 4% Energy • 12% Liveness
88% Instrumentalness • 5% Positiveness
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Dhafer Youssef
Fuga Hirundinum "Birds Requiem" Suite
136 bpm • B min • 04:19 • -19.27db
31% Popularity • 50% Danceability • 14% Energy • 11% Liveness
91% Instrumentalness • 32% Positiveness
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Yom
On the Endless Road
136 bpm • A min • 06:10 • -17.21db
25% Popularity • 34% Danceability • 9% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
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Meredith Monk
Parlour Games
130 bpm • A min • 07:37 • -21.96db
17% Popularity • 50% Danceability • 19% Energy • 11% Liveness
86% Instrumentalness • 46% Positiveness
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Amine Bouhafa
Timbuktu Fasso
136 bpm • D min • 03:37 • -13db
30% Popularity • 59% Danceability • 30% Energy • 11% Liveness
84% Instrumentalness • 46% Positiveness
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Björn Meyer
Trails Crossing
130 bpm • D Maj • 06:43 • -32db
13% Popularity • 26% Danceability • 5% Energy • 27% Liveness
65% Instrumentalness • 4% Positiveness
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Anouar Brahem
La chambre
135 bpm • F min • 05:01 • -23.2db
22% Popularity • 46% Danceability • 2% Energy • 9% Liveness
88% Instrumentalness • 18% Positiveness
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F.S.Blumm
Is Love What You Don't Know
137 bpm • F# Maj • 06:29 • -25.49db
26% Popularity • 46% Danceability • 4% Energy • 9% Liveness
85% Instrumentalness • 12% Positiveness
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Yom
Elegy for the New Born
130 bpm • B min • 04:28 • -16.06db
28% Popularity • 37% Danceability • 23% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
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Renaud Garcia-Fons
Chacone
129 bpm • C Maj • 02:58 • -13.61db
28% Popularity • 44% Danceability • 36% Energy • 11% Liveness
92% Instrumentalness • 58% Positiveness
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David Helbock
Beethoven #7, 2nd Movement
129 bpm • A min • 02:43 • -23db
39% Popularity • 48% Danceability • 4% Energy • 9% Liveness
97% Instrumentalness • 10% Positiveness
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John Surman
Byndweed
137 bpm • C min • 05:11 • -15.59db
17% Popularity • 42% Danceability • 14% Energy • 9% Liveness
88% Instrumentalness • 15% Positiveness
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Adnan Joubran
La Danse De La Veuve
129 bpm • C Maj • 06:05 • -11.93db
12% Popularity • 57% Danceability • 55% Energy • 10% Liveness
79% Instrumentalness • 36% Positiveness
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VÃkingur Ólafsson
Above and Below, B Minor
137 bpm • B min • 03:01 • -22db
32% Popularity • 17% Danceability • 22% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Areni Agbabian
Mother
137 bpm • B min • 04:28 • -25.88db
11% Popularity • 26% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Renaud Garcia-Fons
Sylvains d'orient
137 bpm • A min • 03:44 • -12.01db
41% Popularity • 72% Danceability • 48% Energy • 10% Liveness
77% Instrumentalness • 54% Positiveness
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Benjamin Moussay
Villefranque
129 bpm • A min • 03:57 • -34db
12% Popularity • 45% Danceability • 0% Energy • 6% Liveness
96% Instrumentalness • 14% Positiveness
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Erik Truffaz
Agades - Désert
137 bpm • G min • 06:56 • -17.29db
30% Popularity • 32% Danceability • 10% Energy • 14% Liveness
88% Instrumentalness • 9% Positiveness
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Anouar Brahem
Badhra
128 bpm • D Maj • 08:29 • -21db
24% Popularity • 48% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 12% Positiveness
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Giovanni Battista Pergolesi
Qui Est Homo
138 bpm • G min • 04:19 • -23db
14% Popularity • 15% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 4% Positiveness
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Toumani Diabaté
Elyne Road
128 bpm • E Maj • 08:50 • -18.52db
33% Popularity • 50% Danceability • 15% Energy • 13% Liveness
81% Instrumentalness • 36% Positiveness
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Ballaké Sissoko
Musique de nuit
128 bpm • C Maj • 02:32 • -17.61db
29% Popularity • 46% Danceability • 11% Energy • 11% Liveness
85% Instrumentalness • 37% Positiveness
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Misha Alperin
At Home
139 bpm • A# Maj • 02:42 • -32db
36% Popularity • 45% Danceability • 2% Energy • 8% Liveness
93% Instrumentalness • 15% Positiveness
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Trygve Seim
Agnus Dei
127 bpm • D Maj • 03:13 • -24.21db
15% Popularity • 35% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 17% Positiveness
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Hadouk Trio
Babbalanja
127 bpm • C min • 04:10 • -14.82db
32% Popularity • 53% Danceability • 38% Energy • 9% Liveness
88% Instrumentalness • 74% Positiveness
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Dhafer Youssef
Shaouk
139 bpm • C Maj • 02:07 • -22.48db
42% Popularity • 59% Danceability • 1% Energy • 9% Liveness
69% Instrumentalness • 11% Positiveness
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Michiel Borstlap
Velvet
140 bpm • F# Maj • 04:56 • -29.02db
22% Popularity • 29% Danceability • 9% Energy • 8% Liveness
93% Instrumentalness • 10% Positiveness
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Adnan Joubran
I Wish I Were a Tree
140 bpm • D Maj • 04:32 • -13.96db
16% Popularity • 64% Danceability • 22% Energy • 10% Liveness
85% Instrumentalness • 31% Positiveness
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Ralph Towner
Father Time
126 bpm • E Maj • 04:37 • -18db
37% Popularity • 48% Danceability • 9% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Renaud Garcia-Fons
Tavalod
126 bpm • D min • 04:35 • -13.33db
32% Popularity • 71% Danceability • 36% Energy • 8% Liveness
93% Instrumentalness • 40% Positiveness
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Hadouk Trio
Lomsha
126 bpm • D min • 07:20 • -14db
28% Popularity • 53% Danceability • 24% Energy • 11% Liveness
60% Instrumentalness • 15% Positiveness
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Ballaké Sissoko
Chamber Music
126 bpm • F Maj • 05:31 • -14db
32% Popularity • 43% Danceability • 20% Energy • 9% Liveness
90% Instrumentalness • 33% Positiveness
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Paolo Damiani
Sequenza Prima (Sequenze Orfiche) - Live
140 bpm • A Maj • 01:52 • -10.28db
0% Popularity • 49% Danceability • 53% Energy • 4% Liveness
32% Instrumentalness • 57% Positiveness
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Markus Stockhausen
Mondtraum
125 bpm • E min • 05:10 • -25db
15% Popularity • 37% Danceability • 2% Energy • 5% Liveness
90% Instrumentalness • 29% Positiveness
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Colin Vallon
Tsunami
125 bpm • A min • 07:00 • -19.74db
13% Popularity • 39% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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John Surman
Within The Clouds
125 bpm • F min • 04:48 • -19.11db
17% Popularity • 39% Danceability • 6% Energy • 11% Liveness
48% Instrumentalness • 8% Positiveness
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Tarkovsky Quartet
Tiapa
142 bpm • F# min • 05:51 • -19.95db
8% Popularity • 21% Danceability • 1% Energy • 8% Liveness
86% Instrumentalness • 6% Positiveness
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Ballaké Sissoko
Halinkata Djoubé
126 bpm • A min • 05:08 • -17.61db
19% Popularity • 48% Danceability • 21% Energy • 10% Liveness
92% Instrumentalness • 18% Positiveness
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Rabih Abou-Khalil
La Seduction - b.Charab et Tout
141 bpm • F Maj • 02:02 • -16.86db
31% Popularity • 49% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 37% Positiveness
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Titas Petrikis
Stalo Dvikova
142 bpm • F# min • 01:12 • -31db
33% Popularity • 59% Danceability • 1% Energy • 11% Liveness
88% Instrumentalness • 40% Positiveness
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Steve Tibbetts
Padre-Yaga
125 bpm • D min • 06:27 • -24.21db
11% Popularity • 52% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 36% Positiveness
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Dhafer Youssef
Al-Akhtal Rhapsody Part II
124 bpm • F# min • 01:55 • -16.8db
27% Popularity • 45% Danceability • 56% Energy • 9% Liveness
93% Instrumentalness • 60% Positiveness
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Colin Vallon
Sisyphe
143 bpm • G# min • 04:26 • -26.75db
35% Popularity • 38% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 37% Positiveness
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Keith Jarrett
Encore From Tokyo
124 bpm • E min • 08:16 • -18.99db
37% Popularity • 34% Danceability • 23% Energy • 68% Liveness
90% Instrumentalness • 25% Positiveness
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Myriam Alter
Waking Up
124 bpm • D Maj • 03:57 • -14.35db
17% Popularity • 47% Danceability • 22% Energy • 9% Liveness
20% Instrumentalness • 41% Positiveness
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Jacques Loussier Trio
Gymnopédie No. 1: Var. 3
124 bpm • G Maj • 05:03 • -27db
30% Popularity • 47% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
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Hadouk Trio
Échappade
143 bpm • C# Maj • 01:14 • -21.61db
47% Popularity • 52% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 48% Positiveness
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Michel Bisceglia
The Last Drive
144 bpm • C Maj • 02:46 • -26db
34% Popularity • 50% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Colin Vallon
Reste
143 bpm • D# Maj • 01:36 • -23.39db
40% Popularity • 30% Danceability • 5% Energy • 14% Liveness
93% Instrumentalness • 13% Positiveness
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Karim Baggili
Big Fish - Instrumentale
123 bpm • C min • 04:29 • -14db
31% Popularity • 61% Danceability • 37% Energy • 11% Liveness
86% Instrumentalness • 49% Positiveness
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Amina Alaoui
MoradÃa
144 bpm • C min • 03:59 • -25.96db
16% Popularity • 39% Danceability • 3% Energy • 10% Liveness
75% Instrumentalness • 20% Positiveness
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Anouar Brahem
Les ailes du Bourak
123 bpm • F Maj • 04:54 • -22.39db
21% Popularity • 33% Danceability • 2% Energy • 10% Liveness
81% Instrumentalness • 16% Positiveness
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Ballaké Sissoko
Histoire de Molly
144 bpm • E min • 05:30 • -19.98db
21% Popularity • 46% Danceability • 6% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
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John Surman
Concentric Circles
144 bpm • C min • 06:32 • -15.76db
12% Popularity • 45% Danceability • 12% Energy • 8% Liveness
79% Instrumentalness • 19% Positiveness
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Avi Avital
The Source and the Sea (Balada Al Maayan...
122 bpm • D min • 03:24 • -23.12db
22% Popularity • 50% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 11% Positiveness
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Wolfgang Muthspiel
Ending Music
144 bpm • D Maj • 01:23 • -25.79db
37% Popularity • 40% Danceability • 13% Energy • 18% Liveness
91% Instrumentalness • 13% Positiveness
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Paolo Damiani
Prologo: L'Orfeo (Sequenze Orfiche) - Li...
146 bpm • A# Maj • 01:04 • -10.31db
3% Popularity • 41% Danceability • 43% Energy • 16% Liveness
91% Instrumentalness • 23% Positiveness
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Louis Sclavis
Extases
121 bpm • C# Maj • 03:57 • -23.31db
20% Popularity • 29% Danceability • 1% Energy • 12% Liveness
92% Instrumentalness • 27% Positiveness
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Shinya Fukumori Trio
Hoshi Meguri No Uta
121 bpm • E min • 05:03 • -23.86db
13% Popularity • 39% Danceability • 4% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
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Trygve Seim
Katya’s Dream
120 bpm • D min • 04:36 • -24.16db
12% Popularity • 36% Danceability • 4% Energy • 12% Liveness
83% Instrumentalness • 10% Positiveness
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Airelle Besson
Ma ion
147 bpm • A min • 07:03 • -16.39db
20% Popularity • 51% Danceability • 7% Energy • 34% Liveness
83% Instrumentalness • 30% Positiveness
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Yaron Herman
Retrograde
120 bpm • G min • 02:59 • -27db
30% Popularity • 54% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Nils Petter Molvær
Maddagala
120 bpm • C# min • 05:18 • -17.53db
17% Popularity • 40% Danceability • 20% Energy • 10% Liveness
88% Instrumentalness • 6% Positiveness
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Khaled Mouzanar
L'éveil de Rose
120 bpm • C min • 01:14 • -31.11db
36% Popularity • 75% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 47% Positiveness
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Renaud Garcia-Fons
Ballo cavalino
120 bpm • C min • 04:27 • -11.46db
24% Popularity • 77% Danceability • 36% Energy • 9% Liveness
93% Instrumentalness • 73% Positiveness
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Dino Saluzzi
Los Them
119 bpm • E min • 03:25 • -15.46db
19% Popularity • 68% Danceability • 24% Energy • 11% Liveness
84% Instrumentalness • 26% Positiveness
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Trygve Seim
Praeludium, Improvisation
119 bpm • F Maj • 02:50 • -16.96db
19% Popularity • 37% Danceability • 13% Energy • 14% Liveness
86% Instrumentalness • 9% Positiveness
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Hadouk Trio
Alma Celesta
119 bpm • C min • 05:23 • -11.32db
29% Popularity • 63% Danceability • 50% Energy • 17% Liveness
81% Instrumentalness • 25% Positiveness
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Jef Neve
Crystal Lights
119 bpm • D min • 04:44 • -14.79db
17% Popularity • 30% Danceability • 27% Energy • 30% Liveness
81% Instrumentalness • 4% Positiveness
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Thomas Strønen
La Bella
119 bpm • A min • 04:24 • -24db
15% Popularity • 33% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 25% Positiveness
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Myriam Alter
In Sicily
149 bpm • C# Maj • 06:55 • -12db
13% Popularity • 33% Danceability • 24% Energy • 10% Liveness
3% Instrumentalness • 21% Positiveness
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Anouar Brahem
Galilée mon amour
118 bpm • F min • 07:17 • -20.29db
31% Popularity • 64% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 41% Positiveness
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Paolo Damiani
Part 2 (Artefact) - Live
118 bpm • E Maj • 09:09 • -11.1db
2% Popularity • 28% Danceability • 25% Energy • 9% Liveness
58% Instrumentalness • 7% Positiveness
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Le Trio Joubran
Tanâsim 2
149 bpm • D Maj • 04:20 • -21.68db
30% Popularity • 44% Danceability • 1% Energy • 8% Liveness
71% Instrumentalness • 18% Positiveness
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Ralph Towner
Duende
150 bpm • G min • 04:29 • -18.77db
22% Popularity • 39% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 40% Positiveness
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Hadouk Trio
Brasero des soucis
118 bpm • C# Maj • 06:46 • -12.66db
25% Popularity • 51% Danceability • 42% Energy • 10% Liveness
68% Instrumentalness • 22% Positiveness
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Jakob Bro
Evening Song
118 bpm • E Maj • 04:40 • -19.16db
29% Popularity • 47% Danceability • 3% Energy • 13% Liveness
81% Instrumentalness • 34% Positiveness
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Anouar Brahem
Deliverance
118 bpm • D min • 05:07 • -22.87db
17% Popularity • 52% Danceability • 7% Energy • 8% Liveness
94% Instrumentalness • 11% Positiveness
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Areni Agbabian
The Water Bride
118 bpm • F Maj • 04:50 • -36.35db
9% Popularity • 50% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Rabih Abou-Khalil
Tsarka
151 bpm • G Maj • 06:47 • -15.27db
25% Popularity • 46% Danceability • 51% Energy • 12% Liveness
84% Instrumentalness • 32% Positiveness
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Déjà la nuit