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Delicate Problems
Songs like
Delicate Problems
by
Benson Taylor
Based on a tempo of (+/- 10%) and a similar genre
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Benson Taylor
Delicate Problems - Instrumental Version
96 bpm • D# Maj • 03:08 • -14.57db
1% Popularity • 67% Danceability • 34% Energy • 15% Liveness
87% Instrumentalness • 10% Positiveness
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Jetta
Enemy In Me
96 bpm • C min • 02:56 • -7db
26% Popularity • 66% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Helix Dynasty
Go Away
96 bpm • C# min • 03:50 • -9.32db
3% Popularity • 74% Danceability • 38% Energy • 11% Liveness
69% Instrumentalness • 5% Positiveness
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Annie Drury
River Flow
95 bpm • C min • 03:51 • -10.33db
16% Popularity • 31% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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LAUREL
Fire Breather
95 bpm • B min • 03:16 • -15.07db
44% Popularity • 71% Danceability • 35% Energy • 18% Liveness
22% Instrumentalness • 35% Positiveness
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ANIIML
Confessions
95 bpm • A# Maj • 03:09 • -8.13db
27% Popularity • 72% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 9% Positiveness
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Benson Taylor
Downfall
96 bpm • A# min • 01:48 • -9.07db
1% Popularity • 34% Danceability • 84% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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IORA
That Sinking Feeling
97 bpm • E min • 02:57 • -15.84db
10% Popularity • 36% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Ronna Riva
One Dollar
95 bpm • B Maj • 03:22 • -6.47db
26% Popularity • 82% Danceability • 53% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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Natalie Taylor
In the Air Tonight
95 bpm • A# min • 02:53 • -8.93db
52% Popularity • 54% Danceability • 66% Energy • 9% Liveness
79% Instrumentalness • 8% Positiveness
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Arilena Ara
Last Train to Paris
95 bpm • G Maj • 02:59 • -5.51db
15% Popularity • 34% Danceability • 69% Energy • 46% Liveness
0% Instrumentalness • 34% Positiveness
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Tommy Ashby
Solace
95 bpm • E min • 01:32 • -13.21db
30% Popularity • 37% Danceability • 37% Energy • 12% Liveness
2% Instrumentalness • 19% Positiveness
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Benson Taylor
Delicate Problems
96 bpm • C min • 03:08 • -11.53db
16% Popularity • 54% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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STACEY
Calling Me (YDID Mix)
94 bpm • G min • 04:47 • -16.31db
27% Popularity • 24% Danceability • 27% Energy • 12% Liveness
48% Instrumentalness • 4% Positiveness
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Dark Waves
Waiting For The World To End
98 bpm • C# Maj • 03:28 • -7.99db
20% Popularity • 56% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Cavalcade
Up There
94 bpm • D min • 04:07 • -13.1db
8% Popularity • 39% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Phil Buckle
If I Had a Heart
93 bpm • F Maj • 02:58 • -10.59db
8% Popularity • 55% Danceability • 58% Energy • 36% Liveness
56% Instrumentalness • 17% Positiveness
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Thornton III Jenkins
Soul Swirl
93 bpm • C Maj • 01:34 • -10.12db
0% Popularity • 61% Danceability • 67% Energy • 9% Liveness
79% Instrumentalness • 32% Positiveness
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Benson Taylor
Didgeridoom
96 bpm • D Maj • 02:25 • -14.73db
0% Popularity • 36% Danceability • 56% Energy • 12% Liveness
90% Instrumentalness • 17% Positiveness
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Bloom Twins
Amnesia
99 bpm • D Maj • 03:09 • -5.75db
18% Popularity • 34% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Louise Lemón
Appalacherna
93 bpm • A min • 03:14 • -12.01db
12% Popularity • 20% Danceability • 26% Energy • 11% Liveness
59% Instrumentalness • 6% Positiveness
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Matthew Koma
Kisses Back - Acoustic
93 bpm • E min • 03:29 • -7.11db
35% Popularity • 55% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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WESLEE
Gassed - Stripped
100 bpm • F# Maj • 03:33 • -10db
20% Popularity • 55% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Adam Barber
You Cover Me
100 bpm • F min • 03:38 • -18.63db
9% Popularity • 47% Danceability • 22% Energy • 8% Liveness
4% Instrumentalness • 5% Positiveness
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Benson Taylor
Running with Wolves - Instrumental Versi...
95 bpm • C min • 04:22 • -14.91db
0% Popularity • 35% Danceability • 26% Energy • 14% Liveness
78% Instrumentalness • 9% Positiveness
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GAITS
Other Side
100 bpm • G# min • 03:51 • -8db
39% Popularity • 54% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Thornton III Jenkins
Rock Grinder
100 bpm • C# Maj • 01:35 • -9.29db
0% Popularity • 46% Danceability • 80% Energy • 10% Liveness
89% Instrumentalness • 28% Positiveness
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Beasts With No Name
With You
100 bpm • C Maj • 03:39 • -6.91db
21% Popularity • 59% Danceability • 74% Energy • 12% Liveness
29% Instrumentalness • 32% Positiveness
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Louise Dowd
Remain
100 bpm • F Maj • 03:06 • -8.63db
12% Popularity • 52% Danceability • 59% Energy • 36% Liveness
1% Instrumentalness • 11% Positiveness
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Onyay Pheori
No More Waiting
100 bpm • G min • 04:05 • -11.39db
10% Popularity • 64% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Benson Taylor
Masked Rider
95 bpm • A# Maj • 01:57 • -13.57db
0% Popularity • 32% Danceability • 75% Energy • 31% Liveness
80% Instrumentalness • 16% Positiveness
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Jochen Flach
Robot's Revenge
100 bpm • G Maj • 02:40 • -11.64db
0% Popularity • 19% Danceability • 32% Energy • 10% Liveness
97% Instrumentalness • 11% Positiveness
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JOYNER
White Lights
92 bpm • G Maj • 03:31 • -9db
25% Popularity • 69% Danceability • 49% Energy • 10% Liveness
5% Instrumentalness • 24% Positiveness
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Antoinette Halliday
Broken Morning
100 bpm • E min • 03:20 • -9.21db
8% Popularity • 52% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Quails
High Hopes
100 bpm • A min • 03:58 • -13.75db
17% Popularity • 29% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Claire Guerreso
Ashes
92 bpm • F# min • 04:15 • -11.08db
44% Popularity • 53% Danceability • 23% Energy • 12% Liveness
4% Instrumentalness • 15% Positiveness
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Benson Taylor
Running with Wolves
95 bpm • C min • 04:21 • -9.77db
1% Popularity • 37% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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FENDA
Love's Gone
92 bpm • C# min • 03:41 • -7db
34% Popularity • 43% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Denmark + Winter
Do You Really Want to Hurt Me
101 bpm • D# min • 03:31 • -7.54db
24% Popularity • 34% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Benefit
Sex Sells
101 bpm • C min • 04:04 • -7.12db
29% Popularity • 67% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Nine One One
Million Reasons
91 bpm • C Maj • 03:32 • -9.19db
9% Popularity • 57% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Hamster
City Limits
90 bpm • E min • 04:05 • -4.27db
26% Popularity • 57% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Benson Taylor
Boom Boom Bang
93 bpm • B min • 03:44 • -5db
7% Popularity • 62% Danceability • 68% Energy • 31% Liveness
2% Instrumentalness • 37% Positiveness
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Louise Dowd
Thunder & Lightning
91 bpm • C# Maj • 03:28 • -6.79db
13% Popularity • 45% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Thornton III Jenkins
Percolating Pop
102 bpm • A Maj • 01:36 • -12.91db
0% Popularity • 65% Danceability • 51% Energy • 10% Liveness
91% Instrumentalness • 84% Positiveness
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Indiana
Ninety Six Hours
102 bpm • D Maj • 03:06 • -11.05db
12% Popularity • 68% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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The New Mastersounds
North
90 bpm • F Maj • 03:16 • -9.94db
1% Popularity • 50% Danceability • 63% Energy • 14% Liveness
82% Instrumentalness • 77% Positiveness
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Lee Richardson
Here Comes the Thunder
90 bpm • F min • 02:37 • -4.91db
41% Popularity • 69% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Benson Taylor
How to Let You Go - Instrumental Version
99 bpm • A Maj • 03:49 • -16.11db
0% Popularity • 21% Danceability • 14% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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Deborah Williams
In Love with Madness
90 bpm • A# min • 02:21 • -12.85db
21% Popularity • 65% Danceability • 34% Energy • 15% Liveness
2% Instrumentalness • 16% Positiveness
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MARUV
Crooked
90 bpm • F# min • 03:26 • -7.95db
15% Popularity • 69% Danceability • 56% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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idenline
Call Me
90 bpm • A min • 04:21 • -8.65db
23% Popularity • 66% Danceability • 45% Energy • 10% Liveness
52% Instrumentalness • 43% Positiveness
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The New Mastersounds
Riverside
90 bpm • F Maj • 03:17 • -9.41db
0% Popularity • 76% Danceability • 52% Energy • 10% Liveness
83% Instrumentalness • 73% Positiveness
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Hemming
Hard on Myself
90 bpm • C min • 04:20 • -8.54db
32% Popularity • 52% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Benson Taylor
Play with Fire
100 bpm • F min • 04:12 • -9.83db
5% Popularity • 38% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
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Jonathan Buchanan
We Are Strong
90 bpm • B Maj • 03:57 • -16db
20% Popularity • 54% Danceability • 68% Energy • 11% Liveness
34% Instrumentalness • 6% Positiveness
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Lizzy Land
Beat Goes On
90 bpm • A min • 03:41 • -7.87db
27% Popularity • 59% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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morgxn
notorious
90 bpm • C Maj • 03:17 • -10.2db
20% Popularity • 51% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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David O'Dowda
Watching Me
90 bpm • G# min • 02:22 • -21.51db
9% Popularity • 57% Danceability • 11% Energy • 10% Liveness
17% Instrumentalness • 18% Positiveness
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ADLT VDEO
Mad World
90 bpm • D# Maj • 03:46 • -9.18db
16% Popularity • 46% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Benson Taylor
Devil in My Mind
100 bpm • A Maj • 03:28 • -9.32db
0% Popularity • 57% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Morandi
Keep You Safe
103 bpm • E min • 03:20 • -4.05db
28% Popularity • 70% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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Jonathan Buchanan
Welcome to a New Dawn
103 bpm • C# Maj • 03:14 • -15db
19% Popularity • 48% Danceability • 55% Energy • 10% Liveness
67% Instrumentalness • 4% Positiveness
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Anya Marina
How Far Does the Dark Go?
89 bpm • B min • 04:05 • -5.85db
31% Popularity • 40% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Vanotek
Tell Me Who
103 bpm • C# Maj • 03:21 • -5.42db
31% Popularity • 68% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Stephen William Cornish
Standing Tall
89 bpm • E min • 03:40 • -8.12db
28% Popularity • 42% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Benson Taylor
Loaded Gun
100 bpm • F min • 03:16 • -9.26db
2% Popularity • 42% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Shannon Jae Prior
The Usual
88 bpm • C min • 03:44 • -5.14db
33% Popularity • 66% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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The Venice Connection
The Time of Our Lives
88 bpm • E min • 02:57 • -11.17db
47% Popularity • 77% Danceability • 58% Energy • 19% Liveness
24% Instrumentalness • 44% Positiveness
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Thornton III Jenkins
Sophisticated Strut
88 bpm • C Maj • 01:31 • -12.65db
0% Popularity • 58% Danceability • 48% Energy • 20% Liveness
93% Instrumentalness • 12% Positiveness
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MS MR
All The Things Lost
105 bpm • A# Maj • 03:14 • -10.35db
42% Popularity • 67% Danceability • 31% Energy • 9% Liveness
2% Instrumentalness • 36% Positiveness
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Adam French
My Addiction
105 bpm • F min • 04:10 • -8.53db
28% Popularity • 47% Danceability • 71% Energy • 16% Liveness
4% Instrumentalness • 38% Positiveness
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Benson Taylor
Devil in My Mind - Instrumental Version
100 bpm • A Maj • 03:28 • -10.72db
0% Popularity • 64% Danceability • 48% Energy • 9% Liveness
79% Instrumentalness • 21% Positiveness
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Konoba
I'm a Wolf
105 bpm • F# min • 03:41 • -7.95db
32% Popularity • 72% Danceability • 56% Energy • 8% Liveness
1% Instrumentalness • 41% Positiveness
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Jochen Flach
Battle Is On
105 bpm • C min • 02:21 • -10.38db
2% Popularity • 45% Danceability • 65% Energy • 28% Liveness
91% Instrumentalness • 23% Positiveness
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Bootstraps
Natural Blues
105 bpm • E min • 02:35 • -8.84db
18% Popularity • 55% Danceability • 51% Energy • 10% Liveness
15% Instrumentalness • 13% Positiveness
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Naomi August
Sins
105 bpm • E Maj • 03:02 • -6.95db
20% Popularity • 52% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 36% Positiveness
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Thornton III Jenkins
Active Latin
105 bpm • E Maj • 01:32 • -10.44db
0% Popularity • 78% Danceability • 70% Energy • 56% Liveness
81% Instrumentalness • 84% Positiveness
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Benson Taylor
How to Let You Go
100 bpm • A Maj • 03:49 • -10.19db
5% Popularity • 49% Danceability • 22% Energy • 18% Liveness
1% Instrumentalness • 21% Positiveness
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Konoba
I'm a Wolf
105 bpm • C# min • 03:30 • -7.88db
29% Popularity • 72% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Rupert Pope
Into the Light
87 bpm • B min • 03:19 • -8.61db
19% Popularity • 38% Danceability • 50% Energy • 11% Liveness
21% Instrumentalness • 10% Positiveness
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Louise Dowd
After You (As Featured in Netflix Origin...
106 bpm • C# min • 02:53 • -8.62db
30% Popularity • 24% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Alex Who?
Mr. Sticky Fingers
87 bpm • C min • 03:50 • -4.9db
13% Popularity • 69% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Thornton III Jenkins
Active Latin MIN
105 bpm • B min • 01:30 • -13.62db
0% Popularity • 85% Danceability • 71% Energy • 11% Liveness
81% Instrumentalness • 92% Positiveness
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Kita Klane
Fingerprints
87 bpm • G# min • 02:38 • -7.56db
35% Popularity • 64% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Benson Taylor
Loaded Gun - Instrumental Version
100 bpm • F min • 03:16 • -12.3db
0% Popularity • 48% Danceability • 40% Energy • 14% Liveness
91% Instrumentalness • 4% Positiveness
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Konoba
On Our Knees
87 bpm • C# min • 04:37 • -9.91db
49% Popularity • 59% Danceability • 34% Energy • 28% Liveness
3% Instrumentalness • 27% Positiveness
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Sigrid
Everybody Knows
106 bpm • G Maj • 04:25 • -11.78db
59% Popularity • 66% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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The New Mastersounds
High Anxiety Low
106 bpm • C Maj • 03:19 • -12.11db
0% Popularity • 86% Danceability • 67% Energy • 20% Liveness
86% Instrumentalness • 83% Positiveness
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Thornton III Jenkins
Groove And Grace
106 bpm • C Maj • 01:38 • -9.96db
0% Popularity • 57% Danceability • 78% Energy • 12% Liveness
70% Instrumentalness • 78% Positiveness
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Gabrielle Current
Glow
106 bpm • G# min • 03:10 • -12.46db
27% Popularity • 35% Danceability • 59% Energy • 17% Liveness
4% Instrumentalness • 25% Positiveness
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Benson Taylor
Adventurista
91 bpm • G Maj • 02:40 • -10.14db
0% Popularity • 20% Danceability • 49% Energy • 14% Liveness
42% Instrumentalness • 24% Positiveness
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Katie Garfield
It's a Long Way Down
107 bpm • A min • 03:19 • -10db
30% Popularity • 50% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Jan Baars
Down in the Darkness
107 bpm • A# min • 03:33 • -16db
20% Popularity • 45% Danceability • 24% Energy • 11% Liveness
1% Instrumentalness • 6% Positiveness
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Redd Carter
This Side of Heaven
108 bpm • G Maj • 04:19 • -6.08db
31% Popularity • 64% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Thornton III Jenkins
He's So Fly MIN
107 bpm • G# Maj • 01:29 • -10.05db
0% Popularity • 84% Danceability • 71% Energy • 10% Liveness
78% Instrumentalness • 57% Positiveness
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Victoria Beaumont
Shes the Lucky One
108 bpm • G Maj • 03:12 • -10db
33% Popularity • 56% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Benson Taylor
Move a Mountain - Instrumental Version
101 bpm • E min • 03:16 • -17.75db
0% Popularity • 14% Danceability • 16% Energy • 37% Liveness
91% Instrumentalness • 10% Positiveness
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Raphael Lake
Cruise
108 bpm • G Maj • 03:04 • -11db
24% Popularity • 57% Danceability • 38% Energy • 21% Liveness
1% Instrumentalness • 18% Positiveness
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The New Mastersounds
Hotel Connection
108 bpm • A# min • 03:18 • -9.3db
0% Popularity • 84% Danceability • 71% Energy • 14% Liveness
38% Instrumentalness • 89% Positiveness
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Delicate Problems