Songs like Der Freischütz, Op. 77: Wie nahte mir der Schlummer by Carl Maria von Weber
Based on a tempo of (+/- 10%) and a similar genre
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Franz Liszt
Romance "O pourquoi donc" in E Minor, S....
67 bpm • E min • 03:05 • -32.14db
41% Popularity • 18% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
41% Popularity • 18% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Alexander Scriabin
24 Preludes for piano, Op. 11: No. 11 In...
67 bpm • B Maj • 01:31 • -32.01db
45% Popularity • 22% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
45% Popularity • 22% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
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Maurice Ravel
Pavane pour une infante défunte, M. 19
67 bpm • E min • 06:29 • -31db
43% Popularity • 38% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 10% Positiveness
43% Popularity • 38% Danceability • 1% Energy • 6% Liveness
95% Instrumentalness • 10% Positiveness
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John Field
Nocturne No. 2 in C Minor
67 bpm • C min • 03:43 • -33.29db
58% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
58% Popularity • 35% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 8% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 10. Fast zu ernst
67 bpm • G# min • 02:00 • -34.37db
41% Popularity • 39% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
41% Popularity • 39% Danceability • 0% Energy • 11% Liveness
95% Instrumentalness • 10% Positiveness
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Franz Schubert
Du bist die Ruh, Op. 59/3, D. 776
67 bpm • D# Maj • 05:01 • -27.52db
42% Popularity • 20% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
42% Popularity • 20% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 5% Positiveness
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Richard Strauss
Morgen, Op. 27 No. 4 (Arr. Reger for Pia...
67 bpm • G Maj • 03:52 • -37db
58% Popularity • 29% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 26% Positiveness
58% Popularity • 29% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 26% Positiveness
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AntonÃn Dvořák
Serenade for Strings, Op. 22, B. 52 (Exc...
67 bpm • A Maj • 02:52 • -26.79db
37% Popularity • 28% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 15% Positiveness
37% Popularity • 28% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 15% Positiveness
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Vladimir Horowitz
Etude-fantasie in E-Flat Major, Op. 4, "...
67 bpm • G min • 02:45 • -25.09db
34% Popularity • 26% Danceability • 12% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
34% Popularity • 26% Danceability • 12% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Franz Liszt
Liszt: Lieder aus Franz Schubert's "Schw...
67 bpm • D Maj • 06:07 • -27.76db
34% Popularity • 32% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
34% Popularity • 32% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Edvard Grieg
Lyric Pieces Book II, Op. 38: I. Berceus...
67 bpm • D Maj • 02:46 • -30db
42% Popularity • 37% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
42% Popularity • 37% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D. 899: No. 3 in G...
67 bpm • F# Maj • 06:17 • -36.15db
47% Popularity • 13% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
47% Popularity • 13% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Federico Mompou
Variations on a Theme by Chopin: Var. 1....
66 bpm • A Maj • 01:01 • -34.74db
50% Popularity • 52% Danceability • 0% Energy • 6% Liveness
97% Instrumentalness • 31% Positiveness
50% Popularity • 52% Danceability • 0% Energy • 6% Liveness
97% Instrumentalness • 31% Positiveness
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Robert Schumann
Carnaval, Op. 9: XII. Chopin
66 bpm • G# Maj • 01:30 • -36.35db
50% Popularity • 32% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
50% Popularity • 32% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Modest Mussorgsky
Mussorgsky: Pictures at an Exhibition: I...
68 bpm • C# Maj • 05:21 • -37.64db
29% Popularity • 35% Danceability • 0% Energy • 20% Liveness
95% Instrumentalness • 7% Positiveness
29% Popularity • 35% Danceability • 0% Energy • 20% Liveness
95% Instrumentalness • 7% Positiveness
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Alexander Borodin
Piano Quintet in C Minor: I. Andante
68 bpm • C min • 04:27 • -23.19db
41% Popularity • 24% Danceability • 6% Energy • 18% Liveness
87% Instrumentalness • 9% Positiveness
41% Popularity • 24% Danceability • 6% Energy • 18% Liveness
87% Instrumentalness • 9% Positiveness
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Johannes Brahms
Clarinet Trio in A Minor, Op. 114: I. Al...
68 bpm • A min • 07:39 • -20db
35% Popularity • 13% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
35% Popularity • 13% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Jean Sibelius
Andantino JS 201
66 bpm • C# min • 01:05 • -29db
48% Popularity • 41% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 35% Positiveness
48% Popularity • 41% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 35% Positiveness
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![Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] cover art](https://i.scdn.co/image/ab67616d00001e027de83c6c3607df60e997e186)
Franz Liszt
Schwanengesang, S. 560: Schubert - Schwa...
66 bpm • D Maj • 07:05 • -37.69db
45% Popularity • 31% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
45% Popularity • 31% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Clara Schumann
3 Romances, Op. 22: No. 1, Andante molto...
68 bpm • C# Maj • 03:10 • -26db
52% Popularity • 16% Danceability • 3% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
52% Popularity • 16% Danceability • 3% Energy • 16% Liveness
89% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Serenade in B-Flat Major, K. 361 "Gran P...
68 bpm • D# Maj • 05:30 • -25.19db
61% Popularity • 17% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
61% Popularity • 17% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
68 bpm • D# Maj • 04:42 • -28.66db
56% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
56% Popularity • 36% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39: No. 15 In A Flat Maj...
68 bpm • G# Maj • 01:34 • -34.56db
66% Popularity • 39% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
66% Popularity • 39% Danceability • 1% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
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Bedřich Smetana
6 Album Leaves, Op. 2, JB 1:51: No. 2 in...
66 bpm • A min • 01:37 • -30db
64% Popularity • 19% Danceability • 3% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
64% Popularity • 19% Danceability • 3% Energy • 6% Liveness
82% Instrumentalness • 7% Positiveness
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Henri Vieuxtemps
Violin Concerto No. 4 in D Minor, Op. 31...
66 bpm • D# Maj • 06:16 • -24.47db
34% Popularity • 9% Danceability • 10% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
34% Popularity • 9% Danceability • 10% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
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Daniel Barenboim
Bach, JS : Well-Tempered Clavier Book 1 ...
68 bpm • C min • 01:33 • -22.73db
51% Popularity • 30% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
51% Popularity • 30% Danceability • 15% Energy • 9% Liveness
86% Instrumentalness • 16% Positiveness
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Carl Maria von Weber
Weber: Der Freischütz, Op. 77, J. 277, ...
66 bpm • G# Maj • 05:08 • -27.19db
1% Popularity • 13% Danceability • 5% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
1% Popularity • 13% Danceability • 5% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
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George Frideric Handel
Rinaldo, HWV 7: Lascia ch'io pianga (Arr...
68 bpm • F Maj • 04:28 • -31.27db
52% Popularity • 25% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
52% Popularity • 25% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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Sergei Rachmaninoff
Elegie in E-Flat Minor, Op. 3, No. 1
68 bpm • D# min • 04:04 • -25.1db
34% Popularity • 29% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 6% Positiveness
34% Popularity • 29% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 6% Positiveness
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Fanny Mendelssohn
Mendelssohn-Hensel: 6 Mélodies, Opp. 4 ...
68 bpm • C# min • 03:08 • -29db
20% Popularity • 36% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 9% Positiveness
20% Popularity • 36% Danceability • 2% Energy • 7% Liveness
89% Instrumentalness • 9% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
68 bpm • C Maj • 09:52 • -19db
36% Popularity • 37% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 31% Positiveness
36% Popularity • 37% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 31% Positiveness
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AntonÃn Dvořák
2 Pieces, Op. posth., B. 188: No. 1. Lul...
66 bpm • G Maj • 03:11 • -29.06db
55% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
55% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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John Field
Nocturne No. 13 in D Minor
68 bpm • D min • 03:46 • -35db
37% Popularity • 38% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
37% Popularity • 38% Danceability • 0% Energy • 7% Liveness
94% Instrumentalness • 19% Positiveness
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Franz Liszt
3 Concert Études, S. 144: No. 3 in D-Fl...
69 bpm • C# Maj • 05:41 • -25db
40% Popularity • 24% Danceability • 6% Energy • 19% Liveness
94% Instrumentalness • 3% Positiveness
40% Popularity • 24% Danceability • 6% Energy • 19% Liveness
94% Instrumentalness • 3% Positiveness
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Sergei Rachmaninoff
6 Moments musicaux, Op. 16: No. 5, Adagi...
68 bpm • C# Maj • 04:06 • -36.93db
35% Popularity • 36% Danceability • 0% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
35% Popularity • 36% Danceability • 0% Energy • 11% Liveness
87% Instrumentalness • 4% Positiveness
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Alexander Scriabin
24 Preludes, Op. 11: No. 15 in D-Flat Ma...
69 bpm • C# Maj • 01:57 • -45db
50% Popularity • 35% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
50% Popularity • 35% Danceability • 0% Energy • 12% Liveness
93% Instrumentalness • 17% Positiveness
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Vladimir Horowitz
Waltz in F Minor
69 bpm • A# min • 02:15 • -34db
37% Popularity • 37% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
37% Popularity • 37% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
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Felix Mendelssohn
Songs Without Words, Book VI Opus 67: No...
69 bpm • F# min • 02:00 • -26.32db
60% Popularity • 26% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
60% Popularity • 26% Danceability • 9% Energy • 8% Liveness
90% Instrumentalness • 50% Positiveness
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John Field
Nocturne No. 4 in A Major
69 bpm • A Maj • 05:30 • -32.39db
26% Popularity • 30% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
26% Popularity • 30% Danceability • 1% Energy • 7% Liveness
92% Instrumentalness • 11% Positiveness
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Claude Debussy
La plus que lente, L. 121
69 bpm • F# Maj • 04:22 • -25.46db
40% Popularity • 26% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
40% Popularity • 26% Danceability • 3% Energy • 13% Liveness
92% Instrumentalness • 7% Positiveness
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Mikhail Glinka
Mazurka in C Major
69 bpm • A min • 01:26 • -32.89db
43% Popularity • 38% Danceability • 1% Energy • 6% Liveness
86% Instrumentalness • 22% Positiveness
43% Popularity • 38% Danceability • 1% Energy • 6% Liveness
86% Instrumentalness • 22% Positiveness
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Franz Liszt
Années de pèlerinage: 1e année: Suiss...
65 bpm • G# Maj • 02:44 • -30.89db
33% Popularity • 26% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
33% Popularity • 26% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Jean Sibelius
Andante festivo for Strings and Timpani,...
65 bpm • G Maj • 05:37 • -20.05db
52% Popularity • 11% Danceability • 16% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
52% Popularity • 11% Danceability • 16% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
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Benjamin Frith
Nocturne No. 10 In E Minor
65 bpm • E min • 03:12 • -36.52db
53% Popularity • 35% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 12% Positiveness
53% Popularity • 35% Danceability • 1% Energy • 5% Liveness
94% Instrumentalness • 12% Positiveness
► Preview
John Field
Nocturne No. 5 in B Flat Major, H.37
65 bpm • A# Maj • 03:16 • -27db
32% Popularity • 43% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
32% Popularity • 43% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 8% Positiveness
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Johannes Brahms
Sechs Klavierstücke, Op. 118: II. Inter...
69 bpm • A Maj • 06:18 • -30.92db
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
62% Popularity • 30% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Carl Maria von Weber
6 Violin Sonatas, Op. 10b No. 5 in F Maj...
69 bpm • A Maj • 07:04 • -22.57db
13% Popularity • 29% Danceability • 5% Energy • 6% Liveness
9% Instrumentalness • 20% Positiveness
13% Popularity • 29% Danceability • 5% Energy • 6% Liveness
9% Instrumentalness • 20% Positiveness
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Franz Liszt
Die Rose, Romanze aus der Oper Zemir und...
65 bpm • E Maj • 04:47 • -30.37db
48% Popularity • 33% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 13% Positiveness
48% Popularity • 33% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 13% Positiveness
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Franz Schubert
4 Impromptus, Op. 90, D.899: No. 2 in E ...
65 bpm • F# Maj • 04:40 • -24.31db
34% Popularity • 20% Danceability • 7% Energy • 16% Liveness
93% Instrumentalness • 28% Positiveness
34% Popularity • 20% Danceability • 7% Energy • 16% Liveness
93% Instrumentalness • 28% Positiveness
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Robert Schumann
Symphonic Studies, Op. 13 - Version 1852...
69 bpm • C# min • 02:59 • -23.71db
34% Popularity • 28% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
34% Popularity • 28% Danceability • 7% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
VI. June. Barcarolle
69 bpm • G min • 05:25 • -35db
33% Popularity • 26% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
33% Popularity • 26% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39: No. 15 in A Flat Maj...
69 bpm • G# Maj • 01:38 • -27.31db
41% Popularity • 38% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
41% Popularity • 38% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 8% Positiveness
► Preview
Clara Schumann
Piano Concerto in A Minor, Op. 7: II. Ro...
69 bpm • G# Maj • 04:29 • -31db
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
► Preview
Alexander Scriabin
4 Pieces, Op. 51: I. Fragilité
69 bpm • D# Maj • 02:32 • -36db
35% Popularity • 29% Danceability • 1% Energy • 6% Liveness
87% Instrumentalness • 6% Positiveness
35% Popularity • 29% Danceability • 1% Energy • 6% Liveness
87% Instrumentalness • 6% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act III: "Wer ...
70 bpm • D# Maj • 09:18 • -17.05db
12% Popularity • 31% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
12% Popularity • 31% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
![Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] cover art](https://i.scdn.co/image/ab67616d00001e02e7b0049790088d1115f1984b)
Seattle Symphony Orchestra
Etudes symphoniques (Symphonic Etudes), ...
70 bpm • A min • 01:51 • -29db
63% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
63% Popularity • 17% Danceability • 4% Energy • 8% Liveness
95% Instrumentalness • 5% Positiveness
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Robert Schumann
No. 1, Von fremden Ländern und Menschen
70 bpm • G Maj • 01:33 • -35.55db
59% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
59% Popularity • 37% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 39% Positiveness
► Preview
Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 (Arranged by S...
70 bpm • D min • 03:01 • -36.89db
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
58% Popularity • 28% Danceability • 0% Energy • 6% Liveness
98% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Prélude In G-Sharp Minor, Op. 32, No. 1...
70 bpm • E Maj • 02:32 • -25.61db
34% Popularity • 20% Danceability • 4% Energy • 62% Liveness
88% Instrumentalness • 4% Positiveness
34% Popularity • 20% Danceability • 4% Energy • 62% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Alexander Scriabin
12 Etudes, Op. 8 (1894): No. 4 Piacevole
64 bpm • B Maj • 01:50 • -38.32db
48% Popularity • 26% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 15% Positiveness
48% Popularity • 26% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 15% Positiveness
► Preview
Bedřich Smetana
Album Leaf for Kateřina Kolářová in ...
70 bpm • B Maj • 01:57 • -30.77db
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
55% Popularity • 29% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 7% Positiveness
► Preview
Clara Schumann
Piano Concerto in A Minor, Op. 7: Romanz...
70 bpm • G# Maj • 04:52 • -30.05db
28% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 33% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Gabriel Fauré
8 Pièces brèves, Op. 84: No. 5, Improv...
70 bpm • F# min • 02:00 • -26db
46% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
46% Popularity • 36% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 5% Positiveness
► Preview
Jean-Philippe Rameau
Deuxieme livre, Suite en Mi: X. Tambouri...
70 bpm • E min • 01:30 • -27db
44% Popularity • 39% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
44% Popularity • 39% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 36% Positiveness
► Preview
Johann Sebastian Bach
Das Wohltemperierte Klavier: Book 2, BWV...
70 bpm • F min • 04:08 • -30.61db
41% Popularity • 33% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 46% Positiveness
41% Popularity • 33% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 46% Positiveness
► Preview
Alexander Scriabin
Scriabin: 24 Preludes, Op. 11: No. 21 in...
70 bpm • D# Maj • 01:47 • -43.21db
60% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
60% Popularity • 22% Danceability • 0% Energy • 8% Liveness
96% Instrumentalness • 35% Positiveness
► Preview
Ottorino Respighi
3 Preludi Sopra Melodie Gregoriane, P. 1...
70 bpm • G# min • 05:19 • -28.17db
32% Popularity • 43% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
32% Popularity • 43% Danceability • 1% Energy • 8% Liveness
92% Instrumentalness • 19% Positiveness
► Preview
Georges Bizet
Jeux d'enfants, Op. 22: No. 3, La poupé...
64 bpm • B Maj • 02:22 • -37.46db
50% Popularity • 50% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
50% Popularity • 50% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 24% Positiveness
► Preview
Franz Liszt
Liebeslied, S. 566 (After Schumann’s W...
70 bpm • G# Maj • 03:26 • -19.98db
44% Popularity • 35% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
44% Popularity • 35% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
► Preview
Carl Maria von Weber
Variations on a Theme from the Opera Sil...
70 bpm • A# Maj • 02:43 • -13.95db
7% Popularity • 24% Danceability • 25% Energy • 20% Liveness
89% Instrumentalness • 53% Positiveness
7% Popularity • 24% Danceability • 25% Energy • 20% Liveness
89% Instrumentalness • 53% Positiveness
► Preview
Johann Sebastian Bach
Goldberg Variations, BWV 988: Variatio 7...
71 bpm • G Maj • 02:20 • -25.7db
55% Popularity • 31% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 57% Positiveness
55% Popularity • 31% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 57% Positiveness
► Preview
Nino Rota
Valzer
71 bpm • E Maj • 02:51 • -25db
34% Popularity • 26% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
34% Popularity • 26% Danceability • 5% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
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Ottorino Respighi
6 Pezzi, P. 44: No. 1. Valse Caressante
70 bpm • D# Maj • 03:24 • -29.87db
45% Popularity • 20% Danceability • 6% Energy • 24% Liveness
91% Instrumentalness • 36% Positiveness
45% Popularity • 20% Danceability • 6% Energy • 24% Liveness
91% Instrumentalness • 36% Positiveness
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Bedřich Smetana
Bagatelles et impromptus: VII. Love
71 bpm • A Maj • 02:18 • -36.38db
54% Popularity • 21% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 10% Positiveness
54% Popularity • 21% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 10% Positiveness
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Clara Schumann
Schumann: 12 Gedichte aus Liebesfrühlin...
71 bpm • G# Maj • 02:09 • -32db
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
57% Popularity • 24% Danceability • 0% Energy • 12% Liveness
95% Instrumentalness • 4% Positiveness
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Alexander Scriabin
Scriabin: 24 Preludes, Op. 11: No. 1 in ...
63 bpm • C Maj • 01:10 • -28db
44% Popularity • 37% Danceability • 7% Energy • 7% Liveness
95% Instrumentalness • 12% Positiveness
44% Popularity • 37% Danceability • 7% Energy • 7% Liveness
95% Instrumentalness • 12% Positiveness
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Christoph Willibald Gluck
Orfeo Ed Euridice: Dance of the Blessed ...
63 bpm • F Maj • 06:45 • -28db
45% Popularity • 16% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
45% Popularity • 16% Danceability • 6% Energy • 8% Liveness
93% Instrumentalness • 9% Positiveness
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John Field
Nocturne No. 6 in F Major
71 bpm • F Maj • 05:08 • -32db
31% Popularity • 27% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 6% Positiveness
31% Popularity • 27% Danceability • 2% Energy • 5% Liveness
94% Instrumentalness • 6% Positiveness
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Nora Mercz
6 Morceaux, Op. 51: No. 6. Valse sentime...
71 bpm • F min • 02:51 • -26.21db
41% Popularity • 16% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
41% Popularity • 16% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 8% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39: 15. Waltz in A Flat
72 bpm • G# Maj • 01:29 • -27db
40% Popularity • 49% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
40% Popularity • 49% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
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Giovanni Sgambati
Orfeo ed Euridice: Melody (arr. G. Sgamb...
71 bpm • D min • 03:49 • -34.2db
43% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
43% Popularity • 35% Danceability • 1% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
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Carl Maria von Weber
Weber: Der Freischütz, Op. 77, J. 277, ...
72 bpm • G# Maj • 02:04 • -33.88db
0% Popularity • 61% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 61% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Pyotr Ilyich Tchaikovsky
6 Morceaux, Op. 19: No. 4. Nocturne in C...
72 bpm • C# min • 03:33 • -28db
29% Popularity • 43% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 10% Positiveness
29% Popularity • 43% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 10% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 2 Etude
72 bpm • A min • 01:11 • -26.24db
63% Popularity • 25% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 65% Positiveness
63% Popularity • 25% Danceability • 15% Energy • 10% Liveness
88% Instrumentalness • 65% Positiveness
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Dmitri Shostakovich
24 Preludes & Fugues, Op. 87: Prelude no...
72 bpm • F# Maj • 02:27 • -38.64db
47% Popularity • 22% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
47% Popularity • 22% Danceability • 0% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
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Johannes Brahms
16 Waltzes, Op. 39: No. 9 In D Minor
62 bpm • A# Maj • 01:25 • -38.72db
62% Popularity • 45% Danceability • 0% Energy • 6% Liveness
93% Instrumentalness • 9% Positiveness
62% Popularity • 45% Danceability • 0% Energy • 6% Liveness
93% Instrumentalness • 9% Positiveness
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Nora Mercz
Carmen (arr. N. Mercz): Intermezzo from ...
72 bpm • D# Maj • 02:38 • -25db
49% Popularity • 30% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
49% Popularity • 30% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
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Felix Mendelssohn
Lieder ohne Worte (Songs without Words),...
72 bpm • G min • 02:04 • -33.47db
61% Popularity • 39% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
61% Popularity • 39% Danceability • 4% Energy • 8% Liveness
89% Instrumentalness • 15% Positiveness
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Edvard Grieg
Lyric Pieces, Book 5, Op. 54: Nocturne
72 bpm • C Maj • 03:40 • -29.73db
60% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
60% Popularity • 30% Danceability • 4% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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Jean Sibelius
6 Impromptus, Op. 5: Impromptu VI
62 bpm • E Maj • 06:09 • -36.51db
51% Popularity • 45% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
51% Popularity • 45% Danceability • 1% Energy • 7% Liveness
88% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Romance in F Minor, Op. 11, B. 38 (Arr. ...
72 bpm • G# Maj • 02:13 • -33.45db
32% Popularity • 36% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 27% Positiveness
32% Popularity • 36% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 27% Positiveness
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Francis Poulenc
15 Improvisations, FP 170: No. 13 in A M...
72 bpm • C Maj • 02:23 • -28db
31% Popularity • 30% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
31% Popularity • 30% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Eurydice) ...
73 bpm • F Maj • 01:37 • -27.52db
51% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
51% Popularity • 45% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 36% Positiveness
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Joseph Haydn
Cello Concerto No. 1 in C Major, Hob. VI...
62 bpm • F Maj • 08:13 • -25db
43% Popularity • 9% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
43% Popularity • 9% Danceability • 7% Energy • 9% Liveness
89% Instrumentalness • 7% Positiveness
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Wilhelm Kempff
Menuet in G Minor (trans. W. Kempff)
73 bpm • G min • 03:13 • -33db
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
52% Popularity • 44% Danceability • 1% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
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Jean Sibelius
13 Pieces, Op. 76: No. 3 Carillon
72 bpm • F Maj • 01:35 • -31.25db
63% Popularity • 25% Danceability • 2% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
63% Popularity • 25% Danceability • 2% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
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Carl Maria von Weber
Euryanthe, Act I: No. 9. Finale "Fröhli...
73 bpm • D Maj • 04:29 • -20.53db
1% Popularity • 36% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
1% Popularity • 36% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Ignaz Friedman
Flute Sonata in E-Flat Major, BWV 1031: ...
73 bpm • G min • 02:12 • -30.53db
59% Popularity • 36% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
59% Popularity • 36% Danceability • 3% Energy • 8% Liveness
93% Instrumentalness • 16% Positiveness
