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Diamonds
Songs like
Diamonds
by
Morgan Evans
Based on a tempo of (+/- 10%) and a similar genre
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Matt Stell
Better Than That
158 bpm • A min • 03:18 • -3.37db
34% Popularity • 47% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Morgan Evans
Diamonds - Intl Mix
158 bpm • D Maj • 02:52 • -5db
26% Popularity • 63% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 93% Positiveness
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Seaforth
Taken Your Picture
158 bpm • E Maj • 03:32 • -7.5db
30% Popularity • 51% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Hurricane Fall
Another One More Time
158 bpm • C Maj • 03:16 • -3db
25% Popularity • 48% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 63% Positiveness
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Jade Eagleson
Close
158 bpm • F Maj • 03:04 • -4db
41% Popularity • 43% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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Olivia Lane
So Good It Hurts
158 bpm • D Maj • 02:43 • -5.11db
25% Popularity • 56% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Clare Dunn
Put You Into Words
158 bpm • D Maj • 03:22 • -3db
28% Popularity • 46% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
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Luke Combs
All Over Again
157 bpm • G Maj • 03:28 • -5.37db
57% Popularity • 50% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 56% Positiveness
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Southbound xo
Drink
160 bpm • C# Maj • 03:02 • -3db
36% Popularity • 45% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Morgan Evans
Diamonds
158 bpm • D Maj • 02:52 • -5db
45% Popularity • 63% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Lindsay Ell
wAnt me back
156 bpm • E Maj • 03:13 • -4.16db
44% Popularity • 54% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Madeline Merlo
Dear Me
156 bpm • D# Maj • 02:40 • -4db
34% Popularity • 65% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Chris Bandi
Man Enough Now - Radio Edit
156 bpm • D Maj • 03:04 • -4.72db
32% Popularity • 56% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Jordan Davis
Slow Dance In A Parking Lot - Acoustic
160 bpm • G Maj • 02:58 • -7.14db
41% Popularity • 68% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Luke Bryan
Sunrise, Sunburn, Sunset
160 bpm • A Maj • 03:36 • -2.27db
64% Popularity • 47% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Morgan Evans
Made for Loving You
160 bpm • F Maj • 03:20 • -5.83db
22% Popularity • 46% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 69% Positiveness
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Zac & George
Bar Stool
160 bpm • C# Maj • 03:18 • -4.46db
41% Popularity • 56% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Niko Moon
GOOD AT LOVING YOU
160 bpm • B min • 03:05 • -7.07db
37% Popularity • 72% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Chris Lane
Take Back Home Girl
160 bpm • B Maj • 03:32 • -4db
59% Popularity • 49% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Brett Young
Catch
156 bpm • D Maj • 03:16 • -6.34db
60% Popularity • 57% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Michael Ray
One That Got Away
160 bpm • A# Maj • 03:38 • -4db
50% Popularity • 56% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Morgan Evans
Everything Changes
160 bpm • C# Maj • 03:17 • -6.25db
32% Popularity • 50% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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James Barker Band
Summer Time
160 bpm • A Maj • 03:06 • -3.92db
39% Popularity • 51% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Jordan Davis
Cool Anymore
156 bpm • G Maj • 03:20 • -5.45db
50% Popularity • 52% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Brad Cox
What Brought You Back
160 bpm • B Maj • 03:08 • -4db
33% Popularity • 47% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
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Brett Young
1, 2, 3 Mississippi
156 bpm • F# Maj • 03:26 • -6.23db
42% Popularity • 60% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Runaway June
Buy My Own Drinks
156 bpm • F Maj • 03:22 • -4.36db
49% Popularity • 69% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Chase Rice
In The Car
160 bpm • A Maj • 03:03 • -5.44db
36% Popularity • 45% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Kip Moore
Red White Blue Jean American Dream
160 bpm • C Maj • 03:00 • -5.97db
46% Popularity • 56% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
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Russell Dickerson
Blue Tacoma
160 bpm • A Maj • 03:32 • -4.88db
64% Popularity • 46% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Luke Combs
Six Feet Apart
156 bpm • F# Maj • 03:19 • -5.89db
55% Popularity • 56% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Dean Brody
Boys
156 bpm • D Maj • 03:15 • -4.72db
36% Popularity • 42% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Steven Lee Olsen
Hello Country
154 bpm • D# Maj • 02:53 • -3.46db
31% Popularity • 58% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
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Dan + Shay
Road Trippin'
161 bpm • F Maj • 03:32 • -4.65db
47% Popularity • 55% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 76% Positiveness
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Old Dominion
I'm On It
162 bpm • B Maj • 03:07 • -3.44db
36% Popularity • 53% Danceability • 93% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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Ross Ellis
Home to Me
154 bpm • D# Maj • 03:36 • -6.72db
40% Popularity • 51% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
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Eric Paslay
Young Forever
162 bpm • C Maj • 03:17 • -5.39db
41% Popularity • 55% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 58% Positiveness
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Jade Eagleson
Got Your Name On It
162 bpm • C# Maj • 03:09 • -4.81db
53% Popularity • 59% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Brett Young
Chapters - The Acoustic Sessions
162 bpm • B Maj • 03:58 • -5.82db
38% Popularity • 50% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Zac Brown Band
OMW
162 bpm • C Maj • 03:20 • -4.88db
25% Popularity • 60% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Scotty McCreery
Home in My Mind
154 bpm • F# Maj • 03:35 • -6.49db
40% Popularity • 51% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Chad Brownlee
The Way You Roll
163 bpm • C Maj • 02:55 • -5db
38% Popularity • 55% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
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Sir Rosevelt
Something 'Bout You
153 bpm • D Maj • 02:40 • -6.07db
45% Popularity • 69% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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LOCASH
Kissing a Girl
164 bpm • C# Maj • 03:23 • -6.56db
22% Popularity • 47% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Morgan Evans
Hey Little Mama
152 bpm • D# Maj • 03:10 • -4.99db
41% Popularity • 59% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Russell Dickerson
Love You Like I Used To
152 bpm • A# Maj • 03:06 • -5db
54% Popularity • 50% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Adam Doleac
Bigger Than Us
152 bpm • C# Maj • 03:21 • -3.46db
36% Popularity • 48% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Rascal Flatts
How They Remember You
152 bpm • D Maj • 03:31 • -5db
47% Popularity • 44% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Jade Eagleson
Count The Ways
165 bpm • F# Maj • 03:15 • -5db
44% Popularity • 61% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Taylor Moss
Get It Girl
166 bpm • G Maj • 03:19 • -3.98db
27% Popularity • 50% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Morgan Evans
Hey Little Mama - Live At The Sydney Ope...
152 bpm • G# Maj • 04:03 • -5.36db
24% Popularity • 54% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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Brett Young
Don’t Wanna Write This Song
150 bpm • D Maj • 03:48 • -8db
48% Popularity • 51% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Kip Moore
Wild World
150 bpm • G Maj • 03:40 • -9.09db
43% Popularity • 64% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Chris Lane
Big, Big Plans
150 bpm • G Maj • 03:07 • -6.09db
64% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Madeline Merlo
Kiss Kiss
150 bpm • F Maj • 03:12 • -5.38db
30% Popularity • 60% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Dylan Scott
You Got Me
150 bpm • G Maj • 02:34 • -6.79db
40% Popularity • 67% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Morgan Evans
Diamonds - Acoustic
152 bpm • C Maj • 02:48 • -9db
23% Popularity • 63% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Caitlyn Shadbolt
Bad
150 bpm • C# min • 02:49 • -6.17db
21% Popularity • 54% Danceability • 78% Energy • 57% Liveness
0% Instrumentalness • 25% Positiveness
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Jameson Rodgers
Some Girls
168 bpm • G# Maj • 03:04 • -5db
57% Popularity • 42% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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LOCASH
Feels Like a Party
168 bpm • E Maj • 02:48 • -4.67db
49% Popularity • 56% Danceability • 88% Energy • 80% Liveness
0% Instrumentalness • 74% Positiveness
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Kip Moore
Plead The Fifth
168 bpm • C Maj • 03:22 • -4.18db
43% Popularity • 51% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Kelsea Ballerini
club
168 bpm • G Maj • 03:01 • -7db
39% Popularity • 50% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Morgan Evans
Best I Never Had
166 bpm • A Maj • 03:25 • -3db
26% Popularity • 32% Danceability • 96% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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Ryan Hurd
Diamonds or Twine
148 bpm • D Maj • 03:31 • -8.8db
47% Popularity • 62% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Dylan Scott
Nothing To Do Town
148 bpm • D Maj • 03:05 • -5db
43% Popularity • 55% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Adam Doleac
Neon Fools
170 bpm • G Maj • 03:15 • -8db
36% Popularity • 56% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Kip Moore
Last Shot
148 bpm • E Maj • 03:48 • -4.4db
54% Popularity • 49% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Tyler Rich
The Difference
170 bpm • A Maj • 03:06 • -5db
54% Popularity • 54% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Morgan Evans
Love You Home
150 bpm • E Maj • 03:25 • -5db
27% Popularity • 39% Danceability • 67% Energy • 23% Liveness
1% Instrumentalness • 46% Positiveness
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James Johnston
GOT IT GOOD
170 bpm • C# min • 02:53 • -3.05db
47% Popularity • 55% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Luke Bryan
What She Wants Tonight
170 bpm • G# min • 03:07 • -3.86db
47% Popularity • 50% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Noah Schnacky
Maybe We Will
170 bpm • E Maj • 03:09 • -8.02db
46% Popularity • 59% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Clare Dunn
Gold To Glitter
170 bpm • F Maj • 03:50 • -3db
19% Popularity • 45% Danceability • 81% Energy • 26% Liveness
19% Instrumentalness • 69% Positiveness
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Dan + Shay
Stupid Love
170 bpm • C Maj • 03:14 • -4db
44% Popularity • 69% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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Morgan Evans
There's No Time
149 bpm • G# Maj • 03:49 • -8.47db
25% Popularity • 48% Danceability • 72% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Nate Raab
Coffin
147 bpm • A Maj • 03:43 • -15db
2% Popularity • 49% Danceability • 56% Energy • 70% Liveness
0% Instrumentalness • 71% Positiveness
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Chase Rice
Best Night Ever
146 bpm • A Maj • 03:02 • -6.14db
32% Popularity • 50% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Niko Moon
DRUNK OVER YOU
146 bpm • C# Maj • 02:42 • -7.04db
40% Popularity • 82% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 90% Positiveness
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Ryan Hurd
Her Name Was Summer
146 bpm • E Maj • 03:24 • -6db
34% Popularity • 52% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Lewis Brice
It's You (I've Been Looking for)
146 bpm • E Maj • 03:06 • -7.71db
42% Popularity • 64% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 65% Positiveness
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Morgan Evans
Dance with Me
148 bpm • C# Maj • 03:19 • -9.85db
48% Popularity • 61% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Tyler Rich
11:11
146 bpm • A# Maj • 03:15 • -4.62db
41% Popularity • 52% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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Adam Hambrick
Rockin' All Night Long
146 bpm • D# Maj • 03:18 • -5.59db
36% Popularity • 53% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 51% Positiveness
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Sam Hunt
Breaking Up Was Easy In The 90's
146 bpm • A Maj • 03:35 • -5.4db
61% Popularity • 56% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Brad Cox
Too Drunk To Drive
172 bpm • A Maj • 03:25 • -5.18db
32% Popularity • 43% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
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Jordan Davis
Leaving New Orleans
172 bpm • A Maj • 03:30 • -5.38db
45% Popularity • 48% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Morgan Evans
All Right Here
148 bpm • G Maj • 03:16 • -5.53db
36% Popularity • 52% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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Josh Melton
Another Man's Treasure
172 bpm • G Maj • 03:14 • -4.83db
26% Popularity • 55% Danceability • 69% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
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Michael Ray
I'm Gonna Miss You
172 bpm • G# Maj • 02:44 • -3.85db
31% Popularity • 52% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Dan + Shay
Island Time
144 bpm • D Maj • 03:19 • -5.01db
43% Popularity • 53% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Brad Cox
Rusty Strings
172 bpm • D Maj • 03:24 • -4.86db
38% Popularity • 48% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 61% Positiveness
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Chris Lane
I Don't Know About You
144 bpm • C# Maj • 03:27 • -5.73db
63% Popularity • 59% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
► Preview
Morgan Evans
The Cape
147 bpm • C Maj • 03:11 • -7db
27% Popularity • 50% Danceability • 56% Energy • 11% Liveness
4% Instrumentalness • 57% Positiveness
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MacKenzie Porter
About You
144 bpm • C# Maj • 02:57 • -3.22db
27% Popularity • 56% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Blake Shelton
Nobody But You (Duet with Gwen Stefani)
144 bpm • C Maj • 03:14 • -5.52db
66% Popularity • 46% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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Josh Gracin
Good for You
144 bpm • C# Maj • 04:02 • -8.14db
36% Popularity • 64% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Brad Cox
This Is Who I Am
172 bpm • E Maj • 03:08 • -9.64db
30% Popularity • 40% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Teddy Robb
Lead Me On
174 bpm • G# Maj • 03:10 • -4.56db
40% Popularity • 46% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Morgan Evans
Like a Tornado
170 bpm • B min • 04:14 • -5.44db
27% Popularity • 36% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Dallas Smith
Autograph
174 bpm • G Maj • 02:55 • -6.26db
34% Popularity • 50% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Diamonds