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Dicked Down in Dallas
Songs like
Dicked Down in Dallas
by
Trey Lewis
Based on a tempo of (+/- 10%) and a similar genre
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Bailey Zimmerman
Rock and A Hard Place
122 bpm • C# Maj • 03:27 • -7.3db
80% Popularity • 58% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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David Morris
Dutton Ranch Freestyle
122 bpm • E Maj • 02:23 • -5.85db
65% Popularity • 83% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Kidd G
I Don't Wanna
122 bpm • G Maj • 03:10 • -5.73db
51% Popularity • 71% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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Trey Lewis
Dicked Down in Dallas
122 bpm • F# Maj • 03:21 • -4.69db
69% Popularity • 51% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Drew Green
She Got That
122 bpm • C Maj • 02:37 • -5.48db
48% Popularity • 66% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Austin Snell
Excuse The Mess
122 bpm • A# min • 02:51 • -5.2db
57% Popularity • 59% Danceability • 85% Energy • 46% Liveness
0% Instrumentalness • 40% Positiveness
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Kenny Chesney
She Thinks My Tractor's Sexy
122 bpm • A# min • 04:08 • -7.07db
65% Popularity • 69% Danceability • 89% Energy • 28% Liveness
0% Instrumentalness • 91% Positiveness
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Hailey Whitters
Everything She Ain’t
122 bpm • D Maj • 02:31 • -6.13db
65% Popularity • 80% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Billy Currington
Good Directions
123 bpm • F Maj • 03:35 • -2.18db
72% Popularity • 72% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Trey Lewis
Dicked Down in Dallas - Remix
122 bpm • C# Maj • 03:42 • -5.51db
51% Popularity • 55% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Morgan Wallen
Ain’t That Some
121 bpm • F# min • 02:38 • -5.78db
78% Popularity • 64% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
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Josh Turner
Would You Go With Me
123 bpm • F# Maj • 03:48 • -5.37db
71% Popularity • 60% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Kenny Chesney
All the Pretty Girls
121 bpm • F# Maj • 03:32 • -3.74db
63% Popularity • 61% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Pecos & the Rooftops
This Damn Song
120 bpm • C Maj • 04:40 • -6.74db
72% Popularity • 65% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
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Chayce Beckham
Can't Do Without Me
123 bpm • C# Maj • 03:21 • -3.6db
47% Popularity • 60% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Muscadine Bloodline
Pieces
124 bpm • F# Maj • 03:16 • -11.5db
72% Popularity • 49% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Granger Smith
Holler
120 bpm • F min • 03:02 • -6.19db
48% Popularity • 60% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
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Cole Swindell
Drinkaby
124 bpm • A Maj • 03:02 • -2.99db
56% Popularity • 59% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 87% Positiveness
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Cody Johnson
Dirt Cheap
120 bpm • C# Maj • 03:59 • -5.89db
73% Popularity • 62% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Josh Ross
Trouble
120 bpm • B Maj • 03:34 • -5.03db
72% Popularity • 64% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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HARDY
TRUCK
120 bpm • D Maj • 03:38 • -3.7db
60% Popularity • 58% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
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Austin Burke
Wet Dream
120 bpm • G# Maj • 03:10 • -5.59db
46% Popularity • 76% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Granger Smith
Don’t Tread on Me
124 bpm • E min • 03:34 • -5.08db
50% Popularity • 71% Danceability • 90% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Jameson Rodgers
Midnight Daydream
120 bpm • E Maj • 03:09 • -5.76db
55% Popularity • 62% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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The 615 House
Mexican Jail
120 bpm • D Maj • 03:24 • -4.31db
43% Popularity • 60% Danceability • 92% Energy • 42% Liveness
0% Instrumentalness • 68% Positiveness
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Chase Matthew
We Had It Good
120 bpm • E min • 03:32 • -7.42db
60% Popularity • 58% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Dean Brody
Can't Help Myself
120 bpm • D Maj • 02:38 • -3.45db
57% Popularity • 70% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Dustin Lynch
Momma’s House
120 bpm • B min • 03:40 • -3.51db
54% Popularity • 63% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Granger Smith
That’s Why I Love Dirt Roads
120 bpm • F Maj • 03:39 • -5.74db
45% Popularity • 55% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Graham Barham
BREAK IT IN A BAR
120 bpm • B min • 03:39 • -5.69db
68% Popularity • 58% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Koe Wetzel
Drunk Driving
120 bpm • C Maj • 03:58 • -5.62db
66% Popularity • 33% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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HARDY
UNAPOLOGETICALLY COUNTRY AS HELL
124 bpm • C# Maj • 03:55 • -4.96db
63% Popularity • 54% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Shane Profitt
How It Oughta Be
120 bpm • G# Maj • 03:08 • -4db
49% Popularity • 54% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Upchurch
Holler Boys
120 bpm • C# Maj • 03:31 • -7.72db
63% Popularity • 67% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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Jordan Davis
What My World Spins Around
125 bpm • D Maj • 03:06 • -6db
75% Popularity • 69% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Rodney Atkins
Caught Up In The Country
124 bpm • G Maj • 02:40 • -7db
72% Popularity • 60% Danceability • 81% Energy • 54% Liveness
0% Instrumentalness • 68% Positiveness
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Koe Wetzel
Love
124 bpm • G Maj • 03:43 • -7.53db
63% Popularity • 63% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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Southall
Why
125 bpm • C Maj • 03:17 • -8.03db
68% Popularity • 67% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Corey Kent
Highways
125 bpm • A Maj • 03:24 • -6db
53% Popularity • 56% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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Kane Brown
Like I Love Country Music
125 bpm • G# Maj • 03:54 • -6.73db
63% Popularity • 53% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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Morgan Wallen
Dangerous
119 bpm • G Maj • 02:27 • -4.83db
71% Popularity • 64% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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Luke Combs
Lovin' On You
119 bpm • E Maj • 03:14 • -4.87db
70% Popularity • 57% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 53% Positiveness
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Old Dominion
Memory Lane
119 bpm • F# Maj • 02:52 • -5.14db
71% Popularity • 65% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Wheeler Walker Jr.
Fuck You Bitch
119 bpm • A Maj • 03:22 • -6.28db
60% Popularity • 55% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Parker McCollum
Like A Cowboy
125 bpm • E Maj • 03:46 • -6.79db
58% Popularity • 49% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Muscadine Bloodline
Damn I Need a Dirt Road
126 bpm • B Maj • 03:28 • -7db
49% Popularity • 53% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Cody Jinks
Must Be the Whiskey
126 bpm • D# min • 03:25 • -5.81db
67% Popularity • 55% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 70% Positiveness
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Nate Smith
Sleeve
126 bpm • C Maj • 04:21 • -6db
57% Popularity • 70% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 29% Positiveness
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Morgan Wallen
More Than My Hometown
126 bpm • F# Maj • 03:36 • -5.48db
79% Popularity • 62% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Kane Brown
What Ifs
126 bpm • A# Maj • 03:08 • -4.6db
75% Popularity • 61% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Bryan Martin
Memory to Drown
126 bpm • F# Maj • 03:35 • -3.29db
72% Popularity • 66% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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HARDY
GIVE HEAVEN SOME HELL
126 bpm • B Maj • 03:37 • -4.98db
71% Popularity • 64% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Koe Wetzel
Good Die Young
118 bpm • B Maj • 02:45 • -5.63db
65% Popularity • 60% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Kyle Clark
Hope It's Hot Out
126 bpm • G# Maj • 02:47 • -6db
57% Popularity • 63% Danceability • 83% Energy • 21% Liveness
0% Instrumentalness • 71% Positiveness
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Carly Pearce
I Hope You’re Happy Now
118 bpm • A# Maj • 03:18 • -4.73db
68% Popularity • 59% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Logan Michael
Breaking Point (F U)
118 bpm • A# min • 02:47 • -5.51db
63% Popularity • 66% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
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Gavin Adcock
Deep End
118 bpm • C# Maj • 02:46 • -4.64db
66% Popularity • 61% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Brian Kelley
Beach Cowboy
118 bpm • A min • 02:18 • -5.89db
46% Popularity • 75% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Koe Wetzel
Cabo
127 bpm • E min • 04:03 • -7db
61% Popularity • 64% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 20% Positiveness
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Zach Bryan
Condemned
126 bpm • F Maj • 02:54 • -13.52db
78% Popularity • 62% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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HIXTAPE
Goin’ Nowhere
127 bpm • F Maj • 03:09 • -4.06db
54% Popularity • 64% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
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Brooks & Dunn
Brand New Man - with Luke Combs
127 bpm • G Maj • 03:11 • -4.87db
67% Popularity • 57% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Travis Denning
Call It Country
127 bpm • C# Maj • 02:31 • -3.55db
48% Popularity • 61% Danceability • 94% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
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Morgan Wallen
Don't Think Jesus
117 bpm • D Maj • 03:45 • -6.81db
62% Popularity • 57% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Dierks Bentley
5-1-5-0
117 bpm • C# min • 03:02 • -5.18db
63% Popularity • 55% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Justin Moore
Why We Drink
117 bpm • F# Maj • 03:31 • -3.05db
60% Popularity • 62% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Luke Combs
Where the Wild Things Are
117 bpm • D# Maj • 03:59 • -4.87db
84% Popularity • 71% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Jon Langston
Right Girl Wrong Time
117 bpm • F# Maj • 03:42 • -6.13db
50% Popularity • 61% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Billy Currington
We Are Tonight
128 bpm • B Maj • 03:52 • -5.35db
60% Popularity • 56% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Riley Green
I Hope She's Drinkin' Tonight
128 bpm • C# min • 03:08 • -5db
60% Popularity • 55% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Chris Young
I'm Comin' Over
128 bpm • A# Maj • 03:17 • -3.84db
65% Popularity • 57% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Whiskey Myers
Bury My Bones
128 bpm • G Maj • 04:19 • -5.04db
66% Popularity • 53% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Luke Combs
When It Rains It Pours
128 bpm • F# Maj • 04:00 • -5.07db
80% Popularity • 55% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Trey Lewis
Misery
128 bpm • D Maj • 04:13 • -8.83db
6% Popularity • 48% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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ERNEST
Flower Shops
128 bpm • G Maj • 03:34 • -6db
72% Popularity • 53% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Riley Green
There Was This Girl
128 bpm • C# Maj • 03:14 • -4.22db
68% Popularity • 62% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Elvie Shane
County Roads
116 bpm • G# Maj • 03:11 • -3.1db
54% Popularity • 65% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 51% Positiveness
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Conner Smith
Take It Slow
116 bpm • F Maj • 02:43 • -4db
62% Popularity • 59% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Jon Pardi
Heartache On The Dance Floor
116 bpm • A Maj • 03:25 • -4.31db
74% Popularity • 60% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Jerrod Niemann
Drink to That All Night
116 bpm • A min • 03:44 • -6.18db
57% Popularity • 64% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Craig Campbell
Outskirts of Heaven
116 bpm • C Maj • 04:04 • -5.73db
54% Popularity • 50% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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John Michael Montgomery
Sold (The Grundy County Auction Incident...
116 bpm • D Maj • 02:32 • -7.37db
70% Popularity • 77% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Travis Tritt
It's A Great Day To Be Alive
129 bpm • G Maj • 04:01 • -4.94db
71% Popularity • 60% Danceability • 65% Energy • 26% Liveness
0% Instrumentalness • 54% Positiveness
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Ian Munsick
Cowboy Killer
115 bpm • B Maj • 02:12 • -5.62db
61% Popularity • 78% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Luke Combs
Doin' This
115 bpm • C# Maj • 04:14 • -6db
64% Popularity • 59% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Luke Bryan
Kiss Tomorrow Goodbye
115 bpm • F min • 03:23 • -3db
70% Popularity • 57% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Cole Swindell
Flatliner
115 bpm • C Maj • 02:57 • -3.3db
61% Popularity • 56% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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Dylan Scott
Good Times Go By Too Fast
115 bpm • F Maj • 02:49 • -5.22db
75% Popularity • 66% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Tyler Hubbard
Dancin’ In The Country
115 bpm • G Maj • 02:59 • -5db
72% Popularity • 66% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Trace Adkins
Honky Tonk Badonkadonk
115 bpm • D Maj • 04:01 • -3.49db
63% Popularity • 64% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Kameron Marlowe
Burn 'Em All
115 bpm • B min • 03:06 • -4.89db
54% Popularity • 65% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Jay Webb
Yee-Haw
115 bpm • E Maj • 02:07 • -7db
59% Popularity • 68% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Chase Matthew
Everything He Couldn't
130 bpm • A# Maj • 03:19 • -8db
60% Popularity • 58% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Josh Ross
Ain't Doin' Jack
130 bpm • B Maj • 02:40 • -4.11db
75% Popularity • 59% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Koe Wetzel
Forever
130 bpm • C Maj • 02:57 • -6.7db
64% Popularity • 56% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Jackson Dean
Fearless
130 bpm • D Maj • 03:35 • -6.63db
59% Popularity • 55% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Chayce Beckham
Keeping Me Up All Night
130 bpm • A Maj • 03:29 • -4.43db
54% Popularity • 51% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Taylor Ray Holbrook
Southern Land
130 bpm • C# Maj • 03:42 • -6.2db
61% Popularity • 72% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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George Birge
Mind On You
130 bpm • C# Maj • 02:57 • -4.02db
56% Popularity • 58% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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Thomas Mac
She'll Never Be You
114 bpm • D Maj • 03:05 • -5.65db
46% Popularity • 66% Danceability • 78% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Dicked Down in Dallas