Songs like Dicty Blues by Fletcher Henderson & His Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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Adrian Rollini
It Had To Be You
162 bpm • G min • 03:05 • -14.34db
12% Popularity • 65% Danceability • 17% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 65% Danceability • 17% Energy • 38% Liveness
0% Instrumentalness • 80% Positiveness
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Eddie Condon
I'll Build a Stairway to Paradise
162 bpm • C Maj • 02:51 • -11db
11% Popularity • 51% Danceability • 43% Energy • 32% Liveness
22% Instrumentalness • 90% Positiveness
11% Popularity • 51% Danceability • 43% Energy • 32% Liveness
22% Instrumentalness • 90% Positiveness
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Charlie Barnet & His Orchestra
The Gal From Joe's
162 bpm • A# min • 03:22 • -12db
29% Popularity • 68% Danceability • 17% Energy • 8% Liveness
25% Instrumentalness • 84% Positiveness
29% Popularity • 68% Danceability • 17% Energy • 8% Liveness
25% Instrumentalness • 84% Positiveness
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Original Dixieland Jazz Band
Barnyard Blues
163 bpm • D# Maj • 02:36 • -10.82db
11% Popularity • 46% Danceability • 48% Energy • 13% Liveness
94% Instrumentalness • 95% Positiveness
11% Popularity • 46% Danceability • 48% Energy • 13% Liveness
94% Instrumentalness • 95% Positiveness
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Wingy Manone
Sister Kate
163 bpm • A# Maj • 02:48 • -8.36db
14% Popularity • 58% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 58% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 84% Positiveness
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Fletcher Henderson & His Orchestra
I Wanna Count Sheep
164 bpm • G# Maj • 03:06 • -10.19db
1% Popularity • 62% Danceability • 28% Energy • 9% Liveness
35% Instrumentalness • 63% Positiveness
1% Popularity • 62% Danceability • 28% Energy • 9% Liveness
35% Instrumentalness • 63% Positiveness
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Jimmie Lunceford
Annie Laurie
164 bpm • D# Maj • 03:15 • -1.62db
6% Popularity • 58% Danceability • 72% Energy • 8% Liveness
76% Instrumentalness • 71% Positiveness
6% Popularity • 58% Danceability • 72% Energy • 8% Liveness
76% Instrumentalness • 71% Positiveness
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Andy Kirk
A Mellow Bit Of Rhythm
160 bpm • D# Maj • 03:19 • -5.15db
20% Popularity • 68% Danceability • 54% Energy • 7% Liveness
80% Instrumentalness • 89% Positiveness
20% Popularity • 68% Danceability • 54% Energy • 7% Liveness
80% Instrumentalness • 89% Positiveness
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The Jungle Band
Rent Party Blues
165 bpm • D# Maj • 03:27 • -10.32db
14% Popularity • 70% Danceability • 48% Energy • 61% Liveness
74% Instrumentalness • 89% Positiveness
14% Popularity • 70% Danceability • 48% Energy • 61% Liveness
74% Instrumentalness • 89% Positiveness
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Anita O'Day
Watch the Birdie
159 bpm • D# Maj • 03:11 • -12.28db
12% Popularity • 55% Danceability • 31% Energy • 6% Liveness
1% Instrumentalness • 74% Positiveness
12% Popularity • 55% Danceability • 31% Energy • 6% Liveness
1% Instrumentalness • 74% Positiveness
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Wingy Manone
Mama's Gone, Good-Bye
159 bpm • G# Maj • 02:52 • -9db
12% Popularity • 61% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 61% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Bix Beiderbecke and His Gang
Jazz Me Blues
158 bpm • A# Maj • 03:02 • -13db
16% Popularity • 59% Danceability • 38% Energy • 74% Liveness
83% Instrumentalness • 93% Positiveness
16% Popularity • 59% Danceability • 38% Energy • 74% Liveness
83% Instrumentalness • 93% Positiveness
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Jimmie Lunceford
Honeydripper
160 bpm • A# min • 02:48 • -11.78db
14% Popularity • 64% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 64% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Fletcher Henderson & His Orchestra
Queer Notions
166 bpm • B Maj • 02:46 • -10.79db
4% Popularity • 56% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
4% Popularity • 56% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Bunk Johnson
Careless Love
158 bpm • F Maj • 02:17 • -13db
27% Popularity • 72% Danceability • 32% Energy • 16% Liveness
90% Instrumentalness • 96% Positiveness
27% Popularity • 72% Danceability • 32% Energy • 16% Liveness
90% Instrumentalness • 96% Positiveness
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Andy Kirk
Moten Swing
166 bpm • D Maj • 03:14 • -10.83db
5% Popularity • 70% Danceability • 28% Energy • 20% Liveness
63% Instrumentalness • 85% Positiveness
5% Popularity • 70% Danceability • 28% Energy • 20% Liveness
63% Instrumentalness • 85% Positiveness
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Lu Watters Yerba Buena Jazz Band
Jelly Roll Blues
166 bpm • A# Maj • 02:38 • -9.87db
11% Popularity • 55% Danceability • 56% Energy • 13% Liveness
94% Instrumentalness • 89% Positiveness
11% Popularity • 55% Danceability • 56% Energy • 13% Liveness
94% Instrumentalness • 89% Positiveness
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Larry Clinton
Study In Blue
158 bpm • C# Maj • 03:36 • -7.26db
15% Popularity • 62% Danceability • 52% Energy • 13% Liveness
85% Instrumentalness • 63% Positiveness
15% Popularity • 62% Danceability • 52% Energy • 13% Liveness
85% Instrumentalness • 63% Positiveness
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Black Bottom Stompers
Potato Head Blues
167 bpm • F Maj • 03:14 • -16db
21% Popularity • 65% Danceability • 19% Energy • 26% Liveness
93% Instrumentalness • 91% Positiveness
21% Popularity • 65% Danceability • 19% Energy • 26% Liveness
93% Instrumentalness • 91% Positiveness
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Fletcher Henderson & His Orchestra
Swamp Blues
166 bpm • A# Maj • 03:00 • -12.75db
4% Popularity • 62% Danceability • 21% Energy • 40% Liveness
89% Instrumentalness • 84% Positiveness
4% Popularity • 62% Danceability • 21% Energy • 40% Liveness
89% Instrumentalness • 84% Positiveness
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Bunk Johnson
Mama's Gone Goodbye
158 bpm • G# Maj • 02:34 • -11db
21% Popularity • 78% Danceability • 35% Energy • 6% Liveness
74% Instrumentalness • 96% Positiveness
21% Popularity • 78% Danceability • 35% Energy • 6% Liveness
74% Instrumentalness • 96% Positiveness
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Cab Calloway & His Orchestra
Take the 'A' Train
167 bpm • C# Maj • 03:01 • -11.8db
9% Popularity • 49% Danceability • 24% Energy • 32% Liveness
76% Instrumentalness • 60% Positiveness
9% Popularity • 49% Danceability • 24% Energy • 32% Liveness
76% Instrumentalness • 60% Positiveness
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Bix Beiderbecke and His Gang
Ol' Man River
168 bpm • D# Maj • 03:05 • -11.75db
8% Popularity • 55% Danceability • 33% Energy • 26% Liveness
91% Instrumentalness • 86% Positiveness
8% Popularity • 55% Danceability • 33% Energy • 26% Liveness
91% Instrumentalness • 86% Positiveness
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Andy Kirk
Wednesday Night Hop
168 bpm • G min • 03:08 • -7.81db
20% Popularity • 70% Danceability • 52% Energy • 10% Liveness
5% Instrumentalness • 79% Positiveness
20% Popularity • 70% Danceability • 52% Energy • 10% Liveness
5% Instrumentalness • 79% Positiveness
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Bennie Moten
Kansas City Shuffle (Alternate Take)
169 bpm • D# Maj • 02:53 • -11.08db
21% Popularity • 62% Danceability • 49% Energy • 15% Liveness
88% Instrumentalness • 93% Positiveness
21% Popularity • 62% Danceability • 49% Energy • 15% Liveness
88% Instrumentalness • 93% Positiveness
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Duke Ellington And His Kentucky Club Orchestra
East St. Louis Toodle-Oo - 1st Version
169 bpm • D# Maj • 02:54 • -11.45db
12% Popularity • 48% Danceability • 41% Energy • 10% Liveness
8% Instrumentalness • 81% Positiveness
12% Popularity • 48% Danceability • 41% Energy • 10% Liveness
8% Instrumentalness • 81% Positiveness
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Jimmie Noone
Four Or Five Times (12-01-37)
169 bpm • F min • 03:08 • -12.33db
18% Popularity • 63% Danceability • 30% Energy • 13% Liveness
17% Instrumentalness • 71% Positiveness
18% Popularity • 63% Danceability • 30% Energy • 13% Liveness
17% Instrumentalness • 71% Positiveness
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Johnny Hodges & His Orchestra
Good Queen Bess
155 bpm • F min • 03:03 • -12.3db
30% Popularity • 69% Danceability • 18% Energy • 14% Liveness
56% Instrumentalness • 78% Positiveness
30% Popularity • 69% Danceability • 18% Energy • 14% Liveness
56% Instrumentalness • 78% Positiveness
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Bunny Berigan
On the Beach With You
169 bpm • D# Maj • 03:05 • -9.42db
17% Popularity • 58% Danceability • 34% Energy • 21% Liveness
1% Instrumentalness • 76% Positiveness
17% Popularity • 58% Danceability • 34% Energy • 21% Liveness
1% Instrumentalness • 76% Positiveness
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Andy Kirk
Bearcat Shuffle
155 bpm • A min • 03:02 • -15.12db
23% Popularity • 80% Danceability • 21% Energy • 5% Liveness
92% Instrumentalness • 78% Positiveness
23% Popularity • 80% Danceability • 21% Energy • 5% Liveness
92% Instrumentalness • 78% Positiveness
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Les Brown
Floatin'
155 bpm • C# Maj • 03:00 • -9db
9% Popularity • 51% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
9% Popularity • 51% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Muggsy Spanier
Livery Stable Blues (Barnyard Blues)
170 bpm • G# Maj • 03:01 • -9.19db
13% Popularity • 55% Danceability • 47% Energy • 6% Liveness
96% Instrumentalness • 95% Positiveness
13% Popularity • 55% Danceability • 47% Energy • 6% Liveness
96% Instrumentalness • 95% Positiveness
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Dick Haymes
Idaho
170 bpm • A# min • 03:01 • -9.73db
24% Popularity • 57% Danceability • 30% Energy • 10% Liveness
61% Instrumentalness • 65% Positiveness
24% Popularity • 57% Danceability • 30% Energy • 10% Liveness
61% Instrumentalness • 65% Positiveness
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Johnny Hodges & His Orchestra
Globe Trotter
170 bpm • A# Maj • 03:02 • -12.9db
14% Popularity • 60% Danceability • 41% Energy • 28% Liveness
61% Instrumentalness • 87% Positiveness
14% Popularity • 60% Danceability • 41% Energy • 28% Liveness
61% Instrumentalness • 87% Positiveness
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Jonah Jones
Moten Swing - Remastered
170 bpm • F min • 03:13 • -11db
27% Popularity • 62% Danceability • 38% Energy • 13% Liveness
4% Instrumentalness • 70% Positiveness
27% Popularity • 62% Danceability • 38% Energy • 13% Liveness
4% Instrumentalness • 70% Positiveness
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Fletcher Henderson & His Orchestra
Everybody Loves My Baby
170 bpm • D Maj • 02:50 • -11.67db
2% Popularity • 63% Danceability • 37% Energy • 9% Liveness
83% Instrumentalness • 59% Positiveness
2% Popularity • 63% Danceability • 37% Energy • 9% Liveness
83% Instrumentalness • 59% Positiveness
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Jimmie Lunceford
For Dancers Only
154 bpm • C min • 02:43 • -13db
18% Popularity • 66% Danceability • 32% Energy • 14% Liveness
65% Instrumentalness • 77% Positiveness
18% Popularity • 66% Danceability • 32% Energy • 14% Liveness
65% Instrumentalness • 77% Positiveness
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Muggsy Spanier
I Wish I Could Shimmy Like My Sister Kat...
154 bpm • F min • 02:55 • -9.93db
25% Popularity • 70% Danceability • 48% Energy • 31% Liveness
57% Instrumentalness • 92% Positiveness
25% Popularity • 70% Danceability • 48% Energy • 31% Liveness
57% Instrumentalness • 92% Positiveness
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Peggy Lee With The Benny Goodman Orchestra
The Freedom Train
154 bpm • C# Maj • 03:12 • -11.13db
13% Popularity • 56% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
13% Popularity • 56% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Johnny Hodges & His Orchestra
Going Out The Back Way
154 bpm • A# min • 02:44 • -11db
23% Popularity • 69% Danceability • 34% Energy • 13% Liveness
92% Instrumentalness • 68% Positiveness
23% Popularity • 69% Danceability • 34% Energy • 13% Liveness
92% Instrumentalness • 68% Positiveness
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Jimmie Lunceford & His Orchestra
My Blue Heaven
171 bpm • F Maj • 03:17 • -8.8db
10% Popularity • 63% Danceability • 40% Energy • 30% Liveness
21% Instrumentalness • 77% Positiveness
10% Popularity • 63% Danceability • 40% Energy • 30% Liveness
21% Instrumentalness • 77% Positiveness
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Johnny Dodds
Wild Man Blues
171 bpm • F# min • 03:11 • -11.65db
32% Popularity • 66% Danceability • 32% Energy • 9% Liveness
87% Instrumentalness • 74% Positiveness
32% Popularity • 66% Danceability • 32% Energy • 9% Liveness
87% Instrumentalness • 74% Positiveness
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Jimmie Lunceford
Baby, Won't You Please Come Home
171 bpm • F Maj • 02:55 • -11.49db
18% Popularity • 63% Danceability • 38% Energy • 8% Liveness
72% Instrumentalness • 90% Positiveness
18% Popularity • 63% Danceability • 38% Energy • 8% Liveness
72% Instrumentalness • 90% Positiveness
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Rex Stewart & His Fifty-Second Street Stompers
Back Room Romp
153 bpm • G# Maj • 02:47 • -11db
10% Popularity • 68% Danceability • 29% Energy • 15% Liveness
73% Instrumentalness • 82% Positiveness
10% Popularity • 68% Danceability • 29% Energy • 15% Liveness
73% Instrumentalness • 82% Positiveness
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Wilbur De Paris
Frankie & Johnny
153 bpm • C# Maj • 03:47 • -13db
15% Popularity • 43% Danceability • 63% Energy • 35% Liveness
47% Instrumentalness • 68% Positiveness
15% Popularity • 43% Danceability • 63% Energy • 35% Liveness
47% Instrumentalness • 68% Positiveness
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Gene Krupa and His Orchestra
Opus NO. 1
153 bpm • A min • 02:56 • -7.2db
18% Popularity • 60% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
18% Popularity • 60% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Woody Herman & His Orchestra
Doctor Jazz
172 bpm • C min • 02:57 • -12.75db
9% Popularity • 59% Danceability • 39% Energy • 11% Liveness
2% Instrumentalness • 87% Positiveness
9% Popularity • 59% Danceability • 39% Energy • 11% Liveness
2% Instrumentalness • 87% Positiveness
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Walter Donaldson
My Blue Heaven
172 bpm • G# Maj • 02:52 • -4.4db
16% Popularity • 54% Danceability • 71% Energy • 7% Liveness
1% Instrumentalness • 87% Positiveness
16% Popularity • 54% Danceability • 71% Energy • 7% Liveness
1% Instrumentalness • 87% Positiveness
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Red Norvo
Says My Heart
152 bpm • D# Maj • 02:56 • -13.29db
14% Popularity • 67% Danceability • 16% Energy • 8% Liveness
3% Instrumentalness • 58% Positiveness
14% Popularity • 67% Danceability • 16% Energy • 8% Liveness
3% Instrumentalness • 58% Positiveness
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George Lewis
Salty Dog
172 bpm • D# Maj • 02:51 • -10db
28% Popularity • 63% Danceability • 40% Energy • 9% Liveness
90% Instrumentalness • 92% Positiveness
28% Popularity • 63% Danceability • 40% Energy • 9% Liveness
90% Instrumentalness • 92% Positiveness
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Charlie Barnet & His Orchestra
Cherokee
172 bpm • A# Maj • 03:21 • -14.14db
30% Popularity • 56% Danceability • 28% Energy • 22% Liveness
46% Instrumentalness • 78% Positiveness
30% Popularity • 56% Danceability • 28% Energy • 22% Liveness
46% Instrumentalness • 78% Positiveness
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Illinois Jacquet
Illinois Goes To Chicago
173 bpm • C# Maj • 03:01 • -14.73db
13% Popularity • 63% Danceability • 20% Energy • 9% Liveness
93% Instrumentalness • 79% Positiveness
13% Popularity • 63% Danceability • 20% Energy • 9% Liveness
93% Instrumentalness • 79% Positiveness
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Stan Kenton & His Orchestra
Eager Beaver
151 bpm • F min • 03:09 • -11db
24% Popularity • 53% Danceability • 33% Energy • 14% Liveness
87% Instrumentalness • 52% Positiveness
24% Popularity • 53% Danceability • 33% Energy • 14% Liveness
87% Instrumentalness • 52% Positiveness
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Larry Clinton & His Orchestra
Dipsy Doodle
174 bpm • A# Maj • 03:02 • -21.07db
25% Popularity • 55% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 55% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 89% Positiveness
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Fletcher Henderson
King Porter Stomp
174 bpm • C# Maj • 02:56 • -11.28db
16% Popularity • 54% Danceability • 37% Energy • 16% Liveness
24% Instrumentalness • 84% Positiveness
16% Popularity • 54% Danceability • 37% Energy • 16% Liveness
24% Instrumentalness • 84% Positiveness
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Larry Clinton
Remember
174 bpm • C min • 02:46 • -9.78db
30% Popularity • 55% Danceability • 36% Energy • 12% Liveness
2% Instrumentalness • 77% Positiveness
30% Popularity • 55% Danceability • 36% Energy • 12% Liveness
2% Instrumentalness • 77% Positiveness
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Slim Gaillard
Communications
175 bpm • G Maj • 02:30 • -5.77db
34% Popularity • 64% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
34% Popularity • 64% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Johnny Hodges & His Orchestra
Something To Pat Your Foot To
175 bpm • C# Maj • 02:50 • -11.66db
30% Popularity • 39% Danceability • 50% Energy • 9% Liveness
37% Instrumentalness • 84% Positiveness
30% Popularity • 39% Danceability • 50% Energy • 9% Liveness
37% Instrumentalness • 84% Positiveness
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Erskine Hawkins & His Orchestra
Rockin' Rollers' Jubilee
175 bpm • F Maj • 02:45 • -12.06db
9% Popularity • 58% Danceability • 32% Energy • 10% Liveness
62% Instrumentalness • 60% Positiveness
9% Popularity • 58% Danceability • 32% Energy • 10% Liveness
62% Instrumentalness • 60% Positiveness
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Edmond Hall
Walkin' the Dog
175 bpm • C Maj • 04:34 • -7.73db
17% Popularity • 54% Danceability • 49% Energy • 8% Liveness
96% Instrumentalness • 92% Positiveness
17% Popularity • 54% Danceability • 49% Energy • 8% Liveness
96% Instrumentalness • 92% Positiveness
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Wingy Manone
Alexander'S Ragtime Band
175 bpm • G min • 02:18 • -13.98db
19% Popularity • 64% Danceability • 40% Energy • 6% Liveness
75% Instrumentalness • 88% Positiveness
19% Popularity • 64% Danceability • 40% Energy • 6% Liveness
75% Instrumentalness • 88% Positiveness
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Will Bradley & His Orchestra
Dark Eyes
176 bpm • E min • 02:30 • -11db
10% Popularity • 55% Danceability • 44% Energy • 3% Liveness
13% Instrumentalness • 88% Positiveness
10% Popularity • 55% Danceability • 44% Energy • 3% Liveness
13% Instrumentalness • 88% Positiveness
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Lu Watters Yerba Buena Jazz Band
At A Georgia Camp Meeting
176 bpm • C# Maj • 03:29 • -11.14db
16% Popularity • 62% Danceability • 58% Energy • 43% Liveness
97% Instrumentalness • 97% Positiveness
16% Popularity • 62% Danceability • 58% Energy • 43% Liveness
97% Instrumentalness • 97% Positiveness
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Original Dixieland Jazz Band
Bluin' The Blues - Remastered 1992
149 bpm • A# Maj • 03:22 • -11.93db
10% Popularity • 33% Danceability • 50% Energy • 46% Liveness
90% Instrumentalness • 68% Positiveness
10% Popularity • 33% Danceability • 50% Energy • 46% Liveness
90% Instrumentalness • 68% Positiveness
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King Oliver's Creole Jazz Band
Mandy Lee Blues
176 bpm • A min • 02:08 • -15.29db
23% Popularity • 45% Danceability • 34% Energy • 27% Liveness
84% Instrumentalness • 86% Positiveness
23% Popularity • 45% Danceability • 34% Energy • 27% Liveness
84% Instrumentalness • 86% Positiveness
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Edmond Hall
It's Only A Shanty In Old Shanty Town
149 bpm • C Maj • 02:45 • -9db
9% Popularity • 73% Danceability • 23% Energy • 13% Liveness
93% Instrumentalness • 70% Positiveness
9% Popularity • 73% Danceability • 23% Energy • 13% Liveness
93% Instrumentalness • 70% Positiveness
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Jimmie Lunceford
Ain't She Sweet
149 bpm • C# Maj • 02:30 • -18.73db
29% Popularity • 76% Danceability • 14% Energy • 11% Liveness
2% Instrumentalness • 70% Positiveness
29% Popularity • 76% Danceability • 14% Energy • 11% Liveness
2% Instrumentalness • 70% Positiveness
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Bunny Berigan
Ain't She Sweet
176 bpm • C min • 02:35 • -6.98db
30% Popularity • 65% Danceability • 48% Energy • 9% Liveness
51% Instrumentalness • 86% Positiveness
30% Popularity • 65% Danceability • 48% Energy • 9% Liveness
51% Instrumentalness • 86% Positiveness
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Wingy Manone
Rhythm on the River
177 bpm • F Maj • 02:58 • -9.47db
17% Popularity • 61% Danceability • 43% Energy • 8% Liveness
9% Instrumentalness • 91% Positiveness
17% Popularity • 61% Danceability • 43% Energy • 8% Liveness
9% Instrumentalness • 91% Positiveness
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Johnny Hodges & His Orchestra
Jeep Is Jumpin'
177 bpm • A# Maj • 02:46 • -13.32db
28% Popularity • 60% Danceability • 36% Energy • 38% Liveness
86% Instrumentalness • 92% Positiveness
28% Popularity • 60% Danceability • 36% Energy • 38% Liveness
86% Instrumentalness • 92% Positiveness
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Earl Hines & His Orchestra
Riff Medley
177 bpm • G# Maj • 02:48 • -9.69db
8% Popularity • 61% Danceability • 45% Energy • 26% Liveness
86% Instrumentalness • 78% Positiveness
8% Popularity • 61% Danceability • 45% Energy • 26% Liveness
86% Instrumentalness • 78% Positiveness
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Eddie Condon
Madame Dynamite
177 bpm • G# Maj • 03:00 • -10.66db
18% Popularity • 60% Danceability • 41% Energy • 8% Liveness
78% Instrumentalness • 78% Positiveness
18% Popularity • 60% Danceability • 41% Energy • 8% Liveness
78% Instrumentalness • 78% Positiveness
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King Oliver
Don't You Think I Love You
177 bpm • A# Maj • 02:45 • -4.26db
25% Popularity • 68% Danceability • 54% Energy • 14% Liveness
93% Instrumentalness • 95% Positiveness
25% Popularity • 68% Danceability • 54% Energy • 14% Liveness
93% Instrumentalness • 95% Positiveness
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Bunny Berigan
Ain't She Sweet
177 bpm • C min • 02:39 • -10.28db
23% Popularity • 62% Danceability • 42% Energy • 6% Liveness
91% Instrumentalness • 94% Positiveness
23% Popularity • 62% Danceability • 42% Energy • 6% Liveness
91% Instrumentalness • 94% Positiveness
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Les Brown
Bizet Has His Day
148 bpm • C min • 03:15 • -10db
24% Popularity • 64% Danceability • 38% Energy • 6% Liveness
6% Instrumentalness • 43% Positiveness
24% Popularity • 64% Danceability • 38% Energy • 6% Liveness
6% Instrumentalness • 43% Positiveness
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Larry Clinton & His Orchestra
I Want To Rock
177 bpm • G min • 02:35 • -21.57db
20% Popularity • 51% Danceability • 12% Energy • 16% Liveness
16% Instrumentalness • 78% Positiveness
20% Popularity • 51% Danceability • 12% Energy • 16% Liveness
16% Instrumentalness • 78% Positiveness
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Bix Beiderbecke And Frankie Trumbauer
For No Reason At All In C
148 bpm • C Maj • 03:07 • -13.07db
7% Popularity • 58% Danceability • 31% Energy • 13% Liveness
88% Instrumentalness • 81% Positiveness
7% Popularity • 58% Danceability • 31% Energy • 13% Liveness
88% Instrumentalness • 81% Positiveness
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Johnny Dodds
Potato Head Blues
178 bpm • D min • 03:01 • -11.34db
32% Popularity • 60% Danceability • 29% Energy • 9% Liveness
78% Instrumentalness • 88% Positiveness
32% Popularity • 60% Danceability • 29% Energy • 9% Liveness
78% Instrumentalness • 88% Positiveness
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Jimmie Lunceford
Ain't She Sweet
148 bpm • C# Maj • 02:26 • -15db
26% Popularity • 78% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
26% Popularity • 78% Danceability • 18% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Bennie Moten's Kansas City Orchestra
South 2
178 bpm • D# Maj • 02:35 • -11db
16% Popularity • 64% Danceability • 44% Energy • 3% Liveness
83% Instrumentalness • 96% Positiveness
16% Popularity • 64% Danceability • 44% Energy • 3% Liveness
83% Instrumentalness • 96% Positiveness
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Erskine Hawkins & His Orchestra
Tuxedo Junction
147 bpm • A# Maj • 03:17 • -11db
29% Popularity • 56% Danceability • 32% Energy • 17% Liveness
71% Instrumentalness • 72% Positiveness
29% Popularity • 56% Danceability • 32% Energy • 17% Liveness
71% Instrumentalness • 72% Positiveness
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Isham Jones
It Had to Be You
178 bpm • G Maj • 03:04 • -6db
24% Popularity • 45% Danceability • 46% Energy • 20% Liveness
85% Instrumentalness • 87% Positiveness
24% Popularity • 45% Danceability • 46% Energy • 20% Liveness
85% Instrumentalness • 87% Positiveness
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Larry Clinton
Dipsy Doodle
179 bpm • B Maj • 02:58 • -13db
15% Popularity • 53% Danceability • 40% Energy • 38% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 53% Danceability • 40% Energy • 38% Liveness
0% Instrumentalness • 86% Positiveness
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Andy Kirk
Christopher Columbus
179 bpm • D Maj • 02:43 • -13.69db
18% Popularity • 67% Danceability • 23% Energy • 9% Liveness
93% Instrumentalness • 91% Positiveness
18% Popularity • 67% Danceability • 23% Energy • 9% Liveness
93% Instrumentalness • 91% Positiveness
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Rex Stewart
That's Rhythm
147 bpm • A# Maj • 02:51 • -10db
13% Popularity • 66% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 66% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Edmond Hall
It Had To Be You (07-11-44)
179 bpm • G Maj • 03:00 • -16db
19% Popularity • 51% Danceability • 30% Energy • 28% Liveness
94% Instrumentalness • 86% Positiveness
19% Popularity • 51% Danceability • 30% Energy • 28% Liveness
94% Instrumentalness • 86% Positiveness
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Kid Ory's Creole Jazz Band
Ballin' The Jack
146 bpm • A# Maj • 03:13 • -14.87db
26% Popularity • 73% Danceability • 27% Energy • 13% Liveness
86% Instrumentalness • 73% Positiveness
26% Popularity • 73% Danceability • 27% Energy • 13% Liveness
86% Instrumentalness • 73% Positiveness
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Erskine Hawkins
Tuxedo Junction (Alternate Take)
146 bpm • F min • 03:19 • -11db
11% Popularity • 56% Danceability • 27% Energy • 15% Liveness
68% Instrumentalness • 68% Positiveness
11% Popularity • 56% Danceability • 27% Energy • 15% Liveness
68% Instrumentalness • 68% Positiveness
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George Lewis
Down by the Riverside
179 bpm • G min • 02:54 • -7db
35% Popularity • 59% Danceability • 52% Energy • 12% Liveness
87% Instrumentalness • 86% Positiveness
35% Popularity • 59% Danceability • 52% Energy • 12% Liveness
87% Instrumentalness • 86% Positiveness
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Larry Clinton
Whistle While You Work
180 bpm • D# Maj • 02:58 • -9.39db
21% Popularity • 55% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
21% Popularity • 55% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Andy Kirk
Blue Clarinet Stomp
179 bpm • D# min • 02:54 • -13db
10% Popularity • 67% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
10% Popularity • 67% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Eddie Condon
Chicago
180 bpm • D# Maj • 02:56 • -14.05db
28% Popularity • 40% Danceability • 41% Energy • 24% Liveness
29% Instrumentalness • 96% Positiveness
28% Popularity • 40% Danceability • 41% Energy • 24% Liveness
29% Instrumentalness • 96% Positiveness
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Jimmie Lunceford
Life Is Fine
146 bpm • G min • 02:43 • -9db
21% Popularity • 73% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
21% Popularity • 73% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Earl Hines & His Orchestra
Up Jumped the Devil
180 bpm • C# Maj • 02:48 • -11.47db
8% Popularity • 50% Danceability • 46% Energy • 29% Liveness
15% Instrumentalness • 81% Positiveness
8% Popularity • 50% Danceability • 46% Energy • 29% Liveness
15% Instrumentalness • 81% Positiveness
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Bud Freeman
Three Little Words
180 bpm • C Maj • 03:04 • -9db
14% Popularity • 61% Danceability • 51% Energy • 13% Liveness
88% Instrumentalness • 94% Positiveness
14% Popularity • 61% Danceability • 51% Energy • 13% Liveness
88% Instrumentalness • 94% Positiveness
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Woody Herman & His Orchestra
Woodchopper's Ball
180 bpm • F min • 03:14 • -8.67db
35% Popularity • 61% Danceability • 44% Energy • 16% Liveness
48% Instrumentalness • 90% Positiveness
35% Popularity • 61% Danceability • 44% Energy • 16% Liveness
48% Instrumentalness • 90% Positiveness
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Ella Fitzgerald and Her Savoy Eight
Darktown Strutters Ball
180 bpm • D# Maj • 03:03 • -9.24db
23% Popularity • 57% Danceability • 37% Energy • 14% Liveness
2% Instrumentalness • 92% Positiveness
23% Popularity • 57% Danceability • 37% Energy • 14% Liveness
2% Instrumentalness • 92% Positiveness
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Johnny Maddox
Jelly Roll
180 bpm • F Maj • 02:03 • -12.4db
17% Popularity • 52% Danceability • 38% Energy • 8% Liveness
78% Instrumentalness • 97% Positiveness
17% Popularity • 52% Danceability • 38% Energy • 8% Liveness
78% Instrumentalness • 97% Positiveness