Songs like Did You Come? by girl in red
Based on a tempo of (+/- 10%) and a similar genre
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girl in red
Body And Mind
151 bpm • A# min • 03:06 • -5.93db
60% Popularity • 57% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
60% Popularity • 57% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Suki Waterhouse
Good Looking
150 bpm • E Maj • 03:34 • -9.08db
84% Popularity • 36% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
84% Popularity • 36% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Mac DeMarco
Heart To Heart
150 bpm • G# min • 03:31 • -16.13db
84% Popularity • 90% Danceability • 14% Energy • 11% Liveness
35% Instrumentalness • 64% Positiveness
84% Popularity • 90% Danceability • 14% Energy • 11% Liveness
35% Instrumentalness • 64% Positiveness
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Lovejoy
Call Me What You Like
152 bpm • C min • 03:46 • -6.75db
64% Popularity • 52% Danceability • 89% Energy • 7% Liveness
2% Instrumentalness • 36% Positiveness
64% Popularity • 52% Danceability • 89% Energy • 7% Liveness
2% Instrumentalness • 36% Positiveness
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chloe moriondo
Manta Rays
150 bpm • E Maj • 03:31 • -3.81db
51% Popularity • 48% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
51% Popularity • 48% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Wallows
Pleaser
149 bpm • A Maj • 03:07 • -4.31db
67% Popularity • 50% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
67% Popularity • 50% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 38% Positiveness
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girl in red
Did You Come?
151 bpm • C# min • 03:10 • -6db
54% Popularity • 45% Danceability • 89% Energy • 17% Liveness
1% Instrumentalness • 41% Positiveness
54% Popularity • 45% Danceability • 89% Energy • 17% Liveness
1% Instrumentalness • 41% Positiveness
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Eyedress
Cocaine Sunday
154 bpm • E Maj • 02:48 • -6.49db
71% Popularity • 54% Danceability • 76% Energy • 15% Liveness
82% Instrumentalness • 43% Positiveness
71% Popularity • 54% Danceability • 76% Energy • 15% Liveness
82% Instrumentalness • 43% Positiveness
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Matt Maltese
Krystal
154 bpm • D# Maj • 03:40 • -8.06db
67% Popularity • 52% Danceability • 51% Energy • 12% Liveness
78% Instrumentalness • 37% Positiveness
67% Popularity • 52% Danceability • 51% Energy • 12% Liveness
78% Instrumentalness • 37% Positiveness
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Mitski
Brand New City
148 bpm • F min • 02:12 • -5.96db
72% Popularity • 48% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
72% Popularity • 48% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Mother Mother
Body
148 bpm • A# min • 03:33 • -3.6db
69% Popularity • 59% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
69% Popularity • 59% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
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Cage The Elephant
Come a Little Closer
148 bpm • C# min • 03:49 • -1.79db
73% Popularity • 44% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
73% Popularity • 44% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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girl in red
girls
150 bpm • F Maj • 03:18 • -14.46db
71% Popularity • 52% Danceability • 45% Energy • 17% Liveness
4% Instrumentalness • 79% Positiveness
71% Popularity • 52% Danceability • 45% Energy • 17% Liveness
4% Instrumentalness • 79% Positiveness
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Lawrence Rothman
Kate's Not Here - Day Wave & Lawrence Ro...
148 bpm • G Maj • 03:07 • -4.53db
50% Popularity • 48% Danceability • 87% Energy • 25% Liveness
12% Instrumentalness • 37% Positiveness
50% Popularity • 48% Danceability • 87% Energy • 25% Liveness
12% Instrumentalness • 37% Positiveness
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Lizzy McAlpine
ceilings
148 bpm • A Maj • 03:02 • -11.76db
84% Popularity • 52% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
84% Popularity • 52% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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The Neighbourhood
Pretty Boy
155 bpm • F# Maj • 03:54 • -11.46db
76% Popularity • 58% Danceability • 39% Energy • 31% Liveness
5% Instrumentalness • 57% Positiveness
76% Popularity • 58% Danceability • 39% Energy • 31% Liveness
5% Instrumentalness • 57% Positiveness
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Faye Webster
I Know You
155 bpm • A# Maj • 04:11 • -13db
78% Popularity • 45% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
78% Popularity • 45% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
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Sir Chloe
Walk You Home
155 bpm • C min • 02:48 • -5.27db
59% Popularity • 37% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
59% Popularity • 37% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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girl in red
say anything
150 bpm • C# Maj • 02:22 • -14.54db
54% Popularity • 55% Danceability • 58% Energy • 14% Liveness
98% Instrumentalness • 36% Positiveness
54% Popularity • 55% Danceability • 58% Energy • 14% Liveness
98% Instrumentalness • 36% Positiveness
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Cafuné
Tek It
147 bpm • G# Maj • 03:11 • -5.35db
77% Popularity • 42% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
77% Popularity • 42% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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mxmtoon
seasonal depression
156 bpm • A# Maj • 02:36 • -5.41db
45% Popularity • 58% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 58% Danceability • 64% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Bo Burnham
1985
156 bpm • E min • 02:26 • -7.47db
69% Popularity • 65% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
69% Popularity • 65% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
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Chase Atlantic
Consume
146 bpm • A min • 04:27 • -5.32db
78% Popularity • 56% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
78% Popularity • 56% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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beabadoobee
the perfect pair
146 bpm • B Maj • 02:57 • -6.82db
79% Popularity • 63% Danceability • 66% Energy • 10% Liveness
12% Instrumentalness • 60% Positiveness
79% Popularity • 63% Danceability • 66% Energy • 10% Liveness
12% Instrumentalness • 60% Positiveness
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girl in red
.
152 bpm • A# Maj • 02:46 • -7db
67% Popularity • 45% Danceability • 91% Energy • 14% Liveness
83% Instrumentalness • 32% Positiveness
67% Popularity • 45% Danceability • 91% Energy • 14% Liveness
83% Instrumentalness • 32% Positiveness
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Her's
What Once Was
146 bpm • D# min • 04:15 • -4.37db
77% Popularity • 53% Danceability • 88% Energy • 22% Liveness
1% Instrumentalness • 44% Positiveness
77% Popularity • 53% Danceability • 88% Energy • 22% Liveness
1% Instrumentalness • 44% Positiveness
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Suki Waterhouse
To Love
157 bpm • D Maj • 03:56 • -4.45db
61% Popularity • 28% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
61% Popularity • 28% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Beach Bunny
6 Weeks
157 bpm • A# Maj • 04:01 • -6.66db
46% Popularity • 33% Danceability • 86% Energy • 27% Liveness
10% Instrumentalness • 62% Positiveness
46% Popularity • 33% Danceability • 86% Energy • 27% Liveness
10% Instrumentalness • 62% Positiveness
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Ricky Montgomery
Sorry for Me
145 bpm • C# Maj • 03:17 • -7db
53% Popularity • 51% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
53% Popularity • 51% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Gracie Abrams
Feels Like
145 bpm • B Maj • 02:32 • -7.36db
75% Popularity • 62% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
75% Popularity • 62% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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girl in red
Serotonin
149 bpm • D Maj • 03:02 • -4.71db
65% Popularity • 58% Danceability • 79% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
65% Popularity • 58% Danceability • 79% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Her's
She Needs Him
157 bpm • C# Maj • 05:14 • -5.92db
64% Popularity • 50% Danceability • 58% Energy • 7% Liveness
49% Instrumentalness • 58% Positiveness
64% Popularity • 50% Danceability • 58% Energy • 7% Liveness
49% Instrumentalness • 58% Positiveness
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Lana Del Rey
Doin' Time
145 bpm • G min • 03:22 • -11.13db
81% Popularity • 64% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
81% Popularity • 64% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Rex Orange County
Best Friend
145 bpm • F# Maj • 04:22 • -5.25db
76% Popularity • 58% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
76% Popularity • 58% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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The Front Bottoms
Twin Size Mattress
145 bpm • E Maj • 04:24 • -5.53db
68% Popularity • 32% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
68% Popularity • 32% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Labrinth
Formula
145 bpm • B Maj • 01:31 • -6.07db
83% Popularity • 57% Danceability • 66% Energy • 15% Liveness
6% Instrumentalness • 23% Positiveness
83% Popularity • 57% Danceability • 66% Energy • 15% Liveness
6% Instrumentalness • 23% Positiveness
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girl in red
You Stupid Bitch
149 bpm • B min • 03:15 • -5.66db
63% Popularity • 52% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
63% Popularity • 52% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
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Coyote Theory
This Side of Paradise
158 bpm • A Maj • 04:02 • -6.07db
78% Popularity • 31% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
78% Popularity • 31% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Current Joys
A Different Age
144 bpm • D Maj • 06:52 • -10.62db
63% Popularity • 63% Danceability • 37% Energy • 8% Liveness
7% Instrumentalness • 36% Positiveness
63% Popularity • 63% Danceability • 37% Energy • 8% Liveness
7% Instrumentalness • 36% Positiveness
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Beach Weather
Sex, Drugs, Etc.
144 bpm • E min • 03:16 • -5.09db
83% Popularity • 57% Danceability • 84% Energy • 52% Liveness
1% Instrumentalness • 47% Positiveness
83% Popularity • 57% Danceability • 84% Energy • 52% Liveness
1% Instrumentalness • 47% Positiveness
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The MarÃas
Only in My Dreams
144 bpm • A# Maj • 02:50 • -11.61db
68% Popularity • 52% Danceability • 50% Energy • 10% Liveness
10% Instrumentalness • 28% Positiveness
68% Popularity • 52% Danceability • 50% Energy • 10% Liveness
10% Instrumentalness • 28% Positiveness
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Penelope Scott
Rät
144 bpm • F min • 03:14 • -13db
72% Popularity • 61% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
72% Popularity • 61% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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girl in red
forget her
149 bpm • D Maj • 02:23 • -16.79db
62% Popularity • 53% Danceability • 31% Energy • 7% Liveness
67% Instrumentalness • 51% Positiveness
62% Popularity • 53% Danceability • 31% Energy • 7% Liveness
67% Instrumentalness • 51% Positiveness
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Beach Bunny
Prom Queen
144 bpm • E Maj • 02:16 • -7.49db
80% Popularity • 53% Danceability • 80% Energy • 14% Liveness
1% Instrumentalness • 75% Positiveness
80% Popularity • 53% Danceability • 80% Energy • 14% Liveness
1% Instrumentalness • 75% Positiveness
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Brye
LEMONS
159 bpm • E min • 03:52 • -10.82db
60% Popularity • 62% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
60% Popularity • 62% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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Cigarettes After Sex
Cry
143 bpm • G Maj • 04:16 • -10.45db
85% Popularity • 41% Danceability • 40% Energy • 11% Liveness
68% Instrumentalness • 16% Positiveness
85% Popularity • 41% Danceability • 40% Energy • 11% Liveness
68% Instrumentalness • 16% Positiveness
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Chase Atlantic
Meddle About
160 bpm • E min • 03:23 • -6.41db
77% Popularity • 38% Danceability • 80% Energy • 32% Liveness
1% Instrumentalness • 37% Positiveness
77% Popularity • 38% Danceability • 80% Energy • 32% Liveness
1% Instrumentalness • 37% Positiveness
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Penelope Scott
Lotta True Crime
159 bpm • G# Maj • 03:22 • -14.46db
66% Popularity • 50% Danceability • 41% Energy • 11% Liveness
6% Instrumentalness • 40% Positiveness
66% Popularity • 50% Danceability • 41% Energy • 11% Liveness
6% Instrumentalness • 40% Positiveness
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girl in red
hornylovesickmess
143 bpm • G# Maj • 02:55 • -9db
54% Popularity • 54% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
54% Popularity • 54% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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The Rare Occasions
Notion
159 bpm • A Maj • 03:15 • -3.83db
81% Popularity • 31% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
81% Popularity • 31% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Djo
End of Beginning
160 bpm • D Maj • 02:39 • -7.64db
97% Popularity • 69% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
97% Popularity • 69% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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The Neighbourhood
Stargazing
160 bpm • C Maj • 03:37 • -7.8db
72% Popularity • 51% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
72% Popularity • 51% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Hayley Kiyoko
Girls Like Girls
142 bpm • F# Maj • 03:49 • -5.24db
59% Popularity • 61% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
59% Popularity • 61% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Faye Webster
Kingston
142 bpm • A# min • 03:22 • -9.13db
78% Popularity • 73% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
78% Popularity • 73% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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girl in red
i need to be alone.
148 bpm • A# Maj • 02:56 • -10.38db
58% Popularity • 51% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
58% Popularity • 51% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
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Wallows
Uncomfortable
142 bpm • D Maj • 04:54 • -2.81db
57% Popularity • 40% Danceability • 77% Energy • 29% Liveness
2% Instrumentalness • 25% Positiveness
57% Popularity • 40% Danceability • 77% Energy • 29% Liveness
2% Instrumentalness • 25% Positiveness
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Her's
Harvey
142 bpm • A Maj • 03:31 • -6.15db
67% Popularity • 59% Danceability • 86% Energy • 13% Liveness
82% Instrumentalness • 72% Positiveness
67% Popularity • 59% Danceability • 86% Energy • 13% Liveness
82% Instrumentalness • 72% Positiveness
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Harry Styles
Little Freak
142 bpm • D# Maj • 03:22 • -7.72db
75% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
75% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Olivia Rodrigo
Can’t Catch Me Now - from The Hunger G...
142 bpm • B min • 03:25 • -7.76db
82% Popularity • 52% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
82% Popularity • 52% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Labrinth
All For Us
142 bpm • D# Maj • 03:11 • -6.64db
72% Popularity • 46% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 18% Positiveness
72% Popularity • 46% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 18% Positiveness
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girl in red
kate's not here
148 bpm • G Maj • 02:57 • -6.02db
46% Popularity • 52% Danceability • 61% Energy • 8% Liveness
43% Instrumentalness • 58% Positiveness
46% Popularity • 52% Danceability • 61% Energy • 8% Liveness
43% Instrumentalness • 58% Positiveness
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Cavetown
let them know they're on your mind
142 bpm • D# Maj • 03:43 • -5.77db
56% Popularity • 39% Danceability • 72% Energy • 13% Liveness
11% Instrumentalness • 21% Positiveness
56% Popularity • 39% Danceability • 72% Energy • 13% Liveness
11% Instrumentalness • 21% Positiveness
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Cigarettes After Sex
Falling In Love
141 bpm • G Maj • 04:05 • -11.65db
74% Popularity • 47% Danceability • 27% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
74% Popularity • 47% Danceability • 27% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
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The Backseat Lovers
Kilby Girl
162 bpm • C# Maj • 04:42 • -9.97db
75% Popularity • 33% Danceability • 44% Energy • 11% Liveness
4% Instrumentalness • 22% Positiveness
75% Popularity • 33% Danceability • 44% Energy • 11% Liveness
4% Instrumentalness • 22% Positiveness
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TV Girl
It Almost Worked
141 bpm • A Maj • 02:32 • -4.35db
75% Popularity • 67% Danceability • 89% Energy • 8% Liveness
35% Instrumentalness • 68% Positiveness
75% Popularity • 67% Danceability • 89% Energy • 8% Liveness
35% Instrumentalness • 68% Positiveness
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Mother Mother
Burning Pile
140 bpm • F Maj • 04:22 • -3.72db
74% Popularity • 52% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
74% Popularity • 52% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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girl in red
October Passed Me By
156 bpm • C Maj • 02:45 • -13.09db
67% Popularity • 44% Danceability • 37% Energy • 10% Liveness
8% Instrumentalness • 20% Positiveness
67% Popularity • 44% Danceability • 37% Energy • 10% Liveness
8% Instrumentalness • 20% Positiveness
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Billie Eilish
TV
140 bpm • E min • 04:41 • -15.16db
83% Popularity • 41% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 12% Positiveness
83% Popularity • 41% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 12% Positiveness
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Sufjan Stevens
Futile Devices (Doveman Remix)
140 bpm • E Maj • 02:15 • -19.99db
67% Popularity • 46% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 25% Positiveness
67% Popularity • 46% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 25% Positiveness
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beabadoobee
Tired
140 bpm • G min • 03:19 • -7.11db
72% Popularity • 63% Danceability • 42% Energy • 11% Liveness
15% Instrumentalness • 34% Positiveness
72% Popularity • 63% Danceability • 42% Energy • 11% Liveness
15% Instrumentalness • 34% Positiveness
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Dayglow
Hot Rod
140 bpm • G Maj • 03:24 • -7.07db
71% Popularity • 71% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
71% Popularity • 71% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 83% Positiveness
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Dream, Ivory
welcome and goodbye
140 bpm • C min • 02:20 • -5.18db
76% Popularity • 58% Danceability • 72% Energy • 7% Liveness
76% Instrumentalness • 66% Positiveness
76% Popularity • 58% Danceability • 72% Energy • 7% Liveness
76% Instrumentalness • 66% Positiveness
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girl in red
i wanna be your girlfriend
156 bpm • G Maj • 03:24 • -14.32db
76% Popularity • 54% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
76% Popularity • 54% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Mac DeMarco
Moonlight on the River
140 bpm • A Maj • 07:02 • -8.63db
78% Popularity • 66% Danceability • 48% Energy • 22% Liveness
83% Instrumentalness • 43% Positiveness
78% Popularity • 66% Danceability • 48% Energy • 22% Liveness
83% Instrumentalness • 43% Positiveness
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Mother Mother
Arms Tonite
140 bpm • E Maj • 03:36 • -3.84db
71% Popularity • 69% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
71% Popularity • 69% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Ricky Montgomery
This December
140 bpm • A Maj • 03:01 • -4.87db
63% Popularity • 66% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
63% Popularity • 66% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Cavetown
Sweet Tooth
140 bpm • C Maj • 04:06 • -13.21db
61% Popularity • 57% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
61% Popularity • 57% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Cults
Always Forever
163 bpm • G# Maj • 03:43 • -5.93db
82% Popularity • 17% Danceability • 74% Energy • 20% Liveness
28% Instrumentalness • 36% Positiveness
82% Popularity • 17% Danceability • 74% Energy • 20% Liveness
28% Instrumentalness • 36% Positiveness
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girl in red
i'll die anyway.
158 bpm • C Maj • 03:12 • -6.89db
65% Popularity • 47% Danceability • 63% Energy • 8% Liveness
58% Instrumentalness • 17% Positiveness
65% Popularity • 47% Danceability • 63% Energy • 8% Liveness
58% Instrumentalness • 17% Positiveness
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Olivia Rodrigo
jealousy, jealousy
164 bpm • A# min • 02:53 • -6.33db
84% Popularity • 70% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
84% Popularity • 70% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 70% Positiveness
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Mac DeMarco
Watching Him Fade Away
139 bpm • D# Maj • 02:23 • -17.98db
75% Popularity • 74% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
75% Popularity • 74% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Claire Rosinkranz
Backyard Boy
138 bpm • F Maj • 02:09 • -7.25db
68% Popularity • 82% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
68% Popularity • 82% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Cavetown
Lemon Boy
140 bpm • E Maj • 04:32 • -10.05db
65% Popularity • 51% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
65% Popularity • 51% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Wallows
Scrawny
138 bpm • F# min • 02:46 • -5.28db
67% Popularity • 64% Danceability • 82% Energy • 14% Liveness
6% Instrumentalness • 80% Positiveness
67% Popularity • 64% Danceability • 82% Energy • 14% Liveness
6% Instrumentalness • 80% Positiveness
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girl in red
You Need Me Now?
144 bpm • G min • 03:06 • -4.4db
68% Popularity • 54% Danceability • 85% Energy • 3% Liveness
0% Instrumentalness • 64% Positiveness
68% Popularity • 54% Danceability • 85% Energy • 3% Liveness
0% Instrumentalness • 64% Positiveness
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Rex Orange County
Television / So Far So Good
165 bpm • F Maj • 04:22 • -7.75db
74% Popularity • 40% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
74% Popularity • 40% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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beabadoobee
Apple Cider
138 bpm • D Maj • 02:58 • -3.94db
69% Popularity • 49% Danceability • 92% Energy • 30% Liveness
1% Instrumentalness • 68% Positiveness
69% Popularity • 49% Danceability • 92% Energy • 30% Liveness
1% Instrumentalness • 68% Positiveness
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Olivia Rodrigo
vampire
138 bpm • F Maj • 03:39 • -5.75db
92% Popularity • 51% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
92% Popularity • 51% Danceability • 53% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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MARINA
Ancient Dreams in a Modern Land
138 bpm • A# min • 03:26 • -5db
67% Popularity • 58% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
67% Popularity • 58% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
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Current Joys
New Flesh
166 bpm • A Maj • 02:47 • -16.07db
74% Popularity • 62% Danceability • 59% Energy • 9% Liveness
50% Instrumentalness • 70% Positiveness
74% Popularity • 62% Danceability • 59% Energy • 9% Liveness
50% Instrumentalness • 70% Positiveness
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girl in red
Too Much
162 bpm • F min • 03:03 • -5.98db
73% Popularity • 53% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
73% Popularity • 53% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Billie Eilish
i love you
137 bpm • C Maj • 04:51 • -18.44db
80% Popularity • 42% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
80% Popularity • 42% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Sir Chloe
Too Close
166 bpm • A Maj • 02:50 • -5.73db
69% Popularity • 42% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
69% Popularity • 42% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Men I Trust
Show Me How
166 bpm • F Maj • 03:35 • -11.96db
82% Popularity • 79% Danceability • 27% Energy • 10% Liveness
54% Instrumentalness • 56% Positiveness
82% Popularity • 79% Danceability • 27% Energy • 10% Liveness
54% Instrumentalness • 56% Positiveness
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Lizzy McAlpine
hate to be lame
137 bpm • A# min • 02:36 • -12.63db
68% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
68% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Liana Flores
rises the moon
137 bpm • F min • 02:41 • -20.15db
83% Popularity • 48% Danceability • 13% Energy • 11% Liveness
14% Instrumentalness • 20% Positiveness
83% Popularity • 48% Danceability • 13% Energy • 11% Liveness
14% Instrumentalness • 20% Positiveness
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girl in red
bad idea!
162 bpm • C# Maj • 03:39 • -6.1db
74% Popularity • 51% Danceability • 81% Energy • 25% Liveness
5% Instrumentalness • 42% Positiveness
74% Popularity • 51% Danceability • 81% Energy • 25% Liveness
5% Instrumentalness • 42% Positiveness
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beabadoobee
She Plays Bass
136 bpm • A min • 03:27 • -3.82db
56% Popularity • 45% Danceability • 89% Energy • 10% Liveness
2% Instrumentalness • 27% Positiveness
56% Popularity • 45% Danceability • 89% Energy • 10% Liveness
2% Instrumentalness • 27% Positiveness
