Songs like Dido and Aeneas: Dido's Lament by Jessye Norman
Based on a tempo of (+/- 10%) and a similar genre
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George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 1: A...
89 bpm • E Maj • 03:23 • -20.19db
36% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
36% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
Bellini: Norma, Act 1 Scene 4: No. 4b, A...
89 bpm • F Maj • 09:08 • -22.68db
13% Popularity • 29% Danceability • 5% Energy • 65% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 29% Danceability • 5% Energy • 65% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Tristan und Isolde, Act III Scene 3: Mil...
89 bpm • B Maj • 07:18 • -18db
24% Popularity • 18% Danceability • 16% Energy • 15% Liveness
9% Instrumentalness • 4% Positiveness
24% Popularity • 18% Danceability • 16% Energy • 15% Liveness
9% Instrumentalness • 4% Positiveness
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Hector Berlioz
Les nuits d'été, Op. 7: 2. Le spectre ...
88 bpm • D Maj • 07:15 • -24db
11% Popularity • 19% Danceability • 3% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
11% Popularity • 19% Danceability • 3% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K.492 / Act 3: "Dove...
90 bpm • C Maj • 04:48 • -22db
30% Popularity • 28% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
30% Popularity • 28% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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AntonÃn Dvořák
Mesicku na nebi hlubokém ("Song of the ...
88 bpm • F# Maj • 06:16 • -16.63db
11% Popularity • 20% Danceability • 14% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 14% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater: 1. Stabat Mater
88 bpm • E min • 04:31 • -24.88db
35% Popularity • 17% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
35% Popularity • 17% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Vincenzo Bellini
Bellini: I Capuleti e i Montecchi, Act 1...
89 bpm • C min • 02:57 • -23.01db
0% Popularity • 34% Danceability • 6% Energy • 64% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 34% Danceability • 6% Energy • 64% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Die Walküre, WWV 86B, Act I: Winterstü...
89 bpm • A# Maj • 03:51 • -15db
27% Popularity • 28% Danceability • 21% Energy • 11% Liveness
18% Instrumentalness • 9% Positiveness
27% Popularity • 28% Danceability • 21% Energy • 11% Liveness
18% Instrumentalness • 9% Positiveness
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Angela Gheorghiu
Don Pasquale: Tornami a dir che m'ami
90 bpm • A Maj • 03:25 • -27.33db
29% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Verdi: Otello, Act 4: "Ave Maria piena d...
88 bpm • G# Maj • 04:49 • -23db
18% Popularity • 15% Danceability • 6% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
18% Popularity • 15% Danceability • 6% Energy • 14% Liveness
1% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Le Comte Ory, Act I, Scene VIII, No. 4: ...
88 bpm • D# Maj • 09:46 • -18db
10% Popularity • 33% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 33% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Giacomo Puccini
La bohème, SC 67, Act II: Quando men vo
88 bpm • F# min • 02:47 • -22.21db
27% Popularity • 31% Danceability • 13% Energy • 48% Liveness
20% Instrumentalness • 4% Positiveness
27% Popularity • 31% Danceability • 13% Energy • 48% Liveness
20% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
Dido and Aeneas: Dido's Lament
89 bpm • C min • 04:49 • -15.19db
17% Popularity • 31% Danceability • 22% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
17% Popularity • 31% Danceability • 22% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Richard Wagner
Wesendonck Lieder, WWV 91: Stehe still
88 bpm • C Maj • 04:11 • -21db
9% Popularity • 28% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 28% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Samuel Barber
Four Songs Op. 13: No. 3 Sure On This Sh...
88 bpm • A# Maj • 02:31 • -17.02db
20% Popularity • 19% Danceability • 18% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
20% Popularity • 19% Danceability • 18% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt, Act I: Glück, das mir v...
88 bpm • A# Maj • 05:59 • -19.41db
22% Popularity • 18% Danceability • 12% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
22% Popularity • 18% Danceability • 12% Energy • 9% Liveness
44% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Cosi fan tutte, K. 588, Act 1: "...
91 bpm • E Maj • 03:04 • -15.13db
16% Popularity • 18% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
16% Popularity • 18% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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Giacomo Puccini
La Bohème / Act 1: "Sì. Mi chiamano Mi...
90 bpm • D Maj • 04:38 • -14db
36% Popularity • 33% Danceability • 17% Energy • 24% Liveness
1% Instrumentalness • 4% Positiveness
36% Popularity • 33% Danceability • 17% Energy • 24% Liveness
1% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
Bellini: I puritani, Act 1, Scene 1: A f...
88 bpm • A# Maj • 02:29 • -18.67db
2% Popularity • 31% Danceability • 26% Energy • 15% Liveness
79% Instrumentalness • 31% Positiveness
2% Popularity • 31% Danceability • 26% Energy • 15% Liveness
79% Instrumentalness • 31% Positiveness
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Richard Wagner
Tristan und Isolde / Act 3: "Mild und le...
90 bpm • B Maj • 07:26 • -16.89db
30% Popularity • 14% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 3% Positiveness
30% Popularity • 14% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 3% Positiveness
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Maria Callas
Extrait "Casta Diva"
87 bpm • F Maj • 07:25 • -16db
28% Popularity • 16% Danceability • 12% Energy • 13% Liveness
11% Instrumentalness • 9% Positiveness
28% Popularity • 16% Danceability • 12% Energy • 13% Liveness
11% Instrumentalness • 9% Positiveness
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Giuseppe Verdi
Verdi: Otello, Act 4: "Ave Maria, piena ...
87 bpm • G# Maj • 04:32 • -21.4db
17% Popularity • 26% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 26% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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Edward Elgar
Sea Pictures, Op. 37: No. 4, Where Coral...
91 bpm • B min • 04:00 • -27db
11% Popularity • 21% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 21% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: Tosca, Act 2: "Vissi d'arte, vi...
90 bpm • D# Maj • 03:05 • -15db
30% Popularity • 22% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
30% Popularity • 22% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
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Vincenzo Bellini
La sonnambula, Act I: Come per me sereno
88 bpm • D# Maj • 02:31 • -17.42db
38% Popularity • 23% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
38% Popularity • 23% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Richard Wagner
Wesendonck Lieder, WWV 91: Im Treibhaus
88 bpm • G min • 07:03 • -32.93db
12% Popularity • 12% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
12% Popularity • 12% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 3% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia, Act 1:...
87 bpm • E Maj • 06:19 • -19.97db
20% Popularity • 34% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 34% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act II: "Una furtiva ...
87 bpm • A# min • 04:10 • -24.75db
42% Popularity • 28% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
42% Popularity • 28% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Robert Schumann
Myrthen, Op. 25: No. 7. Die Lotosblume
91 bpm • C Maj • 01:47 • -26db
28% Popularity • 24% Danceability • 2% Energy • 8% Liveness
8% Instrumentalness • 5% Positiveness
28% Popularity • 24% Danceability • 2% Energy • 8% Liveness
8% Instrumentalness • 5% Positiveness
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Claudio Scimone
Handel: Rinaldo, HWV 7, Act 2: Aria. "La...
87 bpm • D Maj • 04:34 • -19.95db
22% Popularity • 26% Danceability • 13% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
22% Popularity • 26% Danceability • 13% Energy • 17% Liveness
2% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
La Sonnambula / Act 1: Vi ravviso, o luo...
88 bpm • G# Maj • 05:36 • -14db
10% Popularity • 36% Danceability • 32% Energy • 16% Liveness
2% Instrumentalness • 19% Positiveness
10% Popularity • 36% Danceability • 32% Energy • 16% Liveness
2% Instrumentalness • 19% Positiveness
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Richard Wagner
Wagner: Tannhäuser, Act II: "Dich, teur...
91 bpm • E min • 03:30 • -14.65db
5% Popularity • 23% Danceability • 22% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
5% Popularity • 23% Danceability • 22% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
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Johannes Brahms
5 Lieder, Op. 49: No. 4, Wiegenlied
92 bpm • D# Maj • 02:13 • -32.09db
25% Popularity • 26% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
25% Popularity • 26% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Gustav Mahler
Mahler: Rückert-Lieder: No. 4, Ich bin ...
86 bpm • F Maj • 06:56 • -28db
13% Popularity • 16% Danceability • 2% Energy • 9% Liveness
13% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 2% Energy • 9% Liveness
13% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Madama Butterfly / Act 1: Vogliatemi ben...
92 bpm • A# Maj • 07:53 • -15.17db
39% Popularity • 17% Danceability • 19% Energy • 32% Liveness
3% Instrumentalness • 4% Positiveness
39% Popularity • 17% Danceability • 19% Energy • 32% Liveness
3% Instrumentalness • 4% Positiveness
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Reynaldo Hahn
Si mes vers avaient des ailes
92 bpm • E Maj • 02:19 • -27db
21% Popularity • 24% Danceability • 5% Energy • 8% Liveness
21% Instrumentalness • 5% Positiveness
21% Popularity • 24% Danceability • 5% Energy • 8% Liveness
21% Instrumentalness • 5% Positiveness
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Vincenzo Bellini
I Capuleti e i Montecchi, Act I: O di Ca...
88 bpm • D Maj • 02:28 • -16.43db
1% Popularity • 48% Danceability • 16% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
1% Popularity • 48% Danceability • 16% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
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Gaetano Donizetti
Donizetti: Lucia di Lammermoor, Act 3: "...
86 bpm • C min • 03:02 • -17.48db
38% Popularity • 26% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
38% Popularity • 26% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
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Johannes Brahms
Wiegenlied, Op. 49, No. 4
92 bpm • D# Maj • 02:04 • -26db
28% Popularity • 28% Danceability • 2% Energy • 11% Liveness
5% Instrumentalness • 18% Positiveness
28% Popularity • 28% Danceability • 2% Energy • 11% Liveness
5% Instrumentalness • 18% Positiveness
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Pietro Mascagni
Cavalleria Rusticana: "Regina coeli laet...
86 bpm • G Maj • 05:55 • -17db
21% Popularity • 14% Danceability • 21% Energy • 7% Liveness
19% Instrumentalness • 4% Positiveness
21% Popularity • 14% Danceability • 21% Energy • 7% Liveness
19% Instrumentalness • 4% Positiveness
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Franz Schubert
Mass No. 2 in G Major, D. 167: I. Kyrie
86 bpm • G Maj • 03:35 • -25.19db
11% Popularity • 23% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 15% Positiveness
11% Popularity • 23% Danceability • 8% Energy • 12% Liveness
15% Instrumentalness • 15% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626: Act III: When I...
86 bpm • G min • 03:54 • -21db
31% Popularity • 18% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 18% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
Bellini: Norma, Act 1: "Casta diva" (Nor...
88 bpm • F Maj • 05:40 • -17.03db
46% Popularity • 29% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
46% Popularity • 29% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 2...
86 bpm • C# Maj • 05:57 • -18db
21% Popularity • 29% Danceability • 14% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
21% Popularity • 29% Danceability • 14% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
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Johannes Brahms
Ein deutsches Requiem, Op. 45: 5. Solo (...
92 bpm • G Maj • 07:36 • -29db
28% Popularity • 14% Danceability • 3% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 3% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Rigoletto / Act 1: "Gualtier Maldè...Ca...
86 bpm • E Maj • 06:18 • -27db
29% Popularity • 26% Danceability • 5% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
29% Popularity • 26% Danceability • 5% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
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George Frideric Handel
Rinaldo / Act 2: "Lascia ch'io pianga"
92 bpm • E Maj • 04:24 • -16.95db
17% Popularity • 27% Danceability • 19% Energy • 21% Liveness
12% Instrumentalness • 7% Positiveness
17% Popularity • 27% Danceability • 19% Energy • 21% Liveness
12% Instrumentalness • 7% Positiveness
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Henry Purcell
Dido and Aeneas / Act 3: "Your counsel a...
86 bpm • G min • 05:34 • -20db
15% Popularity • 33% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
15% Popularity • 33% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
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Vincenzo Bellini
I puritani / Act III: Credeasi, misera!
86 bpm • C# Maj • 05:42 • -17db
10% Popularity • 20% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
10% Popularity • 20% Danceability • 22% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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Edward Elgar
Elgar: Sea Pictures, Op. 37: No. 3, A Sa...
86 bpm • C Maj • 06:20 • -17db
19% Popularity • 18% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
19% Popularity • 18% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Ernest Chausson
Hébée Op. 2 N°6
86 bpm • A min • 02:53 • -25db
17% Popularity • 25% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
17% Popularity • 25% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Giuseppe Verdi
Verdi: Addio del passato - Violetta
92 bpm • A min • 05:34 • -26db
29% Popularity • 18% Danceability • 3% Energy • 36% Liveness
0% Instrumentalness • 5% Positiveness
29% Popularity • 18% Danceability • 3% Energy • 36% Liveness
0% Instrumentalness • 5% Positiveness
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Jean-Philippe Rameau
Rameau: Castor et Pollux: "Tristes appr�...
93 bpm • D Maj • 05:05 • -24db
15% Popularity • 17% Danceability • 4% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
15% Popularity • 17% Danceability • 4% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, ossia Il dissoluto punito,...
85 bpm • A Maj • 03:15 • -22.35db
32% Popularity • 24% Danceability • 6% Energy • 73% Liveness
2% Instrumentalness • 29% Positiveness
32% Popularity • 24% Danceability • 6% Energy • 73% Liveness
2% Instrumentalness • 29% Positiveness
► Preview
Vincenzo Bellini
Bellini: La sonnambula, Act 2: "Ah! non ...
90 bpm • C Maj • 04:43 • -25db
10% Popularity • 18% Danceability • 4% Energy • 32% Liveness
0% Instrumentalness • 5% Positiveness
10% Popularity • 18% Danceability • 4% Energy • 32% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Georges Bizet
Carmen, WD 31: Habanera. L'amour est un ...
85 bpm • D Maj • 05:16 • -26.71db
0% Popularity • 25% Danceability • 5% Energy • 67% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 25% Danceability • 5% Energy • 67% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Giacomo Puccini
La bohème, SC 67 / Act I: "O soave fanc...
85 bpm • G Maj • 04:12 • -16.74db
46% Popularity • 24% Danceability • 17% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
46% Popularity • 24% Danceability • 17% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
Franz Schubert
Schubert: Wiegenlied, Op. 98 No. 2, D. 4...
85 bpm • F# Maj • 02:59 • -37.26db
28% Popularity • 20% Danceability • 1% Energy • 9% Liveness
50% Instrumentalness • 18% Positiveness
28% Popularity • 20% Danceability • 1% Energy • 9% Liveness
50% Instrumentalness • 18% Positiveness
► Preview
Claude Debussy
Trois chansons de Bilitis, L. 90: No. 1,...
85 bpm • F# Maj • 02:45 • -29db
23% Popularity • 29% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 29% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Mass in C Minor, K. 427 "Grosse Messe" (...
85 bpm • D# Maj • 07:23 • -24.06db
30% Popularity • 9% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 3% Positiveness
30% Popularity • 9% Danceability • 7% Energy • 14% Liveness
12% Instrumentalness • 3% Positiveness
► Preview
Sergei Rachmaninoff
Rachmaninov: 14 Romances, Op. 34: No. 14...
84 bpm • F# min • 05:20 • -16db
28% Popularity • 25% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
28% Popularity • 25% Danceability • 19% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Vincenzo Bellini
I Capuleti e i Montecchi: Eccomi in liet...
87 bpm • C Maj • 01:45 • -15.78db
4% Popularity • 28% Danceability • 26% Energy • 29% Liveness
3% Instrumentalness • 47% Positiveness
4% Popularity • 28% Danceability • 26% Energy • 29% Liveness
3% Instrumentalness • 47% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
6 Mélodies, Op. 65, TH 108 (Excerpts): ...
94 bpm • B Maj • 04:14 • -22.82db
0% Popularity • 30% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
0% Popularity • 30% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Reynaldo Hahn
Poème de Paul Verlaine: L'heure exquise
94 bpm • B Maj • 01:58 • -26.85db
38% Popularity • 27% Danceability • 2% Energy • 8% Liveness
2% Instrumentalness • 6% Positiveness
38% Popularity • 27% Danceability • 2% Energy • 8% Liveness
2% Instrumentalness • 6% Positiveness
► Preview
Giovanni Battista Pergolesi
Stabat Mater, P. 77: V. Quis est homo
94 bpm • C min • 03:00 • -24.63db
38% Popularity • 18% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
38% Popularity • 18% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Die Zauberflöte, K. 620 / Erster Aufzug...
94 bpm • D# Maj • 04:36 • -19db
30% Popularity • 28% Danceability • 13% Energy • 19% Liveness
0% Instrumentalness • 6% Positiveness
30% Popularity • 28% Danceability • 13% Energy • 19% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Léo Delibes
Lakmé / Act 1: Viens, Mallika, ... Dôm...
84 bpm • B Maj • 06:03 • -22.23db
39% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
39% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Vincenzo Bellini
Norma / Act I: Casta Diva
87 bpm • G Maj • 08:16 • -21db
12% Popularity • 23% Danceability • 11% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
12% Popularity • 23% Danceability • 11% Energy • 11% Liveness
16% Instrumentalness • 4% Positiveness
► Preview
George Frideric Handel
Serse, HWV 40 / Act 1: "Frondi tenere e ...
84 bpm • F Maj • 04:01 • -24.37db
18% Popularity • 22% Danceability • 3% Energy • 15% Liveness
1% Instrumentalness • 4% Positiveness
18% Popularity • 22% Danceability • 3% Energy • 15% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
AntonÃn Dvořák
Rusalka, Op. 114, B. 203 / Act 1: "O Sil...
95 bpm • F# Maj • 06:40 • -22db
9% Popularity • 21% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 21% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Giovanni Battista Pergolesi
Pergolesi: Stabat Mater: I. Stabat mater...
84 bpm • D# min • 04:46 • -18.67db
24% Popularity • 10% Danceability • 9% Energy • 11% Liveness
29% Instrumentalness • 4% Positiveness
24% Popularity • 10% Danceability • 9% Energy • 11% Liveness
29% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
6 Mélodies, Op. 65, TH 108 (Excerpts): ...
84 bpm • G# Maj • 02:05 • -25.2db
0% Popularity • 41% Danceability • 37% Energy • 70% Liveness
1% Instrumentalness • 42% Positiveness
0% Popularity • 41% Danceability • 37% Energy • 70% Liveness
1% Instrumentalness • 42% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act III: "Und ...
84 bpm • G# Maj • 05:57 • -23.47db
30% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
I Capuleti e i Montecchi: Eccomi in liet...
87 bpm • G# Maj • 05:56 • -26.22db
5% Popularity • 21% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
5% Popularity • 21% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 3% Positiveness
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Giacomo Puccini
La bohème, SC 67 / Act 1: "Sì. Mi chia...
83 bpm • D Maj • 05:59 • -20.82db
32% Popularity • 23% Danceability • 8% Energy • 39% Liveness
0% Instrumentalness • 4% Positiveness
32% Popularity • 23% Danceability • 8% Energy • 39% Liveness
0% Instrumentalness • 4% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 1: A...
83 bpm • F Maj • 03:35 • -23.24db
19% Popularity • 13% Danceability • 8% Energy • 10% Liveness
57% Instrumentalness • 4% Positiveness
19% Popularity • 13% Danceability • 8% Energy • 10% Liveness
57% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Fauré: Requiem, Op. 48: II. Offertoire
83 bpm • D Maj • 08:46 • -29.05db
21% Popularity • 8% Danceability • 3% Energy • 10% Liveness
67% Instrumentalness • 3% Positiveness
21% Popularity • 8% Danceability • 3% Energy • 10% Liveness
67% Instrumentalness • 3% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492 / Act 2: "Voi...
95 bpm • A# Maj • 03:53 • -26.82db
25% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Henry Purcell
Dido and Aeneas / Act 3: "Thy Hand Belin...
83 bpm • F# min • 04:06 • -28.04db
40% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
40% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
Bellini: La sonnambula, Act 1: "Non più...
91 bpm • G# Maj • 01:45 • -9.67db
0% Popularity • 47% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 47% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 24% Positiveness
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Jules Massenet
Massenet: Élégie
83 bpm • D# min • 03:13 • -24.41db
15% Popularity • 14% Danceability • 3% Energy • 15% Liveness
1% Instrumentalness • 7% Positiveness
15% Popularity • 14% Danceability • 3% Energy • 15% Liveness
1% Instrumentalness • 7% Positiveness
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Luigi Cherubini
Requiem No. 1 in C Minor: Introitus et K...
83 bpm • C min • 07:14 • -31db
26% Popularity • 8% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
26% Popularity • 8% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Richard Strauss
Strauss, R: 4 Letzte Lieder: No. 1, Frü...
83 bpm • G# Maj • 03:44 • -17.35db
20% Popularity • 12% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 12% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
Dvořák: Rusalka, Op. 114, B. 203, Act ...
96 bpm • F# Maj • 05:55 • -20db
25% Popularity • 23% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
25% Popularity • 23% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Stabat Mater: 1. Stabat Mater dolorosa
83 bpm • G min • 09:57 • -21.34db
21% Popularity • 10% Danceability • 5% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
21% Popularity • 10% Danceability • 5% Energy • 18% Liveness
83% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
I Capuleti e i Montecchi, Act I: Ah! cru...
87 bpm • G# Maj • 04:48 • -19.39db
1% Popularity • 22% Danceability • 18% Energy • 65% Liveness
0% Instrumentalness • 8% Positiveness
1% Popularity • 22% Danceability • 18% Energy • 65% Liveness
0% Instrumentalness • 8% Positiveness
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Camille Saint-Saëns
Samson et Dalila: Mon coeur s’ouvre à ...
83 bpm • C# Maj • 06:28 • -22db
14% Popularity • 27% Danceability • 12% Energy • 7% Liveness
8% Instrumentalness • 4% Positiveness
14% Popularity • 27% Danceability • 12% Energy • 7% Liveness
8% Instrumentalness • 4% Positiveness
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Erich Wolfgang Korngold
Die tote Stadt (The Dead City), Op. 12: ...
83 bpm • A# Maj • 05:28 • -24.23db
35% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
35% Popularity • 9% Danceability • 10% Energy • 17% Liveness
34% Instrumentalness • 6% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Belle nu...
82 bpm • D Maj • 04:09 • -27.01db
40% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
40% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Vesperae solennes de confessore in C, K....
82 bpm • F Maj • 05:11 • -28db
24% Popularity • 10% Danceability • 6% Energy • 9% Liveness
50% Instrumentalness • 4% Positiveness
24% Popularity • 10% Danceability • 6% Energy • 9% Liveness
50% Instrumentalness • 4% Positiveness
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Francesco Nicola Fago
Fago: Confitebor tibi Domine: V. "Initiu...
82 bpm • C# min • 01:18 • -22db
29% Popularity • 27% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
29% Popularity • 27% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Vincenzo Bellini
Norma / Act 1: Oh non tremare
87 bpm • C Maj • 01:30 • -17db
7% Popularity • 38% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
7% Popularity • 38% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Euridice),...
96 bpm • D Maj • 03:49 • -18.95db
30% Popularity • 32% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
30% Popularity • 32% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
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Gabriel Fauré
Fauré: Requiem, Op. 48: VI. Libera me
82 bpm • D min • 04:32 • -23.81db
20% Popularity • 11% Danceability • 4% Energy • 12% Liveness
54% Instrumentalness • 4% Positiveness
20% Popularity • 11% Danceability • 4% Energy • 12% Liveness
54% Instrumentalness • 4% Positiveness
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Richard Strauss
Strauss, R: 4 Letzte Lieder: No. 4, Im A...
82 bpm • A# Maj • 08:27 • -24.29db
20% Popularity • 8% Danceability • 6% Energy • 13% Liveness
55% Instrumentalness • 4% Positiveness
20% Popularity • 8% Danceability • 6% Energy • 13% Liveness
55% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Vesperae solennes de confessore, K. 339:...
82 bpm • F Maj • 04:16 • -25.91db
51% Popularity • 11% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
51% Popularity • 11% Danceability • 4% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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George Frideric Handel
Rinaldo: Act II, scene 4: Almirena : "La...
97 bpm • E Maj • 06:10 • -26.6db
27% Popularity • 21% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
27% Popularity • 21% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
