Songs like Die Fidel by Polkageist
Based on a tempo of (+/- 10%) and a similar genre
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Polkageist
Digital Suicide
130 bpm • C Maj • 04:51 • -7.52db
4% Popularity • 85% Danceability • 68% Energy • 7% Liveness
42% Instrumentalness • 66% Positiveness
4% Popularity • 85% Danceability • 68% Energy • 7% Liveness
42% Instrumentalness • 66% Positiveness
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Rotfront
Remmidemmi
130 bpm • D# Maj • 03:45 • -3db
15% Popularity • 69% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 69% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Henning Wehland
Der Affe und ich
130 bpm • G min • 04:00 • -6db
36% Popularity • 79% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 79% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 53% Positiveness
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Erwin & Edwin
Polka
130 bpm • G# Maj • 02:59 • -9db
24% Popularity • 86% Danceability • 78% Energy • 40% Liveness
91% Instrumentalness • 85% Positiveness
24% Popularity • 86% Danceability • 78% Energy • 40% Liveness
91% Instrumentalness • 85% Positiveness
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Grips und Schaden
Schritte im Regen
130 bpm • E min • 03:30 • -5.71db
18% Popularity • 78% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 87% Positiveness
18% Popularity • 78% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 87% Positiveness
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B6BBO
Gib mir Geld
130 bpm • B min • 03:56 • -7.15db
22% Popularity • 82% Danceability • 60% Energy • 6% Liveness
6% Instrumentalness • 92% Positiveness
22% Popularity • 82% Danceability • 60% Energy • 6% Liveness
6% Instrumentalness • 92% Positiveness
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Django 3000
Muro Shavo
130 bpm • F Maj • 02:45 • -5.11db
23% Popularity • 74% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
23% Popularity • 74% Danceability • 80% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
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Florian Paul & Die Kapelle der letzten Hoffnung
Alles wie immer
130 bpm • C# min • 04:00 • -9.93db
29% Popularity • 64% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 64% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Polkageist
Die Fidel
130 bpm • D min • 04:15 • -3.81db
17% Popularity • 46% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
17% Popularity • 46% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Erwin & Edwin
Nudlsuppn
130 bpm • B min • 03:14 • -6.99db
30% Popularity • 87% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 100% Positiveness
30% Popularity • 87% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 100% Positiveness
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Wenzel
Zeit der Irren und Idioten
129 bpm • E min • 04:19 • -5.73db
16% Popularity • 50% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
16% Popularity • 50% Danceability • 77% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Revolte Springen
Kontradisharmonium
131 bpm • D min • 04:05 • -6.24db
13% Popularity • 62% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
13% Popularity • 62% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Jakob Heymann
##@@@ (zeig mir was neues)
131 bpm • F Maj • 03:55 • -10.31db
30% Popularity • 69% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 69% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 32% Positiveness
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Liedfett
Kommst du mit?
131 bpm • C min • 03:48 • -4.76db
48% Popularity • 46% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
48% Popularity • 46% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Ernst Molden
Awarakadawara
129 bpm • D min • 03:48 • -10.32db
37% Popularity • 45% Danceability • 39% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 45% Danceability • 39% Energy • 36% Liveness
0% Instrumentalness • 49% Positiveness
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Erwin & Edwin
Paris
130 bpm • A# min • 03:32 • -8.1db
28% Popularity • 74% Danceability • 55% Energy • 36% Liveness
9% Instrumentalness • 82% Positiveness
28% Popularity • 74% Danceability • 55% Energy • 36% Liveness
9% Instrumentalness • 82% Positiveness
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Rainald Grebe
Sachsen-Anhalt
131 bpm • D Maj • 04:44 • -7.9db
19% Popularity • 52% Danceability • 59% Energy • 8% Liveness
3% Instrumentalness • 61% Positiveness
19% Popularity • 52% Danceability • 59% Energy • 8% Liveness
3% Instrumentalness • 61% Positiveness
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Polkageist
Lange Abende
131 bpm • E min • 03:02 • -3.96db
7% Popularity • 56% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
7% Popularity • 56% Danceability • 69% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Hasenscheisse
Süsswasserboys
129 bpm • A Maj • 04:02 • -7db
9% Popularity • 71% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
9% Popularity • 71% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Das Lumpenpack
Steil-geh-Tag
129 bpm • D# min • 03:27 • -6db
35% Popularity • 73% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 73% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Liederjan
Lustig, Lustig Ihr Lieben Brüder
129 bpm • F Maj • 03:02 • -12.73db
20% Popularity • 72% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
20% Popularity • 72% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Joint Venture
Scheiß Auf Deine Ex
131 bpm • A min • 01:57 • -9.27db
20% Popularity • 59% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
20% Popularity • 59% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Rainald Grebe
Der Billiardär
131 bpm • D# Maj • 03:47 • -11db
33% Popularity • 57% Danceability • 49% Energy • 97% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 57% Danceability • 49% Energy • 97% Liveness
0% Instrumentalness • 68% Positiveness
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Revolte Springen
Plenum
131 bpm • B Maj • 03:21 • -10.44db
20% Popularity • 71% Danceability • 25% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 71% Danceability • 25% Energy • 34% Liveness
0% Instrumentalness • 69% Positiveness
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Zupfgeigenhansel
Es wollt ein Bauer früh aufstehn
129 bpm • G Maj • 03:12 • -10.98db
23% Popularity • 74% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
23% Popularity • 74% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
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Polkageist
Polkageist
132 bpm • G Maj • 03:30 • -2.23db
7% Popularity • 44% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
7% Popularity • 44% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 84% Positiveness
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Element Of Crime
Der weisse Hai
132 bpm • E Maj • 02:45 • -6.44db
34% Popularity • 71% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
34% Popularity • 71% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Joint Venture
Tach, Herr Chef
128 bpm • E min • 03:09 • -15.05db
22% Popularity • 85% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 85% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Zerreißprobe
Erzähl mir nichts
132 bpm • D min • 02:46 • -6.99db
15% Popularity • 52% Danceability • 44% Energy • 43% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 52% Danceability • 44% Energy • 43% Liveness
0% Instrumentalness • 74% Positiveness
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Revolte Springen
Konsequenter
128 bpm • C Maj • 03:31 • -10db
19% Popularity • 67% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
19% Popularity • 67% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 90% Positiveness
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Sören Vogelsang
Roter Wein im Becher
132 bpm • E min • 03:15 • -9db
15% Popularity • 60% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 60% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Polkageist
Jovano, Jovanke
128 bpm • E min • 05:46 • -6.54db
3% Popularity • 44% Danceability • 47% Energy • 11% Liveness
2% Instrumentalness • 26% Positiveness
3% Popularity • 44% Danceability • 47% Energy • 11% Liveness
2% Instrumentalness • 26% Positiveness
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Max Richard Leßmann
Einen im Tee
128 bpm • F Maj • 03:40 • -4db
19% Popularity • 60% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
19% Popularity • 60% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Orden der Wandalen
Nachts auf dem Dorfplatz
128 bpm • C# Maj • 02:55 • -14db
12% Popularity • 78% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 78% Danceability • 18% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Uta Köbernick
Scheitern
132 bpm • F Maj • 02:33 • -9.68db
35% Popularity • 83% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 83% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Fainschmitz
Delphine Zählen
128 bpm • C min • 03:08 • -7.04db
17% Popularity • 78% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
17% Popularity • 78% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Gastone&Famiglia
Scheiss Moral
128 bpm • C# Maj • 07:41 • -8.62db
13% Popularity • 60% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 60% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Polkageist
Vuelvo Loco
132 bpm • E min • 03:37 • -6.07db
5% Popularity • 69% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
5% Popularity • 69% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Rotfront
Live is Life
132 bpm • A Maj • 03:25 • -4.03db
18% Popularity • 71% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
18% Popularity • 71% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 78% Positiveness
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Florian Paul & Die Kapelle der letzten Hoffnung
Endlich Wien
132 bpm • G min • 03:34 • -7.1db
33% Popularity • 66% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 66% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 73% Positiveness
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De Fofftig Penns
Ik mutt gor nix
128 bpm • B Maj • 03:04 • -5db
25% Popularity • 76% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
25% Popularity • 76% Danceability • 68% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
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Rainald Grebe
Brandenburg
132 bpm • G# Maj • 03:51 • -8db
38% Popularity • 46% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
38% Popularity • 46% Danceability • 44% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Rainer Von Vielen
Wenn die Welt untergeht
128 bpm • C Maj • 04:42 • -4.95db
14% Popularity • 37% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 37% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Polkageist
Berlin Kolo
132 bpm • B min • 04:00 • -5.26db
3% Popularity • 62% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
3% Popularity • 62% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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Rotfront
Berlin - Barcelona
128 bpm • G Maj • 03:31 • -4.12db
23% Popularity • 79% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 79% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Nun flog Dr. Bert Rabe
Papierfliegerfrau
128 bpm • G min • 02:31 • -11.4db
36% Popularity • 69% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
36% Popularity • 69% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Joint Venture
Das Zwischen Den Beinen
133 bpm • B min • 04:08 • -11.54db
22% Popularity • 74% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
22% Popularity • 74% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Revolte Springen
Webers Frust
127 bpm • G min • 02:12 • -7.73db
12% Popularity • 42% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 42% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Christoph & Lollo
Diese Stadt
128 bpm • E min • 04:44 • -6.55db
13% Popularity • 63% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
13% Popularity • 63% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Rainald Grebe & Die Kapelle der Versöhnung
Dreißigjährige Pärchen
127 bpm • C Maj • 06:47 • -11db
17% Popularity • 56% Danceability • 44% Energy • 48% Liveness
0% Instrumentalness • 29% Positiveness
17% Popularity • 56% Danceability • 44% Energy • 48% Liveness
0% Instrumentalness • 29% Positiveness
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wonach wir suchen
Rebellin
127 bpm • A# Maj • 02:26 • -6db
32% Popularity • 66% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 66% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Rainer Von Vielen
Tanz deine Revolution
127 bpm • C Maj • 03:29 • -7db
29% Popularity • 85% Danceability • 76% Energy • 66% Liveness
0% Instrumentalness • 97% Positiveness
29% Popularity • 85% Danceability • 76% Energy • 66% Liveness
0% Instrumentalness • 97% Positiveness
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Rainald Grebe
1968
127 bpm • G Maj • 04:38 • -13.08db
26% Popularity • 47% Danceability • 30% Energy • 79% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 47% Danceability • 30% Energy • 79% Liveness
0% Instrumentalness • 37% Positiveness
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Fee Badenius
Körperformen
133 bpm • B min • 04:19 • -14.45db
12% Popularity • 66% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 66% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Monsters Of Liedermaching
Türen
127 bpm • A Maj • 04:22 • -6.55db
25% Popularity • 63% Danceability • 59% Energy • 97% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 63% Danceability • 59% Energy • 97% Liveness
0% Instrumentalness • 79% Positiveness
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Revolte Springen
Bitte sing nicht über Vögel
133 bpm • A min • 03:12 • -7.43db
19% Popularity • 62% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
19% Popularity • 62% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Hasenscheisse
Hasenscheisse
127 bpm • A min • 04:59 • -6.88db
10% Popularity • 61% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 61% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
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Polkageist
Tanz Tanz
127 bpm • D min • 04:44 • -7.68db
3% Popularity • 92% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
3% Popularity • 92% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Früchte des Zorns
Manifest
127 bpm • A min • 04:20 • -8db
15% Popularity • 60% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
15% Popularity • 60% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Wenzel
Stacheldraht, Elektrozaun
126 bpm • D min • 03:08 • -6.46db
15% Popularity • 72% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
15% Popularity • 72% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Zupfgeigenhansel
Sog nischt kejnmol
126 bpm • E min • 02:20 • -14.11db
22% Popularity • 55% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 55% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Granada
Wien wort auf di
126 bpm • A# Maj • 03:29 • -7db
32% Popularity • 41% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
32% Popularity • 41% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Die Grenzgänger
Schließ Aug und Ohr für eine Weil
134 bpm • A min • 01:41 • -10.45db
13% Popularity • 37% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 37% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Angelika Sacher & Klaus Bergmaier
Brot und Rosen
126 bpm • G Maj • 01:56 • -10db
13% Popularity • 58% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 58% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
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Polkageist
Patentantchens Hintertürchen
126 bpm • A min • 01:47 • -11.96db
4% Popularity • 48% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
4% Popularity • 48% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Martina Schwarzmann
Distelfalter
126 bpm • C Maj • 02:24 • -8db
39% Popularity • 70% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
39% Popularity • 70% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Zupfgeigenhansel
Di grine kusine
126 bpm • D min • 02:37 • -13db
22% Popularity • 60% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 60% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Florian Paul & Die Kapelle der letzten Hoffnung
Stirn an Stirn
126 bpm • F# min • 03:37 • -7.35db
33% Popularity • 67% Danceability • 70% Energy • 66% Liveness
0% Instrumentalness • 25% Positiveness
33% Popularity • 67% Danceability • 70% Energy • 66% Liveness
0% Instrumentalness • 25% Positiveness
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Herr Tischbein
Sympathie
126 bpm • C Maj • 04:51 • -7.15db
23% Popularity • 82% Danceability • 82% Energy • 14% Liveness
1% Instrumentalness • 80% Positiveness
23% Popularity • 82% Danceability • 82% Energy • 14% Liveness
1% Instrumentalness • 80% Positiveness
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Joint Venture
Okkultismus Ist Sexy
134 bpm • G min • 03:22 • -16.63db
18% Popularity • 81% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 81% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Buntspecht
Kind
126 bpm • G# Maj • 04:08 • -8db
30% Popularity • 74% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 74% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Hiss
Das Fest
134 bpm • G Maj • 02:35 • -7.87db
16% Popularity • 58% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
16% Popularity • 58% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Zupfgeigenhansel
Papst und Sultan
134 bpm • C Maj • 02:14 • -11.39db
26% Popularity • 73% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
26% Popularity • 73% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Rainald Grebe
Sachsen
135 bpm • A Maj • 05:14 • -10.12db
27% Popularity • 38% Danceability • 59% Energy • 76% Liveness
0% Instrumentalness • 25% Positiveness
27% Popularity • 38% Danceability • 59% Energy • 76% Liveness
0% Instrumentalness • 25% Positiveness
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Herr Tischbein
Total Egal
126 bpm • C# Maj • 03:37 • -6.95db
18% Popularity • 78% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
18% Popularity • 78% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Skolka
He Madl
135 bpm • G# Maj • 03:17 • -5.26db
10% Popularity • 80% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 80% Danceability • 87% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Buntspecht
Abrakadabra
135 bpm • C# min • 03:00 • -4.29db
33% Popularity • 56% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
33% Popularity • 56% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Franz Josef Degenhardt
Wölfe mitten im Mai
135 bpm • D min • 06:38 • -19.09db
18% Popularity • 68% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 68% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Skyline Green
Veni Vidi Vodka
135 bpm • A min • 04:33 • -5.69db
10% Popularity • 64% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
10% Popularity • 64% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
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Joint Venture
Freitag
125 bpm • B min • 02:35 • -12.85db
8% Popularity • 88% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 88% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Früchte des Zorns
Du bist größer als du bist
125 bpm • E min • 02:39 • -7.34db
14% Popularity • 76% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
14% Popularity • 76% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Skolka
Umme oda aufe
135 bpm • G# Maj • 02:58 • -6.44db
25% Popularity • 74% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 74% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Rantanplan
Unbekanntes Pferd
125 bpm • C Maj • 02:22 • -6db
33% Popularity • 63% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 63% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 68% Positiveness
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Binder & Krieglstein
Fahrradlied
125 bpm • A# min • 02:51 • -6.46db
14% Popularity • 57% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
14% Popularity • 57% Danceability • 92% Energy • 28% Liveness
0% Instrumentalness • 47% Positiveness
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Zupfgeigenhansel
Dire-gelt
125 bpm • E min • 02:12 • -15.55db
25% Popularity • 54% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 54% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Joint Venture
Freitag
125 bpm • F# min • 02:36 • -10.72db
24% Popularity • 87% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
24% Popularity • 87% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Django 3000
I wui hoam
125 bpm • D min • 03:00 • -6.35db
24% Popularity • 82% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
24% Popularity • 82% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Revolte Springen
Hinter den Barrikaden
136 bpm • D min • 03:22 • -5db
32% Popularity • 74% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 74% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Georg Kreisler
Schützen wir
125 bpm • A# Maj • 03:22 • -9.54db
18% Popularity • 64% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 64% Danceability • 84% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
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Element Of Crime
Lieblingsfarben und Tiere
125 bpm • G Maj • 04:13 • -8.96db
28% Popularity • 63% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
28% Popularity • 63% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Dr. Umwuchts Tanzpalast
Blumenwurst
124 bpm • C# min • 03:08 • -14.43db
9% Popularity • 64% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
9% Popularity • 64% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Bettina Wegner
Sind so kleine Hände (Kinder)
124 bpm • B min • 02:09 • -9db
28% Popularity • 57% Danceability • 34% Energy • 97% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 57% Danceability • 34% Energy • 97% Liveness
0% Instrumentalness • 37% Positiveness
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Florian Paul & Die Kapelle der letzten Hoffnung
Aber trotzdem
124 bpm • G min • 03:34 • -11.66db
39% Popularity • 78% Danceability • 43% Energy • 60% Liveness
0% Instrumentalness • 51% Positiveness
39% Popularity • 78% Danceability • 43% Energy • 60% Liveness
0% Instrumentalness • 51% Positiveness
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Revolte Springen
Wir scheißen auf Karriere
136 bpm • E min • 03:05 • -11db
38% Popularity • 72% Danceability • 75% Energy • 93% Liveness
0% Instrumentalness • 92% Positiveness
38% Popularity • 72% Danceability • 75% Energy • 93% Liveness
0% Instrumentalness • 92% Positiveness
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Marc-Uwe Kling & Die Gesellschaft
Hörsprechgarnitur
136 bpm • D# Maj • 03:08 • -6.52db
18% Popularity • 79% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 79% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Skolka
Auf geht's
136 bpm • F min • 03:06 • -5db
29% Popularity • 90% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
29% Popularity • 90% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Dr. Umwuchts Tanzpalast
Blumenwurst
124 bpm • G# min • 03:06 • -5.93db
28% Popularity • 64% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 64% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Jan Böhmermann
Licht an! Licht an!
136 bpm • A min • 04:25 • -9db
36% Popularity • 52% Danceability • 60% Energy • 95% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 52% Danceability • 60% Energy • 95% Liveness
0% Instrumentalness • 62% Positiveness
