Songs like Die For You by Joji
Based on a tempo of (+/- 10%) and a similar genre
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Lizzy McAlpine
ceilings
148 bpm • A Maj • 03:02 • -11.76db
83% Popularity • 52% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
83% Popularity • 52% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 26% Positiveness
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Joji
Feeling Like The End
148 bpm • D Maj • 01:42 • -7.69db
68% Popularity • 79% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
68% Popularity • 79% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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DPR IAN
No Blueberries
148 bpm • E min • 03:05 • -6.18db
66% Popularity • 72% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
66% Popularity • 72% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
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Lyn Lapid
Detached
147 bpm • B Maj • 02:26 • -12.43db
56% Popularity • 29% Danceability • 32% Energy • 20% Liveness
2% Instrumentalness • 6% Positiveness
56% Popularity • 29% Danceability • 32% Energy • 20% Liveness
2% Instrumentalness • 6% Positiveness
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Cafuné
Tek It
147 bpm • G# Maj • 03:11 • -5.35db
78% Popularity • 42% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
78% Popularity • 42% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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april june
stuck on you
147 bpm • A Maj • 02:47 • -8.09db
57% Popularity • 53% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
57% Popularity • 53% Danceability • 55% Energy • 10% Liveness
1% Instrumentalness • 16% Positiveness
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Chase Atlantic
Consume
146 bpm • A min • 04:27 • -5.32db
78% Popularity • 56% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
78% Popularity • 56% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 43% Positiveness
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Joji
Die For You
148 bpm • G# Maj • 03:31 • -7.38db
77% Popularity • 47% Danceability • 52% Energy • 29% Liveness
13% Instrumentalness • 15% Positiveness
77% Popularity • 47% Danceability • 52% Energy • 29% Liveness
13% Instrumentalness • 15% Positiveness
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beabadoobee
the perfect pair
146 bpm • B Maj • 02:57 • -6.82db
79% Popularity • 63% Danceability • 66% Energy • 10% Liveness
12% Instrumentalness • 60% Positiveness
79% Popularity • 63% Danceability • 66% Energy • 10% Liveness
12% Instrumentalness • 60% Positiveness
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Rocco
spin you round
146 bpm • C# Maj • 02:06 • -15.81db
62% Popularity • 66% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
62% Popularity • 66% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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HYBS
Good Care
150 bpm • B min • 03:14 • -8.17db
59% Popularity • 77% Danceability • 53% Energy • 10% Liveness
14% Instrumentalness • 74% Positiveness
59% Popularity • 77% Danceability • 53% Energy • 10% Liveness
14% Instrumentalness • 74% Positiveness
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Luke Chiang
May I Ask
146 bpm • D Maj • 03:50 • -9.22db
64% Popularity • 72% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
64% Popularity • 72% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Mac DeMarco
Heart To Heart
150 bpm • G# min • 03:31 • -16.13db
83% Popularity • 90% Danceability • 14% Energy • 11% Liveness
35% Instrumentalness • 64% Positiveness
83% Popularity • 90% Danceability • 14% Energy • 11% Liveness
35% Instrumentalness • 64% Positiveness
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Joji
worldstar money (interlude)
147 bpm • G Maj • 02:06 • -8.61db
76% Popularity • 58% Danceability • 39% Energy • 21% Liveness
70% Instrumentalness • 46% Positiveness
76% Popularity • 58% Danceability • 39% Energy • 21% Liveness
70% Instrumentalness • 46% Positiveness
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Suki Waterhouse
Good Looking
150 bpm • E Maj • 03:34 • -9.08db
83% Popularity • 36% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
83% Popularity • 36% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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88rising
Head In The Clouds
146 bpm • A Maj • 02:58 • -9.24db
57% Popularity • 52% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
57% Popularity • 52% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Her's
What Once Was
146 bpm • D# min • 04:15 • -4.37db
77% Popularity • 53% Danceability • 88% Energy • 22% Liveness
1% Instrumentalness • 44% Positiveness
77% Popularity • 53% Danceability • 88% Energy • 22% Liveness
1% Instrumentalness • 44% Positiveness
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Dhruv
stable life
150 bpm • D Maj • 03:16 • -9.09db
41% Popularity • 50% Danceability • 45% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
41% Popularity • 50% Danceability • 45% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
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Bedroom
In My Head
151 bpm • A Maj • 05:54 • -13.54db
71% Popularity • 58% Danceability • 61% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
71% Popularity • 58% Danceability • 61% Energy • 11% Liveness
92% Instrumentalness • 18% Positiveness
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Joji
High Hopes
150 bpm • C# min • 03:02 • -9.13db
56% Popularity • 72% Danceability • 37% Energy • 10% Liveness
6% Instrumentalness • 36% Positiveness
56% Popularity • 72% Danceability • 37% Energy • 10% Liveness
6% Instrumentalness • 36% Positiveness
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Conan Gray
Astronomy
145 bpm • E min • 04:03 • -8.57db
74% Popularity • 47% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
74% Popularity • 47% Danceability • 34% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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Rex Orange County
Best Friend
145 bpm • F# Maj • 04:22 • -5.25db
75% Popularity • 58% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
75% Popularity • 58% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Tame Impala
New Person, Same Old Mistakes
152 bpm • G# Maj • 06:03 • -6.74db
79% Popularity • 47% Danceability • 81% Energy • 5% Liveness
1% Instrumentalness • 49% Positiveness
79% Popularity • 47% Danceability • 81% Energy • 5% Liveness
1% Instrumentalness • 49% Positiveness
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Young the Giant
Mind Over Matter (Reprise)
152 bpm • C Maj • 03:50 • -6.35db
78% Popularity • 39% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
78% Popularity • 39% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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girl in red
.
152 bpm • A# Maj • 02:46 • -7db
67% Popularity • 45% Danceability • 91% Energy • 14% Liveness
83% Instrumentalness • 32% Positiveness
67% Popularity • 45% Danceability • 91% Energy • 14% Liveness
83% Instrumentalness • 32% Positiveness
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Joji
I Don't Wanna Waste My Time
144 bpm • E Maj • 02:44 • -17.87db
61% Popularity • 40% Danceability • 23% Energy • 12% Liveness
6% Instrumentalness • 13% Positiveness
61% Popularity • 40% Danceability • 23% Energy • 12% Liveness
6% Instrumentalness • 13% Positiveness
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FINNEAS
Break My Heart Again
144 bpm • E min • 03:57 • -14.23db
68% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
68% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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¿Téo?
Buzzed
152 bpm • G# Maj • 02:39 • -11.87db
59% Popularity • 60% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
59% Popularity • 60% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 37% Positiveness
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boy pablo
honey
144 bpm • C Maj • 04:14 • -10.16db
56% Popularity • 66% Danceability • 63% Energy • 14% Liveness
7% Instrumentalness • 72% Positiveness
56% Popularity • 66% Danceability • 63% Energy • 14% Liveness
7% Instrumentalness • 72% Positiveness
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Beach Weather
Sex, Drugs, Etc.
144 bpm • E min • 03:16 • -5.09db
84% Popularity • 57% Danceability • 84% Energy • 52% Liveness
1% Instrumentalness • 47% Positiveness
84% Popularity • 57% Danceability • 84% Energy • 52% Liveness
1% Instrumentalness • 47% Positiveness
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Omar Apollo
Want U Around
144 bpm • C Maj • 04:07 • -6.76db
63% Popularity • 57% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
63% Popularity • 57% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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The MarÃas
Only in My Dreams
144 bpm • A# Maj • 02:50 • -11.61db
68% Popularity • 52% Danceability • 50% Energy • 10% Liveness
10% Instrumentalness • 28% Positiveness
68% Popularity • 52% Danceability • 50% Energy • 10% Liveness
10% Instrumentalness • 28% Positiveness
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Daniel Caesar
Let Me Go
153 bpm • G min • 03:36 • -8.44db
70% Popularity • 60% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
70% Popularity • 60% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Zach Templar
missin something
144 bpm • A min • 02:25 • -4.9db
70% Popularity • 63% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
70% Popularity • 63% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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The Weeknd
Less Than Zero
143 bpm • C Maj • 03:31 • -5.55db
75% Popularity • 54% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
75% Popularity • 54% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Cigarettes After Sex
Cry
143 bpm • G Maj • 04:16 • -10.45db
85% Popularity • 41% Danceability • 40% Energy • 11% Liveness
68% Instrumentalness • 16% Positiveness
85% Popularity • 41% Danceability • 40% Energy • 11% Liveness
68% Instrumentalness • 16% Positiveness
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Matt Maltese
Krystal
154 bpm • D# Maj • 03:40 • -8.06db
67% Popularity • 52% Danceability • 51% Energy • 12% Liveness
78% Instrumentalness • 37% Positiveness
67% Popularity • 52% Danceability • 51% Energy • 12% Liveness
78% Instrumentalness • 37% Positiveness
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Conan Gray
Family Line
154 bpm • F# Maj • 03:36 • -8.15db
74% Popularity • 33% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
74% Popularity • 33% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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khai dreams
Sunkissed
154 bpm • F# Maj • 02:06 • -9.49db
65% Popularity • 77% Danceability • 35% Energy • 38% Liveness
0% Instrumentalness • 79% Positiveness
65% Popularity • 77% Danceability • 35% Energy • 38% Liveness
0% Instrumentalness • 79% Positiveness
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Faye Webster
Kingston
142 bpm • A# min • 03:22 • -9.13db
77% Popularity • 73% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
77% Popularity • 73% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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yuji
Old Love
142 bpm • B Maj • 04:09 • -10.51db
74% Popularity • 48% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
74% Popularity • 48% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Harry Styles
Little Freak
142 bpm • D# Maj • 03:22 • -7.72db
75% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
75% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Her's
Harvey
142 bpm • A Maj • 03:31 • -6.15db
66% Popularity • 59% Danceability • 86% Energy • 13% Liveness
82% Instrumentalness • 72% Positiveness
66% Popularity • 59% Danceability • 86% Energy • 13% Liveness
82% Instrumentalness • 72% Positiveness
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Kali Uchis
I Wish you Roses
142 bpm • A# min • 03:39 • -8.37db
71% Popularity • 45% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
71% Popularity • 45% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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JVKE
this is what sadness feels like
141 bpm • A# min • 03:11 • -10.4db
62% Popularity • 48% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
62% Popularity • 48% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Faye Webster
I Know You
155 bpm • A# Maj • 04:11 • -13db
78% Popularity • 45% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
78% Popularity • 45% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
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Oscar Lang
fall into u
141 bpm • B min • 03:32 • -12.18db
57% Popularity • 31% Danceability • 19% Energy • 15% Liveness
57% Instrumentalness • 9% Positiveness
57% Popularity • 31% Danceability • 19% Energy • 15% Liveness
57% Instrumentalness • 9% Positiveness
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girl in red
October Passed Me By
156 bpm • C Maj • 02:45 • -13.09db
66% Popularity • 44% Danceability • 37% Energy • 10% Liveness
8% Instrumentalness • 20% Positiveness
66% Popularity • 44% Danceability • 37% Energy • 10% Liveness
8% Instrumentalness • 20% Positiveness
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Cigarettes After Sex
Falling In Love
141 bpm • G Maj • 04:05 • -11.65db
74% Popularity • 47% Danceability • 27% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
74% Popularity • 47% Danceability • 27% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
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Billie Eilish
TV
140 bpm • E min • 04:41 • -15.16db
82% Popularity • 41% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 12% Positiveness
82% Popularity • 41% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 12% Positiveness
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Metro Boomin
Calling (Spider-Man: Across the Spider-V...
140 bpm • C Maj • 03:39 • -7.84db
75% Popularity • 63% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
75% Popularity • 63% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Joji
Pretty Boy
156 bpm • F# Maj • 02:36 • -6.18db
61% Popularity • 66% Danceability • 78% Energy • 37% Liveness
32% Instrumentalness • 64% Positiveness
61% Popularity • 66% Danceability • 78% Energy • 37% Liveness
32% Instrumentalness • 64% Positiveness
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beabadoobee
Tired
140 bpm • G min • 03:19 • -7.11db
71% Popularity • 63% Danceability • 42% Energy • 11% Liveness
15% Instrumentalness • 34% Positiveness
71% Popularity • 63% Danceability • 42% Energy • 11% Liveness
15% Instrumentalness • 34% Positiveness
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Dream, Ivory
welcome and goodbye
140 bpm • C min • 02:20 • -5.18db
77% Popularity • 58% Danceability • 72% Energy • 7% Liveness
76% Instrumentalness • 66% Positiveness
77% Popularity • 58% Danceability • 72% Energy • 7% Liveness
76% Instrumentalness • 66% Positiveness
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Bonobo
From You
140 bpm • C min • 03:30 • -10.04db
53% Popularity • 66% Danceability • 50% Energy • 11% Liveness
76% Instrumentalness • 26% Positiveness
53% Popularity • 66% Danceability • 50% Energy • 11% Liveness
76% Instrumentalness • 26% Positiveness
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Hotel Ugly
I Think I Left the Stove On
140 bpm • C# min • 03:22 • -6.62db
71% Popularity • 77% Danceability • 71% Energy • 14% Liveness
1% Instrumentalness • 80% Positiveness
71% Popularity • 77% Danceability • 71% Energy • 14% Liveness
1% Instrumentalness • 80% Positiveness
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Mac DeMarco
Moonlight on the River
140 bpm • A Maj • 07:02 • -8.63db
77% Popularity • 66% Danceability • 48% Energy • 22% Liveness
83% Instrumentalness • 43% Positiveness
77% Popularity • 66% Danceability • 48% Energy • 22% Liveness
83% Instrumentalness • 43% Positiveness
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Takayoshi
apart of me
140 bpm • F min • 01:16 • -12.31db
68% Popularity • 67% Danceability • 76% Energy • 15% Liveness
84% Instrumentalness • 88% Positiveness
68% Popularity • 67% Danceability • 76% Energy • 15% Liveness
84% Instrumentalness • 88% Positiveness
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Joji
I'LL SEE YOU IN 40
140 bpm • D# Maj • 04:13 • -9.56db
55% Popularity • 41% Danceability • 38% Energy • 22% Liveness
77% Instrumentalness • 3% Positiveness
55% Popularity • 41% Danceability • 38% Energy • 22% Liveness
77% Instrumentalness • 3% Positiveness
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Taylor Swift
Midnight Rain
140 bpm • C Maj • 02:54 • -11.74db
81% Popularity • 64% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
81% Popularity • 64% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Bruno Major
Nothing
140 bpm • D Maj • 02:42 • -15.89db
75% Popularity • 56% Danceability • 27% Energy • 10% Liveness
54% Instrumentalness • 27% Positiveness
75% Popularity • 56% Danceability • 27% Energy • 10% Liveness
54% Instrumentalness • 27% Positiveness
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EKKSTACY
then i met her
157 bpm • C# Maj • 02:18 • -7.64db
60% Popularity • 46% Danceability • 87% Energy • 26% Liveness
2% Instrumentalness • 43% Positiveness
60% Popularity • 46% Danceability • 87% Energy • 26% Liveness
2% Instrumentalness • 43% Positiveness
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Matt Maltese
madhouse
157 bpm • A# Maj • 03:31 • -8db
58% Popularity • 64% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
58% Popularity • 64% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Vacations
Honey
157 bpm • C# min • 02:19 • -7.56db
69% Popularity • 28% Danceability • 85% Energy • 20% Liveness
31% Instrumentalness • 67% Positiveness
69% Popularity • 28% Danceability • 85% Energy • 20% Liveness
31% Instrumentalness • 67% Positiveness
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Joji
Window
157 bpm • C# Maj • 02:32 • -12.6db
59% Popularity • 64% Danceability • 33% Energy • 10% Liveness
66% Instrumentalness • 20% Positiveness
59% Popularity • 64% Danceability • 33% Energy • 10% Liveness
66% Instrumentalness • 20% Positiveness
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Mac DeMarco
Watching Him Fade Away
139 bpm • D# Maj • 02:23 • -17.98db
74% Popularity • 74% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
74% Popularity • 74% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 30% Positiveness
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Harry Styles
Satellite
139 bpm • C Maj • 03:38 • -6.47db
79% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
79% Popularity • 58% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Men I Trust
Numb
139 bpm • E Maj • 03:39 • -14.39db
68% Popularity • 78% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 65% Positiveness
68% Popularity • 78% Danceability • 30% Energy • 11% Liveness
94% Instrumentalness • 65% Positiveness
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wave to earth
sunny days
158 bpm • G Maj • 04:08 • -8.45db
68% Popularity • 55% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
68% Popularity • 55% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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AUGUST 08
What We Used To Be
158 bpm • C# Maj • 03:52 • -8.25db
32% Popularity • 52% Danceability • 78% Energy • 11% Liveness
79% Instrumentalness • 56% Positiveness
32% Popularity • 52% Danceability • 78% Energy • 11% Liveness
79% Instrumentalness • 56% Positiveness
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Joji
Run
158 bpm • G Maj • 03:15 • -3.95db
69% Popularity • 43% Danceability • 72% Energy • 62% Liveness
0% Instrumentalness • 33% Positiveness
69% Popularity • 43% Danceability • 72% Energy • 62% Liveness
0% Instrumentalness • 33% Positiveness
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Hotel Ugly
Shut up My Moms Calling
138 bpm • A min • 02:44 • -10.71db
88% Popularity • 48% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
88% Popularity • 48% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Coyote Theory
This Side of Paradise
158 bpm • A Maj • 04:02 • -6.07db
78% Popularity • 31% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
78% Popularity • 31% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Daniel Caesar
CYANIDE
158 bpm • A# Maj • 03:14 • -7.5db
71% Popularity • 59% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
71% Popularity • 59% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Alina Baraz
If You Let Me
138 bpm • F Maj • 02:15 • -8.61db
63% Popularity • 60% Danceability • 68% Energy • 15% Liveness
45% Instrumentalness • 46% Positiveness
63% Popularity • 60% Danceability • 68% Energy • 15% Liveness
45% Instrumentalness • 46% Positiveness
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Sam Wills
Traingazing
138 bpm • B Maj • 03:34 • -10.06db
65% Popularity • 85% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 56% Positiveness
65% Popularity • 85% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 56% Positiveness
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Lizzy McAlpine
hate to be lame
137 bpm • A# min • 02:36 • -12.63db
67% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
67% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Liana Flores
rises the moon
137 bpm • F min • 02:41 • -20.15db
82% Popularity • 48% Danceability • 13% Energy • 11% Liveness
14% Instrumentalness • 20% Positiveness
82% Popularity • 48% Danceability • 13% Energy • 11% Liveness
14% Instrumentalness • 20% Positiveness
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The Rare Occasions
Notion
159 bpm • A Maj • 03:15 • -3.83db
81% Popularity • 31% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
81% Popularity • 31% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Frank Ocean
Pink + White
160 bpm • A Maj • 03:04 • -7.36db
88% Popularity • 55% Danceability • 55% Energy • 42% Liveness
0% Instrumentalness • 55% Positiveness
88% Popularity • 55% Danceability • 55% Energy • 42% Liveness
0% Instrumentalness • 55% Positiveness
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Djo
End of Beginning
160 bpm • D Maj • 02:39 • -7.64db
98% Popularity • 69% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
98% Popularity • 69% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Joji
Upgrade
160 bpm • D# Maj • 01:29 • -11.45db
55% Popularity • 68% Danceability • 42% Energy • 14% Liveness
3% Instrumentalness • 56% Positiveness
55% Popularity • 68% Danceability • 42% Energy • 14% Liveness
3% Instrumentalness • 56% Positiveness
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DPR IAN
Dope Lovers
160 bpm • A Maj • 03:20 • -5.66db
62% Popularity • 64% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
62% Popularity • 64% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Daniel Caesar
Always
136 bpm • A Maj • 03:45 • -8.18db
80% Popularity • 60% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
80% Popularity • 60% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Kali Uchis
Moonlight
137 bpm • G min • 03:07 • -6.87db
82% Popularity • 64% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
82% Popularity • 64% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 90% Positiveness
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Conan Gray
The Cut That Always Bleeds
136 bpm • C Maj • 03:51 • -6.5db
75% Popularity • 49% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
75% Popularity • 49% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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wave to earth
bad
136 bpm • D Maj • 04:23 • -8.88db
78% Popularity • 56% Danceability • 55% Energy • 16% Liveness
11% Instrumentalness • 39% Positiveness
78% Popularity • 56% Danceability • 55% Energy • 16% Liveness
11% Instrumentalness • 39% Positiveness
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Joji
Before The Day Is Over
160 bpm • A Maj • 03:33 • -11db
63% Popularity • 39% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
63% Popularity • 39% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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TV Girl
Blue Hair
136 bpm • E Maj • 03:37 • -6.38db
84% Popularity • 75% Danceability • 72% Energy • 26% Liveness
5% Instrumentalness • 88% Positiveness
84% Popularity • 75% Danceability • 72% Energy • 26% Liveness
5% Instrumentalness • 88% Positiveness
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grentperez
Day By Day
162 bpm • C# Maj • 03:07 • -6.82db
51% Popularity • 62% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
51% Popularity • 62% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Lyn Lapid
In My Mind
136 bpm • D min • 02:42 • -12.18db
71% Popularity • 67% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
71% Popularity • 67% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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Daniel Caesar
Toronto 2014
135 bpm • C Maj • 04:37 • -10.89db
65% Popularity • 67% Danceability • 34% Energy • 15% Liveness
1% Instrumentalness • 37% Positiveness
65% Popularity • 67% Danceability • 34% Energy • 15% Liveness
1% Instrumentalness • 37% Positiveness
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The Weeknd
Is There Someone Else?
135 bpm • A min • 03:19 • -7.83db
84% Popularity • 70% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
84% Popularity • 70% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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Phoebe Bridgers
Scott Street
135 bpm • A# Maj • 05:05 • -9.63db
74% Popularity • 51% Danceability • 42% Energy • 9% Liveness
9% Instrumentalness • 48% Positiveness
74% Popularity • 51% Danceability • 42% Energy • 9% Liveness
9% Instrumentalness • 48% Positiveness
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Cafuné
Tek It - Acoustic
135 bpm • G# Maj • 03:29 • -8db
51% Popularity • 63% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
51% Popularity • 63% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Omar Apollo
Invincible
135 bpm • F# min • 03:36 • -11.71db
62% Popularity • 56% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
62% Popularity • 56% Danceability • 47% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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Djo
Chateau (Feel Alright)
135 bpm • G Maj • 04:32 • -12db
73% Popularity • 64% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
73% Popularity • 64% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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The Backseat Lovers
Pool House
134 bpm • G Maj • 04:29 • -11.18db
70% Popularity • 59% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
70% Popularity • 59% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
