Songs like Die lustige Witwe / Act 2: Vilja-Lied by Franz Lehár
Based on a tempo of (+/- 10%) and a similar genre
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Franz Lehár
Die lustige Witwe - Operette in 3 Akten ...
97 bpm • G Maj • 02:40 • -15.11db
0% Popularity • 41% Danceability • 24% Energy • 22% Liveness
3% Instrumentalness • 35% Positiveness
0% Popularity • 41% Danceability • 24% Energy • 22% Liveness
3% Instrumentalness • 35% Positiveness
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Umberto Giordano
Fedora: Amor ti vieta
96 bpm • C Maj • 01:46 • -13.68db
40% Popularity • 21% Danceability • 28% Energy • 12% Liveness
57% Instrumentalness • 12% Positiveness
40% Popularity • 21% Danceability • 28% Energy • 12% Liveness
57% Instrumentalness • 12% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice (Orphée et Euridice),...
96 bpm • D Maj • 03:49 • -18.95db
30% Popularity • 32% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
30% Popularity • 32% Danceability • 11% Energy • 29% Liveness
0% Instrumentalness • 6% Positiveness
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Jacques Offenbach
La belle Hélène / Act 1: Au mont Ida.....
96 bpm • A# Maj • 03:50 • -17db
10% Popularity • 41% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 41% Positiveness
10% Popularity • 41% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 41% Positiveness
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Renée Fleming
Stepping Stone
98 bpm • D min • 03:26 • -6.52db
1% Popularity • 61% Danceability • 71% Energy • 16% Liveness
1% Instrumentalness • 53% Positiveness
1% Popularity • 61% Danceability • 71% Energy • 16% Liveness
1% Instrumentalness • 53% Positiveness
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AntonÃn Dvořák
Dvořák: Rusalka, Op. 114, B. 203, Act ...
96 bpm • F# Maj • 05:55 • -20db
24% Popularity • 23% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
24% Popularity • 23% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 4% Positiveness
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Franz Lehár
Die lustige Witwe - Operette in 3 Akten ...
96 bpm • A Maj • 02:31 • -15.41db
1% Popularity • 44% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
1% Popularity • 44% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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JoaquÃn Rodrigo
FantasÃa para un gentilhombre for Guita...
98 bpm • E min • 09:39 • -22.11db
4% Popularity • 42% Danceability • 5% Energy • 28% Liveness
94% Instrumentalness • 11% Positiveness
4% Popularity • 42% Danceability • 5% Energy • 28% Liveness
94% Instrumentalness • 11% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
99 bpm • A# Maj • 02:06 • -24db
33% Popularity • 42% Danceability • 10% Energy • 9% Liveness
1% Instrumentalness • 19% Positiveness
33% Popularity • 42% Danceability • 10% Energy • 9% Liveness
1% Instrumentalness • 19% Positiveness
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Johann Strauss II
Strauss II, J: Frühlingsstimmen, Op. 41...
99 bpm • A# Maj • 09:09 • -19.52db
5% Popularity • 39% Danceability • 9% Energy • 16% Liveness
3% Instrumentalness • 11% Positiveness
5% Popularity • 39% Danceability • 9% Energy • 16% Liveness
3% Instrumentalness • 11% Positiveness
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George Frideric Handel
Handel: Messiah, HWV 56, Pt. 2, Scene 7:...
99 bpm • D Maj • 04:00 • -11db
15% Popularity • 40% Danceability • 38% Energy • 20% Liveness
30% Instrumentalness • 53% Positiveness
15% Popularity • 40% Danceability • 38% Energy • 20% Liveness
30% Instrumentalness • 53% Positiveness
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AntonÃn Dvořák
Rusalka, Op. 114, B. 203 / Act 1: "O Sil...
95 bpm • F# Maj • 06:40 • -22db
9% Popularity • 21% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 21% Danceability • 6% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
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Franz Lehár
Die lustige Witwe / Act 2: Vilja-Lied
97 bpm • G Maj • 05:57 • -22.68db
13% Popularity • 30% Danceability • 10% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
13% Popularity • 30% Danceability • 10% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
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Richard Wagner
Lohengrin: Act III Scene 1: Treulich gef...
99 bpm • A# Maj • 04:24 • -36db
26% Popularity • 16% Danceability • 1% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
26% Popularity • 16% Danceability • 1% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Samson et Dalila, Op. 47, ...
100 bpm • E Maj • 05:18 • -19.76db
22% Popularity • 22% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
22% Popularity • 22% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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Vincenzo Bellini
Malinconia, ninfa gentile
94 bpm • E Maj • 01:36 • -19.59db
34% Popularity • 30% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 30% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Henry Purcell
I. Overture: II. Rondo
100 bpm • D min • 01:16 • -15db
38% Popularity • 54% Danceability • 27% Energy • 13% Liveness
3% Instrumentalness • 63% Positiveness
38% Popularity • 54% Danceability • 27% Energy • 13% Liveness
3% Instrumentalness • 63% Positiveness
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Sergei Rachmaninoff
12 Songs, Op. 21: 5. Siren
94 bpm • G# Maj • 02:31 • -17db
15% Popularity • 20% Danceability • 9% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 9% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Franz Lehár
Die lustige Witwe / Act II: "Heia, Mäde...
99 bpm • A Maj • 02:43 • -20.16db
8% Popularity • 48% Danceability • 14% Energy • 16% Liveness
3% Instrumentalness • 53% Positiveness
8% Popularity • 48% Danceability • 14% Energy • 16% Liveness
3% Instrumentalness • 53% Positiveness
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Jules Massenet
Thaïs / Acte Trois: C'est toi, mon pèr...
94 bpm • D Maj • 05:21 • -15.77db
8% Popularity • 21% Danceability • 22% Energy • 20% Liveness
3% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 22% Energy • 20% Liveness
3% Instrumentalness • 4% Positiveness
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Gabriel Fauré
Après un rêve
94 bpm • G min • 03:24 • -16.38db
16% Popularity • 26% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
16% Popularity • 26% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Andrew Lloyd Webber
Requiem: 8. Lux aeterna & Libera me
93 bpm • D min • 07:36 • -21db
12% Popularity • 14% Danceability • 5% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
12% Popularity • 14% Danceability • 5% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
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Jean-Paul-Égide Martini
Martini: Plaisir d'amour
101 bpm • G Maj • 02:53 • -16.61db
8% Popularity • 32% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 32% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: "Belle nu...
101 bpm • D Maj • 03:45 • -27db
28% Popularity • 22% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
28% Popularity • 22% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Franz Lehár
Die lustige Witwe - Operette in 3 Akten ...
94 bpm • D Maj • 02:50 • -15.12db
1% Popularity • 49% Danceability • 41% Energy • 83% Liveness
0% Instrumentalness • 59% Positiveness
1% Popularity • 49% Danceability • 41% Energy • 83% Liveness
0% Instrumentalness • 59% Positiveness
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Renata Tebaldi
Gala Sequence
93 bpm • G Maj • 05:06 • -20.61db
15% Popularity • 25% Danceability • 15% Energy • 90% Liveness
0% Instrumentalness • 11% Positiveness
15% Popularity • 25% Danceability • 15% Energy • 90% Liveness
0% Instrumentalness • 11% Positiveness
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Gaetano Donizetti
L'elisir d'amore: Act II: Una furtiva la...
93 bpm • A# min • 04:59 • -21.41db
17% Popularity • 19% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
17% Popularity • 19% Danceability • 7% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Henry Purcell
Dido and Aeneas / Act 1: "Ah! Belinda, I...
101 bpm • C min • 05:41 • -22.27db
21% Popularity • 28% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 28% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
Vaga luna che inargenti
101 bpm • G# Maj • 04:00 • -26db
23% Popularity • 34% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
23% Popularity • 34% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
101 bpm • C Maj • 01:12 • -31.8db
38% Popularity • 43% Danceability • 4% Energy • 9% Liveness
56% Instrumentalness • 44% Positiveness
38% Popularity • 43% Danceability • 4% Energy • 9% Liveness
56% Instrumentalness • 44% Positiveness
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Franz Lehár
Die lustige Witwe - Operette in 3 Akten ...
101 bpm • D Maj • 03:04 • -14.96db
0% Popularity • 30% Danceability • 34% Energy • 58% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 30% Danceability • 34% Energy • 58% Liveness
0% Instrumentalness • 42% Positiveness
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Renata Tebaldi
In Quelle Trine Morbide - Manon Lescaut ...
93 bpm • A# Maj • 02:42 • -12.94db
25% Popularity • 26% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
25% Popularity • 26% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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George Frideric Handel
Rinaldo / Act 2: "Lascia ch'io pianga"
92 bpm • E Maj • 04:24 • -16.95db
17% Popularity • 27% Danceability • 19% Energy • 21% Liveness
12% Instrumentalness • 7% Positiveness
17% Popularity • 27% Danceability • 19% Energy • 21% Liveness
12% Instrumentalness • 7% Positiveness
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Joseph Canteloube
Songs of the Auvergne, Book I: 2. Baïl�...
92 bpm • A# Maj • 06:14 • -20.82db
9% Popularity • 19% Danceability • 10% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
9% Popularity • 19% Danceability • 10% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
92 bpm • G min • 02:20 • -28.72db
34% Popularity • 16% Danceability • 3% Energy • 20% Liveness
26% Instrumentalness • 5% Positiveness
34% Popularity • 16% Danceability • 3% Energy • 20% Liveness
26% Instrumentalness • 5% Positiveness
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Giuseppe Verdi
Verdi: Addio del passato - Violetta
92 bpm • A min • 05:34 • -26db
29% Popularity • 18% Danceability • 3% Energy • 36% Liveness
0% Instrumentalness • 5% Positiveness
29% Popularity • 18% Danceability • 3% Energy • 36% Liveness
0% Instrumentalness • 5% Positiveness
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Franz Lehár
Ballsirenen: Walzer
101 bpm • G Maj • 07:14 • -14.53db
13% Popularity • 26% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 21% Positiveness
13% Popularity • 26% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 21% Positiveness
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Georges Bizet
Les Pêcheurs de Perles, Act I: "Au fond...
102 bpm • D# Maj • 05:47 • -16.47db
19% Popularity • 23% Danceability • 24% Energy • 7% Liveness
35% Instrumentalness • 12% Positiveness
19% Popularity • 23% Danceability • 24% Energy • 7% Liveness
35% Instrumentalness • 12% Positiveness
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Gaetano Donizetti
Don Pasquale / Act 3: "Com'è gentil...t...
102 bpm • A Maj • 03:49 • -10.78db
31% Popularity • 38% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 38% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
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Johannes Brahms
Ein deutsches Requiem, Op. 45: 5. Solo (...
92 bpm • G Maj • 07:36 • -29db
28% Popularity • 14% Danceability • 3% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 3% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: Turandot, Act 1: "Signore ascol...
92 bpm • C# Maj • 02:42 • -21.17db
18% Popularity • 21% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
18% Popularity • 21% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lieder (Duette), Op. 63: IV. Herbstlied
102 bpm • F# min • 02:04 • -17db
14% Popularity • 43% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 43% Danceability • 16% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Franz Lehár
Die lustige Witwe - Operette in 3 Akten ...
101 bpm • D Maj • 03:23 • -15.91db
1% Popularity • 48% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
1% Popularity • 48% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Franz Schubert
Im Frühling, D. 882
92 bpm • G Maj • 05:18 • -31.09db
9% Popularity • 38% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 38% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Giuseppe Verdi
Verdi: Rigoletto, Act 3: "La donna è mo...
103 bpm • F# Maj • 02:20 • -20.67db
22% Popularity • 33% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 33% Danceability • 9% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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Johannes Brahms
Wiegenlied, Op. 49, No. 4
92 bpm • D# Maj • 02:04 • -26db
28% Popularity • 28% Danceability • 2% Energy • 11% Liveness
5% Instrumentalness • 18% Positiveness
28% Popularity • 28% Danceability • 2% Energy • 11% Liveness
5% Instrumentalness • 18% Positiveness
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Giacomo Puccini
Madama Butterfly / Act 1: Vogliatemi ben...
92 bpm • A# Maj • 07:53 • -15.17db
39% Popularity • 17% Danceability • 19% Energy • 32% Liveness
3% Instrumentalness • 4% Positiveness
39% Popularity • 17% Danceability • 19% Energy • 32% Liveness
3% Instrumentalness • 4% Positiveness
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Reynaldo Hahn
Si mes vers avaient des ailes
92 bpm • E Maj • 02:19 • -27db
21% Popularity • 24% Danceability • 5% Energy • 8% Liveness
21% Instrumentalness • 5% Positiveness
21% Popularity • 24% Danceability • 5% Energy • 8% Liveness
21% Instrumentalness • 5% Positiveness
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Franz Lehár
Lehár / Arr. Schifrin: Around the World...
102 bpm • G Maj • 02:37 • -18.59db
31% Popularity • 26% Danceability • 20% Energy • 97% Liveness
3% Instrumentalness • 32% Positiveness
31% Popularity • 26% Danceability • 20% Energy • 97% Liveness
3% Instrumentalness • 32% Positiveness
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Bedřich Smetana
The Bartered Bride, Act I Scene V: Intro...
103 bpm • C Maj • 04:39 • -18db
31% Popularity • 44% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 44% Positiveness
31% Popularity • 44% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 44% Positiveness
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Renata Tebaldi
Vissi D'arte - Tosca Atto Ii
91 bpm • D# Maj • 03:26 • -12.44db
22% Popularity • 30% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 30% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Johannes Brahms
5 Lieder, Op. 49: No. 4, Wiegenlied
92 bpm • D# Maj • 02:13 • -32.09db
25% Popularity • 26% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
25% Popularity • 26% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Franz Schubert
An die Nachtigall, D. 497
91 bpm • G Maj • 01:50 • -29.15db
12% Popularity • 39% Danceability • 1% Energy • 6% Liveness
4% Instrumentalness • 11% Positiveness
12% Popularity • 39% Danceability • 1% Energy • 6% Liveness
4% Instrumentalness • 11% Positiveness
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AntonÃn Dvořák
Rusalka, Op. 114 / Act 1: Mesicku na neb...
91 bpm • F# Maj • 06:25 • -23.07db
35% Popularity • 17% Danceability • 4% Energy • 67% Liveness
4% Instrumentalness • 4% Positiveness
35% Popularity • 17% Danceability • 4% Energy • 67% Liveness
4% Instrumentalness • 4% Positiveness
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Franz Lehár
Die lustige Witwe - Operette in 3 Akten ...
92 bpm • C# Maj • 02:33 • -17.49db
1% Popularity • 54% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
1% Popularity • 54% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Vincenzo Bellini
I puritani: Qui la voce sua soave
103 bpm • G# Maj • 05:27 • -16db
25% Popularity • 33% Danceability • 8% Energy • 30% Liveness
0% Instrumentalness • 9% Positiveness
25% Popularity • 33% Danceability • 8% Energy • 30% Liveness
0% Instrumentalness • 9% Positiveness
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Robert Stolz
Der Favorit: Du sollst der Kaiser meiner...
103 bpm • G Maj • 05:10 • -19.35db
11% Popularity • 27% Danceability • 16% Energy • 71% Liveness
0% Instrumentalness • 6% Positiveness
11% Popularity • 27% Danceability • 16% Energy • 71% Liveness
0% Instrumentalness • 6% Positiveness
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Leonard Bernstein
West Side Story: Somewhere
91 bpm • E Maj • 03:13 • -22.76db
9% Popularity • 14% Danceability • 5% Energy • 32% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 5% Energy • 32% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
91 bpm • E Maj • 04:08 • -16.01db
35% Popularity • 30% Danceability • 10% Energy • 15% Liveness
93% Instrumentalness • 33% Positiveness
35% Popularity • 30% Danceability • 10% Energy • 15% Liveness
93% Instrumentalness • 33% Positiveness
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Henry Purcell
Dido and Aeneas / Act 1: "Shake the clou...
103 bpm • C min • 01:12 • -21db
25% Popularity • 39% Danceability • 9% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 39% Danceability • 9% Energy • 26% Liveness
0% Instrumentalness • 44% Positiveness
► Preview
Franz Lehár
"Wo die Lerche singt" Fantasie für Orch...
91 bpm • A min • 08:49 • -11.5db
0% Popularity • 24% Danceability • 33% Energy • 25% Liveness
85% Instrumentalness • 20% Positiveness
0% Popularity • 24% Danceability • 33% Energy • 25% Liveness
85% Instrumentalness • 20% Positiveness
► Preview
Christoph Willibald Gluck
Gluck: Orphée et Eurydice, Wq. 41, Act ...
91 bpm • G Maj • 03:31 • -23db
9% Popularity • 26% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 26% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Charles Gounod
Faust: Faust, Act I: Cavatina: Avant de ...
104 bpm • D# Maj • 03:18 • -22db
13% Popularity • 22% Danceability • 10% Energy • 8% Liveness
3% Instrumentalness • 17% Positiveness
13% Popularity • 22% Danceability • 10% Energy • 8% Liveness
3% Instrumentalness • 17% Positiveness
► Preview
Edward Elgar
Sea Pictures, Op. 37: No. 4, Where Coral...
91 bpm • B min • 04:00 • -27db
10% Popularity • 21% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 3% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Jules Massenet
Manon / Act 3: Je marche sur les chemins...
104 bpm • G Maj • 06:14 • -21.19db
8% Popularity • 37% Danceability • 10% Energy • 5% Liveness
1% Instrumentalness • 4% Positiveness
8% Popularity • 37% Danceability • 10% Energy • 5% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Giuseppe Verdi
La traviata / Act I: "Si ridesta in ciel...
91 bpm • G# Maj • 01:37 • -15.2db
36% Popularity • 38% Danceability • 42% Energy • 12% Liveness
38% Instrumentalness • 37% Positiveness
36% Popularity • 38% Danceability • 42% Energy • 12% Liveness
38% Instrumentalness • 37% Positiveness
► Preview
Franz Lehár
Wo die Lerche singt, Act I: Vorspiel
91 bpm • D min • 02:51 • -5.89db
2% Popularity • 19% Danceability • 62% Energy • 51% Liveness
89% Instrumentalness • 36% Positiveness
2% Popularity • 19% Danceability • 62% Energy • 51% Liveness
89% Instrumentalness • 36% Positiveness
► Preview
Giacomo Puccini
Puccini: Tosca, Act 2: "Vissi d'arte, vi...
90 bpm • D# Maj • 03:05 • -15db
30% Popularity • 22% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
30% Popularity • 22% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
► Preview
Gustav Mahler
Rückert-Lieder, Op. 44: 1. Ich atmet' e...
90 bpm • F Maj • 02:25 • -21.77db
12% Popularity • 27% Danceability • 6% Energy • 5% Liveness
3% Instrumentalness • 6% Positiveness
12% Popularity • 27% Danceability • 6% Energy • 5% Liveness
3% Instrumentalness • 6% Positiveness
► Preview
Gioachino Rossini
Il barbiere di Siviglia, Act I, No. 5: U...
104 bpm • E Maj • 06:08 • -20.4db
19% Popularity • 42% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
19% Popularity • 42% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Viktor Léon
Vilia - Original 1943 Recording
90 bpm • F Maj • 03:00 • -17.41db
1% Popularity • 27% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
1% Popularity • 27% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Max Reger
Waldeinsamkeit
104 bpm • G Maj • 01:28 • -19db
23% Popularity • 40% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 40% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
Claude Debussy
Beau soir
104 bpm • F# min • 02:33 • -21.59db
8% Popularity • 31% Danceability • 14% Energy • 68% Liveness
14% Instrumentalness • 4% Positiveness
8% Popularity • 31% Danceability • 14% Energy • 68% Liveness
14% Instrumentalness • 4% Positiveness
► Preview
Franz Lehár
Friederike: Pfälzer Tanz und Rheinländ...
105 bpm • F Maj • 03:48 • -13db
1% Popularity • 40% Danceability • 20% Energy • 10% Liveness
74% Instrumentalness • 44% Positiveness
1% Popularity • 40% Danceability • 20% Energy • 10% Liveness
74% Instrumentalness • 44% Positiveness
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Jacques Offenbach
Un mari à la porte: Valse Tyrolienne
105 bpm • G Maj • 03:47 • -13db
8% Popularity • 44% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
8% Popularity • 44% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Angela Gheorghiu
Don Pasquale: Tornami a dir che m'ami
90 bpm • A Maj • 03:25 • -27.33db
29% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
La traviata / Act III: Parigi, o cara, n...
89 bpm • G# Maj • 04:55 • -20.49db
22% Popularity • 25% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 8% Positiveness
22% Popularity • 25% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 8% Positiveness
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Franz Schubert
Die junge Nonne, D. 828
105 bpm • F Maj • 04:36 • -20.62db
9% Popularity • 33% Danceability • 9% Energy • 9% Liveness
11% Instrumentalness • 8% Positiveness
9% Popularity • 33% Danceability • 9% Energy • 9% Liveness
11% Instrumentalness • 8% Positiveness
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Richard Strauss
4 Letzte Lieder, TrV 296: No. 2, Septemb...
89 bpm • D Maj • 04:53 • -24db
14% Popularity • 13% Danceability • 6% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
14% Popularity • 13% Danceability • 6% Energy • 7% Liveness
81% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: Tosca, Act 2: "Vissi d'arte" (T...
89 bpm • D# Maj • 03:05 • -17db
21% Popularity • 32% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 32% Danceability • 22% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
90 bpm • D Maj • 03:49 • -28.46db
38% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
38% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice / Act 3: Aria: "Che fa...
106 bpm • C Maj • 05:37 • -18.56db
21% Popularity • 28% Danceability • 20% Energy • 77% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 28% Danceability • 20% Energy • 77% Liveness
0% Instrumentalness • 6% Positiveness
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Renée Fleming
Today
89 bpm • F min • 03:22 • -9.3db
1% Popularity • 57% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
1% Popularity • 57% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Gustave Charpentier
Louise / Act 3: "Depuis le jour"
89 bpm • G Maj • 06:06 • -20db
14% Popularity • 23% Danceability • 11% Energy • 10% Liveness
61% Instrumentalness • 3% Positiveness
14% Popularity • 23% Danceability • 11% Energy • 10% Liveness
61% Instrumentalness • 3% Positiveness
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Richard Strauss
4 Letzte Lieder, TrV 296: No. 4, Im Aben...
105 bpm • A# Maj • 07:41 • -25db
20% Popularity • 15% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
20% Popularity • 15% Danceability • 6% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
Dido and Aeneas: Dido's Lament
89 bpm • C min • 04:49 • -15.19db
17% Popularity • 31% Danceability • 22% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
17% Popularity • 31% Danceability • 22% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Richard Wagner
Tristan und Isolde, Act III Scene 3: Mil...
89 bpm • B Maj • 07:18 • -18db
23% Popularity • 18% Danceability • 16% Energy • 15% Liveness
9% Instrumentalness • 4% Positiveness
23% Popularity • 18% Danceability • 16% Energy • 15% Liveness
9% Instrumentalness • 4% Positiveness
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Johannes Brahms
Mondnacht, WoO 21
88 bpm • G Maj • 02:37 • -21db
4% Popularity • 31% Danceability • 10% Energy • 7% Liveness
82% Instrumentalness • 6% Positiveness
4% Popularity • 31% Danceability • 10% Energy • 7% Liveness
82% Instrumentalness • 6% Positiveness
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Francesco Cilea
Adriana Lecouvreur, Act I: Io son l'umil...
89 bpm • G# Maj • 03:57 • -21.97db
14% Popularity • 17% Danceability • 10% Energy • 12% Liveness
20% Instrumentalness • 4% Positiveness
14% Popularity • 17% Danceability • 10% Energy • 12% Liveness
20% Instrumentalness • 4% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: I. Boisterous Bo...
106 bpm • A min • 03:29 • -16.75db
22% Popularity • 40% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 33% Positiveness
22% Popularity • 40% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 33% Positiveness
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Johann Strauss II
Casanova: Nuns' Chorus
88 bpm • F# Maj • 03:47 • -14.27db
21% Popularity • 18% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
21% Popularity • 18% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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AntonÃn Dvořák
Mesicku na nebi hlubokém ("Song of the ...
88 bpm • F# Maj • 06:16 • -16.63db
10% Popularity • 20% Danceability • 14% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 14% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Sadko: Song of the Indian Guest
107 bpm • C Maj • 03:34 • -32.35db
8% Popularity • 21% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 4% Positiveness
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Robert Schumann
Liederkreis, Op. 39: 5. Mondnacht
88 bpm • E Maj • 03:43 • -31db
11% Popularity • 26% Danceability • 1% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
11% Popularity • 26% Danceability • 1% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Franz Lehár
Die lustige Witwe - Operette in 3 Akten ...
88 bpm • G Maj • 03:06 • -15.28db
0% Popularity • 43% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
0% Popularity • 43% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Richard Strauss
Strauss, R: 4 Lieder, Op. 27: No. 4, Mor...
88 bpm • G Maj • 04:07 • -28.68db
8% Popularity • 22% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 3% Positiveness
8% Popularity • 22% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 3% Positiveness
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Antonio Vivaldi
Concerto for 2 Trumpets in C Major, RV 5...
107 bpm • C Maj • 03:07 • -18db
19% Popularity • 60% Danceability • 22% Energy • 29% Liveness
97% Instrumentalness • 55% Positiveness
19% Popularity • 60% Danceability • 22% Energy • 29% Liveness
97% Instrumentalness • 55% Positiveness
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Gabriel Fauré
Requiem, Op. 48: 4. Pie Jesu
88 bpm • A# Maj • 03:42 • -31db
14% Popularity • 19% Danceability • 2% Energy • 9% Liveness
20% Instrumentalness • 3% Positiveness
14% Popularity • 19% Danceability • 2% Energy • 9% Liveness
20% Instrumentalness • 3% Positiveness
