Songs like Die Meistersinger von Nürnberg, WWV 96: Verachtet mir die Meister nicht by Richard Wagner
Based on a tempo of (+/- 10%) and a similar genre
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Richard Wagner
Lohengrin: Act III Scene 1: Treulich gef...
99 bpm • A# Maj • 04:24 • -36db
26% Popularity • 16% Danceability • 1% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
26% Popularity • 16% Danceability • 1% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Gnomus
99 bpm • B Maj • 02:39 • -20.94db
28% Popularity • 31% Danceability • 4% Energy • 14% Liveness
64% Instrumentalness • 9% Positiveness
28% Popularity • 31% Danceability • 4% Energy • 14% Liveness
64% Instrumentalness • 9% Positiveness
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Felix Mendelssohn
Symphony No. 4 in A Major, Op. 90, MWV N...
100 bpm • A min • 05:20 • -19db
22% Popularity • 29% Danceability • 14% Energy • 8% Liveness
96% Instrumentalness • 39% Positiveness
22% Popularity • 29% Danceability • 14% Energy • 8% Liveness
96% Instrumentalness • 39% Positiveness
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Ludwig van Beethoven
Fidelio, Op. 72 (Ed. Lühning & Didion),...
100 bpm • A# Maj • 06:56 • -28.75db
24% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: Entr'acte
100 bpm • E Maj • 01:18 • -15db
37% Popularity • 48% Danceability • 24% Energy • 22% Liveness
90% Instrumentalness • 68% Positiveness
37% Popularity • 48% Danceability • 24% Energy • 22% Liveness
90% Instrumentalness • 68% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia: Sinfon...
100 bpm • E Maj • 06:41 • -18.07db
6% Popularity • 43% Danceability • 19% Energy • 10% Liveness
60% Instrumentalness • 29% Positiveness
6% Popularity • 43% Danceability • 19% Energy • 10% Liveness
60% Instrumentalness • 29% Positiveness
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Richard Wagner
Wagner: Tannhäuser, Act 1: "Stets soll ...
100 bpm • D# Maj • 01:43 • -14.69db
3% Popularity • 35% Danceability • 35% Energy • 51% Liveness
0% Instrumentalness • 34% Positiveness
3% Popularity • 35% Danceability • 35% Energy • 51% Liveness
0% Instrumentalness • 34% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 3 i...
98 bpm • G# Maj • 04:39 • -17.18db
21% Popularity • 23% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
21% Popularity • 23% Danceability • 14% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
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Felix Mendelssohn
Symphony No. 4 in A Major, Op. 90, MWV N...
100 bpm • E min • 05:20 • -21.77db
27% Popularity • 41% Danceability • 15% Energy • 9% Liveness
62% Instrumentalness • 30% Positiveness
27% Popularity • 41% Danceability • 15% Energy • 9% Liveness
62% Instrumentalness • 30% Positiveness
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Sergei Prokofiev
Prokofiev: Symphony No. 1 in D Major, Op...
101 bpm • G Maj • 04:12 • -18.93db
8% Popularity • 51% Danceability • 10% Energy • 27% Liveness
50% Instrumentalness • 42% Positiveness
8% Popularity • 51% Danceability • 10% Energy • 27% Liveness
50% Instrumentalness • 42% Positiveness
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Maurice Ravel
Shéhérazade, M. 41: 1. Asie
101 bpm • C# min • 09:15 • -20.2db
18% Popularity • 21% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
18% Popularity • 21% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
98 bpm • E Maj • 06:59 • -15.16db
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
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Hector Berlioz
Béatrice et Bénédict, Op. 27, H 138: ...
101 bpm • G Maj • 08:13 • -23.12db
14% Popularity • 26% Danceability • 4% Energy • 13% Liveness
83% Instrumentalness • 11% Positiveness
14% Popularity • 26% Danceability • 4% Energy • 13% Liveness
83% Instrumentalness • 11% Positiveness
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Richard Wagner
Tannhauser: Overture
98 bpm • B Maj • 09:48 • -21db
31% Popularity • 18% Danceability • 4% Energy • 58% Liveness
92% Instrumentalness • 4% Positiveness
31% Popularity • 18% Danceability • 4% Energy • 58% Liveness
92% Instrumentalness • 4% Positiveness
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Carl Orff
Carmina Burana / Blanziflor et Helena: "...
101 bpm • E min • 02:00 • -12.47db
21% Popularity • 21% Danceability • 30% Energy • 80% Liveness
28% Instrumentalness • 26% Positiveness
21% Popularity • 21% Danceability • 30% Energy • 80% Liveness
28% Instrumentalness • 26% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
97 bpm • G Maj • 07:06 • -13.04db
28% Popularity • 35% Danceability • 25% Energy • 8% Liveness
18% Instrumentalness • 33% Positiveness
28% Popularity • 35% Danceability • 25% Energy • 8% Liveness
18% Instrumentalness • 33% Positiveness
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Sergei Prokofiev
Symphony No. 1 in D, Op. 25 "Classical S...
97 bpm • E min • 04:24 • -22.82db
20% Popularity • 48% Danceability • 6% Energy • 10% Liveness
32% Instrumentalness • 49% Positiveness
20% Popularity • 48% Danceability • 6% Energy • 10% Liveness
32% Instrumentalness • 49% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
101 bpm • C Maj • 01:12 • -31.8db
38% Popularity • 43% Danceability • 4% Energy • 9% Liveness
56% Instrumentalness • 44% Positiveness
38% Popularity • 43% Danceability • 4% Energy • 9% Liveness
56% Instrumentalness • 44% Positiveness
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Samuel Coleridge-Taylor
Ballade in A Minor, Op. 33: I. Allegro e...
101 bpm • A min • 05:48 • -19.62db
31% Popularity • 25% Danceability • 13% Energy • 32% Liveness
91% Instrumentalness • 7% Positiveness
31% Popularity • 25% Danceability • 13% Energy • 32% Liveness
91% Instrumentalness • 7% Positiveness
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Richard Wagner
Wagner: Eine Faust-Ouvertüre
101 bpm • D min • 12:43 • -18.72db
22% Popularity • 17% Danceability • 13% Energy • 18% Liveness
86% Instrumentalness • 3% Positiveness
22% Popularity • 17% Danceability • 13% Energy • 18% Liveness
86% Instrumentalness • 3% Positiveness
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Alexander Borodin
Prince Igor, Act II: Polovtsian Dances, ...
97 bpm • F Maj • 02:11 • -19.15db
17% Popularity • 49% Danceability • 13% Energy • 18% Liveness
20% Instrumentalness • 22% Positiveness
17% Popularity • 49% Danceability • 13% Energy • 18% Liveness
20% Instrumentalness • 22% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Bydlo
101 bpm • A Maj • 02:39 • -21.77db
25% Popularity • 17% Danceability • 2% Energy • 14% Liveness
94% Instrumentalness • 18% Positiveness
25% Popularity • 17% Danceability • 2% Energy • 14% Liveness
94% Instrumentalness • 18% Positiveness
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Gustav Holst
Japanese Suite, Op. 33: VI. Finale: Danc...
101 bpm • C min • 01:46 • -16.19db
38% Popularity • 32% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 12% Positiveness
38% Popularity • 32% Danceability • 36% Energy • 14% Liveness
96% Instrumentalness • 12% Positiveness
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Edward Elgar
5 Military Marches, Op. 39, "Pomp and Ci...
102 bpm • C Maj • 06:15 • -18db
20% Popularity • 28% Danceability • 19% Energy • 25% Liveness
89% Instrumentalness • 26% Positiveness
20% Popularity • 28% Danceability • 19% Energy • 25% Liveness
89% Instrumentalness • 26% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K. 527, Atto II Scena 15: ...
102 bpm • D min • 05:15 • -13db
12% Popularity • 32% Danceability • 37% Energy • 12% Liveness
34% Instrumentalness • 13% Positiveness
12% Popularity • 32% Danceability • 37% Energy • 12% Liveness
34% Instrumentalness • 13% Positiveness
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Richard Wagner
Die Meistersinger von Nurnberg (The Mast...
101 bpm • C Maj • 17:06 • -19db
18% Popularity • 27% Danceability • 17% Energy • 24% Liveness
59% Instrumentalness • 16% Positiveness
18% Popularity • 27% Danceability • 17% Energy • 24% Liveness
59% Instrumentalness • 16% Positiveness
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Georges Bizet
Carmen Suite No. 1: 1. Prélude
96 bpm • A min • 01:23 • -23db
39% Popularity • 23% Danceability • 6% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
39% Popularity • 23% Danceability • 6% Energy • 6% Liveness
79% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Cum mortuis i...
102 bpm • B Maj • 02:08 • -43.23db
32% Popularity • 14% Danceability • 0% Energy • 79% Liveness
89% Instrumentalness • 4% Positiveness
32% Popularity • 14% Danceability • 0% Energy • 79% Liveness
89% Instrumentalness • 4% Positiveness
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Bedřich Smetana
The Bartered Bride, Act I Scene V: Intro...
103 bpm • C Maj • 04:39 • -18db
31% Popularity • 44% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 44% Positiveness
31% Popularity • 44% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 44% Positiveness
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Alexander Borodin
Prince Igor (Knyaz Igor): Act II: Dance ...
95 bpm • F Maj • 02:20 • -16.48db
35% Popularity • 50% Danceability • 16% Energy • 7% Liveness
98% Instrumentalness • 26% Positiveness
35% Popularity • 50% Danceability • 16% Energy • 7% Liveness
98% Instrumentalness • 26% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492 / Act 2: "Voi...
95 bpm • A# Maj • 03:53 • -26.82db
25% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
25% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Richard Wagner
Wagner: Tannhäuser, Act 1: "Frau Holda ...
103 bpm • E min • 02:22 • -36db
2% Popularity • 21% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
2% Popularity • 21% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 3% Positiveness
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César Franck
Symphony In D Minor: 2. Allegretto
95 bpm • F# Maj • 09:44 • -26db
4% Popularity • 12% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
4% Popularity • 12% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Slovak Philharmonic
Requiem In D Minor, K. 626: Sequence: II...
94 bpm • F Maj • 04:16 • -22db
27% Popularity • 21% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
27% Popularity • 21% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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AntonÃn Dvořák
Symphony No. 7 in D Minor, Op. 70, B. 14...
94 bpm • A Maj • 09:59 • -18.08db
25% Popularity • 24% Danceability • 17% Energy • 13% Liveness
95% Instrumentalness • 16% Positiveness
25% Popularity • 24% Danceability • 17% Energy • 13% Liveness
95% Instrumentalness • 16% Positiveness
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Georges Bizet
L’arlésienne Suite No. 1, Op. 23bis, ...
94 bpm • G# Maj • 02:44 • -29.68db
39% Popularity • 40% Danceability • 3% Energy • 12% Liveness
19% Instrumentalness • 46% Positiveness
39% Popularity • 40% Danceability • 3% Energy • 12% Liveness
19% Instrumentalness • 46% Positiveness
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Sergei Prokofiev
Prokofiev: Symphony No. 1 in D Major, Op...
104 bpm • A Maj • 04:09 • -29.1db
15% Popularity • 35% Danceability • 4% Energy • 10% Liveness
61% Instrumentalness • 10% Positiveness
15% Popularity • 35% Danceability • 4% Energy • 10% Liveness
61% Instrumentalness • 10% Positiveness
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Richard Wagner
Wagner: Die Meistersinger von Nürnberg,...
102 bpm • F# Maj • 04:49 • -17.75db
0% Popularity • 25% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 25% Danceability • 33% Energy • 22% Liveness
0% Instrumentalness • 11% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78, R. 17...
94 bpm • G# Maj • 07:26 • -18db
9% Popularity • 30% Danceability • 24% Energy • 7% Liveness
86% Instrumentalness • 29% Positiveness
9% Popularity • 30% Danceability • 24% Energy • 7% Liveness
86% Instrumentalness • 29% Positiveness
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Modest Mussorgsky
Boris Godounov - Moussorgsky after Pushk...
105 bpm • G Maj • 04:06 • -15.79db
9% Popularity • 20% Danceability • 41% Energy • 8% Liveness
9% Instrumentalness • 12% Positiveness
9% Popularity • 20% Danceability • 41% Energy • 8% Liveness
9% Instrumentalness • 12% Positiveness
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Jacques Offenbach
Les contes d'Hoffmann (The Tales of Hoff...
93 bpm • G Maj • 02:12 • -18db
46% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
46% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio espagnol, Op. 34: II. Variatio...
92 bpm • F Maj • 05:23 • -22db
26% Popularity • 14% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
26% Popularity • 14% Danceability • 4% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Maurerische Trauermusik, K.477
93 bpm • C min • 05:49 • -19.04db
14% Popularity • 15% Danceability • 8% Energy • 21% Liveness
83% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 8% Energy • 21% Liveness
83% Instrumentalness • 4% Positiveness
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Richard Wagner
Die Meistersinger von Nürnberg, WWV 96:...
102 bpm • C Maj • 09:02 • -15db
19% Popularity • 26% Danceability • 27% Energy • 44% Liveness
91% Instrumentalness • 23% Positiveness
19% Popularity • 26% Danceability • 27% Energy • 44% Liveness
91% Instrumentalness • 23% Positiveness
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Georges Bizet
Carmen Suite No. 2: 1. Marche des contre...
106 bpm • C min • 04:13 • -27.19db
18% Popularity • 33% Danceability • 5% Energy • 15% Liveness
32% Instrumentalness • 15% Positiveness
18% Popularity • 33% Danceability • 5% Energy • 15% Liveness
32% Instrumentalness • 15% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: The Market-pl...
106 bpm • D# Maj • 01:29 • -18.76db
33% Popularity • 55% Danceability • 29% Energy • 61% Liveness
95% Instrumentalness • 47% Positiveness
33% Popularity • 55% Danceability • 29% Energy • 61% Liveness
95% Instrumentalness • 47% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 4. Sicil...
92 bpm • G min • 04:04 • -30.09db
36% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
36% Popularity • 11% Danceability • 4% Energy • 10% Liveness
97% Instrumentalness • 6% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 1 i...
106 bpm • G Maj • 04:25 • -12.98db
31% Popularity • 44% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 38% Positiveness
31% Popularity • 44% Danceability • 24% Energy • 7% Liveness
92% Instrumentalness • 38% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
92 bpm • E Maj • 07:05 • -20.75db
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
51% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
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Richard Wagner
Siegfried, WWV 86C, Act III: Siegfried! ...
103 bpm • F Maj • 06:46 • -19.15db
19% Popularity • 28% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 6% Positiveness
19% Popularity • 28% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 6% Positiveness
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Pyotr Ilyich Tchaikovsky
Slavonic March, Op. 31: Moderato in modo...
106 bpm • A# min • 09:49 • -19db
9% Popularity • 33% Danceability • 20% Energy • 24% Liveness
92% Instrumentalness • 16% Positiveness
9% Popularity • 33% Danceability • 20% Energy • 24% Liveness
92% Instrumentalness • 16% Positiveness
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Benjamin Britten
Simple Symphony, Op. 4: I. Boisterous Bo...
106 bpm • A min • 03:29 • -16.75db
22% Popularity • 40% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 33% Positiveness
22% Popularity • 40% Danceability • 20% Energy • 8% Liveness
94% Instrumentalness • 33% Positiveness
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London Festival Orchestra
Carmen, Opera Suite No. 1: V. Seguedille...
92 bpm • D Maj • 01:53 • -27db
43% Popularity • 49% Danceability • 3% Energy • 9% Liveness
82% Instrumentalness • 40% Positiveness
43% Popularity • 49% Danceability • 3% Energy • 9% Liveness
82% Instrumentalness • 40% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act I: "Viktor...
107 bpm • G Maj • 04:51 • -15.94db
20% Popularity • 46% Danceability • 32% Energy • 71% Liveness
4% Instrumentalness • 26% Positiveness
20% Popularity • 46% Danceability • 32% Energy • 71% Liveness
4% Instrumentalness • 26% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: "Sur la pla...
107 bpm • A# Maj • 01:54 • -25db
26% Popularity • 39% Danceability • 8% Energy • 16% Liveness
11% Instrumentalness • 40% Positiveness
26% Popularity • 39% Danceability • 8% Energy • 16% Liveness
11% Instrumentalness • 40% Positiveness
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Richard Wagner
Götterdämmerung, WWV 86D / Act 3: Flie...
95 bpm • C# Maj • 08:43 • -13db
6% Popularity • 17% Danceability • 33% Energy • 27% Liveness
36% Instrumentalness • 5% Positiveness
6% Popularity • 17% Danceability • 33% Energy • 27% Liveness
36% Instrumentalness • 5% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH. 5 / Act I: In...
107 bpm • G min • 02:31 • -21.34db
27% Popularity • 20% Danceability • 9% Energy • 8% Liveness
72% Instrumentalness • 5% Positiveness
27% Popularity • 20% Danceability • 9% Energy • 8% Liveness
72% Instrumentalness • 5% Positiveness
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Sergei Prokofiev
Romeo and Juliet, Op. 64 - Act 1: The Fi...
108 bpm • C Maj • 02:32 • -14.51db
28% Popularity • 41% Danceability • 42% Energy • 7% Liveness
88% Instrumentalness • 27% Positiveness
28% Popularity • 41% Danceability • 42% Energy • 7% Liveness
88% Instrumentalness • 27% Positiveness
► Preview
Johannes Brahms
Hungarian Dance No. 1 in G Minor: Allegr...
91 bpm • G min • 03:17 • -23.86db
29% Popularity • 18% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
29% Popularity • 18% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
► Preview
Charles Gounod
Gounod : Faust : Act 1 "Le veau d'or" [M...
108 bpm • G# Maj • 02:06 • -17.15db
15% Popularity • 47% Danceability • 40% Energy • 55% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 47% Danceability • 40% Energy • 55% Liveness
0% Instrumentalness • 48% Positiveness
► Preview
Ludwig van Beethoven
String Quartet No. 14 in C Sharp Minor, ...
91 bpm • G# min • 01:52 • -27.76db
25% Popularity • 20% Danceability • 4% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 20% Danceability • 4% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Richard Wagner
Lohengrin, Act III: Prelude
94 bpm • G Maj • 02:31 • -17db
41% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
41% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
► Preview
Modest Mussorgsky
Khovanshchina: Overture (Prelude)
90 bpm • C# Maj • 06:03 • -36db
18% Popularity • 10% Danceability • 0% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
18% Popularity • 10% Danceability • 0% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Sergei Prokofiev
Romeo and Juliet, Op. 64 - Act 1: The St...
90 bpm • G Maj • 03:21 • -21.89db
29% Popularity • 41% Danceability • 18% Energy • 17% Liveness
67% Instrumentalness • 34% Positiveness
29% Popularity • 41% Danceability • 18% Energy • 17% Liveness
67% Instrumentalness • 34% Positiveness
► Preview
Wolfgang Amadeus Mozart
The Magic Flute, K. 620: Overture
90 bpm • D# Maj • 06:41 • -20db
45% Popularity • 31% Danceability • 12% Energy • 13% Liveness
75% Instrumentalness • 10% Positiveness
45% Popularity • 31% Danceability • 12% Energy • 13% Liveness
75% Instrumentalness • 10% Positiveness
► Preview
Dmitri Shostakovich
Jazz Suite No. 2: VII. Dance 2
109 bpm • A Maj • 02:15 • -19db
36% Popularity • 41% Danceability • 23% Energy • 10% Liveness
81% Instrumentalness • 76% Positiveness
36% Popularity • 41% Danceability • 23% Energy • 10% Liveness
81% Instrumentalness • 76% Positiveness
► Preview
Edward Elgar
The Crown of India, Op. 66: March of the...
90 bpm • B min • 03:59 • -13.1db
24% Popularity • 38% Danceability • 44% Energy • 5% Liveness
84% Instrumentalness • 17% Positiveness
24% Popularity • 38% Danceability • 44% Energy • 5% Liveness
84% Instrumentalness • 17% Positiveness
► Preview
Richard Wagner
Tristan und Isolde, Act I: Frisch weht d...
94 bpm • C Maj • 09:27 • -21.18db
23% Popularity • 30% Danceability • 9% Energy • 71% Liveness
0% Instrumentalness • 4% Positiveness
23% Popularity • 30% Danceability • 9% Energy • 71% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Hector Berlioz
Roman Carnival Overture, Op. 9, H. 95
90 bpm • A Maj • 08:06 • -17.52db
13% Popularity • 17% Danceability • 27% Energy • 32% Liveness
52% Instrumentalness • 16% Positiveness
13% Popularity • 17% Danceability • 27% Energy • 32% Liveness
52% Instrumentalness • 16% Positiveness
► Preview
Ottorino Respighi
Respighi: Pini di Roma, P. 141: I. I pin...
90 bpm • F Maj • 02:34 • -17db
14% Popularity • 24% Danceability • 36% Energy • 40% Liveness
92% Instrumentalness • 41% Positiveness
14% Popularity • 24% Danceability • 36% Energy • 40% Liveness
92% Instrumentalness • 41% Positiveness
► Preview
Sergei Rachmaninoff
Rachmaninov: Scherzo in D Minor
109 bpm • D min • 05:29 • -24.99db
18% Popularity • 42% Danceability • 11% Energy • 11% Liveness
85% Instrumentalness • 44% Positiveness
18% Popularity • 42% Danceability • 11% Energy • 11% Liveness
85% Instrumentalness • 44% Positiveness
► Preview
Johann Strauss II
Die Fledermaus: Overture
109 bpm • D Maj • 07:40 • -14.49db
43% Popularity • 39% Danceability • 24% Energy • 5% Liveness
78% Instrumentalness • 20% Positiveness
43% Popularity • 39% Danceability • 24% Energy • 5% Liveness
78% Instrumentalness • 20% Positiveness
► Preview
Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
90 bpm • D Maj • 03:49 • -28.46db
38% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
38% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Richard Wagner
Die Walküre, Act III Scene 1: Hojotoho!...
93 bpm • G Maj • 08:11 • -12.57db
22% Popularity • 28% Danceability • 36% Energy • 69% Liveness
0% Instrumentalness • 10% Positiveness
22% Popularity • 28% Danceability • 36% Energy • 69% Liveness
0% Instrumentalness • 10% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
90 bpm • G Maj • 07:34 • -16db
34% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
34% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
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Camille Saint-Saëns
Symphony No. 3 in C Minor, Op. 78 "Organ...
109 bpm • G# Maj • 09:07 • -21.19db
19% Popularity • 23% Danceability • 12% Energy • 13% Liveness
79% Instrumentalness • 13% Positiveness
19% Popularity • 23% Danceability • 12% Energy • 13% Liveness
79% Instrumentalness • 13% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 46, B.83: No. 6 i...
110 bpm • D Maj • 06:03 • -15.53db
20% Popularity • 42% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
20% Popularity • 42% Danceability • 9% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Richard Strauss
Ein Heldenleben, Op. 40, TrV 190: Der He...
88 bpm • D# Maj • 04:28 • -16.72db
22% Popularity • 18% Danceability • 21% Energy • 31% Liveness
88% Instrumentalness • 6% Positiveness
22% Popularity • 18% Danceability • 21% Energy • 31% Liveness
88% Instrumentalness • 6% Positiveness
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Aram Khachaturian
Khachaturian: Spartacus (Highlights from...
88 bpm • G# Maj • 09:54 • -21.56db
39% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
39% Popularity • 11% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 3% Positiveness
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Richard Wagner
Wagner: Die Meistersinger von Nürnberg,...
93 bpm • C Maj • 09:28 • -15db
2% Popularity • 19% Danceability • 28% Energy • 79% Liveness
88% Instrumentalness • 19% Positiveness
2% Popularity • 19% Danceability • 28% Energy • 79% Liveness
88% Instrumentalness • 19% Positiveness
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Nikolai Rimsky-Korsakov
Capriccio Espagnol: Variazioni
88 bpm • F Maj • 05:11 • -21.68db
25% Popularity • 9% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
25% Popularity • 9% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Edvard Grieg
Grieg: Norwegian Dances, Op. 35: No. 3, ...
111 bpm • D Maj • 03:17 • -20.39db
13% Popularity • 33% Danceability • 14% Energy • 20% Liveness
91% Instrumentalness • 12% Positiveness
13% Popularity • 33% Danceability • 14% Energy • 20% Liveness
91% Instrumentalness • 12% Positiveness
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Gabriel Fauré
Pelléas et Mélisande, Op. 80: 2. Fileu...
88 bpm • G Maj • 02:35 • -28db
32% Popularity • 13% Danceability • 5% Energy • 23% Liveness
84% Instrumentalness • 13% Positiveness
32% Popularity • 13% Danceability • 5% Energy • 23% Liveness
84% Instrumentalness • 13% Positiveness
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Richard Strauss
Eine Alpensinfonie: I. Nacht - Sonnenauf...
88 bpm • A# min • 05:03 • -20.98db
22% Popularity • 9% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
22% Popularity • 9% Danceability • 2% Energy • 10% Liveness
93% Instrumentalness • 7% Positiveness
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Franz von Suppé
Requiem aeternam: Dies irae
88 bpm • D min • 02:47 • -15.22db
16% Popularity • 31% Danceability • 25% Energy • 9% Liveness
78% Instrumentalness • 16% Positiveness
16% Popularity • 31% Danceability • 25% Energy • 9% Liveness
78% Instrumentalness • 16% Positiveness
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Richard Wagner
Das Rheingold: Scene 2: Verwandlungsmusi...
93 bpm • D# min • 03:04 • -15.74db
0% Popularity • 30% Danceability • 43% Energy • 46% Liveness
95% Instrumentalness • 6% Positiveness
0% Popularity • 30% Danceability • 43% Energy • 46% Liveness
95% Instrumentalness • 6% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia: Overtu...
88 bpm • E Maj • 07:26 • -17.39db
25% Popularity • 32% Danceability • 20% Energy • 8% Liveness
89% Instrumentalness • 36% Positiveness
25% Popularity • 32% Danceability • 20% Energy • 8% Liveness
89% Instrumentalness • 36% Positiveness
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Jean Sibelius
Violin Concerto in D Minor, Op. 47: III....
112 bpm • D Maj • 07:14 • -20.77db
30% Popularity • 42% Danceability • 23% Energy • 54% Liveness
29% Instrumentalness • 35% Positiveness
30% Popularity • 42% Danceability • 23% Energy • 54% Liveness
29% Instrumentalness • 35% Positiveness
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Carl Nielsen
Aladdin Suite, Op. 34, FS 89: I. The Fes...
112 bpm • A min • 02:59 • -16.98db
35% Popularity • 30% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
35% Popularity • 30% Danceability • 26% Energy • 10% Liveness
88% Instrumentalness • 26% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Preludio
88 bpm • F Maj • 02:05 • -19db
38% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
38% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
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Slovak Radio Symphony Orchestra
Die Meistersinger Von Nurnberg (The Mast...
112 bpm • G Maj • 02:28 • -17db
23% Popularity • 19% Danceability • 20% Energy • 13% Liveness
76% Instrumentalness • 11% Positiveness
23% Popularity • 19% Danceability • 20% Energy • 13% Liveness
76% Instrumentalness • 11% Positiveness
► Preview
Richard Wagner
Wagner: Tannhäuser, Act 2: "Den Gott de...
106 bpm • G# Maj • 04:01 • -17db
2% Popularity • 34% Danceability • 32% Energy • 68% Liveness
0% Instrumentalness • 33% Positiveness
2% Popularity • 34% Danceability • 32% Energy • 68% Liveness
0% Instrumentalness • 33% Positiveness
► Preview
Modest Mussorgsky
Pictures At An Exhibition: Promenade - I...
87 bpm • G# Maj • 01:07 • -39.84db
47% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
47% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
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Gaetano Donizetti
Anna Bolena: Sinfonia (Overture)
87 bpm • A Maj • 07:23 • -17db
10% Popularity • 29% Danceability • 24% Energy • 12% Liveness
89% Instrumentalness • 23% Positiveness
10% Popularity • 29% Danceability • 24% Energy • 12% Liveness
89% Instrumentalness • 23% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Scheherazade: The Sea & Sinbad's Ship
87 bpm • A min • 03:37 • -20.67db
40% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
40% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
► Preview
Johannes Brahms
Brahms: Violin Concerto in D Major, Op. ...
87 bpm • G Maj • 08:20 • -12db
34% Popularity • 44% Danceability • 34% Energy • 27% Liveness
41% Instrumentalness • 40% Positiveness
34% Popularity • 44% Danceability • 34% Energy • 27% Liveness
41% Instrumentalness • 40% Positiveness
► Preview
AntonÃn Dvořák
Requiem, Op. 89, B. 165, Pt. 1: III. Die...
87 bpm • A# min • 02:11 • -16db
7% Popularity • 32% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
7% Popularity • 32% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Richard Wagner
Wagner: Die Meistersinger von Nürnberg:...
93 bpm • C Maj • 09:38 • -18db
8% Popularity • 20% Danceability • 20% Energy • 63% Liveness
92% Instrumentalness • 24% Positiveness
8% Popularity • 20% Danceability • 20% Energy • 63% Liveness
92% Instrumentalness • 24% Positiveness