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Die Moldau
Songs like
Die Moldau
by
Bedřich Smetana
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Gabriel Fauré
Pavane, Op. 50 (Arr. for Cello and Orche...
77 bpm • F# min • 05:36 • -26.29db
41% Popularity • 18% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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William Byrd
Pavane and Gigue (arr. L. Stokowski for ...
77 bpm • A min • 04:33 • -24.67db
14% Popularity • 10% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 5% Positiveness
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Dmitri Shostakovich
Piano Concerto No. 2 in F Major, Op. 102...
77 bpm • C min • 06:53 • -36.38db
52% Popularity • 15% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Bedřich Smetana
Die Moldau
77 bpm • G Maj • 05:16 • -12.91db
36% Popularity • 25% Danceability • 22% Energy • 12% Liveness
88% Instrumentalness • 11% Positiveness
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Academy of St. Martin in the Fields
The Four Seasons: Winter, I. Allegro non...
77 bpm • F min • 03:22 • -17.58db
31% Popularity • 50% Danceability • 20% Energy • 8% Liveness
73% Instrumentalness • 19% Positiveness
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Henry Purcell
Dido and Aeneas, Z. 626 / Act III: "When...
77 bpm • G min • 03:48 • -23.96db
47% Popularity • 8% Danceability • 6% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Robert Schumann
Carnaval, Op. 9: No. 12. Chopin
78 bpm • A# min • 01:21 • -35db
63% Popularity • 24% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 5% Positiveness
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Franz Liszt
Ständchen in D Minor (After Schubert), ...
76 bpm • D Maj • 05:57 • -28.29db
56% Popularity • 34% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Georges Bizet
L’arlésienne Suite No. 2 (Arr. E. Gui...
76 bpm • D# Maj • 04:11 • -33.32db
32% Popularity • 16% Danceability • 1% Energy • 10% Liveness
41% Instrumentalness • 30% Positiveness
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Bedřich Smetana
6 Characteristic Pieces, Op. 1, JB 1:35:...
77 bpm • C min • 03:55 • -29.33db
6% Popularity • 34% Danceability • 2% Energy • 6% Liveness
91% Instrumentalness • 14% Positiveness
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Camille Saint-Saëns
Aquarium aus Karneval der Tiere (Aquariu...
78 bpm • A min • 02:09 • -13.29db
13% Popularity • 25% Danceability • 26% Energy • 28% Liveness
53% Instrumentalness • 9% Positiveness
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Antonín Dvořák
Rybář [The Fisherman], JB1: 7
78 bpm • D# Maj • 04:19 • -20.16db
6% Popularity • 13% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Der Winter - Die Vier Jahreszeiten (Wint...
78 bpm • D# Maj • 01:54 • -8db
25% Popularity • 24% Danceability • 45% Energy • 26% Liveness
0% Instrumentalness • 31% Positiveness
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Richard Strauss
Also sprach Zarathustra, Op. 30: Sonnena...
76 bpm • C Maj • 01:31 • -18db
29% Popularity • 18% Danceability • 12% Energy • 13% Liveness
52% Instrumentalness • 14% Positiveness
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Johann Pachelbel
Kanon in D-Dur (Canon in D Major)
78 bpm • D Maj • 06:17 • -9.72db
29% Popularity • 9% Danceability • 34% Energy • 22% Liveness
83% Instrumentalness • 12% Positiveness
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Bedřich Smetana
Dance Of The Comedians
76 bpm • C Maj • 05:27 • -14.49db
19% Popularity • 38% Danceability • 28% Energy • 77% Liveness
80% Instrumentalness • 30% Positiveness
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Camille Saint-Saëns
Carnaval des Animaux, Aquarium
76 bpm • A min • 02:14 • -19db
19% Popularity • 28% Danceability • 27% Energy • 11% Liveness
47% Instrumentalness • 8% Positiveness
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Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
76 bpm • A min • 03:18 • -25.13db
52% Popularity • 18% Danceability • 4% Energy • 12% Liveness
85% Instrumentalness • 11% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio No. 1 in C Minor, Wq. 117/2, H...
76 bpm • F min • 00:58 • -24.95db
63% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
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Nora Mercz
Tritsch-Tratsch Polka, Op. 214
76 bpm • D Maj • 01:39 • -21.53db
37% Popularity • 71% Danceability • 9% Energy • 14% Liveness
96% Instrumentalness • 30% Positiveness
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Johannes Brahms
Akademische Festouvertüre op. 80
76 bpm • C Maj • 10:31 • -13.48db
7% Popularity • 29% Danceability • 15% Energy • 16% Liveness
86% Instrumentalness • 18% Positiveness
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Bedřich Smetana
Má Vlast, JB1:112: II. Vltava
76 bpm • G Maj • 12:00 • -18db
12% Popularity • 14% Danceability • 15% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Richard Wagner
Das Rheingold: Einzug der Götter in Wal...
76 bpm • C# Maj • 08:43 • -20.73db
31% Popularity • 16% Danceability • 5% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Alexander Borodin
Nocturne (Arr. Cullen for Cello and Orch...
76 bpm • A Maj • 04:05 • -27db
31% Popularity • 20% Danceability • 10% Energy • 33% Liveness
93% Instrumentalness • 10% Positiveness
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Jules Massenet
Thaïs - Meditation
79 bpm • D Maj • 05:33 • -11.72db
19% Popularity • 11% Danceability • 31% Energy • 11% Liveness
57% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Lied ohne Worte in F-Sharp Minor, Op. 67...
75 bpm • F# min • 01:44 • -24db
43% Popularity • 35% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 40% Positiveness
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Johannes Brahms
Symphony No. 3 in F, Op. 90: 3. Poco all...
75 bpm • C min • 06:43 • -27.19db
31% Popularity • 7% Danceability • 3% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
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Bedřich Smetana
Má vlast, JB 1:112: Ma Vlast (My Father...
75 bpm • E min • 13:21 • -19.9db
8% Popularity • 10% Danceability • 11% Energy • 14% Liveness
88% Instrumentalness • 4% Positiveness
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Richard Wagner
Lohengrin: Prelude
75 bpm • A Maj • 09:56 • -25.43db
46% Popularity • 7% Danceability • 5% Energy • 7% Liveness
90% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Pavane, Op. 50 (Version for Piano)
75 bpm • F# min • 05:59 • -30.68db
55% Popularity • 39% Danceability • 2% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Le carnaval des animaux, R...
75 bpm • A min • 02:11 • -30db
21% Popularity • 23% Danceability • 8% Energy • 9% Liveness
70% Instrumentalness • 12% Positiveness
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London Festival Orchestra
Beethoven : Hymn to Joy - The European H...
75 bpm • D Maj • 03:38 • -17db
15% Popularity • 26% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 38% Positiveness
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Hubert Clifford
Five English Nursery Tunes: IV. Curly Lo...
74 bpm • A# Maj • 04:17 • -37.71db
36% Popularity • 15% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
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Bedřich Smetana
The Devil´s Wall, JB 1:122, Act I, Scen...
79 bpm • G# Maj • 07:14 • -17.62db
0% Popularity • 18% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 6% Positiveness
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Jacques Offenbach
Barcarolle
74 bpm • D Maj • 03:40 • -18db
15% Popularity • 13% Danceability • 18% Energy • 37% Liveness
69% Instrumentalness • 12% Positiveness
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Florian Christl
Fly
80 bpm • A min • 03:49 • -17db
40% Popularity • 55% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
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Valentina Lisitsa
Rage Over A Lost Penny, Op. 129
80 bpm • G Maj • 06:13 • -19.43db
49% Popularity • 30% Danceability • 19% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
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Nikolai Rimsky-Korsakov
The Tale of Tsar Saltan: The Tale of Tsa...
80 bpm • G Maj • 01:30 • -27.64db
52% Popularity • 43% Danceability • 8% Energy • 35% Liveness
96% Instrumentalness • 24% Positiveness
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Georges Bizet
Carmen Suite No. 1: Intermezzo
80 bpm • D# Maj • 02:35 • -31.16db
44% Popularity • 17% Danceability • 3% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Bedřich Smetana
Quartet No.1 in E minor:Ⅰ
79 bpm • E min • 07:13 • -21.92db
6% Popularity • 16% Danceability • 12% Energy • 15% Liveness
81% Instrumentalness • 13% Positiveness
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Johann Pachelbel
Canon in D Major
80 bpm • D Maj • 05:41 • -20.45db
13% Popularity • 18% Danceability • 9% Energy • 39% Liveness
64% Instrumentalness • 24% Positiveness
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Modest Mussorgsky
Das große Tor von Kiew
74 bpm • D# Maj • 05:44 • -14.72db
9% Popularity • 12% Danceability • 32% Energy • 83% Liveness
86% Instrumentalness • 7% Positiveness
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Felix Mendelssohn
A Midsummer Night's Dream: Wedding March...
80 bpm • C Maj • 04:45 • -19db
14% Popularity • 36% Danceability • 19% Energy • 6% Liveness
92% Instrumentalness • 18% Positiveness
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Ronald Binge
The Watermill
80 bpm • F Maj • 03:46 • -31.05db
29% Popularity • 8% Danceability • 4% Energy • 9% Liveness
88% Instrumentalness • 14% Positiveness
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Georges Bizet
Bizet: Carmen Suite No. 1: III. Intermez...
74 bpm • D# Maj • 02:34 • -24.64db
23% Popularity • 9% Danceability • 5% Energy • 8% Liveness
88% Instrumentalness • 5% Positiveness
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Emmanuel Chabrier
Habanera
80 bpm • A Maj • 04:43 • -22.56db
11% Popularity • 14% Danceability • 3% Energy • 11% Liveness
80% Instrumentalness • 6% Positiveness
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Bedřich Smetana
Má Vlast, JB1:112: 2. Vltava
79 bpm • E Maj • 12:06 • -19.44db
39% Popularity • 12% Danceability • 12% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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Johann Strauss II
An der schönen blauen Donau (The Blue D...
80 bpm • D Maj • 07:03 • -17db
5% Popularity • 23% Danceability • 13% Energy • 7% Liveness
91% Instrumentalness • 6% Positiveness
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Felix Mendelssohn
Midsummer Night's Dream, Incidental Musi...
74 bpm • C Maj • 05:06 • -12db
32% Popularity • 33% Danceability • 23% Energy • 6% Liveness
94% Instrumentalness • 11% Positiveness
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Antonín Dvořák
Dvořák: Serenade for Strings in E Majo...
80 bpm • E Maj • 04:41 • -23.72db
13% Popularity • 19% Danceability • 4% Energy • 13% Liveness
80% Instrumentalness • 8% Positiveness
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Camille Saint-Saëns
Carnival of the Animals, R. 125: Aquariu...
81 bpm • A min • 02:01 • -31.36db
50% Popularity • 28% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 13% Positiveness
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Academy of St. Martin in the Fields
Adagio En Sol Mineur
74 bpm • C min • 08:52 • -12db
21% Popularity • 8% Danceability • 20% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Bedřich Smetana
Battement Tendu (slow) - Die Moldau
75 bpm • A min • 01:56 • -15.79db
7% Popularity • 62% Danceability • 20% Energy • 19% Liveness
89% Instrumentalness • 30% Positiveness
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George Frideric Handel
Passacaglia for Violin and Violoncello a...
74 bpm • G min • 07:21 • -23.88db
28% Popularity • 26% Danceability • 9% Energy • 8% Liveness
65% Instrumentalness • 24% Positiveness
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Ralph Vaughan Williams
6 Studies in English Folksong (Version f...
81 bpm • D min • 01:36 • -28db
53% Popularity • 23% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 22% Positiveness
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Johann Sebastian Bach
Air ("on the G String") from Orchestral ...
81 bpm • D Maj • 04:54 • -20.99db
14% Popularity • 9% Danceability • 25% Energy • 15% Liveness
91% Instrumentalness • 19% Positiveness
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Richard Wagner
Das Rheingold: Scene 4: Entry of the God...
81 bpm • C# Maj • 07:14 • -20db
8% Popularity • 17% Danceability • 9% Energy • 7% Liveness
86% Instrumentalness • 5% Positiveness
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Nikolai Rimsky-Korsakov
Rimsky-Korsakov: Scheherazade, Op. 35: I...
81 bpm • B min • 03:53 • -24.98db
37% Popularity • 19% Danceability • 3% Energy • 35% Liveness
72% Instrumentalness • 4% Positiveness
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Bedřich Smetana
String Quartet No. 1 in E Minor, "From m...
80 bpm • E min • 07:51 • -19.26db
14% Popularity • 22% Danceability • 7% Energy • 16% Liveness
77% Instrumentalness • 8% Positiveness
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Johann Pachelbel
Canon in D for Strings and Continuo
81 bpm • D Maj • 04:48 • -17.42db
22% Popularity • 19% Danceability • 20% Energy • 19% Liveness
87% Instrumentalness • 17% Positiveness
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Alexandre Desplat
Desplat: Girl with a Pearl Earring
81 bpm • D min • 07:26 • -19db
21% Popularity • 14% Danceability • 15% Energy • 9% Liveness
92% Instrumentalness • 8% Positiveness
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Ottorino Respighi
Respighi: Pini di Roma, P. 141: III. I p...
81 bpm • E Maj • 07:42 • -35.69db
45% Popularity • 8% Danceability • 1% Energy • 8% Liveness
11% Instrumentalness • 3% Positiveness
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Anton Arensky
Egipetskiye nochi (Egyptian Nights), Op....
82 bpm • C min • 03:45 • -33.15db
24% Popularity • 35% Danceability • 1% Energy • 11% Liveness
2% Instrumentalness • 38% Positiveness
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Clara Schumann
Three Romances for Violin and Piano, Op....
81 bpm • C# Maj • 02:52 • -15.79db
36% Popularity • 31% Danceability • 20% Energy • 14% Liveness
1% Instrumentalness • 9% Positiveness
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Bedřich Smetana
Dalibor, JB 1:101, Act II, Scene 2: Oh, ...
80 bpm • G# Maj • 05:04 • -13.82db
0% Popularity • 21% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act III: Barcaro...
73 bpm • D Maj • 03:21 • -22.76db
30% Popularity • 9% Danceability • 3% Energy • 10% Liveness
81% Instrumentalness • 6% Positiveness
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Giacomo Puccini
Gianni Schicchi: "O mio Babbino caro"
82 bpm • G# Maj • 04:03 • -15.4db
39% Popularity • 15% Danceability • 19% Energy • 13% Liveness
81% Instrumentalness • 4% Positiveness
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Richard Wagner
Lohengrin, WWV 75: Prelude to Act I
73 bpm • A Maj • 09:19 • -29.65db
23% Popularity • 7% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 3% Positiveness
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Johannes Brahms
Wiegenlied, Op. 49, No. 4
82 bpm • F Maj • 02:26 • -31.09db
42% Popularity • 8% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 6% Positiveness
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Aram Khachaturian
Spartacus, Act III: Adagio of Spartacus ...
82 bpm • F# min • 09:23 • -21.48db
39% Popularity • 10% Danceability • 8% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Bedřich Smetana
The Bartered Bride, JB 1:100: "Jeník, M...
74 bpm • G Maj • 08:01 • -10.85db
0% Popularity • 37% Danceability • 36% Energy • 58% Liveness
0% Instrumentalness • 35% Positiveness
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Peter Warlock
Pieds-en-l'air from Capriol Suite for St...
82 bpm • G Maj • 02:13 • -20.72db
14% Popularity • 16% Danceability • 16% Energy • 24% Liveness
92% Instrumentalness • 12% Positiveness
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Camille Saint-Saëns
The Carnival of the Animals, R. 125: XII...
82 bpm • G Maj • 03:15 • -24.76db
35% Popularity • 17% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 4% Positiveness
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Felix Mendelssohn
Ein Sommernachtstraum (A Midsummer's Nig...
82 bpm • C Maj • 04:43 • -15.95db
12% Popularity • 38% Danceability • 19% Energy • 7% Liveness
77% Instrumentalness • 16% Positiveness
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George Frideric Handel
Largo from Xerxes
82 bpm • G Maj • 05:50 • -19.08db
43% Popularity • 8% Danceability • 10% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Nora Mercz
Carmen (arr. N. Mercz): Intermezzo from ...
72 bpm • D# Maj • 02:38 • -25db
49% Popularity • 30% Danceability • 5% Energy • 9% Liveness
93% Instrumentalness • 20% Positiveness
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Bedřich Smetana
Dalibor, JB 1:101, Act II, Scene 1: Je D...
81 bpm • A min • 02:17 • -17.56db
0% Popularity • 28% Danceability • 25% Energy • 66% Liveness
0% Instrumentalness • 25% Positiveness
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Tomaso Albinoni
Adagio Variation
82 bpm • G min • 03:12 • -19db
36% Popularity • 26% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 9% Positiveness
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Aaron Copland
Copland: Appalachian Spring: VII. Doppio...
82 bpm • C# Maj • 03:01 • -17.37db
45% Popularity • 21% Danceability • 10% Energy • 10% Liveness
54% Instrumentalness • 30% Positiveness
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Jean Sibelius
6 Impromptus, Op. 5: Impromptu V
72 bpm • B min • 03:51 • -31.63db
41% Popularity • 26% Danceability • 2% Energy • 36% Liveness
95% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Serenade for Strings in E Major, B.52: I...
72 bpm • A Maj • 05:52 • -25db
9% Popularity • 13% Danceability • 3% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Sheherazade, Op. 35: I. The Sea and Sinb...
82 bpm • B Maj • 09:59 • -21.68db
10% Popularity • 10% Danceability • 6% Energy • 17% Liveness
54% Instrumentalness • 4% Positiveness
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Bedřich Smetana
La Moldau
81 bpm • G Maj • 13:29 • -16.41db
37% Popularity • 11% Danceability • 15% Energy • 8% Liveness
78% Instrumentalness • 4% Positiveness
► Preview
Seattle Symphony Orchestra
21 Hungarian Dances, WoO 1: Hungarian Da...
83 bpm • G min • 02:53 • -21.77db
53% Popularity • 23% Danceability • 7% Energy • 8% Liveness
39% Instrumentalness • 26% Positiveness
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Johannes Brahms
Ungarischer Tanz Nr. 5
83 bpm • G min • 02:39 • -14db
16% Popularity • 34% Danceability • 19% Energy • 14% Liveness
86% Instrumentalness • 23% Positiveness
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Camille Saint-Saëns
Le carnaval des animaux, R. 125: Le cygn...
83 bpm • C Maj • 04:11 • -41.12db
40% Popularity • 8% Danceability • 1% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Antonín Dvořák
8 Humoresques, Op. 101, B. 187: No. 7, P...
72 bpm • F# Maj • 03:30 • -25.08db
47% Popularity • 12% Danceability • 6% Energy • 14% Liveness
25% Instrumentalness • 14% Positiveness
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Léo Delibes
Lakmé / Act 1: "Sous le dôme épais" (...
71 bpm • B Maj • 04:57 • -16.97db
39% Popularity • 9% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Bedřich Smetana
Libuse: Overture
82 bpm • C Maj • 08:48 • -17.06db
13% Popularity • 9% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 4% Positiveness
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Alexander Borodin
Polovetsian Dances from Prince Igor: Int...
83 bpm • A Maj • 02:16 • -23db
52% Popularity • 16% Danceability • 6% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
The Four Seasons, Violin Concerto No. 4 ...
83 bpm • D# Maj • 01:57 • -25db
58% Popularity • 33% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: VII. Aq...
83 bpm • A min • 02:18 • -38.37db
8% Popularity • 17% Danceability • 1% Energy • 11% Liveness
5% Instrumentalness • 13% Positiveness
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Antonín Dvořák
Suite in A Major, Op. 98b, B. 190 "Ameri...
72 bpm • C Maj • 03:12 • -21.88db
10% Popularity • 17% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Jules Massenet
Thaïs: Méditation
84 bpm • D Maj • 05:28 • -27db
43% Popularity • 17% Danceability • 4% Energy • 21% Liveness
15% Instrumentalness • 4% Positiveness
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Bedřich Smetana
Ma Vlast: II. Vlatava
72 bpm • E Maj • 12:48 • -17.01db
17% Popularity • 11% Danceability • 20% Energy • 4% Liveness
95% Instrumentalness • 4% Positiveness
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Johannes Brahms
6 Chorale Preludes, BV B 50: Herzlich tu...
84 bpm • A min • 03:01 • -39.58db
49% Popularity • 12% Danceability • 0% Energy • 7% Liveness
92% Instrumentalness • 19% Positiveness
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Alexander Borodin
String Quartet No. 2 in D major: III. No...
84 bpm • A Maj • 07:54 • -24.49db
9% Popularity • 20% Danceability • 5% Energy • 8% Liveness
83% Instrumentalness • 7% Positiveness
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Marc-Antoine Charpentier
Te Deum, H. 146: I. Prélude
70 bpm • C# Maj • 01:52 • -14.77db
32% Popularity • 49% Danceability • 32% Energy • 20% Liveness
55% Instrumentalness • 30% Positiveness
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Antonín Dvořák
Humoresque, Op. 101, No. 7
83 bpm • F# Maj • 03:50 • -22.48db
43% Popularity • 15% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 6% Positiveness
► Preview
Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: XIII. L...
84 bpm • G Maj • 02:33 • -35.36db
42% Popularity • 18% Danceability • 1% Energy • 10% Liveness
39% Instrumentalness • 5% Positiveness
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Die Moldau