Songs like Die Zauberflöte, K. 620 / Act I: "Der Vogelfänger bin ich ja" by Wolfgang Amadeus Mozart
Based on a tempo of (+/- 10%) and a similar genre
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Johannes Brahms
Hungarian Dance No. 1 In G Minor, WoO 1 ...
78 bpm • G min • 02:52 • -14.56db
21% Popularity • 22% Danceability • 35% Energy • 15% Liveness
88% Instrumentalness • 47% Positiveness
21% Popularity • 22% Danceability • 35% Energy • 15% Liveness
88% Instrumentalness • 47% Positiveness
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Wolfgang Amadeus Mozart
Die Zauberflöte, K. 620, Teil I: No. 2,...
78 bpm • D Maj • 02:03 • -21.11db
22% Popularity • 51% Danceability • 12% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 51% Danceability • 12% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
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Richard Wagner
Die Meistersinger von Nürnberg, WWV 96,...
78 bpm • F Maj • 04:19 • -30.69db
1% Popularity • 32% Danceability • 4% Energy • 51% Liveness
0% Instrumentalness • 37% Positiveness
1% Popularity • 32% Danceability • 4% Energy • 51% Liveness
0% Instrumentalness • 37% Positiveness
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Slovak Philharmonic
Requiem In D Minor, K. 626: Sequence: I....
79 bpm • G min • 01:46 • -17.15db
41% Popularity • 43% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
41% Popularity • 43% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 65% Positiveness
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Franz Schubert
Die schöne Müllerin, D.795: 16. Die li...
79 bpm • G min • 03:46 • -29.21db
2% Popularity • 28% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 28% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Donato Di Stefano
Le Nozze Di Figaro (The Marriage Of Figa...
80 bpm • D Maj • 03:32 • -17db
12% Popularity • 30% Danceability • 19% Energy • 13% Liveness
11% Instrumentalness • 38% Positiveness
12% Popularity • 30% Danceability • 19% Energy • 13% Liveness
11% Instrumentalness • 38% Positiveness
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Johannes Brahms
Academic Festival Overture, Op. 80
77 bpm • C Maj • 09:23 • -13db
29% Popularity • 21% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
29% Popularity • 21% Danceability • 20% Energy • 13% Liveness
85% Instrumentalness • 21% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Die Zauberflöte, K. 620, Act 1:...
79 bpm • G Maj • 01:49 • -23.71db
24% Popularity • 42% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
24% Popularity • 42% Danceability • 8% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Carl Philipp Emanuel Bach
Solfeggio No. 1 in C Minor, Wq. 117/2, H...
76 bpm • F min • 00:58 • -24.95db
63% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
63% Popularity • 28% Danceability • 20% Energy • 10% Liveness
92% Instrumentalness • 40% Positiveness
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Robert Schumann
Dichterliebe, Op. 48: X. Hör' ich das L...
76 bpm • G min • 01:55 • -27db
33% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
33% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Eder Quartet
String Quartet No. 4 in C Major, K. 157:...
81 bpm • C Maj • 01:50 • -19.06db
43% Popularity • 45% Danceability • 16% Energy • 15% Liveness
94% Instrumentalness • 85% Positiveness
43% Popularity • 45% Danceability • 16% Energy • 15% Liveness
94% Instrumentalness • 85% Positiveness
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Richard Strauss
Strauss, R: Die Frau ohne Schatten, Op. ...
81 bpm • G# Maj • 05:21 • -35.98db
1% Popularity • 12% Danceability • 1% Energy • 12% Liveness
42% Instrumentalness • 4% Positiveness
1% Popularity • 12% Danceability • 1% Energy • 12% Liveness
42% Instrumentalness • 4% Positiveness
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Johannes Brahms
Hungarian Dance No. 5 In G Minor, WoO 1 ...
80 bpm • G min • 02:35 • -11.9db
21% Popularity • 31% Danceability • 25% Energy • 16% Liveness
82% Instrumentalness • 49% Positiveness
21% Popularity • 31% Danceability • 25% Energy • 16% Liveness
82% Instrumentalness • 49% Positiveness
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Wolfgang Amadeus Mozart
The Magic Flute, Act I: I'm sure that th...
81 bpm • G Maj • 04:25 • -25.21db
12% Popularity • 49% Danceability • 9% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
12% Popularity • 49% Danceability • 9% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
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Johann Sebastian Bach
Violin Partita No. 3 in E Major, BWV 100...
75 bpm • E Maj • 02:49 • -13db
35% Popularity • 55% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
35% Popularity • 55% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Joseph Haydn
Concerto No. 1 in C Major, Hob. VIIh:1 "...
75 bpm • C Maj • 04:27 • -20.02db
26% Popularity • 40% Danceability • 9% Energy • 7% Liveness
78% Instrumentalness • 25% Positiveness
26% Popularity • 40% Danceability • 9% Energy • 7% Liveness
78% Instrumentalness • 25% Positiveness
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Franz Schubert
Symphony No. 5 in B-Flat Major, D. 485: ...
81 bpm • D# Maj • 09:32 • -26.22db
32% Popularity • 8% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 5% Positiveness
32% Popularity • 8% Danceability • 6% Energy • 15% Liveness
90% Instrumentalness • 5% Positiveness
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Johann Strauss II
Die Fledermaus, Act III: No. 16, Finale....
81 bpm • D Maj • 02:39 • -16.21db
21% Popularity • 49% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 49% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Johannes Brahms
Variations on a Theme by Haydn, Op. 56a,...
76 bpm • A# Maj • 02:08 • -25.03db
40% Popularity • 31% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 16% Positiveness
40% Popularity • 31% Danceability • 2% Energy • 11% Liveness
85% Instrumentalness • 16% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Requiem in D Minor, K. 626: IX. ...
81 bpm • C min • 04:07 • -16.73db
15% Popularity • 30% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
15% Popularity • 30% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
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Slovak Philharmonic
Requiem In D Minor, K. 626: Kyrie Eleiso...
82 bpm • F Maj • 02:44 • -20db
45% Popularity • 33% Danceability • 21% Energy • 17% Liveness
85% Instrumentalness • 61% Positiveness
45% Popularity • 33% Danceability • 21% Energy • 17% Liveness
85% Instrumentalness • 61% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
81 bpm • C Maj • 06:23 • -20db
31% Popularity • 51% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 54% Positiveness
31% Popularity • 51% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 54% Positiveness
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Franz Schubert
Ellens Gesang III, Op. 52, No. 6, D. 839...
81 bpm • A# Maj • 02:44 • -18.66db
23% Popularity • 34% Danceability • 7% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
23% Popularity • 34% Danceability • 7% Energy • 10% Liveness
13% Instrumentalness • 4% Positiveness
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Endres Quartet
Quintet in A Major for Clarinet and Stri...
74 bpm • D Maj • 07:01 • -23db
55% Popularity • 10% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
55% Popularity • 10% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 5% Positiveness
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Donato Di Stefano
Le Nozze Di Figaro (The Marriage Of Figa...
82 bpm • A# Maj • 02:39 • -22db
29% Popularity • 21% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
29% Popularity • 21% Danceability • 5% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Requiem in D Minor, K. 626: VI. ...
78 bpm • F Maj • 05:34 • -22.02db
14% Popularity • 12% Danceability • 16% Energy • 12% Liveness
17% Instrumentalness • 13% Positiveness
14% Popularity • 12% Danceability • 16% Energy • 12% Liveness
17% Instrumentalness • 13% Positiveness
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Slovak Philharmonic
Requiem In D Minor, K. 626: Sanctus
82 bpm • D Maj • 01:38 • -17db
50% Popularity • 17% Danceability • 26% Energy • 54% Liveness
24% Instrumentalness • 27% Positiveness
50% Popularity • 17% Danceability • 26% Energy • 54% Liveness
24% Instrumentalness • 27% Positiveness
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Joseph Haydn
Haydn: Keyboard Concerto in D Major, Hob...
81 bpm • D Maj • 08:21 • -20db
17% Popularity • 41% Danceability • 12% Energy • 9% Liveness
90% Instrumentalness • 26% Positiveness
17% Popularity • 41% Danceability • 12% Energy • 9% Liveness
90% Instrumentalness • 26% Positiveness
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Jacques Offenbach
Gaîté parisienne: Barcarolle
82 bpm • D Maj • 03:37 • -30.68db
41% Popularity • 15% Danceability • 2% Energy • 17% Liveness
51% Instrumentalness • 4% Positiveness
41% Popularity • 15% Danceability • 2% Energy • 17% Liveness
51% Instrumentalness • 4% Positiveness
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Hector Berlioz
Berlioz: Symphonie fantastique, Op. 14, ...
74 bpm • A Maj • 06:44 • -18.12db
19% Popularity • 16% Danceability • 20% Energy • 7% Liveness
74% Instrumentalness • 13% Positiveness
19% Popularity • 16% Danceability • 20% Energy • 7% Liveness
74% Instrumentalness • 13% Positiveness
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Johannes Brahms
Wiegenlied, Op. 49, No. 4
74 bpm • D# Maj • 01:39 • -35.55db
44% Popularity • 17% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
44% Popularity • 17% Danceability • 1% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Wolfgang Amadeus Mozart
Symphony No. 36 in C Major, K. 425 "Linz...
78 bpm • C Maj • 07:02 • -22.73db
20% Popularity • 14% Danceability • 7% Energy • 33% Liveness
63% Instrumentalness • 6% Positiveness
20% Popularity • 14% Danceability • 7% Energy • 33% Liveness
63% Instrumentalness • 6% Positiveness
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Slovak Philharmonic
Requiem In D Minor, K. 626: Sequence: II...
82 bpm • G min • 02:20 • -22.05db
47% Popularity • 33% Danceability • 7% Energy • 10% Liveness
34% Instrumentalness • 13% Positiveness
47% Popularity • 33% Danceability • 7% Energy • 10% Liveness
34% Instrumentalness • 13% Positiveness
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Giuseppe Verdi
Nabucco / Act III: Va, pensiero, sull'al...
73 bpm • C# Maj • 03:54 • -24.06db
49% Popularity • 7% Danceability • 2% Energy • 10% Liveness
68% Instrumentalness • 13% Positiveness
49% Popularity • 7% Danceability • 2% Energy • 10% Liveness
68% Instrumentalness • 13% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244 / Part Two:...
83 bpm • D min • 05:29 • -26.76db
6% Popularity • 24% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
6% Popularity • 24% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act 2...
73 bpm • C# Maj • 05:30 • -20db
21% Popularity • 17% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
21% Popularity • 17% Danceability • 15% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH 5 / Act III: "...
73 bpm • F# Maj • 05:55 • -19.75db
12% Popularity • 18% Danceability • 19% Energy • 13% Liveness
1% Instrumentalness • 15% Positiveness
12% Popularity • 18% Danceability • 19% Energy • 13% Liveness
1% Instrumentalness • 15% Positiveness
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Wolfgang Amadeus Mozart
Die Zauberflöte, K. 620 / Act I: "Der V...
78 bpm • G Maj • 02:47 • -22.78db
26% Popularity • 51% Danceability • 11% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
26% Popularity • 51% Danceability • 11% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
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Slovak Philharmonic Chorus
Die Entfuhrung Aus Dem Serail (Abduction...
72 bpm • D min • 01:26 • -17db
45% Popularity • 48% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
45% Popularity • 48% Danceability • 41% Energy • 33% Liveness
0% Instrumentalness • 48% Positiveness
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Slovak Philharmonic
Requiem In D Minor, K. 626: Benedictus
84 bpm • A# Maj • 05:36 • -15.94db
24% Popularity • 25% Danceability • 15% Energy • 30% Liveness
0% Instrumentalness • 11% Positiveness
24% Popularity • 25% Danceability • 15% Energy • 30% Liveness
0% Instrumentalness • 11% Positiveness
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Franz Schubert
Schubert: Wiegenlied, Op. 98 No. 2, D. 4...
85 bpm • F# Maj • 02:59 • -37.26db
27% Popularity • 20% Danceability • 1% Energy • 9% Liveness
50% Instrumentalness • 18% Positiveness
27% Popularity • 20% Danceability • 1% Energy • 9% Liveness
50% Instrumentalness • 18% Positiveness
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Antonio Vivaldi
The Four Seasons, Violin Concerto No. 2 ...
85 bpm • F# Maj • 02:30 • -15.6db
55% Popularity • 36% Danceability • 57% Energy • 12% Liveness
87% Instrumentalness • 38% Positiveness
55% Popularity • 36% Danceability • 57% Energy • 12% Liveness
87% Instrumentalness • 38% Positiveness
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Georges Bizet
L'Arlésienne Suite No. 1, WD 40: 1. Pr�...
71 bpm • C min • 06:53 • -22.11db
16% Popularity • 17% Danceability • 3% Energy • 11% Liveness
66% Instrumentalness • 6% Positiveness
16% Popularity • 17% Danceability • 3% Energy • 11% Liveness
66% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Die Zauberflöte, K. 620, Act 2:...
78 bpm • D# Maj • 05:55 • -21.91db
18% Popularity • 31% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 31% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: "Act III, Scene 1, Or...
71 bpm • G Maj • 04:28 • -22.23db
37% Popularity • 20% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
37% Popularity • 20% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 6% Positiveness
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Johann Sebastian Bach
Goldberg Variations, BWV 988: Variatio 7...
71 bpm • G Maj • 02:20 • -25.7db
54% Popularity • 31% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 57% Positiveness
54% Popularity • 31% Danceability • 6% Energy • 12% Liveness
91% Instrumentalness • 57% Positiveness
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Edvard Grieg
Holberg Suite, Op. 40: I. Prelude
70 bpm • G Maj • 02:47 • -18.4db
17% Popularity • 34% Danceability • 14% Energy • 26% Liveness
95% Instrumentalness • 20% Positiveness
17% Popularity • 34% Danceability • 14% Energy • 26% Liveness
95% Instrumentalness • 20% Positiveness
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Carl Philipp Emanuel Bach
Keyboard Concerto in G Major, Wq. 44: II...
87 bpm • E min • 03:18 • -27db
50% Popularity • 38% Danceability • 3% Energy • 23% Liveness
62% Instrumentalness • 20% Positiveness
50% Popularity • 38% Danceability • 3% Energy • 23% Liveness
62% Instrumentalness • 20% Positiveness
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Johann Christian Bach
Symphony in G Minor, Op. 6, No. 6, W. C1...
87 bpm • F# min • 03:23 • -19db
37% Popularity • 47% Danceability • 9% Energy • 14% Liveness
79% Instrumentalness • 35% Positiveness
37% Popularity • 47% Danceability • 9% Energy • 14% Liveness
79% Instrumentalness • 35% Positiveness
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Wolfgang Amadeus Mozart
Requiem in D Minor, K. 626: I. Introit. ...
78 bpm • D min • 04:47 • -17.65db
13% Popularity • 16% Danceability • 19% Energy • 13% Liveness
50% Instrumentalness • 5% Positiveness
13% Popularity • 16% Danceability • 19% Energy • 13% Liveness
50% Instrumentalness • 5% Positiveness
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Karoly Botvay
The 4 Seasons: Violin Concerto in G mino...
87 bpm • G min • 02:04 • -34db
52% Popularity • 11% Danceability • 2% Energy • 69% Liveness
5% Instrumentalness • 5% Positiveness
52% Popularity • 11% Danceability • 2% Energy • 69% Liveness
5% Instrumentalness • 5% Positiveness
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Otmar Suitner
Overture
88 bpm • E min • 07:24 • -17.27db
7% Popularity • 36% Danceability • 21% Energy • 12% Liveness
81% Instrumentalness • 25% Positiveness
7% Popularity • 36% Danceability • 21% Energy • 12% Liveness
81% Instrumentalness • 25% Positiveness
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Felix Mendelssohn
Ein Sommernachtstraum (A Midsummer's Nig...
89 bpm • E Maj • 05:33 • -29.25db
31% Popularity • 10% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
31% Popularity • 10% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Nabucco: Overture
89 bpm • C Maj • 07:29 • -18db
31% Popularity • 32% Danceability • 14% Energy • 6% Liveness
74% Instrumentalness • 22% Positiveness
31% Popularity • 32% Danceability • 14% Energy • 6% Liveness
74% Instrumentalness • 22% Positiveness
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Joseph Haydn
Haydn: Cello Concerto No. 1 in C Major, ...
68 bpm • C Maj • 09:52 • -19db
36% Popularity • 37% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 31% Positiveness
36% Popularity • 37% Danceability • 11% Energy • 13% Liveness
85% Instrumentalness • 31% Positiveness
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Wolfgang Amadeus Mozart
Die Entführung aus dem Serail, K. 384: ...
78 bpm • G Maj • 05:30 • -16.96db
22% Popularity • 34% Danceability • 15% Energy • 7% Liveness
8% Instrumentalness • 14% Positiveness
22% Popularity • 34% Danceability • 15% Energy • 7% Liveness
8% Instrumentalness • 14% Positiveness
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Karoly Botvay
The 4 Seasons: Violin Concerto in E majo...
88 bpm • C# min • 02:23 • -31.14db
51% Popularity • 17% Danceability • 5% Energy • 19% Liveness
10% Instrumentalness • 6% Positiveness
51% Popularity • 17% Danceability • 5% Energy • 19% Liveness
10% Instrumentalness • 6% Positiveness
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Franz Schubert
Die schöne Müllerin, D.795: 4. Danksag...
89 bpm • D# Maj • 02:21 • -27.24db
3% Popularity • 29% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
3% Popularity • 29% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Max Bruch
Bruch: Violin Concerto No. 1 in G Minor,...
90 bpm • G Maj • 07:34 • -16db
34% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
34% Popularity • 35% Danceability • 20% Energy • 20% Liveness
4% Instrumentalness • 33% Positiveness
► Preview
Johannes Brahms
Hungarian Dance No. 1 in G Minor: Allegr...
91 bpm • G min • 03:17 • -23.86db
27% Popularity • 18% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
27% Popularity • 18% Danceability • 13% Energy • 9% Liveness
87% Instrumentalness • 38% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R.125 (Transcri...
91 bpm • G Maj • 03:34 • -28.04db
11% Popularity • 11% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
11% Popularity • 11% Danceability • 4% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Grande Messe en ut mineur, K. 427: Grati...
77 bpm • D min • 01:16 • -17.28db
48% Popularity • 21% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
48% Popularity • 21% Danceability • 18% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
► Preview
Slovak Philharmonic
Requiem In D Minor, K. 626: Offertory: I...
91 bpm • G min • 03:34 • -21.37db
40% Popularity • 42% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 42% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Franz Schubert
Die schöne Müllerin, D.795: 7. Ungedul...
91 bpm • E Maj • 02:32 • -20.52db
2% Popularity • 43% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
2% Popularity • 43% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
► Preview
Robert Schumann
Myrthen, Op. 25: No. 7. Die Lotosblume
91 bpm • C Maj • 01:47 • -26db
28% Popularity • 24% Danceability • 2% Energy • 8% Liveness
8% Instrumentalness • 5% Positiveness
28% Popularity • 24% Danceability • 2% Energy • 8% Liveness
8% Instrumentalness • 5% Positiveness
► Preview
Johannes Brahms
5 Lieder, Op. 49: No. 4, Wiegenlied
92 bpm • D# Maj • 02:13 • -32.09db
25% Popularity • 26% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
25% Popularity • 26% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Carl Maria von Weber
Der Freischütz, J. 277 / Act I: "Nein, ...
66 bpm • G Maj • 06:37 • -17db
16% Popularity • 22% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
16% Popularity • 22% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Wolfgang Amadeus Mozart
Serenade No. 12 in C Minor, K. 388: II. ...
77 bpm • D# Maj • 04:11 • -24.38db
50% Popularity • 16% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 10% Positiveness
50% Popularity • 16% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 10% Positiveness
► Preview
Edvard Grieg
Peer Gynt, Op. 23: No. 13, Morning Mood
66 bpm • E Maj • 04:19 • -23db
38% Popularity • 6% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
38% Popularity • 6% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 3% Positiveness
► Preview
Johann Sebastian Bach
Schweigt stille, plaudert nicht Cantata,...
66 bpm • A# min • 04:12 • -22db
39% Popularity • 52% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 52% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Henri Vieuxtemps
Violin Concerto No. 4 in D Minor, Op. 31...
66 bpm • D# Maj • 06:16 • -24.47db
34% Popularity • 9% Danceability • 10% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
34% Popularity • 9% Danceability • 10% Energy • 10% Liveness
26% Instrumentalness • 4% Positiveness
► Preview
Johannes Brahms
Ein deutsches Requiem, Op. 45: I. Selig ...
66 bpm • F Maj • 11:24 • -25.49db
30% Popularity • 18% Danceability • 4% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
30% Popularity • 18% Danceability • 4% Energy • 10% Liveness
83% Instrumentalness • 3% Positiveness
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Edward Elgar
The Dream of Gerontius, Op. 38: Part I: ...
92 bpm • D Maj • 04:33 • -21.48db
1% Popularity • 12% Danceability • 16% Energy • 33% Liveness
91% Instrumentalness • 4% Positiveness
1% Popularity • 12% Danceability • 16% Energy • 33% Liveness
91% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Der Stein der Weisen, Act I: Chorus and ...
79 bpm • G Maj • 07:07 • -25.48db
7% Popularity • 27% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 6% Positiveness
7% Popularity • 27% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 6% Positiveness
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Nicolaus Esterhazy Sinfonia
Symphony No. 7 in A major, Op. 92: III. ...
93 bpm • D Maj • 09:31 • -19db
30% Popularity • 31% Danceability • 12% Energy • 12% Liveness
82% Instrumentalness • 13% Positiveness
30% Popularity • 31% Danceability • 12% Energy • 12% Liveness
82% Instrumentalness • 13% Positiveness
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Felix Mendelssohn
Mendelssohn: A Midsummer Night's Dream, ...
93 bpm • E Maj • 05:49 • -28db
24% Popularity • 11% Danceability • 2% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
24% Popularity • 11% Danceability • 2% Energy • 11% Liveness
80% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244 / Part Two:...
93 bpm • B min • 07:01 • -25.18db
21% Popularity • 17% Danceability • 7% Energy • 15% Liveness
2% Instrumentalness • 8% Positiveness
21% Popularity • 17% Danceability • 7% Energy • 15% Liveness
2% Instrumentalness • 8% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act I: "Schwei...
94 bpm • D Maj • 03:07 • -14.1db
15% Popularity • 39% Danceability • 41% Energy • 15% Liveness
3% Instrumentalness • 27% Positiveness
15% Popularity • 39% Danceability • 41% Energy • 15% Liveness
3% Instrumentalness • 27% Positiveness
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Donato Di Stefano
Le Nozze Di Figaro (The Marriage Of Figa...
96 bpm • A# Maj • 01:57 • -19.94db
25% Popularity • 31% Danceability • 12% Energy • 30% Liveness
1% Instrumentalness • 39% Positiveness
25% Popularity • 31% Danceability • 12% Energy • 30% Liveness
1% Instrumentalness • 39% Positiveness
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Wolfgang Amadeus Mozart
Die Zauberflöte, K. 620 / Act 1: "Du fe...
80 bpm • G Maj • 01:48 • -21.21db
9% Popularity • 47% Danceability • 15% Energy • 51% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 47% Danceability • 15% Energy • 51% Liveness
0% Instrumentalness • 39% Positiveness
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Antonio Vivaldi
I. Allegro
96 bpm • E Maj • 03:33 • -17db
37% Popularity • 38% Danceability • 11% Energy • 11% Liveness
71% Instrumentalness • 14% Positiveness
37% Popularity • 38% Danceability • 11% Energy • 11% Liveness
71% Instrumentalness • 14% Positiveness
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Joseph Haydn
Die Schöpfung Hob. XXI:2 / Erster Teil:...
97 bpm • C Maj • 04:24 • -15db
22% Popularity • 26% Danceability • 33% Energy • 27% Liveness
34% Instrumentalness • 50% Positiveness
22% Popularity • 26% Danceability • 33% Energy • 27% Liveness
34% Instrumentalness • 50% Positiveness
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Johann Sebastian Bach
Sinfonia in D Major, BWV 1045: III. Alle...
95 bpm • D Maj • 02:47 • -19.72db
44% Popularity • 40% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
44% Popularity • 40% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 85% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act II: "Schel...
96 bpm • E Maj • 04:48 • -20db
15% Popularity • 34% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 34% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
98 bpm • E Maj • 06:59 • -15.16db
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
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Wolfgang Amadeus Mozart
Die Zauberflöte, K. 620 / Erster Aufzug...
80 bpm • G# Maj • 00:45 • -23.11db
12% Popularity • 70% Danceability • 19% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
12% Popularity • 70% Danceability • 19% Energy • 25% Liveness
0% Instrumentalness • 59% Positiveness
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Johannes Brahms
Serenade No. 2 in A Major, Op. 16: 2. Sc...
99 bpm • C Maj • 02:43 • -18.74db
32% Popularity • 50% Danceability • 22% Energy • 15% Liveness
89% Instrumentalness • 56% Positiveness
32% Popularity • 50% Danceability • 22% Energy • 15% Liveness
89% Instrumentalness • 56% Positiveness
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Joseph Haydn
Symphony No. 101 in D Major, Hob. I:101 ...
97 bpm • G Maj • 07:39 • -23.23db
13% Popularity • 32% Danceability • 3% Energy • 7% Liveness
23% Instrumentalness • 19% Positiveness
13% Popularity • 32% Danceability • 3% Energy • 7% Liveness
23% Instrumentalness • 19% Positiveness
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Pyotr Ilyich Tchaikovsky
Souvenir d'un lieu cher, Op. 42: 3. Mél...
99 bpm • D# Maj • 03:52 • -25.25db
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
43% Popularity • 22% Danceability • 5% Energy • 10% Liveness
3% Instrumentalness • 7% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act II: "Kommt...
95 bpm • C Maj • 03:45 • -18db
16% Popularity • 47% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 47% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
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Richard Wagner
Die Walküre, WWV 86B - Concert version ...
100 bpm • G Maj • 04:53 • -14.32db
38% Popularity • 29% Danceability • 35% Energy • 12% Liveness
75% Instrumentalness • 16% Positiveness
38% Popularity • 29% Danceability • 35% Energy • 12% Liveness
75% Instrumentalness • 16% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, ossia Il dissoluto punito,...
76 bpm • A# Maj • 08:02 • -14.55db
13% Popularity • 16% Danceability • 29% Energy • 22% Liveness
49% Instrumentalness • 8% Positiveness
13% Popularity • 16% Danceability • 29% Energy • 22% Liveness
49% Instrumentalness • 8% Positiveness
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Franz Schubert
Seligkeit, D. 433 - Live
101 bpm • C Maj • 02:10 • -23.47db
7% Popularity • 34% Danceability • 21% Energy • 72% Liveness
0% Instrumentalness • 47% Positiveness
7% Popularity • 34% Danceability • 21% Energy • 72% Liveness
0% Instrumentalness • 47% Positiveness
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Joseph Haydn
Die Schöpfung, Hob. XXI:2 / Erster Teil...
98 bpm • C Maj • 02:00 • -12.09db
21% Popularity • 53% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 53% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Antonio Vivaldi
Vivaldi: The Four Seasons, Violin Concer...
101 bpm • E Maj • 04:19 • -16.24db
49% Popularity • 32% Danceability • 14% Energy • 26% Liveness
88% Instrumentalness • 30% Positiveness
49% Popularity • 32% Danceability • 14% Energy • 26% Liveness
88% Instrumentalness • 30% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Serenade for Strings in C, ...
101 bpm • G Maj • 03:34 • -17db
39% Popularity • 24% Danceability • 22% Energy • 18% Liveness
59% Instrumentalness • 30% Positiveness
39% Popularity • 24% Danceability • 22% Energy • 18% Liveness
59% Instrumentalness • 30% Positiveness
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George Frideric Handel
Music for the Royal Fireworks: Suite HWV...
102 bpm • C# Maj • 02:15 • -15.52db
43% Popularity • 58% Danceability • 42% Energy • 18% Liveness
96% Instrumentalness • 85% Positiveness
43% Popularity • 58% Danceability • 42% Energy • 18% Liveness
96% Instrumentalness • 85% Positiveness
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Wolfgang Amadeus Mozart
Requiem, K. 626: III. Sequentia: d. Reco...
80 bpm • F Maj • 05:04 • -23.97db
44% Popularity • 26% Danceability • 13% Energy • 13% Liveness
1% Instrumentalness • 13% Positiveness
44% Popularity • 26% Danceability • 13% Energy • 13% Liveness
1% Instrumentalness • 13% Positiveness
