Songs like Different Blue by General Elektriks
Based on a tempo of (+/- 10%) and a similar genre
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Sporto Kantès
Impressed
135 bpm • F Maj • 03:44 • -5db
22% Popularity • 78% Danceability • 78% Energy • 26% Liveness
1% Instrumentalness • 56% Positiveness
22% Popularity • 78% Danceability • 78% Energy • 26% Liveness
1% Instrumentalness • 56% Positiveness
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Midnight Juggernauts
Into the Galaxy - Radio Version
135 bpm • A# min • 03:39 • -3.8db
39% Popularity • 52% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
39% Popularity • 52% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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General Elektriks
Different Blue
135 bpm • G Maj • 04:03 • -4.65db
14% Popularity • 85% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
14% Popularity • 85% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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CANNIBALE
Not Easy to Cook
135 bpm • A min • 03:33 • -8.05db
23% Popularity • 42% Danceability • 70% Energy • 39% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 42% Danceability • 70% Energy • 39% Liveness
0% Instrumentalness • 62% Positiveness
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Yarol Poupaud
Woop Woop
136 bpm • G Maj • 02:44 • -6.21db
11% Popularity • 86% Danceability • 54% Energy • 8% Liveness
1% Instrumentalness • 84% Positiveness
11% Popularity • 86% Danceability • 54% Energy • 8% Liveness
1% Instrumentalness • 84% Positiveness
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Keren Ann
Easy Money
134 bpm • A min • 03:30 • -7.65db
8% Popularity • 77% Danceability • 54% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 77% Danceability • 54% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
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Poni Hoax
The Bird is on Fire
134 bpm • G min • 04:36 • -9.92db
21% Popularity • 76% Danceability • 56% Energy • 23% Liveness
86% Instrumentalness • 78% Positiveness
21% Popularity • 76% Danceability • 56% Energy • 23% Liveness
86% Instrumentalness • 78% Positiveness
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Balthazar
Morning
136 bpm • B Maj • 03:01 • -7.52db
29% Popularity • 94% Danceability • 57% Energy • 20% Liveness
1% Instrumentalness • 90% Positiveness
29% Popularity • 94% Danceability • 57% Energy • 20% Liveness
1% Instrumentalness • 90% Positiveness
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Teleman
Bone China Face
134 bpm • G min • 04:41 • -7.92db
17% Popularity • 78% Danceability • 69% Energy • 16% Liveness
39% Instrumentalness • 72% Positiveness
17% Popularity • 78% Danceability • 69% Energy • 16% Liveness
39% Instrumentalness • 72% Positiveness
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Mademoiselle K
WATCH ME
136 bpm • E min • 03:48 • -5.75db
9% Popularity • 39% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 39% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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William Z Villain
Something Beautiful
133 bpm • F min • 03:41 • -10.93db
22% Popularity • 80% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
22% Popularity • 80% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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The Shoes
Baby
133 bpm • B min • 03:35 • -8.4db
33% Popularity • 64% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
33% Popularity • 64% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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CANNIBALE
The Ugliest Rabbit of the 70's
138 bpm • E min • 04:06 • -7.07db
18% Popularity • 74% Danceability • 57% Energy • 8% Liveness
3% Instrumentalness • 74% Positiveness
18% Popularity • 74% Danceability • 57% Energy • 8% Liveness
3% Instrumentalness • 74% Positiveness
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Hanni El Khatib
Dead Wrong
137 bpm • A Maj • 03:28 • -5.38db
24% Popularity • 72% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 72% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 68% Positiveness
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Jacques
Dans la radio - Worldwide Version
138 bpm • G# Maj • 03:23 • -9.55db
7% Popularity • 65% Danceability • 68% Energy • 9% Liveness
12% Instrumentalness • 32% Positiveness
7% Popularity • 65% Danceability • 68% Energy • 9% Liveness
12% Instrumentalness • 32% Positiveness
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DBFC
Humdrum
132 bpm • F# min • 04:39 • -10.1db
12% Popularity • 83% Danceability • 53% Energy • 10% Liveness
21% Instrumentalness • 54% Positiveness
12% Popularity • 83% Danceability • 53% Energy • 10% Liveness
21% Instrumentalness • 54% Positiveness
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Futuro Pelo
Bluff
132 bpm • C# Maj • 02:41 • -6.45db
19% Popularity • 68% Danceability • 83% Energy • 15% Liveness
8% Instrumentalness • 89% Positiveness
19% Popularity • 68% Danceability • 83% Energy • 15% Liveness
8% Instrumentalness • 89% Positiveness
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Bosco Rogers
Googoo
132 bpm • A Maj • 01:50 • -3.41db
9% Popularity • 48% Danceability • 96% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
9% Popularity • 48% Danceability • 96% Energy • 20% Liveness
0% Instrumentalness • 64% Positiveness
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CANNIBALE
Ghost
132 bpm • C min • 03:18 • -9.65db
12% Popularity • 83% Danceability • 43% Energy • 12% Liveness
20% Instrumentalness • 40% Positiveness
12% Popularity • 83% Danceability • 43% Energy • 12% Liveness
20% Instrumentalness • 40% Positiveness
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Nasser
Retrosexual
132 bpm • C# min • 04:52 • -5.75db
13% Popularity • 64% Danceability • 90% Energy • 26% Liveness
18% Instrumentalness • 9% Positiveness
13% Popularity • 64% Danceability • 90% Energy • 26% Liveness
18% Instrumentalness • 9% Positiveness
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Jacques
Dans la radio
138 bpm • C Maj • 03:21 • -7db
25% Popularity • 58% Danceability • 74% Energy • 9% Liveness
3% Instrumentalness • 26% Positiveness
25% Popularity • 58% Danceability • 74% Energy • 9% Liveness
3% Instrumentalness • 26% Positiveness
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Cassius
Toop Toop
132 bpm • D Maj • 02:47 • -4.62db
54% Popularity • 77% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 92% Positiveness
54% Popularity • 77% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 92% Positiveness
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Pi Ja Ma
Pixies, Sylphs and Fairies
132 bpm • D min • 03:21 • -7.66db
28% Popularity • 65% Danceability • 75% Energy • 38% Liveness
12% Instrumentalness • 59% Positiveness
28% Popularity • 65% Danceability • 75% Energy • 38% Liveness
12% Instrumentalness • 59% Positiveness
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Mombojó
Amor Feito Fera
132 bpm • C Maj • 03:46 • -11.69db
3% Popularity • 66% Danceability • 55% Energy • 15% Liveness
5% Instrumentalness • 88% Positiveness
3% Popularity • 66% Danceability • 55% Energy • 15% Liveness
5% Instrumentalness • 88% Positiveness
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Les Rita Mitsouko
Don't Forget the Nite
138 bpm • D Maj • 02:44 • -9db
30% Popularity • 64% Danceability • 59% Energy • 5% Liveness
1% Instrumentalness • 78% Positiveness
30% Popularity • 64% Danceability • 59% Energy • 5% Liveness
1% Instrumentalness • 78% Positiveness
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Las Aves
Lioness
139 bpm • A min • 03:24 • -8.34db
27% Popularity • 75% Danceability • 56% Energy • 57% Liveness
24% Instrumentalness • 52% Positiveness
27% Popularity • 75% Danceability • 56% Energy • 57% Liveness
24% Instrumentalness • 52% Positiveness
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Puts Marie
Tell Her to Come on Home
131 bpm • F min • 02:54 • -8db
15% Popularity • 70% Danceability • 40% Energy • 13% Liveness
1% Instrumentalness • 60% Positiveness
15% Popularity • 70% Danceability • 40% Energy • 13% Liveness
1% Instrumentalness • 60% Positiveness
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Yael Naim
Make a Child - General Elektriks Remix
140 bpm • C Maj • 03:26 • -8.45db
3% Popularity • 86% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
3% Popularity • 86% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Sarah W. Papsun
Drugstore Montmartre
139 bpm • D Maj • 04:09 • -5.43db
11% Popularity • 39% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 39% Danceability • 76% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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Bumcello
Everyday
140 bpm • C Maj • 02:39 • -6.31db
38% Popularity • 86% Danceability • 79% Energy • 11% Liveness
1% Instrumentalness • 78% Positiveness
38% Popularity • 86% Danceability • 79% Energy • 11% Liveness
1% Instrumentalness • 78% Positiveness
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General Elektriks
Amour über Alles
140 bpm • G# Maj • 03:25 • -7db
10% Popularity • 87% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 87% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Klaus Johann Grobe
Der Koenig
140 bpm • A Maj • 03:58 • -8.21db
20% Popularity • 83% Danceability • 76% Energy • 13% Liveness
5% Instrumentalness • 92% Positiveness
20% Popularity • 83% Danceability • 76% Energy • 13% Liveness
5% Instrumentalness • 92% Positiveness
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Feu! Chatterton
Fou à lier
130 bpm • C# Maj • 04:30 • -5.97db
37% Popularity • 65% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 65% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Chinese Man
Racing with the Sun - Deluxe Remix
130 bpm • C# Maj • 03:55 • -8.15db
31% Popularity • 86% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
31% Popularity • 86% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 97% Positiveness
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Futuro Pelo
Hands
130 bpm • D Maj • 02:59 • -5.54db
20% Popularity • 72% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
20% Popularity • 72% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Juniore
Difficile
130 bpm • C# Maj • 04:32 • -4.61db
20% Popularity • 65% Danceability • 85% Energy • 18% Liveness
29% Instrumentalness • 75% Positiveness
20% Popularity • 65% Danceability • 85% Energy • 18% Liveness
29% Instrumentalness • 75% Positiveness
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SÔNGE
Now
130 bpm • A Maj • 03:26 • -4.12db
13% Popularity • 66% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 66% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Matteo
Prumirim
130 bpm • A min • 03:03 • -7.58db
11% Popularity • 71% Danceability • 85% Energy • 8% Liveness
89% Instrumentalness • 82% Positiveness
11% Popularity • 71% Danceability • 85% Energy • 8% Liveness
89% Instrumentalness • 82% Positiveness
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Raphaële Germser
Get Lost
130 bpm • D Maj • 02:48 • -8.03db
5% Popularity • 84% Danceability • 54% Energy • 14% Liveness
52% Instrumentalness • 96% Positiveness
5% Popularity • 84% Danceability • 54% Energy • 14% Liveness
52% Instrumentalness • 96% Positiveness
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Melissa Laveaux
Nan Pwen Lavi Anko
130 bpm • A Maj • 03:23 • -6.56db
28% Popularity • 82% Danceability • 63% Energy • 8% Liveness
3% Instrumentalness • 71% Positiveness
28% Popularity • 82% Danceability • 63% Energy • 8% Liveness
3% Instrumentalness • 71% Positiveness
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Futuro Pelo
Warming
130 bpm • A Maj • 03:32 • -4.63db
21% Popularity • 63% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
21% Popularity • 63% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
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Sporto Kantès
Concrete
130 bpm • G Maj • 04:11 • -6.28db
27% Popularity • 78% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
27% Popularity • 78% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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-M-
I Kissed a Girl
130 bpm • A min • 03:13 • -6.57db
25% Popularity • 65% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 65% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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General Elektriks
Summer Is Here
130 bpm • D Maj • 03:56 • -5.89db
15% Popularity • 80% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 80% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Poni Hoax
Images of Sigrid
130 bpm • G# Maj • 05:15 • -8.08db
19% Popularity • 57% Danceability • 61% Energy • 10% Liveness
3% Instrumentalness • 16% Positiveness
19% Popularity • 57% Danceability • 61% Energy • 10% Liveness
3% Instrumentalness • 16% Positiveness
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Juniore
Les héros de Barbès
130 bpm • C# Maj • 02:32 • -7.67db
33% Popularity • 65% Danceability • 79% Energy • 20% Liveness
31% Instrumentalness • 84% Positiveness
33% Popularity • 65% Danceability • 79% Energy • 20% Liveness
31% Instrumentalness • 84% Positiveness
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La Chica
Drink
130 bpm • F min • 04:04 • -8db
28% Popularity • 69% Danceability • 57% Energy • 25% Liveness
1% Instrumentalness • 34% Positiveness
28% Popularity • 69% Danceability • 57% Energy • 25% Liveness
1% Instrumentalness • 34% Positiveness
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Big Soul
Hippy Hippy Shake
129 bpm • D Maj • 02:50 • -5.45db
42% Popularity • 74% Danceability • 99% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
42% Popularity • 74% Danceability • 99% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Myd
Muchas
129 bpm • G min • 03:04 • -5.32db
31% Popularity • 84% Danceability • 84% Energy • 9% Liveness
16% Instrumentalness • 85% Positiveness
31% Popularity • 84% Danceability • 84% Energy • 9% Liveness
16% Instrumentalness • 85% Positiveness
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Sporto Kantès
Electric Sylvie
142 bpm • A# min • 03:06 • -8.54db
12% Popularity • 81% Danceability • 66% Energy • 40% Liveness
4% Instrumentalness • 73% Positiveness
12% Popularity • 81% Danceability • 66% Energy • 40% Liveness
4% Instrumentalness • 73% Positiveness
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Theo Lawrence and The Hearts
Never Let It Go
129 bpm • A# min • 03:09 • -6.86db
23% Popularity • 73% Danceability • 60% Energy • 13% Liveness
3% Instrumentalness • 89% Positiveness
23% Popularity • 73% Danceability • 60% Energy • 13% Liveness
3% Instrumentalness • 89% Positiveness
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General Elektriks
Facing That Void
129 bpm • G min • 03:06 • -7.06db
32% Popularity • 76% Danceability • 67% Energy • 44% Liveness
0% Instrumentalness • 63% Positiveness
32% Popularity • 76% Danceability • 67% Energy • 44% Liveness
0% Instrumentalness • 63% Positiveness
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Tshegue
Survivor
142 bpm • C# Maj • 03:35 • -4.72db
28% Popularity • 66% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
28% Popularity • 66% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Barrio Colette
Façon Façon
128 bpm • A min • 03:40 • -6.56db
12% Popularity • 57% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 57% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Futuro Pelo
Swamp
142 bpm • C# Maj • 02:50 • -4.32db
28% Popularity • 78% Danceability • 76% Energy • 13% Liveness
22% Instrumentalness • 87% Positiveness
28% Popularity • 78% Danceability • 76% Energy • 13% Liveness
22% Instrumentalness • 87% Positiveness
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Sabina Sciubba
Viva l'amour
142 bpm • D Maj • 03:04 • -6.7db
39% Popularity • 72% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
39% Popularity • 72% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Theo Lawrence and The Hearts
Sticky Icky
142 bpm • E min • 03:00 • -6.63db
33% Popularity • 78% Danceability • 73% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
33% Popularity • 78% Danceability • 73% Energy • 6% Liveness
1% Instrumentalness • 96% Positiveness
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Franky Gogo
Fast and Too Much
128 bpm • C# Maj • 04:09 • -8.17db
8% Popularity • 51% Danceability • 76% Energy • 11% Liveness
12% Instrumentalness • 73% Positiveness
8% Popularity • 51% Danceability • 76% Energy • 11% Liveness
12% Instrumentalness • 73% Positiveness
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Metronomy
Love Letters
128 bpm • A# min • 05:15 • -8db
47% Popularity • 77% Danceability • 53% Energy • 9% Liveness
22% Instrumentalness • 16% Positiveness
47% Popularity • 77% Danceability • 53% Energy • 9% Liveness
22% Instrumentalness • 16% Positiveness
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Tample
Summer Light
128 bpm • C Maj • 04:57 • -5.71db
35% Popularity • 58% Danceability • 90% Energy • 25% Liveness
22% Instrumentalness • 33% Positiveness
35% Popularity • 58% Danceability • 90% Energy • 25% Liveness
22% Instrumentalness • 33% Positiveness
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Kid Bombardos
I Round The Bend
128 bpm • A min • 03:32 • -4.84db
23% Popularity • 48% Danceability • 63% Energy • 8% Liveness
10% Instrumentalness • 82% Positiveness
23% Popularity • 48% Danceability • 63% Energy • 8% Liveness
10% Instrumentalness • 82% Positiveness
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69
Novo Rock
128 bpm • D Maj • 02:33 • -4.76db
14% Popularity • 86% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
14% Popularity • 86% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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CANNIBALE
Pendejo
128 bpm • F# min • 04:18 • -6.66db
8% Popularity • 64% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 64% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Naive New Beaters
Montecristo
128 bpm • F# min • 03:34 • -4.7db
32% Popularity • 70% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
32% Popularity • 70% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 95% Positiveness
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Freezer
Tomorrow
128 bpm • F Maj • 02:44 • -8.13db
0% Popularity • 73% Danceability • 78% Energy • 17% Liveness
47% Instrumentalness • 71% Positiveness
0% Popularity • 73% Danceability • 78% Energy • 17% Liveness
47% Instrumentalness • 71% Positiveness
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The Souljazz Orchestra
Lufunki
128 bpm • C# Maj • 03:38 • -6.73db
27% Popularity • 70% Danceability • 82% Energy • 8% Liveness
91% Instrumentalness • 74% Positiveness
27% Popularity • 70% Danceability • 82% Energy • 8% Liveness
91% Instrumentalness • 74% Positiveness
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The Inspector Cluzo
I'm A Japanese Mountain
128 bpm • C# Maj • 03:32 • -8.12db
12% Popularity • 50% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
12% Popularity • 50% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Marka
Poulette
128 bpm • C Maj • 03:57 • -7db
2% Popularity • 85% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
2% Popularity • 85% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Isaac Delusion
Cajun
127 bpm • A Maj • 03:54 • -6db
22% Popularity • 58% Danceability • 66% Energy • 7% Liveness
20% Instrumentalness • 37% Positiveness
22% Popularity • 58% Danceability • 66% Energy • 7% Liveness
20% Instrumentalness • 37% Positiveness
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Buvette
Staring at the Lines
127 bpm • C Maj • 03:55 • -8.52db
15% Popularity • 74% Danceability • 83% Energy • 14% Liveness
45% Instrumentalness • 64% Positiveness
15% Popularity • 74% Danceability • 83% Energy • 14% Liveness
45% Instrumentalness • 64% Positiveness
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David Shaw and The Beat
Nuclear Bomb
127 bpm • A min • 03:17 • -7.87db
11% Popularity • 75% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
11% Popularity • 75% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Torpedo Boyz
Are You Talking to Me??? - Full Vocal Si...
127 bpm • B min • 05:02 • -7.69db
33% Popularity • 86% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
33% Popularity • 86% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Ben L'Oncle Soul
Spy
144 bpm • A min • 02:30 • -3.88db
17% Popularity • 56% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 56% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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CANNIBALE
Kings of the Attic
144 bpm • A Maj • 04:18 • -11.09db
7% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
7% Popularity • 55% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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The Shoes
Time To Dance
144 bpm • A Maj • 03:16 • -6.91db
44% Popularity • 60% Danceability • 98% Energy • 50% Liveness
0% Instrumentalness • 76% Positiveness
44% Popularity • 60% Danceability • 98% Energy • 50% Liveness
0% Instrumentalness • 76% Positiveness
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Flavien Berger
Bleu sous-marin
144 bpm • F min • 06:47 • -7db
44% Popularity • 78% Danceability • 55% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
44% Popularity • 78% Danceability • 55% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
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The Green Flamingos
The Rush Kicks In
126 bpm • C# min • 03:03 • -7db
22% Popularity • 74% Danceability • 64% Energy • 8% Liveness
4% Instrumentalness • 72% Positiveness
22% Popularity • 74% Danceability • 64% Energy • 8% Liveness
4% Instrumentalness • 72% Positiveness
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Poni Hoax
Budapest
126 bpm • A# Maj • 05:29 • -7db
30% Popularity • 84% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
30% Popularity • 84% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Rubin Steiner
Your Life Is Like a Tony Conrad Concert
126 bpm • A min • 04:06 • -6.12db
10% Popularity • 75% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 75% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
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CANNIBALE
Do Not Love Me Too Much
126 bpm • A# min • 04:11 • -7.59db
12% Popularity • 62% Danceability • 62% Energy • 31% Liveness
27% Instrumentalness • 40% Positiveness
12% Popularity • 62% Danceability • 62% Energy • 31% Liveness
27% Instrumentalness • 40% Positiveness
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Christophe
Tangerine
126 bpm • G Maj • 04:55 • -5db
33% Popularity • 68% Danceability • 59% Energy • 9% Liveness
77% Instrumentalness • 53% Positiveness
33% Popularity • 68% Danceability • 59% Energy • 9% Liveness
77% Instrumentalness • 53% Positiveness
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The Shoes
Time To Dance - Extended Version
144 bpm • A Maj • 06:51 • -9.38db
34% Popularity • 56% Danceability • 98% Energy • 13% Liveness
63% Instrumentalness • 56% Positiveness
34% Popularity • 56% Danceability • 98% Energy • 13% Liveness
63% Instrumentalness • 56% Positiveness
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Arthur H
Tokyo Kiss
126 bpm • G min • 04:33 • -7db
28% Popularity • 67% Danceability • 58% Energy • 22% Liveness
7% Instrumentalness • 91% Positiveness
28% Popularity • 67% Danceability • 58% Energy • 22% Liveness
7% Instrumentalness • 91% Positiveness
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Poni Hoax
Everything Is Real
126 bpm • C# Maj • 03:41 • -8db
18% Popularity • 72% Danceability • 73% Energy • 11% Liveness
28% Instrumentalness • 18% Positiveness
18% Popularity • 72% Danceability • 73% Energy • 11% Liveness
28% Instrumentalness • 18% Positiveness
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Sarah W. Papsun
Whiskey Mike
126 bpm • F# min • 02:50 • -7.14db
16% Popularity • 66% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 66% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 56% Positiveness
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CANNIBALE
Hidden Wealth
126 bpm • D# min • 03:56 • -9db
22% Popularity • 56% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 56% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Mina Tindle
Pan
126 bpm • F Maj • 04:10 • -8.21db
27% Popularity • 69% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 69% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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La Féline
Adieu l'enfance
126 bpm • C min • 05:04 • -4.49db
13% Popularity • 64% Danceability • 77% Energy • 10% Liveness
34% Instrumentalness • 28% Positiveness
13% Popularity • 64% Danceability • 77% Energy • 10% Liveness
34% Instrumentalness • 28% Positiveness
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Feu! Chatterton
La Malinche
126 bpm • A min • 03:56 • -5db
44% Popularity • 45% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
44% Popularity • 45% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Bumcello
In the Nude for Love
126 bpm • F Maj • 02:52 • -6.51db
16% Popularity • 90% Danceability • 65% Energy • 23% Liveness
3% Instrumentalness • 92% Positiveness
16% Popularity • 90% Danceability • 65% Energy • 23% Liveness
3% Instrumentalness • 92% Positiveness
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Gush
Dirty Attitude
145 bpm • B Maj • 03:51 • -5db
12% Popularity • 82% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
12% Popularity • 82% Danceability • 68% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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CANNIBALE
Frogs
126 bpm • C Maj • 03:46 • -7.81db
10% Popularity • 74% Danceability • 90% Energy • 57% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 74% Danceability • 90% Energy • 57% Liveness
0% Instrumentalness • 89% Positiveness
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Melissa Laveaux
Tolalito
145 bpm • F# Maj • 04:28 • -6.97db
26% Popularity • 49% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 49% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Poni Hoax
She's on the Radio
145 bpm • E min • 03:27 • -6.14db
23% Popularity • 62% Danceability • 80% Energy • 16% Liveness
43% Instrumentalness • 96% Positiveness
23% Popularity • 62% Danceability • 80% Energy • 16% Liveness
43% Instrumentalness • 96% Positiveness
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Sandra Nkaké
Toc Toc Toc
125 bpm • C Maj • 03:23 • -6.51db
11% Popularity • 80% Danceability • 75% Energy • 76% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 80% Danceability • 75% Energy • 76% Liveness
0% Instrumentalness • 85% Positiveness
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Las Aves
I Dreamed
125 bpm • C Maj • 03:39 • -6.25db
28% Popularity • 73% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 73% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Gush
Let's Burn Again
146 bpm • C Maj • 04:04 • -6.28db
30% Popularity • 86% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
30% Popularity • 86% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 97% Positiveness
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Metronomy
Salted Caramel Ice Cream
125 bpm • B Maj • 03:30 • -6.75db
49% Popularity • 89% Danceability • 52% Energy • 9% Liveness
9% Instrumentalness • 88% Positiveness
49% Popularity • 89% Danceability • 52% Energy • 9% Liveness
9% Instrumentalness • 88% Positiveness
