Songs like Different Languages - Phonetics Mix by Holly Palmer
Based on a tempo of (+/- 10%) and a similar genre
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Fleming & John
Ugly Girl
124 bpm • C# min • 03:48 • -7.43db
24% Popularity • 73% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
24% Popularity • 73% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
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Holly Palmer
Trouble
124 bpm • C Maj • 03:36 • -6.66db
0% Popularity • 51% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 51% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Block
Catch a Falling Star
124 bpm • C Maj • 03:32 • -7.47db
19% Popularity • 76% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
19% Popularity • 76% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Duke Ellington
Hit Me With A Hot Note And Watch Me Boun...
125 bpm • F Maj • 02:19 • -10.02db
14% Popularity • 55% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
14% Popularity • 55% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Anika Noni Rose
Frankie and Johnny
124 bpm • G Maj • 03:09 • -8.93db
9% Popularity • 60% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
9% Popularity • 60% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Ingrid Michaelson
Be OK - Acoustic Version
125 bpm • E Maj • 02:32 • -8.99db
34% Popularity • 65% Danceability • 32% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
34% Popularity • 65% Danceability • 32% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Lizz Wright
Song For Mia
125 bpm • G Maj • 04:52 • -8.11db
15% Popularity • 34% Danceability • 41% Energy • 10% Liveness
41% Instrumentalness • 32% Positiveness
15% Popularity • 34% Danceability • 41% Energy • 10% Liveness
41% Instrumentalness • 32% Positiveness
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Holly Palmer
That's Why They Call It Rome
124 bpm • A Maj • 04:01 • -10.85db
0% Popularity • 69% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
0% Popularity • 69% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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the bird and the bee
I'm Into Something Good
123 bpm • C# Maj • 02:51 • -10db
46% Popularity • 88% Danceability • 60% Energy • 8% Liveness
4% Instrumentalness • 86% Positiveness
46% Popularity • 88% Danceability • 60% Energy • 8% Liveness
4% Instrumentalness • 86% Positiveness
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CeeLo Green
I'm A Man
125 bpm • C# Maj • 03:09 • -4.7db
14% Popularity • 76% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
14% Popularity • 76% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Dinah Washington
Relax Max
125 bpm • F Maj • 02:44 • -9db
31% Popularity • 64% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 64% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Esthero
Everyday Is a Holiday with You
123 bpm • F Maj • 02:58 • -8.09db
14% Popularity • 72% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 72% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Lizz Wright
When I Fall
125 bpm • G Maj • 03:54 • -12.98db
24% Popularity • 38% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
24% Popularity • 38% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
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Natalie Gauci
Orange Coloured Sky
125 bpm • G Maj • 02:25 • -3.35db
7% Popularity • 63% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
7% Popularity • 63% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Haley Reinhart
Free
125 bpm • G min • 04:09 • -4.52db
32% Popularity • 59% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
32% Popularity • 59% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Jesse Harris
If You Won't
122 bpm • G Maj • 02:13 • -11.59db
13% Popularity • 65% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
13% Popularity • 65% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Vonda Shepard
100 Tears Away
122 bpm • G Maj • 04:53 • -13.01db
18% Popularity • 56% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 56% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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![Everyday Is a Holiday (With You) [feat. Sean Lennon] cover art](https://i.scdn.co/image/ab67616d00001e0230793560fe084a20016a9958)
Esthero
Everyday Is a Holiday (With You)
123 bpm • F Maj • 04:04 • -8.76db
19% Popularity • 68% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
19% Popularity • 68% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Judith Owen
I Promise You
126 bpm • G Maj • 04:35 • -13db
17% Popularity • 29% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
17% Popularity • 29% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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The Beu Sisters
Catch Me If You Can
126 bpm • E Maj • 03:33 • -2.71db
23% Popularity • 75% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
23% Popularity • 75% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Brian Childers
New York Is Where I Live
122 bpm • C min • 02:18 • -9.49db
11% Popularity • 68% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 68% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Norah Jones
It Was the Last Thing on Your Mind
126 bpm • C Maj • 03:08 • -8.42db
12% Popularity • 69% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
12% Popularity • 69% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Elton John
The Heart Of Every Girl
122 bpm • G# Maj • 03:38 • -7db
23% Popularity • 72% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
23% Popularity • 72% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 64% Positiveness
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Holly Palmer
These Are the Days
126 bpm • D Maj • 03:25 • -5.78db
0% Popularity • 70% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
0% Popularity • 70% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
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Amy Stroup
Just Takes a Little
126 bpm • C Maj • 02:40 • -8.94db
15% Popularity • 71% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 71% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Janice Hagan
Hey, Big Spender
126 bpm • A# min • 04:16 • -12.92db
15% Popularity • 75% Danceability • 36% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 75% Danceability • 36% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
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Anjulie
Love Songs
122 bpm • D Maj • 03:18 • -6.13db
13% Popularity • 62% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
13% Popularity • 62% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Sondre Lerche
Modern Nature
122 bpm • D Maj • 03:36 • -7db
31% Popularity • 69% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 69% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Joey Fatone, Jr.
Can I Steal A Little Love
122 bpm • G Maj • 02:33 • -4.91db
14% Popularity • 60% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 60% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
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The Final Frontier
Mad About You Theme
122 bpm • G min • 01:10 • -7.29db
14% Popularity • 66% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 66% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Holly Palmer
Vanity (A Life With You)
126 bpm • E Maj • 02:57 • -11.48db
0% Popularity • 47% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
0% Popularity • 47% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Louis Armstrong
The Dummy Song
121 bpm • A# Maj • 02:22 • -8.02db
26% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
26% Popularity • 68% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Sandrine
Where Do We Go
127 bpm • E min • 02:48 • -7.95db
2% Popularity • 75% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
2% Popularity • 75% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Thunderbugs
Friends Forever
127 bpm • A Maj • 03:40 • -7db
15% Popularity • 55% Danceability • 83% Energy • 45% Liveness
0% Instrumentalness • 83% Positiveness
15% Popularity • 55% Danceability • 83% Energy • 45% Liveness
0% Instrumentalness • 83% Positiveness
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John Legend
Don't You Worry 'Bout a Thing
127 bpm • B min • 04:44 • -6.07db
39% Popularity • 76% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 76% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Sophie Barker
Leaving on a Jet Plane
121 bpm • G Maj • 04:03 • -12.23db
9% Popularity • 60% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 60% Danceability • 17% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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the bird and the bee
Private Eyes
121 bpm • C Maj • 03:03 • -8.51db
30% Popularity • 84% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
30% Popularity • 84% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 94% Positiveness
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Bitter:Sweet
Get What I Want
121 bpm • F Maj • 03:24 • -7.47db
23% Popularity • 78% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
23% Popularity • 78% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Diane Birch
Fools
121 bpm • D# min • 03:54 • -5.52db
29% Popularity • 74% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 74% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Donna Lewis
Falling
127 bpm • G Maj • 04:16 • -8db
16% Popularity • 86% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
16% Popularity • 86% Danceability • 39% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Shannon McNally
Now That I Know
121 bpm • E Maj • 04:45 • -6.4db
23% Popularity • 56% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
23% Popularity • 56% Danceability • 76% Energy • 4% Liveness
0% Instrumentalness • 57% Positiveness
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Beth Nielsen Chapman
Say Goodnight
128 bpm • E Maj • 05:40 • -11.74db
26% Popularity • 39% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
26% Popularity • 39% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Estelle
Pretty Please (Love Me)
121 bpm • C Maj • 03:59 • -4.3db
30% Popularity • 71% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 71% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
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Holly Palmer
Safety Belt
128 bpm • F Maj • 03:50 • -13.88db
0% Popularity • 53% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 53% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
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The Trevor Horn Orchestra
Sh-Boom
128 bpm • C Maj • 02:47 • -10.36db
13% Popularity • 68% Danceability • 31% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
13% Popularity • 68% Danceability • 31% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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Jeff Meegan
Brand New Way To Be Me
120 bpm • C# Maj • 03:04 • -7.11db
19% Popularity • 44% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 44% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Girls Against Abuse
Harder (Slow)
128 bpm • C Maj • 03:31 • -9.03db
0% Popularity • 55% Danceability • 19% Energy • 31% Liveness
0% Instrumentalness • 10% Positiveness
0% Popularity • 55% Danceability • 19% Energy • 31% Liveness
0% Instrumentalness • 10% Positiveness
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Kate Hudson
Cinema Italiano
120 bpm • G Maj • 03:13 • -7.8db
34% Popularity • 78% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 78% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 41% Positiveness
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Liz Phair
Count On My Love
128 bpm • D Maj • 03:41 • -5db
22% Popularity • 50% Danceability • 88% Energy • 6% Liveness
3% Instrumentalness • 24% Positiveness
22% Popularity • 50% Danceability • 88% Energy • 6% Liveness
3% Instrumentalness • 24% Positiveness
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Cherie
I'm Ready
120 bpm • A Maj • 03:22 • -3.74db
28% Popularity • 78% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 78% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
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Metisse
Boom Boom Ba
120 bpm • A min • 03:48 • -8.65db
30% Popularity • 77% Danceability • 70% Energy • 9% Liveness
3% Instrumentalness • 80% Positiveness
30% Popularity • 77% Danceability • 70% Energy • 9% Liveness
3% Instrumentalness • 80% Positiveness
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the bird and the bee
Kiss On My List
120 bpm • A# Maj • 04:18 • -9db
34% Popularity • 82% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
34% Popularity • 82% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Mia Sable
It's Easy
120 bpm • F min • 03:07 • -3.2db
23% Popularity • 76% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
23% Popularity • 76% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Mandy Moore
Senses Working Overtime
128 bpm • F# Maj • 04:08 • -3.97db
14% Popularity • 60% Danceability • 94% Energy • 74% Liveness
0% Instrumentalness • 83% Positiveness
14% Popularity • 60% Danceability • 94% Energy • 74% Liveness
0% Instrumentalness • 83% Positiveness
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Gina Catalino
1132 P.M.
128 bpm • C# Maj • 02:14 • -9db
9% Popularity • 68% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 68% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 71% Positiveness
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Serena Ryder
Good Morning Starshine
120 bpm • G Maj • 04:20 • -5.1db
20% Popularity • 69% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
20% Popularity • 69% Danceability • 76% Energy • 5% Liveness
0% Instrumentalness • 77% Positiveness
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Duffy
Breaking My Own Heart
120 bpm • A min • 03:55 • -5db
34% Popularity • 65% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
34% Popularity • 65% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 39% Positiveness
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Andie MacDowell
Sittin' by the Side of the Road
129 bpm • A# Maj • 02:17 • -9.72db
21% Popularity • 66% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 66% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Lena Horne
I Got Rhythm
120 bpm • D# Maj • 02:53 • -14.19db
6% Popularity • 59% Danceability • 26% Energy • 3% Liveness
0% Instrumentalness • 36% Positiveness
6% Popularity • 59% Danceability • 26% Energy • 3% Liveness
0% Instrumentalness • 36% Positiveness
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Nikka Costa
Stuck to You
129 bpm • G Maj • 03:44 • -10.48db
19% Popularity • 80% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
19% Popularity • 80% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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The Chantrellines
Hold My Hand, Hold My Heart
119 bpm • D Maj • 03:11 • -5.19db
26% Popularity • 65% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 65% Danceability • 75% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Lily Frost
Love Me Or Leave Me
129 bpm • C Maj • 02:39 • -6.96db
10% Popularity • 66% Danceability • 47% Energy • 15% Liveness
1% Instrumentalness • 70% Positiveness
10% Popularity • 66% Danceability • 47% Energy • 15% Liveness
1% Instrumentalness • 70% Positiveness
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Holly Palmer
Sal the Gardener
119 bpm • C# Maj • 02:12 • -18.08db
0% Popularity • 43% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 43% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Shelby Lynne
Killin' Kind
130 bpm • A Maj • 04:41 • -6.4db
31% Popularity • 54% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 54% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Elijah Kelley
Dangerous
130 bpm • B Maj • 03:49 • -4.72db
13% Popularity • 76% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
13% Popularity • 76% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Billy Joel
Vienna
130 bpm • G min • 04:26 • -8db
11% Popularity • 82% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 82% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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LeAnn Rimes
We Can
130 bpm • A Maj • 03:40 • -3.81db
25% Popularity • 49% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 49% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Michelle Featherstone
Sweet Sweet Baby
130 bpm • D Maj • 04:22 • -10db
10% Popularity • 51% Danceability • 38% Energy • 37% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 51% Danceability • 38% Energy • 37% Liveness
0% Instrumentalness • 17% Positiveness
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Holly Palmer
High Heel Boots
130 bpm • G Maj • 03:28 • -6.2db
0% Popularity • 60% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
0% Popularity • 60% Danceability • 58% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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Shelby Lynne
Killin' Kind
130 bpm • A Maj • 04:27 • -5.73db
18% Popularity • 50% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 50% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 26% Positiveness
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Corinne Bailey Rae
I Wanna Be Your Lover
118 bpm • C Maj • 03:29 • -9.25db
24% Popularity • 59% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
24% Popularity • 59% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Wilshire
Special
130 bpm • E min • 03:02 • -3.41db
11% Popularity • 54% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 54% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Aretha Franklin
The Shoop Shoop Song (It's in His Kiss)
118 bpm • B min • 02:21 • -8.95db
35% Popularity • 76% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
35% Popularity • 76% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 86% Positiveness
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Station South
Salton Sea Serenade
118 bpm • C min • 03:00 • -7.62db
20% Popularity • 68% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 66% Positiveness
20% Popularity • 68% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 66% Positiveness
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Holly Palmer
Down so Low
118 bpm • A# Maj • 04:17 • -9.91db
0% Popularity • 53% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
0% Popularity • 53% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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Laura Izibor
Ring - EP Version
118 bpm • E Maj • 03:29 • -5.76db
17% Popularity • 94% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
17% Popularity • 94% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Vanessa Williams
Come On Strong
118 bpm • D Maj • 02:36 • -8.68db
13% Popularity • 57% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
13% Popularity • 57% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Mark Williams
Time After Time - Strictly Ballroom
131 bpm • C Maj • 04:20 • -15db
28% Popularity • 67% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 67% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Bitter:Sweet
The Mating Game
118 bpm • C min • 03:24 • -6.33db
34% Popularity • 75% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
34% Popularity • 75% Danceability • 60% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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Vanessa Carlton
San Francisco
131 bpm • C Maj • 04:11 • -6.38db
27% Popularity • 61% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 61% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Holly Palmer
The Happiest Man Alive
130 bpm • G Maj • 03:06 • -9.6db
0% Popularity • 56% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
0% Popularity • 56% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Sutton Foster
I Enjoy Being A Girl
117 bpm • D Maj • 03:15 • -7.33db
25% Popularity • 65% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 65% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 56% Positiveness
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Amy Jo Johnson
Puddle of Grace
117 bpm • D# Maj • 02:55 • -15.66db
17% Popularity • 50% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
17% Popularity • 50% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Brittany Murphy
Somebody to Love
117 bpm • G# Maj • 03:47 • -5.29db
39% Popularity • 33% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
39% Popularity • 33% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Nikki Yanofsky
I Believe - Edit
117 bpm • A# Maj • 03:38 • -9.53db
11% Popularity • 37% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 37% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Annie Lennox
The Hurting Time
132 bpm • E Maj • 07:32 • -9.76db
31% Popularity • 52% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 52% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 24% Positiveness
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Holly Palmer
Sweet Baby Waltz
117 bpm • F# min • 03:21 • -11.89db
0% Popularity • 42% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 42% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Sonny Curtis
Love Is All Around (The Mary Tyler Moore...
132 bpm • A Maj • 01:50 • -12.9db
29% Popularity • 60% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
29% Popularity • 60% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Jamie Cullum
I Get The Sweetest Feeling - Single Vers...
132 bpm • C# Maj • 03:50 • -8.17db
8% Popularity • 71% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
8% Popularity • 71% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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The Hollywood Symphony Orchestra and Voices
Coconut
132 bpm • C Maj • 03:44 • -15.13db
5% Popularity • 81% Danceability • 49% Energy • 8% Liveness
1% Instrumentalness • 76% Positiveness
5% Popularity • 81% Danceability • 49% Energy • 8% Liveness
1% Instrumentalness • 76% Positiveness
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Anne Hathaway
Bipolar Girl
132 bpm • F# Maj • 01:52 • -7.15db
20% Popularity • 67% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 67% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Vitamin C
Me, Myself & I
116 bpm • D min • 03:57 • -5.62db
23% Popularity • 86% Danceability • 87% Energy • 6% Liveness
6% Instrumentalness • 87% Positiveness
23% Popularity • 86% Danceability • 87% Energy • 6% Liveness
6% Instrumentalness • 87% Positiveness
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Holly Palmer
My Heart is Breaking Again
132 bpm • A min • 04:02 • -9.88db
0% Popularity • 51% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
0% Popularity • 51% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Miriam Mandipira
Don't Let Me Be Lonely Tonight
116 bpm • D min • 05:15 • -14.51db
14% Popularity • 59% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
14% Popularity • 59% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Kelly Clarkson
Respect
116 bpm • C Maj • 02:15 • -8.66db
29% Popularity • 76% Danceability • 72% Energy • 28% Liveness
15% Instrumentalness • 90% Positiveness
29% Popularity • 76% Danceability • 72% Energy • 28% Liveness
15% Instrumentalness • 90% Positiveness
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Brenna Whitaker
One More Try
116 bpm • G Maj • 04:32 • -9.06db
11% Popularity • 44% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 44% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Wilson Phillips
Good Vibrations
133 bpm • A# Maj • 03:45 • -6.84db
25% Popularity • 40% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
25% Popularity • 40% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Dionne Warwick
Wives & Lovers
133 bpm • A min • 03:04 • -12db
21% Popularity • 48% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 48% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness