Songs like Dinosaur Girl by Hank Davis
Based on a tempo of (+/- 10%) and a similar genre
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The Astronauts
4:56 Stingray
145 bpm • A Maj • 02:01 • -10.32db
8% Popularity • 52% Danceability • 70% Energy • 71% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 52% Danceability • 70% Energy • 71% Liveness
0% Instrumentalness • 84% Positiveness
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Hank Davis
Dinosaur Girl
145 bpm • E Maj • 02:17 • -9.89db
0% Popularity • 61% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
0% Popularity • 61% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Bob Luman
Red Cadillac and a Black Mustache
145 bpm • C Maj • 02:20 • -6db
14% Popularity • 50% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 50% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 78% Positiveness
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Johnny O'Keefe
Lets Have a Party
145 bpm • E min • 01:38 • -9.53db
12% Popularity • 46% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
12% Popularity • 46% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Frankie Avalon
Muscle Beach Party
145 bpm • G Maj • 02:07 • -7.58db
7% Popularity • 54% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
7% Popularity • 54% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
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Ned Miller
Love Glow
146 bpm • F Maj • 02:04 • -11.53db
14% Popularity • 75% Danceability • 38% Energy • 20% Liveness
2% Instrumentalness • 85% Positiveness
14% Popularity • 75% Danceability • 38% Energy • 20% Liveness
2% Instrumentalness • 85% Positiveness
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Ray Conniff
Cuddle Up A Little Closer
146 bpm • B min • 02:00 • -13.18db
9% Popularity • 71% Danceability • 51% Energy • 25% Liveness
2% Instrumentalness • 78% Positiveness
9% Popularity • 71% Danceability • 51% Energy • 25% Liveness
2% Instrumentalness • 78% Positiveness
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Aron Blue
Here Kitty Kitty
146 bpm • A Maj • 03:08 • -8.7db
25% Popularity • 55% Danceability • 78% Energy • 12% Liveness
70% Instrumentalness • 97% Positiveness
25% Popularity • 55% Danceability • 78% Energy • 12% Liveness
70% Instrumentalness • 97% Positiveness
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Ray Peterson
I'm Gone
144 bpm • E Maj • 02:02 • -9.47db
7% Popularity • 56% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
7% Popularity • 56% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Neil Young
Rainin' In My Heart
144 bpm • C Maj • 02:11 • -13.03db
18% Popularity • 37% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
18% Popularity • 37% Danceability • 55% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
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Jo Ann Campbell
You're Driving Me Mad
146 bpm • F Maj • 01:59 • -5.36db
12% Popularity • 57% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 57% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 91% Positiveness
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Ritchie Valens
Boney Moronie
146 bpm • F Maj • 02:44 • -8.18db
9% Popularity • 66% Danceability • 81% Energy • 25% Liveness
1% Instrumentalness • 97% Positiveness
9% Popularity • 66% Danceability • 81% Energy • 25% Liveness
1% Instrumentalness • 97% Positiveness
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Bill Haley & His Comets
No Letter Today
144 bpm • F Maj • 02:35 • -11.77db
10% Popularity • 69% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 69% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 97% Positiveness
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The Liverbirds
Talking About You - Remastered 2024
147 bpm • F Maj • 03:07 • -11.47db
10% Popularity • 65% Danceability • 76% Energy • 36% Liveness
3% Instrumentalness • 96% Positiveness
10% Popularity • 65% Danceability • 76% Energy • 36% Liveness
3% Instrumentalness • 96% Positiveness
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The Davis Sisters
Gotta Get A-Goin'
147 bpm • F Maj • 02:02 • -8.14db
13% Popularity • 50% Danceability • 64% Energy • 54% Liveness
0% Instrumentalness • 87% Positiveness
13% Popularity • 50% Danceability • 64% Energy • 54% Liveness
0% Instrumentalness • 87% Positiveness
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Ronnie Cook
Doin' Time
143 bpm • E min • 02:02 • -5.95db
8% Popularity • 55% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 55% Danceability • 79% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
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Hank Davis
Down the Line
147 bpm • G Maj • 02:46 • -14.91db
0% Popularity • 46% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
0% Popularity • 46% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 27% Positiveness
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Mickey Jupp
Got No God
148 bpm • G Maj • 02:29 • -6.28db
11% Popularity • 70% Danceability • 88% Energy • 10% Liveness
45% Instrumentalness • 96% Positiveness
11% Popularity • 70% Danceability • 88% Energy • 10% Liveness
45% Instrumentalness • 96% Positiveness
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Bob Luman
Class of '59
142 bpm • D Maj • 01:52 • -11.71db
11% Popularity • 52% Danceability • 47% Energy • 44% Liveness
0% Instrumentalness • 86% Positiveness
11% Popularity • 52% Danceability • 47% Energy • 44% Liveness
0% Instrumentalness • 86% Positiveness
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Frankie Avalon
Surfer's Holiday
148 bpm • F Maj • 01:57 • -9.16db
7% Popularity • 47% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
7% Popularity • 47% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Trini Lopez
This Little Girl Of Mine
142 bpm • C Maj • 02:22 • -9.15db
10% Popularity • 64% Danceability • 60% Energy • 15% Liveness
91% Instrumentalness • 86% Positiveness
10% Popularity • 64% Danceability • 60% Energy • 15% Liveness
91% Instrumentalness • 86% Positiveness
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Mac Curtis
Little Miss Linda
148 bpm • F# min • 02:36 • -7.57db
9% Popularity • 71% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 71% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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Hank Davis
There Goes the Guy
142 bpm • G# min • 01:54 • -11.96db
0% Popularity • 57% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
0% Popularity • 57% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Janis Martin
Hard Times Ahead
148 bpm • C Maj • 02:19 • -6.73db
19% Popularity • 61% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
19% Popularity • 61% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 93% Positiveness
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Dylan Kirk And The Killers
You'll Be My Baby
142 bpm • D Maj • 02:48 • -4.77db
9% Popularity • 51% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 51% Danceability • 96% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Ruby Ann
Your Mamas Here
148 bpm • E Maj • 01:58 • -7.82db
14% Popularity • 66% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
14% Popularity • 66% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Bob Luman
Everybody's Talkin'
149 bpm • C Maj • 02:04 • -6.61db
11% Popularity • 64% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
11% Popularity • 64% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Ray Peterson
I'm Gone
149 bpm • E Maj • 01:56 • -11.35db
10% Popularity • 54% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
10% Popularity • 54% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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Hank Davis
Crazy Living
142 bpm • A Maj • 02:39 • -11.9db
0% Popularity • 57% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
0% Popularity • 57% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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The Squires
I Wonder - Mono
141 bpm • D Maj • 02:21 • -5.1db
21% Popularity • 60% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 95% Positiveness
21% Popularity • 60% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 95% Positiveness
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Muddy Waters
Got My Mojo Working
141 bpm • F Maj • 06:12 • -8.33db
10% Popularity • 56% Danceability • 85% Energy • 95% Liveness
0% Instrumentalness • 83% Positiveness
10% Popularity • 56% Danceability • 85% Energy • 95% Liveness
0% Instrumentalness • 83% Positiveness
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Warren Smith
Stop The World
150 bpm • E min • 02:01 • -12.5db
16% Popularity • 67% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
16% Popularity • 67% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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James Harman
A Rut And A Groove
140 bpm • C# Maj • 05:55 • -8.34db
10% Popularity • 59% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 59% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 75% Positiveness
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Dwight Pullen
Didn't It Rock
150 bpm • E Maj • 01:50 • -10db
10% Popularity • 57% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
10% Popularity • 57% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Hank Davis
A Minute to Run
149 bpm • D Maj • 01:01 • -15.75db
0% Popularity • 58% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
0% Popularity • 58% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Max Merritt & The Meteors
Johnny
140 bpm • D Maj • 02:02 • -8.28db
14% Popularity • 73% Danceability • 64% Energy • 9% Liveness
41% Instrumentalness • 88% Positiveness
14% Popularity • 73% Danceability • 64% Energy • 9% Liveness
41% Instrumentalness • 88% Positiveness
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Bobby Darin
Splish Splash
150 bpm • F Maj • 02:01 • -4.53db
13% Popularity • 64% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 64% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 97% Positiveness
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Alvie Self
Seven Minutes Till Four
151 bpm • G Maj • 02:08 • -7.64db
14% Popularity • 54% Danceability • 91% Energy • 28% Liveness
87% Instrumentalness • 98% Positiveness
14% Popularity • 54% Danceability • 91% Energy • 28% Liveness
87% Instrumentalness • 98% Positiveness
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Exhaust Windy
Constitute Version
151 bpm • E Maj • 02:56 • -11db
17% Popularity • 60% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
17% Popularity • 60% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Billy Fury
Talkin' in My Sleep
139 bpm • G# Maj • 02:14 • -9.14db
1% Popularity • 42% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
1% Popularity • 42% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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Hank Davis
Lonely Road
150 bpm • C Maj • 02:23 • -10.57db
0% Popularity • 60% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
0% Popularity • 60% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Bob Luman
Boston Rocker
139 bpm • G# Maj • 02:16 • -7db
10% Popularity • 56% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 56% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Jimmy Clanton
Don't Look At Me
139 bpm • D# Maj • 02:15 • -6.2db
16% Popularity • 61% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
16% Popularity • 61% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Ronnie Self
Petrified
151 bpm • A Maj • 01:45 • -10db
14% Popularity • 55% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
14% Popularity • 55% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Warren Smith
So Long I'm Gone
139 bpm • E Maj • 02:09 • -8db
17% Popularity • 61% Danceability • 76% Energy • 40% Liveness
0% Instrumentalness • 93% Positiveness
17% Popularity • 61% Danceability • 76% Energy • 40% Liveness
0% Instrumentalness • 93% Positiveness
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Ray Smith
Rockin' Bandit
152 bpm • G Maj • 02:07 • -7.73db
18% Popularity • 60% Danceability • 69% Energy • 9% Liveness
3% Instrumentalness • 96% Positiveness
18% Popularity • 60% Danceability • 69% Energy • 9% Liveness
3% Instrumentalness • 96% Positiveness
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Hank Davis
Afraid to Try - Version 1961
140 bpm • D Maj • 02:22 • -13db
0% Popularity • 63% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
0% Popularity • 63% Danceability • 44% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
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Hayden Thompson
Whatcha Gonna Do
138 bpm • A min • 02:57 • -4.18db
16% Popularity • 54% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
16% Popularity • 54% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Jimmy Clanton
That's You Baby
153 bpm • F Maj • 02:31 • -4.28db
11% Popularity • 49% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 49% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Ritchie Valens
Hurry Up
138 bpm • D# Maj • 01:52 • -8.76db
8% Popularity • 58% Danceability • 66% Energy • 43% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 58% Danceability • 66% Energy • 43% Liveness
0% Instrumentalness • 86% Positiveness
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Chuck Jones
Olde Coke Bar
153 bpm • D# Maj • 01:47 • -7.84db
7% Popularity • 59% Danceability • 53% Energy • 11% Liveness
2% Instrumentalness • 75% Positiveness
7% Popularity • 59% Danceability • 53% Energy • 11% Liveness
2% Instrumentalness • 75% Positiveness
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Huey "Piano" Smith
Well I'll Be John Brown
137 bpm • C min • 02:29 • -4.59db
15% Popularity • 66% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
15% Popularity • 66% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Hank Davis
Low Down Moaning
151 bpm • C# min • 02:04 • -13.06db
0% Popularity • 58% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
0% Popularity • 58% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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Wynn Stewart
I'd Rather Have America
137 bpm • A Maj • 02:37 • -8.24db
11% Popularity • 64% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
11% Popularity • 64% Danceability • 71% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Neil Young
Kinda Fonda Wanda
137 bpm • C Maj • 01:51 • -9.53db
16% Popularity • 47% Danceability • 80% Energy • 9% Liveness
1% Instrumentalness • 76% Positiveness
16% Popularity • 47% Danceability • 80% Energy • 9% Liveness
1% Instrumentalness • 76% Positiveness
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The Dories
Stompin' Sh-Boom
137 bpm • C Maj • 02:00 • -8.91db
8% Popularity • 55% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 55% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Ronnie Allen
Juvenile Delinquent
153 bpm • A# min • 01:58 • -6.94db
15% Popularity • 49% Danceability • 98% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 49% Danceability • 98% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
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Joe South
He's Got You Where He Wants You
136 bpm • A Maj • 02:41 • -9.66db
5% Popularity • 67% Danceability • 56% Energy • 14% Liveness
88% Instrumentalness • 57% Positiveness
5% Popularity • 67% Danceability • 56% Energy • 14% Liveness
88% Instrumentalness • 57% Positiveness
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Hank Davis
Real Soon
138 bpm • G Maj • 01:55 • -11.98db
0% Popularity • 56% Danceability • 62% Energy • 47% Liveness
0% Instrumentalness • 97% Positiveness
0% Popularity • 56% Danceability • 62% Energy • 47% Liveness
0% Instrumentalness • 97% Positiveness
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Bobby Lee Trammell
I Sure Do Love You Baby
137 bpm • G Maj • 02:38 • -6db
8% Popularity • 60% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
8% Popularity • 60% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
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Neil Young
Cry, Cry, Cry
154 bpm • C Maj • 02:39 • -10.62db
16% Popularity • 46% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
16% Popularity • 46% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Bobby Vee
Maybe Baby
136 bpm • A Maj • 02:06 • -11.44db
9% Popularity • 60% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 60% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 96% Positiveness
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The Coasters
Searchin'
155 bpm • B min • 02:15 • -3.5db
10% Popularity • 45% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
10% Popularity • 45% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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The Kingsmen
Over You
136 bpm • C Maj • 02:05 • -18.67db
8% Popularity • 63% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
8% Popularity • 63% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Hank Davis
Salamay
138 bpm • A# Maj • 02:20 • -11.68db
0% Popularity • 58% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
0% Popularity • 58% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
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Jody Reynolds
Beaulah Lee
155 bpm • A Maj • 02:20 • -8.24db
11% Popularity • 56% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
11% Popularity • 56% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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Ronnie Dawson
Congratulations to Me
135 bpm • G Maj • 02:25 • -7db
11% Popularity • 57% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
11% Popularity • 57% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Slim Harpo
Cigarettes and Coffee Blues
135 bpm • A Maj • 02:11 • -5.75db
16% Popularity • 51% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 51% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Billy Fury
How Many Nights, How Many Days
155 bpm • A# Maj • 02:49 • -8.74db
18% Popularity • 66% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
18% Popularity • 66% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Wynn Stewart
I Wish I Could Say the Same
135 bpm • G Maj • 02:32 • -9.66db
2% Popularity • 69% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
2% Popularity • 69% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
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Hank Davis
Woman Train
153 bpm • E Maj • 01:49 • -9.44db
1% Popularity • 43% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
1% Popularity • 43% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Danny & The Juniors
Sassy Fran
156 bpm • E min • 02:10 • -8.35db
8% Popularity • 43% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 43% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 96% Positiveness
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Kenny Dale
Cindy Lee
135 bpm • A Maj • 02:41 • -5.85db
7% Popularity • 50% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
7% Popularity • 50% Danceability • 70% Energy • 32% Liveness
0% Instrumentalness • 79% Positiveness
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Slim Harpo
Cigarettes
135 bpm • A Maj • 02:10 • -9.49db
8% Popularity • 64% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
8% Popularity • 64% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
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Jim Fleming
Ask Her to Dance
157 bpm • G Maj • 02:20 • -6.59db
13% Popularity • 48% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
13% Popularity • 48% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 95% Positiveness
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Wynn Stewart
Hungry Heart
134 bpm • D Maj • 02:37 • -6.07db
8% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
8% Popularity • 60% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Gene Summers
Straight Skirt
157 bpm • A Maj • 01:57 • -7db
15% Popularity • 47% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 47% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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Adam Faith
Diamond Ring
134 bpm • D# Maj • 02:37 • -1.79db
12% Popularity • 58% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 58% Danceability • 72% Energy • 37% Liveness
0% Instrumentalness • 90% Positiveness
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Sid King & The Five Strings
Good Rockin' Baby
133 bpm • D Maj • 02:30 • -10db
9% Popularity • 82% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
9% Popularity • 82% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Ritchie Valens
Ritchie's Blues
133 bpm • A Maj • 01:32 • -14.18db
9% Popularity • 50% Danceability • 39% Energy • 15% Liveness
52% Instrumentalness • 60% Positiveness
9% Popularity • 50% Danceability • 39% Energy • 15% Liveness
52% Instrumentalness • 60% Positiveness
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Hank Davis
I Never Meant to Say Goodbye
133 bpm • E Maj • 02:14 • -15.25db
0% Popularity • 43% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
0% Popularity • 43% Danceability • 38% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Huelyn Duvall
Friday Night On a Dollar Bill
133 bpm • C min • 02:13 • -7.16db
13% Popularity • 70% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
13% Popularity • 70% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Don Johnson
I'm Hypnotized
133 bpm • C Maj • 02:34 • -3.67db
12% Popularity • 55% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
12% Popularity • 55% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
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Kenny Parchman
Treat Me Right
159 bpm • E Maj • 02:30 • -9.17db
9% Popularity • 55% Danceability • 75% Energy • 30% Liveness
2% Instrumentalness • 69% Positiveness
9% Popularity • 55% Danceability • 75% Energy • 30% Liveness
2% Instrumentalness • 69% Positiveness
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Benny Joy
Ittie Bittie Everything
133 bpm • A Maj • 02:20 • -7db
10% Popularity • 61% Danceability • 74% Energy • 10% Liveness
3% Instrumentalness • 97% Positiveness
10% Popularity • 61% Danceability • 74% Energy • 10% Liveness
3% Instrumentalness • 97% Positiveness
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Bill Haley & His Comets
I'll Be True To You
159 bpm • D Maj • 02:37 • -10.32db
9% Popularity • 61% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
9% Popularity • 61% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Ray Smith
Little Miss Blue
159 bpm • A# Maj • 02:19 • -6.87db
14% Popularity • 60% Danceability • 81% Energy • 27% Liveness
5% Instrumentalness • 96% Positiveness
14% Popularity • 60% Danceability • 81% Energy • 27% Liveness
5% Instrumentalness • 96% Positiveness
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Hank Davis
I Can't Believe in You
132 bpm • C Maj • 01:55 • -14.39db
0% Popularity • 49% Danceability • 31% Energy • 25% Liveness
1% Instrumentalness • 70% Positiveness
0% Popularity • 49% Danceability • 31% Energy • 25% Liveness
1% Instrumentalness • 70% Positiveness
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Freddy Quinn
Guitar Playing Joe
131 bpm • E Maj • 02:18 • -6.7db
11% Popularity • 48% Danceability • 81% Energy • 43% Liveness
0% Instrumentalness • 84% Positiveness
11% Popularity • 48% Danceability • 81% Energy • 43% Liveness
0% Instrumentalness • 84% Positiveness
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Johnny Powers
Me and My Rhythm Guitar
160 bpm • B min • 02:37 • -9db
11% Popularity • 58% Danceability • 45% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 58% Danceability • 45% Energy • 25% Liveness
0% Instrumentalness • 73% Positiveness
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Neil Young
Jellyroll Man
131 bpm • D min • 02:00 • -9.15db
15% Popularity • 64% Danceability • 83% Energy • 19% Liveness
1% Instrumentalness • 84% Positiveness
15% Popularity • 64% Danceability • 83% Energy • 19% Liveness
1% Instrumentalness • 84% Positiveness
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Jackie Lee Cochran
Mama Don't You Think I Know
131 bpm • G Maj • 02:31 • -11db
11% Popularity • 64% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
11% Popularity • 64% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Ray Smith
Makes Me Feel Good
132 bpm • D min • 02:26 • -7.64db
19% Popularity • 55% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
19% Popularity • 55% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Hank Davis
I Want You to Be My Baby
132 bpm • C Maj • 02:03 • -18.71db
0% Popularity • 50% Danceability • 22% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
0% Popularity • 50% Danceability • 22% Energy • 26% Liveness
0% Instrumentalness • 51% Positiveness
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Saney Boy
Maybe (Remastered)
131 bpm • A Maj • 03:59 • -14.34db
17% Popularity • 60% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 60% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 49% Positiveness
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Pat Boone
Wolverton Mountain
161 bpm • A Maj • 02:43 • -8.23db
14% Popularity • 54% Danceability • 51% Energy • 54% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 54% Danceability • 51% Energy • 54% Liveness
0% Instrumentalness • 92% Positiveness
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Dylan Kirk And The Killers
Sinner Not A Saint
161 bpm • C Maj • 03:02 • -6.01db
9% Popularity • 68% Danceability • 92% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 68% Danceability • 92% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Ronnie Self
Flame of Love
130 bpm • F Maj • 02:14 • -9db
14% Popularity • 65% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
14% Popularity • 65% Danceability • 47% Energy • 28% Liveness
0% Instrumentalness • 92% Positiveness
