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Discharge
Songs like
Discharge
by
Last Exit
Based on a tempo of (+/- 10%) and a similar genre
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Last Exit
Crackin
108 bpm • C Maj • 07:46 • -13.46db
5% Popularity • 39% Danceability • 71% Energy • 5% Liveness
81% Instrumentalness • 19% Positiveness
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This Heat
Water
108 bpm • A# min • 03:10 • -19.61db
14% Popularity • 40% Danceability • 27% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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Milford Graves
March 11, 1976 I
108 bpm • C min • 11:50 • -8.6db
10% Popularity • 34% Danceability • 97% Energy • 10% Liveness
7% Instrumentalness • 7% Positiveness
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Albert Ayler
The Wizard
108 bpm • D min • 07:22 • -14.06db
22% Popularity • 33% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Dollar Brand
ドンの歌
107 bpm • E min • 07:36 • -9.65db
9% Popularity • 25% Danceability • 53% Energy • 16% Liveness
75% Instrumentalness • 20% Positiveness
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Byard Lancaster
It's Not up to Us
107 bpm • D min • 04:53 • -13.45db
14% Popularity • 38% Danceability • 36% Energy • 30% Liveness
38% Instrumentalness • 58% Positiveness
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Last Exit
Discharge
108 bpm • G min • 03:24 • -11.68db
13% Popularity • 25% Danceability • 94% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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This Heat
Music Like Escaping Gas
108 bpm • G min • 03:40 • -17.16db
11% Popularity • 19% Danceability • 10% Energy • 8% Liveness
81% Instrumentalness • 3% Positiveness
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Anthony Williams
Echo - Remastered 2009/Rudy Van Gelder E...
107 bpm • D Maj • 05:00 • -16db
15% Popularity • 40% Danceability • 76% Energy • 36% Liveness
78% Instrumentalness • 20% Positiveness
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The Lounge Lizards
Incident On South Street
107 bpm • F# Maj • 03:25 • -13.74db
20% Popularity • 42% Danceability • 64% Energy • 6% Liveness
66% Instrumentalness • 62% Positiveness
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Blind Idiot God
Stravinsky/Blasting Off
107 bpm • F# Maj • 02:17 • -13.65db
9% Popularity • 18% Danceability • 87% Energy • 9% Liveness
46% Instrumentalness • 7% Positiveness
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Will Glaser
Song for the Snake Man
109 bpm • B Maj • 04:57 • -15.06db
1% Popularity • 51% Danceability • 39% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
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Last Exit
Discharge
108 bpm • G min • 03:25 • -10.27db
1% Popularity • 23% Danceability • 96% Energy • 33% Liveness
89% Instrumentalness • 4% Positiveness
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Nurse With Wound
Darkness Fish
107 bpm • G# Maj • 01:27 • -12.99db
21% Popularity • 69% Danceability • 59% Energy • 38% Liveness
75% Instrumentalness • 70% Positiveness
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Glenn Branca
My Relationship
106 bpm • D# min • 03:11 • -12.01db
11% Popularity • 29% Danceability • 81% Energy • 84% Liveness
72% Instrumentalness • 12% Positiveness
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Univers Zero
L'étrange mixture du docteur Schwartz
106 bpm • D Maj • 03:56 • -17.45db
15% Popularity • 44% Danceability • 40% Energy • 27% Liveness
67% Instrumentalness • 19% Positiveness
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Max Roach
Tears For Johannesburg - Remastered
106 bpm • B Maj • 09:46 • -17.96db
15% Popularity • 41% Danceability • 33% Energy • 12% Liveness
74% Instrumentalness • 51% Positiveness
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Bill Dixon
Valentina Di Sera
110 bpm • D Maj • 03:07 • -17.87db
8% Popularity • 40% Danceability • 33% Energy • 9% Liveness
88% Instrumentalness • 34% Positiveness
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Last Exit
Dark Heart
109 bpm • D Maj • 06:21 • -17.7db
0% Popularity • 36% Danceability • 47% Energy • 35% Liveness
64% Instrumentalness • 30% Positiveness
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Nurse With Wound
Tune Time Machine
106 bpm • G# Maj • 02:05 • -15.46db
15% Popularity • 44% Danceability • 61% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
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Supersilent
6.2
110 bpm • C min • 09:57 • -17.47db
12% Popularity • 29% Danceability • 19% Energy • 11% Liveness
83% Instrumentalness • 13% Positiveness
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Archie Shepp
Sorry 'Bout That
110 bpm • C# Maj • 10:09 • -11.38db
9% Popularity • 45% Danceability • 74% Energy • 30% Liveness
1% Instrumentalness • 64% Positiveness
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Laddio Bolocko
Call Me Jesus
106 bpm • B min • 01:53 • -4.65db
10% Popularity • 65% Danceability • 100% Energy • 51% Liveness
92% Instrumentalness • 4% Positiveness
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Derek Bailey
Laura
106 bpm • G Maj • 02:58 • -16.4db
14% Popularity • 66% Danceability • 13% Energy • 15% Liveness
83% Instrumentalness • 13% Positiveness
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Last Exit
Hanged Man Are Always Naked
106 bpm • F# min • 10:05 • -12.97db
0% Popularity • 29% Danceability • 80% Energy • 8% Liveness
63% Instrumentalness • 23% Positiveness
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Anthony Braxton
BOR----H (Opus 23E)
111 bpm • G# Maj • 03:23 • -10.76db
12% Popularity • 49% Danceability • 65% Energy • 9% Liveness
61% Instrumentalness • 76% Positiveness
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Alice Coltrane
Lord Of Lords
111 bpm • A Maj • 11:17 • -15.2db
15% Popularity • 16% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Magma
Zombies - 2020 Remastered Version
111 bpm • G# Maj • 04:24 • -9db
22% Popularity • 44% Danceability • 95% Energy • 36% Liveness
88% Instrumentalness • 24% Positiveness
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Art Ensemble Of Chicago
Prayer For Jimbo Kwesi
105 bpm • D Maj • 09:47 • -21.07db
10% Popularity • 22% Danceability • 12% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
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Zeni Geva
Auto-Body - Nai Ha
111 bpm • C# min • 06:09 • -9db
11% Popularity • 36% Danceability • 80% Energy • 24% Liveness
21% Instrumentalness • 16% Positiveness
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Sun City Girls
Theme from "Sangkala"
111 bpm • A# Maj • 02:10 • -11.36db
11% Popularity • 44% Danceability • 50% Energy • 28% Liveness
78% Instrumentalness • 28% Positiveness
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The Lounge Lizards
One Big Yes
111 bpm • C min • 06:23 • -12.49db
19% Popularity • 43% Danceability • 58% Energy • 10% Liveness
6% Instrumentalness • 84% Positiveness
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U.S. Maple
Open A Rose
105 bpm • D Maj • 03:29 • -8.64db
17% Popularity • 60% Danceability • 63% Energy • 17% Liveness
81% Instrumentalness • 64% Positiveness
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Henry Cow
Teenbeat Introduction
112 bpm • A min • 04:32 • -21db
12% Popularity • 33% Danceability • 27% Energy • 26% Liveness
6% Instrumentalness • 31% Positiveness
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Stan Kenton
Thermopolae
105 bpm • E min • 02:56 • -6.8db
8% Popularity • 22% Danceability • 56% Energy • 18% Liveness
52% Instrumentalness • 29% Positiveness
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Last Exit
Red Light
112 bpm • G Maj • 07:57 • -15.02db
7% Popularity • 29% Danceability • 87% Energy • 30% Liveness
62% Instrumentalness • 5% Positiveness
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James Blood Ulmer
Church
104 bpm • C Maj • 04:54 • -9.53db
8% Popularity • 43% Danceability • 80% Energy • 31% Liveness
33% Instrumentalness • 67% Positiveness
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Naked City
Skate Key
104 bpm • A Maj • 01:04 • -1.81db
14% Popularity • 40% Danceability • 98% Energy • 92% Liveness
86% Instrumentalness • 35% Positiveness
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Rufus Harley
Crack
112 bpm • F min • 09:56 • -7.76db
8% Popularity • 28% Danceability • 82% Energy • 77% Liveness
3% Instrumentalness • 44% Positiveness
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Peter Brötzmann
It's Almost Dark
112 bpm • A# Maj • 10:09 • -10.42db
9% Popularity • 29% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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The Contortions
Roving Eye
104 bpm • G# Maj • 03:09 • -7.18db
12% Popularity • 69% Danceability • 88% Energy • 5% Liveness
62% Instrumentalness • 79% Positiveness
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Last Exit
Red Light
112 bpm • G Maj • 07:58 • -12.13db
1% Popularity • 28% Danceability • 94% Energy • 54% Liveness
84% Instrumentalness • 4% Positiveness
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Isotope 217
Prince Namor
104 bpm • E Maj • 07:26 • -21.01db
10% Popularity • 22% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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Skullflower
Solar Anus
112 bpm • G Maj • 04:45 • -5db
10% Popularity • 26% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Kim Gordon
Olive's Horn
113 bpm • C# min • 04:26 • -12.72db
18% Popularity • 26% Danceability • 75% Energy • 10% Liveness
54% Instrumentalness • 4% Positiveness
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Jaimie Branch
...Meanwhile
104 bpm • D Maj • 02:49 • -14db
15% Popularity • 39% Danceability • 45% Energy • 11% Liveness
71% Instrumentalness • 19% Positiveness
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Jan Garbarek Quartet
Skarabée
113 bpm • F Maj • 06:16 • -21.17db
16% Popularity • 53% Danceability • 47% Energy • 10% Liveness
6% Instrumentalness • 29% Positiveness
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Sonny Sharrock
Peanut
103 bpm • G Maj • 09:14 • -10.83db
15% Popularity • 27% Danceability • 92% Energy • 14% Liveness
69% Instrumentalness • 24% Positiveness
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Last Exit
I Must Confess I’m A Cannibal
113 bpm • E Maj • 10:17 • -14.88db
0% Popularity • 38% Danceability • 60% Energy • 12% Liveness
68% Instrumentalness • 11% Positiveness
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Mary Halvorson
Armory Beams
103 bpm • B Maj • 01:08 • -12.44db
23% Popularity • 42% Danceability • 21% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
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Boris
Fuzzy Reactor
113 bpm • F# Maj • 03:44 • -7.11db
18% Popularity • 39% Danceability • 72% Energy • 8% Liveness
96% Instrumentalness • 40% Positiveness
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The Lounge Lizards
Well You Needn't
114 bpm • C# Maj • 01:58 • -14.78db
15% Popularity • 68% Danceability • 45% Energy • 9% Liveness
34% Instrumentalness • 86% Positiveness
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Bengt Berger
Chetu
102 bpm • G# min • 03:20 • -15.37db
12% Popularity • 40% Danceability • 28% Energy • 10% Liveness
13% Instrumentalness • 94% Positiveness
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Sonny Sharrock
Blind Willie
113 bpm • E Maj • 03:10 • -15db
28% Popularity • 60% Danceability • 53% Energy • 9% Liveness
80% Instrumentalness • 31% Positiveness
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Eric Dolphy
Gazzelloni - Remastered 1998/Rudy Van Ge...
114 bpm • C# Maj • 07:23 • -7.91db
24% Popularity • 49% Danceability • 65% Energy • 38% Liveness
0% Instrumentalness • 51% Positiveness
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Laddio Bolocko
Goat Lips
114 bpm • A# min • 06:57 • -2.61db
14% Popularity • 18% Danceability • 96% Energy • 14% Liveness
67% Instrumentalness • 6% Positiveness
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Ornette Coleman
Law Years
114 bpm • G# Maj • 05:20 • -11db
20% Popularity • 57% Danceability • 45% Energy • 57% Liveness
6% Instrumentalness • 54% Positiveness
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Cluster
Plas
102 bpm • D Maj • 06:16 • -18.04db
15% Popularity • 14% Danceability • 32% Energy • 18% Liveness
85% Instrumentalness • 4% Positiveness
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John Coltrane
Compassion
114 bpm • G# Maj • 06:49 • -9.52db
17% Popularity • 35% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Steve Lehman
39
102 bpm • A min • 08:02 • -14.27db
15% Popularity • 41% Danceability • 45% Energy • 14% Liveness
70% Instrumentalness • 30% Positiveness
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Don Cherry
Bra Joe from Kilimanjaro
114 bpm • A# Maj • 02:32 • -14.05db
12% Popularity • 29% Danceability • 70% Energy • 46% Liveness
92% Instrumentalness • 25% Positiveness
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Herbie Hancock
Rain Dance
102 bpm • A# min • 09:15 • -14db
27% Popularity • 68% Danceability • 69% Energy • 13% Liveness
86% Instrumentalness • 54% Positiveness
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Albert Ayler
Angels
114 bpm • F Maj • 05:32 • -19.51db
10% Popularity • 30% Danceability • 14% Energy • 42% Liveness
12% Instrumentalness • 15% Positiveness
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Amphibian
This is Not a Test
114 bpm • F min • 02:01 • -16.61db
15% Popularity • 30% Danceability • 75% Energy • 12% Liveness
44% Instrumentalness • 22% Positiveness
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Sonny Sharrock
Black Woman
115 bpm • D Maj • 05:14 • -11db
20% Popularity • 17% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Hangedup
Transit Of Venus
115 bpm • A min • 06:19 • -8.16db
8% Popularity • 17% Danceability • 52% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Univers Zero
Présage
101 bpm • C# Maj • 09:52 • -17.53db
12% Popularity • 36% Danceability • 40% Energy • 5% Liveness
24% Instrumentalness • 14% Positiveness
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Horse Lords
Time Slip
115 bpm • G Maj • 02:33 • -8.61db
16% Popularity • 42% Danceability • 54% Energy • 20% Liveness
75% Instrumentalness • 14% Positiveness
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Eberhard Weber
Yellow Fields
101 bpm • A Maj • 10:04 • -14db
12% Popularity • 32% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 15% Positiveness
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Last Exit
Help Me Mo, I'm Blind
116 bpm • D Maj • 07:17 • -13.24db
0% Popularity • 33% Danceability • 55% Energy • 11% Liveness
77% Instrumentalness • 43% Positiveness
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Sonny Sharrock
Princess Sonata:Flowers Laugh
116 bpm • E Maj • 02:12 • -17.17db
12% Popularity • 45% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 34% Positiveness
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Anthony Braxton
You Stepped Out of a Dream
101 bpm • C Maj • 07:11 • -13.94db
11% Popularity • 64% Danceability • 31% Energy • 12% Liveness
89% Instrumentalness • 62% Positiveness
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Sun City Girls
Bens Radio
116 bpm • F min • 03:04 • -6.81db
12% Popularity • 55% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
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Art Ensemble Of Chicago
Walking In The Moonlight
100 bpm • F Maj • 04:07 • -18.88db
12% Popularity • 51% Danceability • 6% Energy • 15% Liveness
27% Instrumentalness • 22% Positiveness
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Harry Partch
Eleven Intrusions I: Study on Olympos' P...
100 bpm • D# Maj • 01:20 • -19db
29% Popularity • 65% Danceability • 18% Energy • 35% Liveness
72% Instrumentalness • 34% Positiveness
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Last Exit
Backwater
116 bpm • G Maj • 05:27 • -13.55db
9% Popularity • 38% Danceability • 87% Energy • 43% Liveness
77% Instrumentalness • 18% Positiveness
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John Zorn
The Big Gundown
116 bpm • D Maj • 07:26 • -11.9db
9% Popularity • 42% Danceability • 61% Energy • 8% Liveness
45% Instrumentalness • 20% Positiveness
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Naked City
Erotico
116 bpm • A min • 05:22 • -5.66db
14% Popularity • 32% Danceability • 83% Energy • 97% Liveness
0% Instrumentalness • 24% Positiveness
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John Coltrane
Sun Ship
117 bpm • F min • 06:15 • -8.49db
19% Popularity • 38% Danceability • 75% Energy • 8% Liveness
1% Instrumentalness • 58% Positiveness
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Cluster
Halwa
117 bpm • G# Maj • 02:51 • -17.81db
25% Popularity • 44% Danceability • 28% Energy • 32% Liveness
92% Instrumentalness • 4% Positiveness
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Alice Coltrane
Lord Help Me To Be
117 bpm • D Maj • 07:34 • -14db
22% Popularity • 37% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Kim Gordon
Movement 4
117 bpm • D Maj • 03:16 • -9.78db
21% Popularity • 22% Danceability • 76% Energy • 34% Liveness
86% Instrumentalness • 6% Positiveness
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Joe Zawinul
Arrival in New York
118 bpm • F Maj • 01:57 • -20.55db
17% Popularity • 36% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Charles Mingus
Hobo Ho
99 bpm • F min • 10:07 • -9.57db
20% Popularity • 37% Danceability • 63% Energy • 7% Liveness
86% Instrumentalness • 64% Positiveness
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East Axis
Decisions Have Already Been Made
99 bpm • B min • 10:17 • -13.29db
18% Popularity • 35% Danceability • 63% Energy • 23% Liveness
50% Instrumentalness • 33% Positiveness
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Peter Brötzmann
Improvisation über ein Thema von Js Bac...
99 bpm • C Maj • 01:29 • -24.43db
14% Popularity • 54% Danceability • 0% Energy • 14% Liveness
22% Instrumentalness • 29% Positiveness
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Mary Halvorson
Night Shift
118 bpm • C Maj • 05:52 • -10.08db
21% Popularity • 52% Danceability • 69% Energy • 7% Liveness
72% Instrumentalness • 41% Positiveness
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Last Exit
Catch As Catch Can
99 bpm • A# min • 02:12 • -13.89db
11% Popularity • 60% Danceability • 84% Energy • 11% Liveness
81% Instrumentalness • 74% Positiveness
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Mats Gustafsson
THERE ARE SOME WORLDS WHERE ALL DREAMS D...
118 bpm • C# Maj • 07:12 • -20.23db
8% Popularity • 27% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Bastro
Hirscheneck
118 bpm • A min • 03:09 • -8db
12% Popularity • 22% Danceability • 96% Energy • 38% Liveness
87% Instrumentalness • 13% Positiveness
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Boredoms
DO
99 bpm • C# min • 00:53 • -26.42db
9% Popularity • 40% Danceability • 49% Energy • 44% Liveness
37% Instrumentalness • 12% Positiveness
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Albert Ayler
Holy Family
99 bpm • F Maj • 02:12 • -18.42db
26% Popularity • 32% Danceability • 31% Energy • 29% Liveness
1% Instrumentalness • 63% Positiveness
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John Lurie
Promenade Du Maquereau
118 bpm • A min • 01:29 • -14.6db
23% Popularity • 77% Danceability • 36% Energy • 10% Liveness
6% Instrumentalness • 58% Positiveness
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Cluster
Georgel
98 bpm • E min • 05:36 • -18.43db
11% Popularity • 27% Danceability • 23% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Painkiller
Tortured Souls
119 bpm • E min • 01:53 • -10.23db
20% Popularity • 24% Danceability • 66% Energy • 49% Liveness
70% Instrumentalness • 19% Positiveness
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Art Ensemble Of Chicago
Dreaming Of The Master
119 bpm • G# Maj • 11:40 • -16.16db
9% Popularity • 43% Danceability • 31% Energy • 6% Liveness
46% Instrumentalness • 53% Positiveness
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The Fucking Champs
Lamplighter
119 bpm • F min • 01:33 • -16.96db
21% Popularity • 46% Danceability • 30% Energy • 20% Liveness
96% Instrumentalness • 7% Positiveness
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Naked City
You Will Be Shot
98 bpm • A Maj • 01:22 • -4.27db
18% Popularity • 46% Danceability • 100% Energy • 47% Liveness
76% Instrumentalness • 23% Positiveness
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Mary Halvorson
Undercover Meltdowns
98 bpm • C# Maj • 02:29 • -8.63db
7% Popularity • 61% Danceability • 53% Energy • 13% Liveness
94% Instrumentalness • 19% Positiveness
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Isotope 217
Kryptonite Smokes the Red Line
97 bpm • D# Maj • 03:26 • -12.81db
16% Popularity • 50% Danceability • 36% Energy • 16% Liveness
51% Instrumentalness • 7% Positiveness
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Discharge