Songs like Disposable Income by Jesse Boyd
Based on a tempo of (+/- 10%) and a similar genre
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Jay McShann
Rollinwith Roland
173 bpm • C Maj • 04:16 • -19.76db
14% Popularity • 47% Danceability • 25% Energy • 19% Liveness
85% Instrumentalness • 78% Positiveness
14% Popularity • 47% Danceability • 25% Energy • 19% Liveness
85% Instrumentalness • 78% Positiveness
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Jesse Boyd
Disposable Income
173 bpm • D Maj • 04:41 • -15.15db
0% Popularity • 46% Danceability • 40% Energy • 5% Liveness
89% Instrumentalness • 68% Positiveness
0% Popularity • 46% Danceability • 40% Energy • 5% Liveness
89% Instrumentalness • 68% Positiveness
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Clifton Chenier
Choo Choo Ch-Boogie
173 bpm • A# Maj • 03:17 • -11.93db
9% Popularity • 45% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
9% Popularity • 45% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Tobin Mueller
Straight, No Chaser
174 bpm • F min • 03:47 • -6.17db
27% Popularity • 40% Danceability • 57% Energy • 24% Liveness
59% Instrumentalness • 38% Positiveness
27% Popularity • 40% Danceability • 57% Energy • 24% Liveness
59% Instrumentalness • 38% Positiveness
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Sing Miller
My Darling
173 bpm • G# Maj • 03:07 • -17.83db
11% Popularity • 38% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
11% Popularity • 38% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Hannah Gill
I Could Write a Book
174 bpm • C Maj • 03:28 • -8.38db
12% Popularity • 41% Danceability • 51% Energy • 43% Liveness
0% Instrumentalness • 84% Positiveness
12% Popularity • 41% Danceability • 51% Energy • 43% Liveness
0% Instrumentalness • 84% Positiveness
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Ray Charles
Blue Funk
172 bpm • G# Maj • 06:19 • -9.43db
13% Popularity • 34% Danceability • 75% Energy • 52% Liveness
41% Instrumentalness • 77% Positiveness
13% Popularity • 34% Danceability • 75% Energy • 52% Liveness
41% Instrumentalness • 77% Positiveness
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Galt MacDermot
When I Was a Child
174 bpm • F min • 02:52 • -9.77db
9% Popularity • 57% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 57% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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James Andrews
Ghetto Funk Music
172 bpm • F min • 06:58 • -4.99db
10% Popularity • 59% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
10% Popularity • 59% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Jesse Boyd
Big Pine
172 bpm • B Maj • 05:21 • -14.97db
0% Popularity • 51% Danceability • 44% Energy • 28% Liveness
91% Instrumentalness • 69% Positiveness
0% Popularity • 51% Danceability • 44% Energy • 28% Liveness
91% Instrumentalness • 69% Positiveness
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Wes Montgomery
The Theme (Recorded Live at the Half Not...
174 bpm • B min • 01:34 • -14.66db
15% Popularity • 44% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 44% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Geiger
Ring on Your Hand
171 bpm • C# Maj • 02:42 • -13.13db
19% Popularity • 50% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 50% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Abi Wallenstein
I Can't Be Satisfied
175 bpm • C min • 06:53 • -13.83db
7% Popularity • 50% Danceability • 43% Energy • 63% Liveness
11% Instrumentalness • 78% Positiveness
7% Popularity • 50% Danceability • 43% Energy • 63% Liveness
11% Instrumentalness • 78% Positiveness
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Big Al Carson
All In a Mardi Gras Day
171 bpm • G# Maj • 06:40 • -5.89db
18% Popularity • 53% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
18% Popularity • 53% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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NDOG Band
Ready Ta Go
170 bpm • E Maj • 03:07 • -11.55db
8% Popularity • 60% Danceability • 44% Energy • 11% Liveness
26% Instrumentalness • 42% Positiveness
8% Popularity • 60% Danceability • 44% Energy • 11% Liveness
26% Instrumentalness • 42% Positiveness
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Count Basie Orchestra
Just For A Thrill
174 bpm • F Maj • 02:50 • -6.17db
17% Popularity • 29% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
17% Popularity • 29% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Barbara Morrison And The Legacy
Breakin' up Somebody's Home
176 bpm • F Maj • 03:56 • -6.27db
10% Popularity • 46% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
10% Popularity • 46% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Tobin Mueller
Cliff's Edge
170 bpm • D min • 07:35 • -6.12db
1% Popularity • 48% Danceability • 56% Energy • 5% Liveness
4% Instrumentalness • 54% Positiveness
1% Popularity • 48% Danceability • 56% Energy • 5% Liveness
4% Instrumentalness • 54% Positiveness
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The Gumbo Trio
Bill Bailey Won't You Please Come Home
177 bpm • C Maj • 03:55 • -12.54db
7% Popularity • 58% Danceability • 34% Energy • 8% Liveness
88% Instrumentalness • 77% Positiveness
7% Popularity • 58% Danceability • 34% Energy • 8% Liveness
88% Instrumentalness • 77% Positiveness
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Jimmy McGriff
All About My Girl
170 bpm • A# min • 03:56 • -13.88db
16% Popularity • 55% Danceability • 63% Energy • 36% Liveness
72% Instrumentalness • 93% Positiveness
16% Popularity • 55% Danceability • 63% Energy • 36% Liveness
72% Instrumentalness • 93% Positiveness
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Euphoria Brass Band
Joe Avery's Blues
178 bpm • F Maj • 03:46 • -10.24db
8% Popularity • 43% Danceability • 57% Energy • 32% Liveness
6% Instrumentalness • 90% Positiveness
8% Popularity • 43% Danceability • 57% Energy • 32% Liveness
6% Instrumentalness • 90% Positiveness
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The Alvedons
Whammer Jammer
169 bpm • G# Maj • 03:06 • -14.27db
13% Popularity • 51% Danceability • 55% Energy • 30% Liveness
94% Instrumentalness • 55% Positiveness
13% Popularity • 51% Danceability • 55% Energy • 30% Liveness
94% Instrumentalness • 55% Positiveness
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Earth.Boy
Sunset over Bedwell Bay
178 bpm • C Maj • 02:49 • -12.74db
12% Popularity • 45% Danceability • 35% Energy • 13% Liveness
73% Instrumentalness • 28% Positiveness
12% Popularity • 45% Danceability • 35% Energy • 13% Liveness
73% Instrumentalness • 28% Positiveness
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Mortimer Bronte
Willows Cry For Me
178 bpm • C min • 02:47 • -13.16db
9% Popularity • 34% Danceability • 19% Energy • 57% Liveness
0% Instrumentalness • 40% Positiveness
9% Popularity • 34% Danceability • 19% Energy • 57% Liveness
0% Instrumentalness • 40% Positiveness
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Werner Addison
Love Stays Here
168 bpm • A# Maj • 01:37 • -17.15db
11% Popularity • 62% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
11% Popularity • 62% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Lou Mac
Views
168 bpm • C min • 02:31 • -7.51db
35% Popularity • 66% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 66% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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New Orleans Nightcrawlers
Ursuline Second Line
178 bpm • G# Maj • 05:35 • -5.85db
11% Popularity • 44% Danceability • 72% Energy • 4% Liveness
90% Instrumentalness • 88% Positiveness
11% Popularity • 44% Danceability • 72% Energy • 4% Liveness
90% Instrumentalness • 88% Positiveness
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A.S.U.R
I'll Tell the World
179 bpm • F Maj • 01:08 • -17.49db
16% Popularity • 34% Danceability • 16% Energy • 31% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 34% Danceability • 16% Energy • 31% Liveness
0% Instrumentalness • 36% Positiveness
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John Lurie
Unky G
179 bpm • B min • 00:56 • -9.66db
16% Popularity • 56% Danceability • 58% Energy • 11% Liveness
97% Instrumentalness • 99% Positiveness
16% Popularity • 56% Danceability • 58% Energy • 11% Liveness
97% Instrumentalness • 99% Positiveness
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Loustock Festival de la Canción Infantil
A Roda do Autocarro - Versión de saxof�...
167 bpm • G# Maj • 02:04 • -13.01db
12% Popularity • 58% Danceability • 43% Energy • 11% Liveness
91% Instrumentalness • 52% Positiveness
12% Popularity • 58% Danceability • 43% Energy • 11% Liveness
91% Instrumentalness • 52% Positiveness
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Sugarlegg
Arkansas Jubilee
167 bpm • A Maj • 02:52 • -13.42db
8% Popularity • 56% Danceability • 30% Energy • 17% Liveness
78% Instrumentalness • 87% Positiveness
8% Popularity • 56% Danceability • 30% Energy • 17% Liveness
78% Instrumentalness • 87% Positiveness
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Restore Stereotyped
State Director
167 bpm • A Maj • 04:31 • -10.12db
17% Popularity • 47% Danceability • 61% Energy • 50% Liveness
0% Instrumentalness • 90% Positiveness
17% Popularity • 47% Danceability • 61% Energy • 50% Liveness
0% Instrumentalness • 90% Positiveness
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Glen David Andrews
Didn't It Rain
179 bpm • F Maj • 03:32 • -8.6db
13% Popularity • 64% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 64% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Andre Thierry
Be My Chauffeur
179 bpm • G# Maj • 03:58 • -6.84db
10% Popularity • 60% Danceability • 79% Energy • 26% Liveness
3% Instrumentalness • 92% Positiveness
10% Popularity • 60% Danceability • 79% Energy • 26% Liveness
3% Instrumentalness • 92% Positiveness
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Noah Peterson
Everybody Knows
180 bpm • D# Maj • 03:34 • -8.72db
8% Popularity • 79% Danceability • 74% Energy • 6% Liveness
9% Instrumentalness • 98% Positiveness
8% Popularity • 79% Danceability • 74% Energy • 6% Liveness
9% Instrumentalness • 98% Positiveness
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OFMB
You Deserve the Praise (A Capella)
180 bpm • G# Maj • 02:49 • -6.23db
12% Popularity • 29% Danceability • 68% Energy • 38% Liveness
0% Instrumentalness • 43% Positiveness
12% Popularity • 29% Danceability • 68% Energy • 38% Liveness
0% Instrumentalness • 43% Positiveness
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Remo Izzi
Bixin'
166 bpm • F Maj • 03:17 • -9.71db
11% Popularity • 49% Danceability • 53% Energy • 20% Liveness
92% Instrumentalness • 73% Positiveness
11% Popularity • 49% Danceability • 53% Energy • 20% Liveness
92% Instrumentalness • 73% Positiveness
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Jack Pearson
Tupelo Blues
181 bpm • G Maj • 04:10 • -13.98db
10% Popularity • 41% Danceability • 26% Energy • 9% Liveness
88% Instrumentalness • 51% Positiveness
10% Popularity • 41% Danceability • 26% Energy • 9% Liveness
88% Instrumentalness • 51% Positiveness
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Adolph Walker
You Killed Me
181 bpm • C# min • 03:09 • -13.28db
26% Popularity • 50% Danceability • 26% Energy • 44% Liveness
0% Instrumentalness • 33% Positiveness
26% Popularity • 50% Danceability • 26% Energy • 44% Liveness
0% Instrumentalness • 33% Positiveness
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Bill Mason
Baby Let Me Take You (In My Arms)
165 bpm • G Maj • 10:07 • -10.64db
9% Popularity • 53% Danceability • 58% Energy • 7% Liveness
6% Instrumentalness • 59% Positiveness
9% Popularity • 53% Danceability • 58% Energy • 7% Liveness
6% Instrumentalness • 59% Positiveness
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Paul Bascomb
More Blues - More Beat - Alternate
183 bpm • G min • 02:39 • -10.06db
3% Popularity • 46% Danceability • 50% Energy • 26% Liveness
19% Instrumentalness • 88% Positiveness
3% Popularity • 46% Danceability • 50% Energy • 26% Liveness
19% Instrumentalness • 88% Positiveness
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Mike LeDonne
Make Someone Happy
185 bpm • A# Maj • 05:48 • -5.75db
10% Popularity • 47% Danceability • 52% Energy • 10% Liveness
75% Instrumentalness • 25% Positiveness
10% Popularity • 47% Danceability • 52% Energy • 10% Liveness
75% Instrumentalness • 25% Positiveness
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Italian Mandolin Torna A Surriento
You My Melody Jazz
186 bpm • G Maj • 03:18 • -17.82db
20% Popularity • 41% Danceability • 21% Energy • 34% Liveness
72% Instrumentalness • 46% Positiveness
20% Popularity • 41% Danceability • 21% Energy • 34% Liveness
72% Instrumentalness • 46% Positiveness
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SpinalE
La triangolazione dell'asparago
160 bpm • G# Maj • 01:05 • -11.82db
17% Popularity • 64% Danceability • 42% Energy • 34% Liveness
82% Instrumentalness • 75% Positiveness
17% Popularity • 64% Danceability • 42% Energy • 34% Liveness
82% Instrumentalness • 75% Positiveness
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New Orleans Nightcrawlers
Bourbon St. Parade
187 bpm • F# Maj • 05:40 • -10.76db
8% Popularity • 52% Danceability • 43% Energy • 8% Liveness
28% Instrumentalness • 49% Positiveness
8% Popularity • 52% Danceability • 43% Energy • 8% Liveness
28% Instrumentalness • 49% Positiveness
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Steven Lauzon
Big Easy Kicks
160 bpm • E Maj • 01:08 • -16.83db
11% Popularity • 88% Danceability • 35% Energy • 11% Liveness
97% Instrumentalness • 76% Positiveness
11% Popularity • 88% Danceability • 35% Energy • 11% Liveness
97% Instrumentalness • 76% Positiveness
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The Hi-Stakes
The Talker
159 bpm • C Maj • 02:49 • -8.78db
8% Popularity • 75% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
8% Popularity • 75% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Jetse de Jong
All The Fruit
188 bpm • C# Maj • 04:39 • -9.01db
18% Popularity • 50% Danceability • 71% Energy • 5% Liveness
82% Instrumentalness • 83% Positiveness
18% Popularity • 50% Danceability • 71% Energy • 5% Liveness
82% Instrumentalness • 83% Positiveness
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Slim Gaillard
Flat Foot Floogie, No.1
158 bpm • F# Maj • 07:28 • -15.5db
8% Popularity • 48% Danceability • 49% Energy • 90% Liveness
5% Instrumentalness • 62% Positiveness
8% Popularity • 48% Danceability • 49% Energy • 90% Liveness
5% Instrumentalness • 62% Positiveness
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Buckwheat Zydeco
Buckwheat's Special
190 bpm • G# Maj • 05:17 • -12.07db
8% Popularity • 36% Danceability • 88% Energy • 75% Liveness
46% Instrumentalness • 81% Positiveness
8% Popularity • 36% Danceability • 88% Energy • 75% Liveness
46% Instrumentalness • 81% Positiveness
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New Orleans Nightcrawlers
Parlor For The 'Crawlers
187 bpm • F# min • 06:37 • -12.53db
14% Popularity • 52% Danceability • 53% Energy • 12% Liveness
86% Instrumentalness • 48% Positiveness
14% Popularity • 52% Danceability • 53% Energy • 12% Liveness
86% Instrumentalness • 48% Positiveness
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John Lee Hooker
Dimples
156 bpm • E min • 04:44 • -9.6db
8% Popularity • 56% Danceability • 65% Energy • 70% Liveness
0% Instrumentalness • 62% Positiveness
8% Popularity • 56% Danceability • 65% Energy • 70% Liveness
0% Instrumentalness • 62% Positiveness
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Mike Sponza
Rather Than Being Free
156 bpm • G min • 06:55 • -10.14db
10% Popularity • 54% Danceability • 53% Energy • 90% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 54% Danceability • 53% Energy • 90% Liveness
0% Instrumentalness • 68% Positiveness
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Conrad Ramsden
My Bed
193 bpm • F min • 01:42 • -18.57db
13% Popularity • 56% Danceability • 52% Energy • 15% Liveness
88% Instrumentalness • 62% Positiveness
13% Popularity • 56% Danceability • 52% Energy • 15% Liveness
88% Instrumentalness • 62% Positiveness
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Realize Easy
Consist Chest
154 bpm • F# Maj • 04:22 • -13.52db
17% Popularity • 52% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
17% Popularity • 52% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 76% Positiveness
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Chester Thompson
Attitude
154 bpm • C Maj • 04:23 • -9.45db
9% Popularity • 50% Danceability • 63% Energy • 5% Liveness
82% Instrumentalness • 69% Positiveness
9% Popularity • 50% Danceability • 63% Energy • 5% Liveness
82% Instrumentalness • 69% Positiveness
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Allen Toussaint
Mr Mardi Gras
195 bpm • C Maj • 04:10 • -8.94db
13% Popularity • 72% Danceability • 75% Energy • 5% Liveness
3% Instrumentalness • 82% Positiveness
13% Popularity • 72% Danceability • 75% Energy • 5% Liveness
3% Instrumentalness • 82% Positiveness
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Al Green
All The Things You Are
154 bpm • G Maj • 06:48 • -11.17db
9% Popularity • 47% Danceability • 39% Energy • 13% Liveness
4% Instrumentalness • 32% Positiveness
9% Popularity • 47% Danceability • 39% Energy • 13% Liveness
4% Instrumentalness • 32% Positiveness
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Evening Sky
Lamont's Revenge
153 bpm • C Maj • 03:55 • -5.55db
32% Popularity • 67% Danceability • 75% Energy • 5% Liveness
73% Instrumentalness • 74% Positiveness
32% Popularity • 67% Danceability • 75% Energy • 5% Liveness
73% Instrumentalness • 74% Positiveness
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Dan Penn
My Life To Live Over - Demo
152 bpm • F# Maj • 03:59 • -15.63db
14% Popularity • 45% Danceability • 11% Energy • 17% Liveness
1% Instrumentalness • 43% Positiveness
14% Popularity • 45% Danceability • 11% Energy • 17% Liveness
1% Instrumentalness • 43% Positiveness
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Irma Thomas
Hittin' On Nothin' - Live At Slim's, San...
151 bpm • C Maj • 04:47 • -14.07db
7% Popularity • 54% Danceability • 62% Energy • 97% Liveness
0% Instrumentalness • 84% Positiveness
7% Popularity • 54% Danceability • 62% Energy • 97% Liveness
0% Instrumentalness • 84% Positiveness
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Eugene Dobbs
Today Is Your Day
150 bpm • A min • 02:36 • -14.29db
14% Popularity • 70% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
14% Popularity • 70% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Yates McKendree
Out Crowd
150 bpm • C Maj • 02:44 • -7.79db
13% Popularity • 64% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
13% Popularity • 64% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Berton Bowman
Backwater Blue
149 bpm • C Maj • 04:53 • -11.66db
13% Popularity • 76% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
13% Popularity • 76% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Lacy Haith
Slow Motion
150 bpm • D min • 04:07 • -8.03db
17% Popularity • 58% Danceability • 53% Energy • 11% Liveness
90% Instrumentalness • 57% Positiveness
17% Popularity • 58% Danceability • 53% Energy • 11% Liveness
90% Instrumentalness • 57% Positiveness
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Jesse Boyd
Philip St.
149 bpm • D Maj • 06:32 • -17.66db
0% Popularity • 48% Danceability • 26% Energy • 12% Liveness
90% Instrumentalness • 26% Positiveness
0% Popularity • 48% Danceability • 26% Energy • 12% Liveness
90% Instrumentalness • 26% Positiveness
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The Soul Of John Black
Six Pack of Blues
148 bpm • D# Maj • 04:38 • -7.58db
10% Popularity • 86% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 86% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Earth.Boy
El Toreador
148 bpm • C# min • 02:52 • -8.94db
12% Popularity • 69% Danceability • 53% Energy • 10% Liveness
86% Instrumentalness • 62% Positiveness
12% Popularity • 69% Danceability • 53% Energy • 10% Liveness
86% Instrumentalness • 62% Positiveness
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Delfeayo Marsalis
Uptown On Mardi Gras Day
148 bpm • A# min • 03:09 • -9.4db
11% Popularity • 74% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
11% Popularity • 74% Danceability • 46% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Big 6 Brass Band
Go Down
203 bpm • G# Maj • 04:06 • -4.07db
8% Popularity • 38% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
8% Popularity • 38% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
