Songs like distance by Ruel
Based on a tempo of (+/- 10%) and a similar genre
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Clinton Kane
remember the mornings
149 bpm • C Maj • 03:22 • -5.66db
46% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Ruel
distance
149 bpm • D# min • 02:59 • -8.56db
53% Popularity • 56% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 50% Positiveness
53% Popularity • 56% Danceability • 33% Energy • 56% Liveness
0% Instrumentalness • 50% Positiveness
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5 Seconds of Summer
Ghost Of You
150 bpm • A# Maj • 03:17 • -4.82db
71% Popularity • 46% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
71% Popularity • 46% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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FINNEAS
I Don't Miss You at All
148 bpm • C# min • 02:08 • -7.57db
56% Popularity • 84% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
56% Popularity • 84% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Spencer Sutherland
Wonder
150 bpm • D Maj • 03:24 • -7.53db
43% Popularity • 72% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
43% Popularity • 72% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Jake Miller
WHAT IF YOU FELL IN LOVE?
150 bpm • G Maj • 03:18 • -7.12db
35% Popularity • 70% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
35% Popularity • 70% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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will hyde
easy for u.
150 bpm • F# min • 02:16 • -6db
25% Popularity • 69% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
25% Popularity • 69% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Devin Kennedy
Hurt U
148 bpm • D Maj • 02:52 • -8.24db
50% Popularity • 68% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
50% Popularity • 68% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Mokita
down
148 bpm • E Maj • 03:14 • -9.02db
52% Popularity • 52% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
52% Popularity • 52% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Troye Sivan
could cry just thinkin about you - Full ...
148 bpm • F# Maj • 02:38 • -11.05db
55% Popularity • 52% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
55% Popularity • 52% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Tiffany Day
Autopilot
150 bpm • G# Maj • 03:31 • -12db
31% Popularity • 67% Danceability • 37% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 67% Danceability • 37% Energy • 37% Liveness
0% Instrumentalness • 48% Positiveness
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Sasha Alex Sloan
Matter To You
148 bpm • D# Maj • 03:37 • -8.81db
45% Popularity • 64% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
45% Popularity • 64% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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ROLE MODEL
blind
150 bpm • C Maj • 02:33 • -5.22db
62% Popularity • 76% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
62% Popularity • 76% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Dhruv
stable life
150 bpm • D Maj • 03:16 • -9.09db
41% Popularity • 50% Danceability • 45% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
41% Popularity • 50% Danceability • 45% Energy • 33% Liveness
0% Instrumentalness • 31% Positiveness
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Social House
At Least We Can Say That We Tried
151 bpm • D# Maj • 02:36 • -7.8db
34% Popularity • 62% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 62% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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JP Saxe
If the World Was Ending
147 bpm • C# Maj • 03:29 • -9.97db
73% Popularity • 43% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
73% Popularity • 43% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Joseph Tilley
Together
151 bpm • A Maj • 02:29 • -5.09db
46% Popularity • 64% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 64% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Luke Chiang
May I Ask
146 bpm • D Maj • 03:50 • -9.22db
64% Popularity • 72% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
64% Popularity • 72% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Ben Kessler
Cruise Control
146 bpm • F Maj • 02:39 • -8.42db
31% Popularity • 40% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
31% Popularity • 40% Danceability • 36% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
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Hojean
far from here
152 bpm • F Maj • 03:14 • -8.69db
40% Popularity • 66% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 66% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Mokita
colorblind
146 bpm • G# Maj • 03:13 • -5.05db
61% Popularity • 66% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
61% Popularity • 66% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Clinton Kane
So I Don't Let Me Down
152 bpm • A Maj • 03:36 • -8.62db
42% Popularity • 65% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
42% Popularity • 65% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Fiji Blue
Up Down
153 bpm • C Maj • 03:10 • -8.03db
43% Popularity • 65% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
43% Popularity • 65% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Harry Hudson
Yellow Lights
146 bpm • D# Maj • 02:51 • -10.81db
53% Popularity • 44% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
53% Popularity • 44% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Axel Mansoor
Cold Sweat
145 bpm • C Maj • 02:31 • -9.77db
39% Popularity • 73% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
39% Popularity • 73% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 34% Positiveness
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FINNEAS
What They'll Say About Us
145 bpm • G min • 03:01 • -13.04db
59% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
59% Popularity • 54% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Etham
Opposite Of Loving Me - Stripped
145 bpm • G min • 03:31 • -10.83db
44% Popularity • 62% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
44% Popularity • 62% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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ABIR
Tango
145 bpm • E min • 03:06 • -6db
49% Popularity • 53% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
49% Popularity • 53% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Maximillian
Beautiful Scars
145 bpm • E min • 03:14 • -8.67db
60% Popularity • 71% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
60% Popularity • 71% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Alt Bloom
October Eyes
145 bpm • E Maj • 02:27 • -9.23db
49% Popularity • 62% Danceability • 52% Energy • 15% Liveness
1% Instrumentalness • 70% Positiveness
49% Popularity • 62% Danceability • 52% Energy • 15% Liveness
1% Instrumentalness • 70% Positiveness
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Travis Garland
Put Down Your Phone
145 bpm • C# min • 02:57 • -6.45db
32% Popularity • 69% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 69% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 31% Positiveness
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FINNEAS
Break My Heart Again
144 bpm • E min • 03:57 • -14.23db
68% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
68% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Audrey Mika
Excuses
144 bpm • A# Maj • 02:25 • -8.5db
38% Popularity • 79% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
38% Popularity • 79% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Griff
Good Stuff
144 bpm • G Maj • 03:13 • -7.48db
59% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
59% Popularity • 64% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Omar Apollo
Want U Around
144 bpm • C Maj • 04:07 • -6.76db
63% Popularity • 57% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
63% Popularity • 57% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Clinton Kane
i don't want to watch the world end with...
154 bpm • D Maj • 03:04 • -9.34db
64% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
64% Popularity • 54% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Sam MacPherson
Last Minute
144 bpm • C# Maj • 02:13 • -9.24db
59% Popularity • 58% Danceability • 28% Energy • 51% Liveness
0% Instrumentalness • 48% Positiveness
59% Popularity • 58% Danceability • 28% Energy • 51% Liveness
0% Instrumentalness • 48% Positiveness
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Mokita
With You
155 bpm • B Maj • 02:34 • -6db
61% Popularity • 65% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
61% Popularity • 65% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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James Smith
Tell Me That You Love Me
144 bpm • F# Maj • 03:14 • -8.75db
63% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
63% Popularity • 54% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Valley
homebody
155 bpm • C# Maj • 03:11 • -7.24db
43% Popularity • 62% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
43% Popularity • 62% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Jereena Montemayor
Rose
155 bpm • C Maj • 03:49 • -11.95db
49% Popularity • 61% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
49% Popularity • 61% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Tate McRae
rubberband
155 bpm • A# Maj • 02:27 • -8.91db
64% Popularity • 64% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
64% Popularity • 64% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Etham
Purpose - Stripped
155 bpm • G# Maj • 03:16 • -9.7db
42% Popularity • 42% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 42% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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ROLE MODEL
for the people in the back
156 bpm • D# min • 02:34 • -4.43db
42% Popularity • 78% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
42% Popularity • 78% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
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Ant Saunders
Effortless
156 bpm • G min • 02:41 • -5.98db
24% Popularity • 72% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 72% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Ruel
say it over
156 bpm • D min • 03:58 • -10.94db
44% Popularity • 44% Danceability • 32% Energy • 61% Liveness
0% Instrumentalness • 15% Positiveness
44% Popularity • 44% Danceability • 32% Energy • 61% Liveness
0% Instrumentalness • 15% Positiveness
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shy martin
Slow
142 bpm • D Maj • 02:43 • -9.51db
55% Popularity • 64% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
55% Popularity • 64% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Audrey Mika
Strangers
142 bpm • C Maj • 02:48 • -6.37db
29% Popularity • 78% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
29% Popularity • 78% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Maximillian
Mirror
142 bpm • C# Maj • 02:57 • -9.11db
34% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 64% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Surf Mesa
Carried Away (Love To Love)
142 bpm • C# Maj • 03:02 • -5.3db
57% Popularity • 52% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 30% Positiveness
57% Popularity • 52% Danceability • 68% Energy • 31% Liveness
0% Instrumentalness • 30% Positiveness
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Fiji Blue
Another Day
140 bpm • C# Maj • 02:33 • -5.88db
49% Popularity • 69% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
49% Popularity • 69% Danceability • 75% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Ruel
Painkiller - Mr. Carmack Remix
142 bpm • C Maj • 03:30 • -4.2db
22% Popularity • 73% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 73% Danceability • 54% Energy • 36% Liveness
0% Instrumentalness • 39% Positiveness
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Sam MacPherson
Perfect Conditions
142 bpm • G Maj • 02:51 • -8.46db
30% Popularity • 70% Danceability • 38% Energy • 50% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 70% Danceability • 38% Energy • 50% Liveness
0% Instrumentalness • 60% Positiveness
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Avery Lynch
Out Of Love with You
140 bpm • G# Maj • 03:40 • -9.93db
39% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 64% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Tate McRae
r u ok
140 bpm • D Maj • 03:07 • -5.89db
59% Popularity • 66% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
59% Popularity • 66% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
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Loote
85%
140 bpm • G Maj • 02:54 • -7.59db
53% Popularity • 57% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
53% Popularity • 57% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 37% Positiveness
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Maximillian
Crossroads
140 bpm • D Maj • 03:01 • -8.35db
28% Popularity • 62% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 62% Danceability • 42% Energy • 37% Liveness
0% Instrumentalness • 58% Positiveness
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shy martin
Are you happy?
139 bpm • A min • 02:37 • -7.66db
57% Popularity • 63% Danceability • 58% Energy • 42% Liveness
0% Instrumentalness • 30% Positiveness
57% Popularity • 63% Danceability • 58% Energy • 42% Liveness
0% Instrumentalness • 30% Positiveness
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Tiger La Flor
lisbon
160 bpm • C# Maj • 02:45 • -10.99db
36% Popularity • 68% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 68% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Blake Rose
Gone
139 bpm • B min • 03:25 • -6db
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
58% Popularity • 32% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Weston Estate
Hypnotized
160 bpm • G Maj • 03:29 • -6.46db
44% Popularity • 64% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
44% Popularity • 64% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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JORDY
Close To You
160 bpm • G# Maj • 02:59 • -8db
38% Popularity • 43% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 43% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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PARADISE RISING
Kaori
160 bpm • A Maj • 04:04 • -8.67db
36% Popularity • 53% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
36% Popularity • 53% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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shy martin
Nobody Likes Moving On
160 bpm • B Maj • 02:46 • -10.78db
43% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
43% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Ruel
SET YOURSELF ON FIRE
160 bpm • B Maj • 02:51 • -6db
32% Popularity • 57% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 57% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 57% Positiveness
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bülow
Boys Will Be Boys
160 bpm • C Maj • 02:35 • -4.66db
38% Popularity • 64% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
38% Popularity • 64% Danceability • 86% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
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Conor Matthews
S EX
160 bpm • B min • 02:09 • -7db
32% Popularity • 68% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
32% Popularity • 68% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
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Harry Hudson
Let Me
160 bpm • D min • 02:11 • -6db
40% Popularity • 64% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
40% Popularity • 64% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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MICO
who do you love
160 bpm • C# min • 02:53 • -9.23db
37% Popularity • 45% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 45% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 34% Positiveness
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Valley
hiccup
160 bpm • A Maj • 02:44 • -8.96db
50% Popularity • 42% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
50% Popularity • 42% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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benny blanco
Unlearn
138 bpm • A# min • 02:34 • -12.27db
51% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
51% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Bruno Major
Tapestry
138 bpm • C# Maj • 03:15 • -11db
48% Popularity • 64% Danceability • 34% Energy • 14% Liveness
6% Instrumentalness • 21% Positiveness
48% Popularity • 64% Danceability • 34% Energy • 14% Liveness
6% Instrumentalness • 21% Positiveness
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shy martin
Break With Me
138 bpm • F Maj • 02:35 • -10.31db
39% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 61% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Ali Gatie
lie to me
138 bpm • E min • 02:57 • -7.68db
57% Popularity • 64% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 4% Positiveness
57% Popularity • 64% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 4% Positiveness
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Harry Hudson
Closing Doors
138 bpm • G Maj • 02:26 • -8db
30% Popularity • 50% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 50% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 14% Positiveness
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PARADISE RISING
Safe Place
138 bpm • A Maj • 02:43 • -8.64db
28% Popularity • 56% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
28% Popularity • 56% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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Alexander 23
The Hardest Part
162 bpm • G# Maj • 03:23 • -9db
46% Popularity • 50% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
46% Popularity • 50% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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GUNNAR
For Your Love
138 bpm • C Maj • 03:09 • -5db
37% Popularity • 62% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 62% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Sasha Alex Sloan
Hypochondriac
136 bpm • B Maj • 03:22 • -12.34db
38% Popularity • 64% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 64% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Ruel
Younger
136 bpm • B min • 03:42 • -7.71db
56% Popularity • 74% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
56% Popularity • 74% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Fern.
Whatever This Is
136 bpm • E Maj • 03:07 • -8.49db
38% Popularity • 60% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
38% Popularity • 60% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Ben Kessler
Good Enough
136 bpm • C Maj • 02:50 • -11db
23% Popularity • 56% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 56% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Etham
12:45 - Stripped
164 bpm • F Maj • 02:59 • -10.66db
58% Popularity • 46% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
58% Popularity • 46% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Boy In Space
7UP
135 bpm • C Maj • 03:23 • -7db
50% Popularity • 62% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
50% Popularity • 62% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Anson Seabra
Hurricane
135 bpm • G Maj • 03:21 • -13.24db
45% Popularity • 69% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 69% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Suriel Hess
Still Something
135 bpm • B Maj • 03:08 • -7.58db
52% Popularity • 70% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
52% Popularity • 70% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Jeff Bernat
Still
135 bpm • E Maj • 03:46 • -11.6db
62% Popularity • 48% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
62% Popularity • 48% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Joshua Bassett
Anyone Else
165 bpm • B Maj • 03:20 • -9.01db
46% Popularity • 63% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
46% Popularity • 63% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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FINNEAS
Lost My Mind
135 bpm • G min • 02:49 • -11.04db
49% Popularity • 66% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
49% Popularity • 66% Danceability • 28% Energy • 23% Liveness
0% Instrumentalness • 7% Positiveness
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James Smith
I Don't Wanna Know
165 bpm • G Maj • 03:28 • -8.6db
38% Popularity • 25% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
38% Popularity • 25% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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JP Saxe
Same Room
134 bpm • G Maj • 03:53 • -10.88db
44% Popularity • 46% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
44% Popularity • 46% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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NIKI
Lose
134 bpm • C Maj • 04:16 • -8.13db
63% Popularity • 39% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
63% Popularity • 39% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Yoandri
It'll Be Ok
133 bpm • D Maj • 02:34 • -9.74db
41% Popularity • 45% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
41% Popularity • 45% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Joshua Bassett
Crisis
134 bpm • D Maj • 03:09 • -6.62db
48% Popularity • 59% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
48% Popularity • 59% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Lukey
HONEYDREAM
134 bpm • A Maj • 03:07 • -8.24db
40% Popularity • 61% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
40% Popularity • 61% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Maisie Peters
Maybe Don't
167 bpm • G Maj • 02:54 • -5.23db
51% Popularity • 71% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
51% Popularity • 71% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Ruel
Painkiller - Taka Perry Remix
133 bpm • A min • 03:23 • -9.52db
11% Popularity • 68% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 68% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Gracie Abrams
Friend
133 bpm • E Maj • 02:56 • -4.91db
61% Popularity • 70% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
61% Popularity • 70% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 23% Positiveness
