Songs like Dôme Épais (Duet - Delibes) by Christine Moore
Based on a tempo of (+/- 10%) and a similar genre
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Giuseppe Verdi
La traviata / Act I: "Si ridesta in ciel...
103 bpm • G# Maj • 01:27 • -16db
26% Popularity • 39% Danceability • 43% Energy • 11% Liveness
85% Instrumentalness • 64% Positiveness
26% Popularity • 39% Danceability • 43% Energy • 11% Liveness
85% Instrumentalness • 64% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K. 527: Act II Scene 6: Ar...
103 bpm • C Maj • 03:34 • -20.61db
10% Popularity • 32% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 32% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Jacques Offenbach
Offenbach: Les contes d'Hoffmann, Act 2:...
103 bpm • G# Maj • 05:05 • -18db
4% Popularity • 46% Danceability • 6% Energy • 22% Liveness
31% Instrumentalness • 17% Positiveness
4% Popularity • 46% Danceability • 6% Energy • 22% Liveness
31% Instrumentalness • 17% Positiveness
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Christine Moore
Dôme Épais (Duet - Delibes)
103 bpm • B Maj • 04:58 • -14.41db
7% Popularity • 35% Danceability • 19% Energy • 7% Liveness
1% Instrumentalness • 7% Positiveness
7% Popularity • 35% Danceability • 19% Energy • 7% Liveness
1% Instrumentalness • 7% Positiveness
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Jules Massenet
Manon / Act III: "Suis-je gentille ainsi...
104 bpm • G Maj • 06:35 • -17.28db
9% Popularity • 37% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 37% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Carl Orff
Carmina Burana - III - Cours D'amour : T...
104 bpm • D Maj • 02:07 • -17db
22% Popularity • 41% Danceability • 35% Energy • 88% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 41% Danceability • 35% Energy • 88% Liveness
0% Instrumentalness • 48% Positiveness
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Giuseppe Verdi
Don Carlo / Act 2: "Nei giardin del bell...
103 bpm • A Maj • 04:21 • -18db
8% Popularity • 42% Danceability • 22% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 42% Danceability • 22% Energy • 27% Liveness
0% Instrumentalness • 27% Positiveness
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Georges Bizet
Les Pêcheurs de Perles, Act I: "Au fond...
102 bpm • D# Maj • 05:47 • -16.47db
19% Popularity • 23% Danceability • 24% Energy • 7% Liveness
35% Instrumentalness • 12% Positiveness
19% Popularity • 23% Danceability • 24% Energy • 7% Liveness
35% Instrumentalness • 12% Positiveness
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Gaetano Donizetti
L'elisir d'amore, Act I: "Benedette ques...
102 bpm • E Maj • 04:41 • -22db
14% Popularity • 43% Danceability • 9% Energy • 53% Liveness
0% Instrumentalness • 9% Positiveness
14% Popularity • 43% Danceability • 9% Energy • 53% Liveness
0% Instrumentalness • 9% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Don Giovanni, K. 527, Act 1: "Ba...
102 bpm • F Maj • 03:52 • -21.16db
3% Popularity • 33% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
3% Popularity • 33% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Jacques Offenbach
Un mari à la porte: Valse Tyrolienne
105 bpm • G Maj • 03:47 • -13db
10% Popularity • 44% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 44% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Voi lo sapete, o ...
101 bpm • E Maj • 05:03 • -18db
22% Popularity • 26% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 26% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Don Carlo / Act II: "Nel giardin del bel...
104 bpm • A Maj • 04:43 • -20.83db
9% Popularity • 46% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 46% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: Air et Chœ...
101 bpm • A min • 03:38 • -17db
12% Popularity • 39% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
12% Popularity • 39% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Richard Wagner
Tannhauser, Act II: Blick ich umher in d...
101 bpm • D# Maj • 05:20 • -23db
11% Popularity • 31% Danceability • 3% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
11% Popularity • 31% Danceability • 3% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Le nozze di Figaro, K. 492, Act ...
106 bpm • F Maj • 03:26 • -27.64db
12% Popularity • 28% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
12% Popularity • 28% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: "Belle nu...
101 bpm • D Maj • 03:45 • -27db
30% Popularity • 22% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
30% Popularity • 22% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Carl Orff
Orff: Carmina Burana, Pt. 1, Uf dem Ange...
100 bpm • G Maj • 02:58 • -28.14db
24% Popularity • 25% Danceability • 4% Energy • 16% Liveness
13% Instrumentalness • 6% Positiveness
24% Popularity • 25% Danceability • 4% Energy • 16% Liveness
13% Instrumentalness • 6% Positiveness
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Giuseppe Verdi
Macbeth, Act I: Vieni t'affretta - Or tu...
104 bpm • E Maj • 07:32 • -17.54db
14% Popularity • 35% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
14% Popularity • 35% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Georges Bizet
Bizet: Carmen, Act 1: "Sur la place" (Ch...
105 bpm • A# Maj • 07:22 • -21db
24% Popularity • 32% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
24% Popularity • 32% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 12% Positiveness
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Anita Cerquetti
Aida: O patria mia
99 bpm • C Maj • 06:29 • -14.74db
10% Popularity • 24% Danceability • 17% Energy • 38% Liveness
0% Instrumentalness • 5% Positiveness
10% Popularity • 24% Danceability • 17% Energy • 38% Liveness
0% Instrumentalness • 5% Positiveness
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Jules Massenet
Massenet: Manon, Act 2: Prélude
99 bpm • D# Maj • 01:45 • -29.05db
8% Popularity • 34% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
8% Popularity • 34% Danceability • 5% Energy • 10% Liveness
93% Instrumentalness • 11% Positiveness
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Jacques Offenbach
Offenbach: Robinson Crusoë, Act 2: Vals...
100 bpm • A Maj • 03:57 • -18.64db
13% Popularity • 37% Danceability • 17% Energy • 4% Liveness
0% Instrumentalness • 19% Positiveness
13% Popularity • 37% Danceability • 17% Energy • 4% Liveness
0% Instrumentalness • 19% Positiveness
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Johann Strauss II
Strauss II, J: Frühlingsstimmen, Op. 41...
99 bpm • A# Maj • 09:09 • -19.52db
6% Popularity • 39% Danceability • 9% Energy • 16% Liveness
3% Instrumentalness • 11% Positiveness
6% Popularity • 39% Danceability • 9% Energy • 16% Liveness
3% Instrumentalness • 11% Positiveness
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Giuseppe Verdi
Rigoletto, Act IV: Bella figlia dell'amo...
105 bpm • C# Maj • 04:49 • -20.35db
14% Popularity • 29% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
14% Popularity • 29% Danceability • 15% Energy • 22% Liveness
0% Instrumentalness • 18% Positiveness
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Georges Bizet
Carmen: Act II: Couplets: Votre toast, j...
105 bpm • F Maj • 05:00 • -15.83db
10% Popularity • 40% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
10% Popularity • 40% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 37% Positiveness
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Jerónimo Giménez
"La tarántula e un bicho"
108 bpm • C Maj • 01:32 • -19.52db
22% Popularity • 58% Danceability • 37% Energy • 17% Liveness
1% Instrumentalness • 90% Positiveness
22% Popularity • 58% Danceability • 37% Energy • 17% Liveness
1% Instrumentalness • 90% Positiveness
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Jules Massenet
Massenet: Manon, Act 3: "Je marche sur t...
108 bpm • G Maj • 05:06 • -19.09db
23% Popularity • 38% Danceability • 6% Energy • 5% Liveness
0% Instrumentalness • 7% Positiveness
23% Popularity • 38% Danceability • 6% Energy • 5% Liveness
0% Instrumentalness • 7% Positiveness
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Gaetano Donizetti
Lucrezia Borgia / Act 2: Era desso il fi...
108 bpm • D# min • 05:23 • -18db
12% Popularity • 36% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 36% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Nikolai Rimsky-Korsakov
The Golden Cockerel: Tsaritsa's Dance of...
98 bpm • D# min • 02:06 • -12.11db
9% Popularity • 40% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 40% Danceability • 18% Energy • 21% Liveness
0% Instrumentalness • 8% Positiveness
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Giuseppe Verdi
Verdi: Messa da Requiem: XVIII. Requiem ...
105 bpm • F Maj • 03:16 • -31.32db
6% Popularity • 16% Danceability • 8% Energy • 10% Liveness
20% Instrumentalness • 3% Positiveness
6% Popularity • 16% Danceability • 8% Energy • 10% Liveness
20% Instrumentalness • 3% Positiveness
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Georges Bizet
Carmen / Act 2: Chanson: "Les tringles d...
106 bpm • C Maj • 04:57 • -18.83db
15% Popularity • 37% Danceability • 14% Energy • 60% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 37% Danceability • 14% Energy • 60% Liveness
0% Instrumentalness • 28% Positiveness
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Vincenzo Bellini
Norma / Act 2: Mira, o Norma
108 bpm • D# Maj • 05:13 • -23db
20% Popularity • 34% Danceability • 7% Energy • 66% Liveness
0% Instrumentalness • 5% Positiveness
20% Popularity • 34% Danceability • 7% Energy • 66% Liveness
0% Instrumentalness • 5% Positiveness
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Gioachino Rossini
Rossini: Guillaume Tell, Act 1 Scene 1: ...
98 bpm • G Maj • 03:58 • -28.16db
10% Popularity • 17% Danceability • 3% Energy • 22% Liveness
39% Instrumentalness • 7% Positiveness
10% Popularity • 17% Danceability • 3% Energy • 22% Liveness
39% Instrumentalness • 7% Positiveness
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Jacques Offenbach
Offenbach: Orphée aux enfers, Act 2: Me...
98 bpm • D Maj • 01:55 • -16.27db
12% Popularity • 57% Danceability • 54% Energy • 7% Liveness
33% Instrumentalness • 58% Positiveness
12% Popularity • 57% Danceability • 54% Energy • 7% Liveness
33% Instrumentalness • 58% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Tu qui, Santuzza?...
109 bpm • F Maj • 03:20 • -13.96db
22% Popularity • 37% Danceability • 28% Energy • 81% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 37% Danceability • 28% Energy • 81% Liveness
0% Instrumentalness • 22% Positiveness
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Giuseppe Verdi
Il Trovatore / Act III: "Di quella pira"
101 bpm • C Maj • 03:42 • -12.91db
12% Popularity • 33% Danceability • 42% Energy • 8% Liveness
14% Instrumentalness • 36% Positiveness
12% Popularity • 33% Danceability • 42% Energy • 8% Liveness
14% Instrumentalness • 36% Positiveness
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Georges Bizet
Bizet: Carmen: Votre toast, je peux vous...
106 bpm • C Maj • 08:11 • -16.91db
15% Popularity • 39% Danceability • 33% Energy • 49% Liveness
5% Instrumentalness • 29% Positiveness
15% Popularity • 39% Danceability • 33% Energy • 49% Liveness
5% Instrumentalness • 29% Positiveness
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Amilcare Ponchielli
La Gioconda / Act IV: "Suicidio! In ques...
97 bpm • F# min • 04:34 • -20db
8% Popularity • 24% Danceability • 10% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
8% Popularity • 24% Danceability • 10% Energy • 10% Liveness
6% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Il Barbiere di Siviglia: Finaletto II: D...
109 bpm • G Maj • 02:17 • -13.67db
10% Popularity • 48% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 48% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
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Jules Massenet
Manon, Act II: Adieu, notre petite table
97 bpm • G min • 04:30 • -25.45db
11% Popularity • 31% Danceability • 6% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
11% Popularity • 31% Danceability • 6% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Prologue: "Va po...
97 bpm • A min • 05:31 • -14.45db
16% Popularity • 37% Danceability • 32% Energy • 63% Liveness
20% Instrumentalness • 12% Positiveness
16% Popularity • 37% Danceability • 32% Energy • 63% Liveness
20% Instrumentalness • 12% Positiveness
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Giuseppe Verdi
Verdi: Aïda, Act 2: "Chi mai fra gl'inn...
106 bpm • G min • 03:01 • -27.23db
9% Popularity • 31% Danceability • 5% Energy • 17% Liveness
13% Instrumentalness • 6% Positiveness
9% Popularity • 31% Danceability • 5% Energy • 17% Liveness
13% Instrumentalness • 6% Positiveness
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Georges Bizet
Carmen, Act I: Habanera. L'amour est un ...
107 bpm • E min • 04:51 • -21db
14% Popularity • 34% Danceability • 17% Energy • 31% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 34% Danceability • 17% Energy • 31% Liveness
0% Instrumentalness • 16% Positiveness
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Gaetano Donizetti
Lucrezia Borgia / Act II: "Il segreto pe...
110 bpm • C Maj • 02:45 • -20.17db
14% Popularity • 48% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 48% Danceability • 14% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Gioachino Rossini
Il Barbiere di Siviglia: Cessa di più r...
109 bpm • A# Maj • 07:12 • -17.49db
3% Popularity • 39% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
3% Popularity • 39% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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Teddy Tahu Rhodes
Don Giovanni, K. 527, Act 2: "Deh, vieni...
110 bpm • D Maj • 02:33 • -24.58db
13% Popularity • 38% Danceability • 7% Energy • 7% Liveness
44% Instrumentalness • 34% Positiveness
13% Popularity • 38% Danceability • 7% Energy • 7% Liveness
44% Instrumentalness • 34% Positiveness
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Vincenzo Bellini
La Sonnambula / Act 2: Ah! non giunge um...
96 bpm • A# Maj • 03:54 • -13.19db
11% Popularity • 33% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 33% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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Giuseppe Verdi
Macbeth: Soldiers' Chorus 'Or co'dadi, m...
106 bpm • C Maj • 04:11 • -19.24db
9% Popularity • 43% Danceability • 14% Energy • 7% Liveness
17% Instrumentalness • 34% Positiveness
9% Popularity • 43% Danceability • 14% Energy • 7% Liveness
17% Instrumentalness • 34% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: "Sur la pla...
109 bpm • A# Maj • 02:00 • -26db
11% Popularity • 37% Danceability • 7% Energy • 16% Liveness
24% Instrumentalness • 36% Positiveness
11% Popularity • 37% Danceability • 7% Energy • 16% Liveness
24% Instrumentalness • 36% Positiveness
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Jacques Offenbach
La belle Hélène / Act 1: Au mont Ida.....
96 bpm • A# Maj • 03:50 • -17db
12% Popularity • 41% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 41% Positiveness
12% Popularity • 41% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 41% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Act I: Overture
96 bpm • E Maj • 06:49 • -15.48db
8% Popularity • 39% Danceability • 27% Energy • 31% Liveness
71% Instrumentalness • 28% Positiveness
8% Popularity • 39% Danceability • 27% Energy • 31% Liveness
71% Instrumentalness • 28% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492, Act II: Voi ...
111 bpm • A# Maj • 03:02 • -19.16db
12% Popularity • 40% Danceability • 15% Energy • 16% Liveness
1% Instrumentalness • 16% Positiveness
12% Popularity • 40% Danceability • 15% Energy • 16% Liveness
1% Instrumentalness • 16% Positiveness
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Orquesta Sinfónica Y Coro De La RAI De Roma
Arietta ¨Voi Che Sapete¨
111 bpm • A# Maj • 03:45 • -20.62db
3% Popularity • 51% Danceability • 5% Energy • 29% Liveness
0% Instrumentalness • 18% Positiveness
3% Popularity • 51% Danceability • 5% Energy • 29% Liveness
0% Instrumentalness • 18% Positiveness
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Giuseppe Verdi
Verdi: Aida, Act 4, Scene 2: "Presago il...
99 bpm • G# Maj • 01:55 • -20db
14% Popularity • 34% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
14% Popularity • 34% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 11% Positiveness
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Georges Bizet
Bizet: Carmen, Act 1: "C'est bien là , n...
97 bpm • C# Maj • 01:13 • -22.92db
21% Popularity • 48% Danceability • 14% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 48% Danceability • 14% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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Jacques Offenbach
Offenbach: Orphée aux enfers, Act 1: Ro...
111 bpm • G Maj • 02:32 • -18.87db
8% Popularity • 68% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
8% Popularity • 68% Danceability • 22% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Pyotr Ilyich Tchaikovsky
The Queen of Spades, Op. 68, Act II: Ya ...
96 bpm • D# Maj • 04:01 • -22db
11% Popularity • 21% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 12% Positiveness
11% Popularity • 21% Danceability • 10% Energy • 30% Liveness
0% Instrumentalness • 12% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K.527 / Act 1: "LÃ ci dar...
96 bpm • A Maj • 03:19 • -13db
16% Popularity • 26% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 26% Danceability • 32% Energy • 34% Liveness
0% Instrumentalness • 22% Positiveness
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Pietro Mascagni
L'amico Fritz / Act 1: Son pochi fiori
96 bpm • D# Maj • 03:12 • -20.13db
17% Popularity • 28% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
17% Popularity • 28% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Giuseppe Verdi
Aida, Act I: Se quel guerrier io fossi! ...
99 bpm • A# Maj • 04:32 • -24.06db
21% Popularity • 24% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
21% Popularity • 24% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Georges Bizet
Carmen / Act II: Chanson: "Les tringles ...
111 bpm • C Maj • 04:46 • -19.58db
17% Popularity • 40% Danceability • 13% Energy • 8% Liveness
2% Instrumentalness • 15% Positiveness
17% Popularity • 40% Danceability • 13% Energy • 8% Liveness
2% Instrumentalness • 15% Positiveness
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Vincenzo Bellini
Norma / Act 2 Scene 3: "Guerra, guerra!"...
95 bpm • A Maj • 01:38 • -11.81db
14% Popularity • 24% Danceability • 40% Energy • 17% Liveness
80% Instrumentalness • 14% Positiveness
14% Popularity • 24% Danceability • 40% Energy • 17% Liveness
80% Instrumentalness • 14% Positiveness
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Gaetano Donizetti
Don Pasquale: Quel guardo il cavaliere
95 bpm • A# Maj • 06:05 • -15db
12% Popularity • 41% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
12% Popularity • 41% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Wolfgang Amadeus Mozart
Le nozze di Figaro, K. 492 / Act 2: "Voi...
95 bpm • A# Maj • 03:53 • -26.82db
23% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
23% Popularity • 32% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
95 bpm • E min • 05:16 • -18db
8% Popularity • 34% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 34% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Giuseppe Verdi
Il trovatore: Act IV: D'amor sull'ali ro...
98 bpm • G# Maj • 06:43 • -17.04db
11% Popularity • 32% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 32% Danceability • 12% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Georges Bizet
Les Pêcheurs de perles, Act I: Sur la g...
111 bpm • A# Maj • 03:46 • -17db
7% Popularity • 31% Danceability • 21% Energy • 20% Liveness
1% Instrumentalness • 19% Positiveness
7% Popularity • 31% Danceability • 21% Energy • 20% Liveness
1% Instrumentalness • 19% Positiveness
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Dame Joan Sutherland
I Puritani
112 bpm • D Maj • 03:05 • -15.82db
29% Popularity • 42% Danceability • 21% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
29% Popularity • 42% Danceability • 21% Energy • 10% Liveness
2% Instrumentalness • 23% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act 1: "Voglio dire, ...
112 bpm • G Maj • 07:38 • -14.56db
18% Popularity • 42% Danceability • 33% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
18% Popularity • 42% Danceability • 33% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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Wolfgang Amadeus Mozart
Die Entführung aus dem Serail / Act 2: ...
94 bpm • A Maj • 04:11 • -23.02db
9% Popularity • 36% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 36% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Agnes Baltsa
Carmen (Act I, Sequedille)
112 bpm • D Maj • 02:04 • -14.83db
21% Popularity • 44% Danceability • 19% Energy • 69% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 44% Danceability • 19% Energy • 69% Liveness
0% Instrumentalness • 21% Positiveness
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Giuseppe Verdi
Il Trovatore / Act 3: "Squilli, echeggi ...
110 bpm • E Maj • 02:00 • -14db
18% Popularity • 44% Danceability • 41% Energy • 38% Liveness
80% Instrumentalness • 65% Positiveness
18% Popularity • 44% Danceability • 41% Energy • 38% Liveness
80% Instrumentalness • 65% Positiveness
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Georges Bizet
Bizet: Carmen: Les tringles des sistres ...
111 bpm • C Maj • 08:13 • -17.17db
10% Popularity • 41% Danceability • 39% Energy • 28% Liveness
3% Instrumentalness • 36% Positiveness
10% Popularity • 41% Danceability • 39% Energy • 28% Liveness
3% Instrumentalness • 36% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: "Il étai...
94 bpm • A min • 04:55 • -18db
15% Popularity • 36% Danceability • 20% Energy • 33% Liveness
4% Instrumentalness • 13% Positiveness
15% Popularity • 36% Danceability • 20% Energy • 33% Liveness
4% Instrumentalness • 13% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH.5 / Act 2: Ent...
113 bpm • D Maj • 07:45 • -20.3db
9% Popularity • 36% Danceability • 17% Energy • 16% Liveness
46% Instrumentalness • 22% Positiveness
9% Popularity • 36% Danceability • 17% Energy • 16% Liveness
46% Instrumentalness • 22% Positiveness
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Jules Massenet
Thaïs / Acte Trois: C'est toi, mon pèr...
94 bpm • D Maj • 05:21 • -15.77db
8% Popularity • 21% Danceability • 22% Energy • 20% Liveness
3% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 22% Energy • 20% Liveness
3% Instrumentalness • 4% Positiveness
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Friedrich von Flotow
M'appari tutt'amor from Martha - Voice
94 bpm • F Maj • 03:02 • -15.08db
7% Popularity • 22% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
7% Popularity • 22% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Giuseppe Verdi
Verdi: Messa da Requiem: XI. Lacrymosa
110 bpm • A# min • 06:28 • -25.43db
5% Popularity • 19% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
5% Popularity • 19% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 4: "Si tu m'ai...
95 bpm • E min • 01:30 • -19.02db
22% Popularity • 32% Danceability • 29% Energy • 15% Liveness
3% Instrumentalness • 15% Positiveness
22% Popularity • 32% Danceability • 29% Energy • 15% Liveness
3% Instrumentalness • 15% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia, Act I: No. 5, C...
113 bpm • E Maj • 05:57 • -24.75db
10% Popularity • 39% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
10% Popularity • 39% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act I: "Una parola, A...
114 bpm • A# Maj • 01:39 • -30.24db
22% Popularity • 56% Danceability • 2% Energy • 31% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 56% Danceability • 2% Energy • 31% Liveness
0% Instrumentalness • 17% Positiveness
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Pietro Mascagni
Mascagni: L'amico Fritz, Act 3 Scene 3: ...
93 bpm • F# Maj • 02:28 • -19db
22% Popularity • 26% Danceability • 16% Energy • 10% Liveness
28% Instrumentalness • 5% Positiveness
22% Popularity • 26% Danceability • 16% Energy • 10% Liveness
28% Instrumentalness • 5% Positiveness
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Christopher Todd Landor
Largo Al Factotum
93 bpm • C Maj • 04:56 • -18.26db
9% Popularity • 40% Danceability • 26% Energy • 27% Liveness
40% Instrumentalness • 52% Positiveness
9% Popularity • 40% Danceability • 26% Energy • 27% Liveness
40% Instrumentalness • 52% Positiveness
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Giuseppe Verdi
La traviata / Act I: "Libiamo ne'lieti c...
111 bpm • A# Maj • 02:49 • -22.12db
32% Popularity • 47% Danceability • 13% Energy • 63% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 47% Danceability • 13% Energy • 63% Liveness
0% Instrumentalness • 36% Positiveness
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Georges Bizet
Carmen, Act IV: March & Chorus. Les voic...
114 bpm • A Maj • 04:16 • -12db
8% Popularity • 34% Danceability • 49% Energy • 17% Liveness
7% Instrumentalness • 55% Positiveness
8% Popularity • 34% Danceability • 49% Energy • 17% Liveness
7% Instrumentalness • 55% Positiveness
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Vincenzo Bellini
Bellini: I puritani, Act 2: "Qui la voce...
93 bpm • D# Maj • 02:58 • -25db
12% Popularity • 19% Danceability • 4% Energy • 14% Liveness
13% Instrumentalness • 4% Positiveness
12% Popularity • 19% Danceability • 4% Energy • 14% Liveness
13% Instrumentalness • 4% Positiveness
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Richard Wagner
Die Meistersinger von Nürnberg, WWV 96 ...
115 bpm • C Maj • 05:15 • -13db
12% Popularity • 27% Danceability • 29% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
12% Popularity • 27% Danceability • 29% Energy • 10% Liveness
87% Instrumentalness • 8% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Preludio
93 bpm • F Maj • 02:23 • -21db
14% Popularity • 13% Danceability • 12% Energy • 71% Liveness
91% Instrumentalness • 4% Positiveness
14% Popularity • 13% Danceability • 12% Energy • 71% Liveness
91% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Contes d'Hoffmann: Les oiseaux dans la c...
93 bpm • G# Maj • 06:06 • -16.22db
18% Popularity • 41% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 41% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Giuseppe Verdi
Aida: Act II: Gloria all'Egitto
111 bpm • A# Maj • 03:19 • -19.37db
16% Popularity • 29% Danceability • 9% Energy • 53% Liveness
3% Instrumentalness • 18% Positiveness
16% Popularity • 29% Danceability • 9% Energy • 53% Liveness
3% Instrumentalness • 18% Positiveness
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Georges Bizet
Bizet: Carmen, Act 1: Entr'acte
114 bpm • G Maj • 01:40 • -35.59db
19% Popularity • 49% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
19% Popularity • 49% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Renata Tebaldi
In Quelle Trine Morbide - Manon Lescaut ...
93 bpm • A# Maj • 02:42 • -12.94db
25% Popularity • 26% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
25% Popularity • 26% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Il Barbiere di Siviglia, Act I, Scene On...
115 bpm • D Maj • 01:05 • -25.16db
16% Popularity • 60% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 60% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Richard Tucker
Rachel, quand du Seigneur (La Juive)
92 bpm • F min • 04:23 • -12.47db
12% Popularity • 26% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 26% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Mario del Monaco
Le Cid: O suoverain! O jugue! O pere!
92 bpm • G# Maj • 04:19 • -14db
7% Popularity • 20% Danceability • 18% Energy • 9% Liveness
14% Instrumentalness • 6% Positiveness
7% Popularity • 20% Danceability • 18% Energy • 9% Liveness
14% Instrumentalness • 6% Positiveness
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Giuseppe Verdi
La Traviata: Act I: Sempre libera
95 bpm • G# Maj • 03:42 • -17db
12% Popularity • 32% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 32% Danceability • 14% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Wolfgang Amadeus Mozart
Mozart: Le nozze di Figaro, K. 492, Act ...
115 bpm • A# Maj • 02:55 • -19db
20% Popularity • 34% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
20% Popularity • 34% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
