Songs like Do It Anyway (feat. Kadence) by Dillon Chase
Based on a tempo of (+/- 10%) and a similar genre
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Shepherd
Today
100 bpm • D Maj • 02:09 • -4.89db
27% Popularity • 77% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
27% Popularity • 77% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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K9
Hostage
100 bpm • C Maj • 02:02 • -8.14db
21% Popularity • 78% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 78% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 37% Positiveness
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Adriel Cruz
Flawless Victory
100 bpm • C# Maj • 04:02 • -3.75db
24% Popularity • 75% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
24% Popularity • 75% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Hyper Fenton
Amazing Grace - HGHTS Remix
100 bpm • G# Maj • 02:40 • -4.03db
42% Popularity • 77% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
42% Popularity • 77% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Zee
Nothing to a Killa
100 bpm • C# Maj • 03:26 • -3.62db
18% Popularity • 90% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 90% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Marc Stevens
No Cap
100 bpm • G min • 02:24 • -6.3db
17% Popularity • 84% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 84% Danceability • 79% Energy • 38% Liveness
0% Instrumentalness • 37% Positiveness
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Miles Minnick
God Put Me On
100 bpm • E Maj • 02:07 • -5.45db
34% Popularity • 91% Danceability • 82% Energy • 63% Liveness
0% Instrumentalness • 69% Positiveness
34% Popularity • 91% Danceability • 82% Energy • 63% Liveness
0% Instrumentalness • 69% Positiveness
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Mike Teezy
Child of the King
100 bpm • G# Maj • 01:41 • -5.51db
49% Popularity • 79% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
49% Popularity • 79% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Dillon Chase
Do It Anyway
100 bpm • C# Maj • 03:51 • -6.7db
37% Popularity • 80% Danceability • 88% Energy • 56% Liveness
0% Instrumentalness • 62% Positiveness
37% Popularity • 80% Danceability • 88% Energy • 56% Liveness
0% Instrumentalness • 62% Positiveness
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TobyMac
Til The Day I Die
100 bpm • A# min • 03:47 • -5.5db
59% Popularity • 66% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
59% Popularity • 66% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Wande
Woo
100 bpm • C min • 02:33 • -5.43db
39% Popularity • 89% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
39% Popularity • 89% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Hilgy
Don't Sit Still
100 bpm • E min • 03:31 • -8.05db
3% Popularity • 58% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
3% Popularity • 58% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Miles Minnick
STEPPIN
100 bpm • D Maj • 02:36 • -6.06db
45% Popularity • 85% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
45% Popularity • 85% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Joey Vantes
I'm Back
100 bpm • A min • 02:51 • -7db
26% Popularity • 79% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
26% Popularity • 79% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Bryson Gray
God's Soldier
100 bpm • C# Maj • 02:17 • -8.77db
21% Popularity • 93% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
21% Popularity • 93% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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DJ Mykael V
Switches
100 bpm • A Maj • 02:34 • -11.96db
29% Popularity • 75% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 75% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Wande
BAND$
100 bpm • F min • 03:12 • -9.73db
32% Popularity • 83% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
32% Popularity • 83% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Dillon Chase
Solar Systems
100 bpm • C Maj • 03:49 • -7.57db
5% Popularity • 63% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
5% Popularity • 63% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 17% Positiveness
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Json
Love to Do It
100 bpm • F# Maj • 04:05 • -6.91db
16% Popularity • 74% Danceability • 56% Energy • 66% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 74% Danceability • 56% Energy • 66% Liveness
0% Instrumentalness • 52% Positiveness
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BrvndonP
Hottest In The City
99 bpm • D Maj • 02:27 • -5.02db
30% Popularity • 81% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
30% Popularity • 81% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 65% Positiveness
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Dru Bex
Co$t
101 bpm • G Maj • 03:40 • -5.21db
32% Popularity • 83% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
32% Popularity • 83% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Mission
Stratosphere
99 bpm • C# Maj • 01:57 • -11.21db
32% Popularity • 91% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
32% Popularity • 91% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Miles Minnick
Slidin'
99 bpm • F# min • 02:44 • -6.18db
38% Popularity • 79% Danceability • 68% Energy • 44% Liveness
0% Instrumentalness • 74% Positiveness
38% Popularity • 79% Danceability • 68% Energy • 44% Liveness
0% Instrumentalness • 74% Positiveness
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Jon Keith
Watch This
102 bpm • C# min • 02:25 • -9.49db
25% Popularity • 50% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
25% Popularity • 50% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Lawren
As You Pass, Go
98 bpm • B Maj • 03:25 • -8.16db
28% Popularity • 85% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
28% Popularity • 85% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Wande
Don’t Worry Bout It
98 bpm • D Maj • 02:52 • -7.24db
46% Popularity • 87% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
46% Popularity • 87% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Royal Company
Always Loved
102 bpm • D Maj • 02:50 • -6db
16% Popularity • 85% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 85% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Mission
Issa Bop
99 bpm • C# Maj • 02:44 • -6db
39% Popularity • 74% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
39% Popularity • 74% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Miles Minnick
What I Look Like
98 bpm • F# min • 02:56 • -6.89db
12% Popularity • 85% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 85% Danceability • 87% Energy • 24% Liveness
0% Instrumentalness • 66% Positiveness
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Kamban
Hard Life
102 bpm • C# Maj • 02:40 • -8.03db
19% Popularity • 90% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 90% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Wordsplayed
Against All Adz
98 bpm • C# Maj • 03:50 • -8.88db
29% Popularity • 72% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
29% Popularity • 72% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Aha Gazelle
The Price Is Always Right
97 bpm • G# Maj • 04:16 • -6.98db
24% Popularity • 57% Danceability • 59% Energy • 48% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 57% Danceability • 59% Energy • 48% Liveness
0% Instrumentalness • 41% Positiveness
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C.J King
Swrvn
97 bpm • A min • 03:10 • -5.43db
12% Popularity • 78% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 78% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Brea Miles
Stay True
103 bpm • G Maj • 03:57 • -7.45db
8% Popularity • 67% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 67% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Miles Minnick
Glo Time
98 bpm • B min • 02:51 • -6.91db
24% Popularity • 82% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
24% Popularity • 82% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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BrvndonP
No Plan B (Winz)
97 bpm • C# Maj • 04:19 • -4.93db
26% Popularity • 62% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
26% Popularity • 62% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Marcus Rogers
Drippin'
97 bpm • F min • 03:27 • -9db
36% Popularity • 81% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
36% Popularity • 81% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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![From Here (Rerelease) [feat. Dillon Chase] cover art](https://i.scdn.co/image/ab67616d00001e027ed6320240a69462bfdd9f48)
AyeItsAron
From Here (Rerelease)
97 bpm • F min • 02:36 • -5.11db
0% Popularity • 82% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
0% Popularity • 82% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Dillon Chase
Tone It Down
96 bpm • B min • 03:27 • -4.62db
8% Popularity • 64% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
8% Popularity • 64% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Keno Camp
Obey
96 bpm • E min • 03:21 • -7db
9% Popularity • 92% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
9% Popularity • 92% Danceability • 62% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Miles Minnick
No Luck
103 bpm • D Maj • 02:39 • -10db
34% Popularity • 82% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
34% Popularity • 82% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Bryson Gray
False Teachers
104 bpm • C min • 03:12 • -7.43db
25% Popularity • 78% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 78% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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Wande
HAPPY
104 bpm • D Maj • 02:04 • -7.09db
39% Popularity • 79% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
39% Popularity • 79% Danceability • 49% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Mitch Darrell
Babel
104 bpm • G# Maj • 02:54 • -8.07db
12% Popularity • 80% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 80% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 34% Positiveness
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Alex Faith
Bloodlines (Body Bag Interlude)
96 bpm • C# Maj • 03:28 • -7db
13% Popularity • 60% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 60% Danceability • 72% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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Arize
J Walking
96 bpm • F# min • 03:22 • -3.51db
10% Popularity • 85% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 85% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 70% Positiveness
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Miles Minnick
Show Out
103 bpm • B Maj • 02:24 • -8db
45% Popularity • 85% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
45% Popularity • 85% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Pettidee
Rock with It
96 bpm • B Maj • 02:19 • -6.04db
10% Popularity • 82% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
10% Popularity • 82% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 50% Positiveness
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Antwoine Hill
I'm Free
105 bpm • C# Maj • 03:30 • -8.41db
22% Popularity • 80% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 80% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Canon
Motivation
95 bpm • C# Maj • 04:37 • -6.63db
36% Popularity • 37% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 10% Positiveness
36% Popularity • 37% Danceability • 74% Energy • 19% Liveness
0% Instrumentalness • 10% Positiveness
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![Levels [DJ Blest Remix)] cover art](https://i.scdn.co/image/ab67616d00001e02337457a9a38cc20afd912a7c)
Allen Thomas
Levels [DJ Blest Remix)]
95 bpm • C# Maj • 05:02 • -8.48db
3% Popularity • 83% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 16% Positiveness
3% Popularity • 83% Danceability • 61% Energy • 31% Liveness
0% Instrumentalness • 16% Positiveness
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Swaizy
Swivel
105 bpm • C# Maj • 02:27 • -5.39db
48% Popularity • 91% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
48% Popularity • 91% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Miles Minnick
Christlike
104 bpm • F# Maj • 02:39 • -8.64db
46% Popularity • 84% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 84% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Qheem The Redeemed
Jesus or Nah?
105 bpm • D Maj • 03:06 • -6db
17% Popularity • 90% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 90% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 82% Positiveness
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Dillon Chase
josiah.
105 bpm • A min • 02:09 • -6.61db
25% Popularity • 84% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
25% Popularity • 84% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Hnst-T
Clean It Up
95 bpm • F# min • 02:47 • -6.67db
0% Popularity • 84% Danceability • 83% Energy • 58% Liveness
0% Instrumentalness • 25% Positiveness
0% Popularity • 84% Danceability • 83% Energy • 58% Liveness
0% Instrumentalness • 25% Positiveness
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Aha Gazelle
Yippy
95 bpm • A# min • 02:41 • -6.25db
33% Popularity • 90% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
33% Popularity • 90% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Blake Whiteley
New Day
95 bpm • C# Maj • 02:51 • -7.68db
27% Popularity • 65% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 65% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 54% Positiveness
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Miles Minnick
Boost It Up
105 bpm • C# Maj • 02:37 • -5.85db
44% Popularity • 81% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
44% Popularity • 81% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Hulvey
Mad Today
106 bpm • D Maj • 02:29 • -6.51db
41% Popularity • 86% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 86% Danceability • 65% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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JWOODZ
What I Like
105 bpm • C min • 02:53 • -5.32db
20% Popularity • 54% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 15% Positiveness
20% Popularity • 54% Danceability • 67% Energy • 31% Liveness
0% Instrumentalness • 15% Positiveness
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Dj Teddy
Method To My Madness
106 bpm • C# min • 03:30 • -7db
1% Popularity • 58% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
1% Popularity • 58% Danceability • 75% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Aha Gazelle
Momma House
95 bpm • C# Maj • 03:52 • -4.94db
27% Popularity • 62% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 62% Danceability • 82% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
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Tedashii
Dum Dum
94 bpm • C# Maj • 03:25 • -5db
44% Popularity • 76% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
44% Popularity • 76% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Quasarpro
RIGHT NOW
94 bpm • B min • 02:23 • -3.26db
41% Popularity • 64% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
41% Popularity • 64% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Allen Thomas
The Only One [DJ Blest Remix]
107 bpm • C Maj • 06:36 • -8.16db
3% Popularity • 69% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
3% Popularity • 69% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Adriel Cruz
Holy Flex
107 bpm • C Maj • 03:08 • -7.44db
25% Popularity • 87% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
25% Popularity • 87% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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The Cross Movement
Cry No More - Holy Culture Album Version
93 bpm • B min • 04:27 • -5.36db
26% Popularity • 85% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 85% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Kadence
Not My Will
94 bpm • G Maj • 03:34 • -6.85db
0% Popularity • 41% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 41% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 42% Positiveness
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Dillon Chase
Fade Out
93 bpm • F min • 03:52 • -7.49db
8% Popularity • 66% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 66% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Nu Tone
Angel City
93 bpm • B min • 02:19 • -7.37db
22% Popularity • 64% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 64% Danceability • 65% Energy • 22% Liveness
0% Instrumentalness • 17% Positiveness
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Shai Linne
Random Thoughts 3
93 bpm • F# min • 04:45 • -4.98db
29% Popularity • 69% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 69% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 33% Positiveness
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Hopp
Go in
108 bpm • A Maj • 03:53 • -6.09db
24% Popularity • 89% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
24% Popularity • 89% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Kham
PROBLEMATIC - Remix
92 bpm • C# Maj • 02:23 • -7.68db
24% Popularity • 79% Danceability • 75% Energy • 61% Liveness
0% Instrumentalness • 51% Positiveness
24% Popularity • 79% Danceability • 75% Energy • 61% Liveness
0% Instrumentalness • 51% Positiveness
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Rhema Soul
On My Way
92 bpm • C# Maj • 03:55 • -6.67db
22% Popularity • 68% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
22% Popularity • 68% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Northwood Worship
I Got You
109 bpm • C# min • 03:48 • -7.9db
12% Popularity • 74% Danceability • 54% Energy • 74% Liveness
0% Instrumentalness • 56% Positiveness
12% Popularity • 74% Danceability • 54% Energy • 74% Liveness
0% Instrumentalness • 56% Positiveness
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Dillon Chase
The Kick
110 bpm • F# min • 03:14 • -8db
26% Popularity • 80% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
26% Popularity • 80% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Gerry Skrillz
Give It All We Got
110 bpm • F min • 03:01 • -5.16db
0% Popularity • 86% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
0% Popularity • 86% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Adriel Cruz
BCMW - (Blessings Come My Way)
110 bpm • G# Maj • 04:16 • -6.46db
22% Popularity • 84% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 84% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 51% Positiveness
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Kham
PROBLEMATIC
91 bpm • F min • 01:51 • -8db
23% Popularity • 57% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 57% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 40% Positiveness
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Wordsplayed
Clowntown
110 bpm • A Maj • 02:59 • -6.45db
22% Popularity • 83% Danceability • 59% Energy • 52% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 83% Danceability • 59% Energy • 52% Liveness
0% Instrumentalness • 20% Positiveness
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NF
Grindin'
110 bpm • C# Maj • 04:37 • -6.86db
61% Popularity • 68% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
61% Popularity • 68% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Dillon Chase
Over Under
110 bpm • A min • 03:23 • -4.11db
3% Popularity • 82% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
3% Popularity • 82% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
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Dee-1
I'm Not Perfect
110 bpm • G Maj • 04:51 • -3.69db
24% Popularity • 50% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
24% Popularity • 50% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Adriel Cruz
Eye On Me
110 bpm • G Maj • 03:23 • -5.98db
21% Popularity • 72% Danceability • 86% Energy • 78% Liveness
0% Instrumentalness • 56% Positiveness
21% Popularity • 72% Danceability • 86% Energy • 78% Liveness
0% Instrumentalness • 56% Positiveness
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Aha Gazelle
Get Rich or Die Talking
110 bpm • C min • 04:55 • -5.02db
27% Popularity • 76% Danceability • 74% Energy • 68% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 76% Danceability • 74% Energy • 68% Liveness
0% Instrumentalness • 59% Positiveness
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Fern
No Love
112 bpm • E Maj • 04:55 • -6.38db
13% Popularity • 75% Danceability • 84% Energy • 38% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 75% Danceability • 84% Energy • 38% Liveness
0% Instrumentalness • 51% Positiveness
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NF
All I Do
112 bpm • E min • 03:48 • -4.82db
48% Popularity • 74% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
48% Popularity • 74% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
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Kelo
Throne
112 bpm • C# Maj • 02:42 • -7.01db
24% Popularity • 85% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
24% Popularity • 85% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Rhema Soul
Break Out
89 bpm • G Maj • 03:30 • -5.21db
19% Popularity • 61% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
19% Popularity • 61% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Adriel Cruz
Pavarotti
90 bpm • E min • 04:45 • -4.16db
11% Popularity • 69% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
11% Popularity • 69% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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Dillon Chase
Dreams
113 bpm • G# Maj • 03:14 • -9.07db
5% Popularity • 49% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
5% Popularity • 49% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Christon Gray
Stop Me (Remix)
88 bpm • A# min • 03:31 • -9.25db
18% Popularity • 68% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
18% Popularity • 68% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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David Skidmore
Hustle
88 bpm • C# Maj • 02:25 • -7.19db
2% Popularity • 61% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
2% Popularity • 61% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Bumps Inf
Run Boy
114 bpm • D# min • 05:42 • -3.62db
9% Popularity • 69% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 69% Danceability • 88% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Rhema Soul
Boom Box
89 bpm • B Maj • 04:21 • -3.79db
11% Popularity • 77% Danceability • 83% Energy • 54% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 77% Danceability • 83% Energy • 54% Liveness
0% Instrumentalness • 80% Positiveness
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Allen Thomas
Levels
115 bpm • C# Maj • 03:31 • -6.45db
5% Popularity • 89% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
5% Popularity • 89% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Dillon Chase
Suddenly Beautiful
87 bpm • E Maj • 03:48 • -7.8db
5% Popularity • 62% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
5% Popularity • 62% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
