Songs like Do Me a Favor by Christy Altomare
Based on a tempo of (+/- 10%) and a similar genre
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Original Cast of Amélie
Times Are Hard for Dreamers
78 bpm • D# Maj • 03:17 • -6.98db
41% Popularity • 44% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 44% Danceability • 51% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Christy Altomare
Do Me a Favor
78 bpm • G Maj • 03:18 • -6.37db
32% Popularity • 49% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
32% Popularity • 49% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Mindi Dickstein
How I Am
78 bpm • D Maj • 03:12 • -10db
25% Popularity • 52% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
25% Popularity • 52% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 44% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
My Unfortunate Erection (Chip's Lament)
78 bpm • C# Maj • 02:38 • -8db
34% Popularity • 65% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
34% Popularity • 65% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Sierra Boggess as Ariel
The World Above
77 bpm • F# Maj • 01:34 • -22.22db
36% Popularity • 28% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 28% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Jeremy Jordan
Shiksa Goddess
79 bpm • D Maj • 04:05 • -7.05db
39% Popularity • 48% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
39% Popularity • 48% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Laura Bell Bundy
So Much Better
79 bpm • D Maj • 03:29 • -10.22db
54% Popularity • 59% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
54% Popularity • 59% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Carrie: The Musical Ensemble
Prom Arrival
77 bpm • C Maj • 01:59 • -7.04db
25% Popularity • 59% Danceability • 45% Energy • 72% Liveness
0% Instrumentalness • 57% Positiveness
25% Popularity • 59% Danceability • 45% Energy • 72% Liveness
0% Instrumentalness • 57% Positiveness
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Mindi Dickstein
The Fire Within Me
78 bpm • C Maj • 05:16 • -9.52db
27% Popularity • 24% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
27% Popularity • 24% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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Jared Gertner
One by One by One
79 bpm • D Maj • 03:34 • -12.32db
24% Popularity • 60% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 60% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Christy Altomare
In My Dreams
77 bpm • E min • 03:28 • -12db
49% Popularity • 27% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
49% Popularity • 27% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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Jeremy Jordan
I Never Planned On You / Don't Come A-Kn...
77 bpm • G# Maj • 01:40 • -13.64db
45% Popularity • 34% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
45% Popularity • 34% Danceability • 17% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Stephanie J. Block
Get Out And Stay Out
77 bpm • C# Maj • 04:19 • -8.6db
40% Popularity • 49% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 49% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Mandy Gonzalez
When the Sun Goes Down
77 bpm • C min • 02:32 • -14db
35% Popularity • 57% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
35% Popularity • 57% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Mindi Dickstein
Small Umbrella in the Rain
77 bpm • G Maj • 04:22 • -12.13db
26% Popularity • 44% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 44% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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Marin Mazzie
Carrie - Reprise
79 bpm • D# Maj • 01:25 • -18db
24% Popularity • 46% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
24% Popularity • 46% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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John Arthur Greene
Miracle: Pt. 2
77 bpm • F Maj • 02:11 • -11.02db
33% Popularity • 57% Danceability • 42% Energy • 68% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 57% Danceability • 42% Energy • 68% Liveness
0% Instrumentalness • 63% Positiveness
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Nick Blaemire
Some Kinda Time - Reprise
79 bpm • G Maj • 02:57 • -8.46db
24% Popularity • 37% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 37% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Sarah Charles Lewis
Live Like This
80 bpm • C Maj • 06:01 • -9db
31% Popularity • 38% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 38% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 36% Positiveness
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Emma Hunton
Just One Day
77 bpm • G Maj • 04:30 • -4.95db
33% Popularity • 58% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 58% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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Mindi Dickstein
An Operatic Tragedy
79 bpm • G Maj • 01:57 • -8.06db
27% Popularity • 52% Danceability • 42% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
27% Popularity • 52% Danceability • 42% Energy • 60% Liveness
0% Instrumentalness • 57% Positiveness
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Molly Ranson
The Destruction
80 bpm • F Maj • 02:51 • -3.99db
33% Popularity • 31% Danceability • 83% Energy • 13% Liveness
3% Instrumentalness • 8% Positiveness
33% Popularity • 31% Danceability • 83% Energy • 13% Liveness
3% Instrumentalness • 8% Positiveness
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John Bolton
Paris Holds the Key (To Your Heart)
80 bpm • D Maj • 03:07 • -9.63db
44% Popularity • 46% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
44% Popularity • 46% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Original Cast of Amélie
A Better Haircut
76 bpm • D Maj • 04:35 • -7.51db
20% Popularity • 49% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 49% Danceability • 29% Energy • 21% Liveness
0% Instrumentalness • 37% Positiveness
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Patti Murin
Colder by the Minute
76 bpm • G# Maj • 04:01 • -7.87db
35% Popularity • 29% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
35% Popularity • 29% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 21% Positiveness
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Terrence Mann
War Is a Science
80 bpm • G Maj • 03:14 • -8.99db
33% Popularity • 50% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 50% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Al Calderon
Hey Kendra
80 bpm • C Maj • 03:09 • -7.51db
24% Popularity • 54% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 54% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 50% Positiveness
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Mindi Dickstein
Take a Chance on Me
76 bpm • C# min • 02:58 • -7db
30% Popularity • 46% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 46% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Derek Klena
Everything to Win
80 bpm • F Maj • 02:47 • -12db
39% Popularity • 33% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 33% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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A Chorus Line Ensemble (2006)
Montage, Part 1: Hello Twelve, Hello Thi...
80 bpm • E Maj • 05:04 • -11db
29% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 58% Danceability • 26% Energy • 53% Liveness
0% Instrumentalness • 44% Positiveness
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Jeanna de Waal
The World According to Chris
80 bpm • G# Maj • 04:40 • -6.02db
39% Popularity • 64% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
39% Popularity • 64% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Sherie Rene Scott as Ursula
Poor Unfortunate Souls
76 bpm • F min • 05:20 • -16.07db
39% Popularity • 46% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
39% Popularity • 46% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Kyle Selig
Stupid With Love (Reprise)
80 bpm • C Maj • 01:25 • -9.79db
49% Popularity • 63% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
49% Popularity • 63% Danceability • 21% Energy • 19% Liveness
0% Instrumentalness • 67% Positiveness
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'Come From Away' Company
Something's Missing
80 bpm • G Maj • 05:36 • -9.6db
39% Popularity • 40% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
39% Popularity • 40% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 31% Positiveness
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Alice Ripley
Make up Your Mind / Catch Me I'm Falling
75 bpm • F# Maj • 03:58 • -10.01db
33% Popularity • 32% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 32% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Andrew Keenan-Bolger
Prologue
76 bpm • D Maj • 00:57 • -11db
26% Popularity • 53% Danceability • 28% Energy • 40% Liveness
0% Instrumentalness • 43% Positiveness
26% Popularity • 53% Danceability • 28% Energy • 40% Liveness
0% Instrumentalness • 43% Positiveness
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Derek Klena
Dreamer in Disguise - Reprise
80 bpm • F Maj • 01:48 • -13.86db
25% Popularity • 42% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
25% Popularity • 42% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Sierra Boggess as Ariel
If Only (Quartet)
81 bpm • A Maj • 04:55 • -19db
37% Popularity • 35% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
37% Popularity • 35% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Katie Rowley Jones
The Life I Never Led - Reprise
81 bpm • D Maj • 01:09 • -6.87db
29% Popularity • 42% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 42% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Christy Altomare
Journey to the Past
81 bpm • D# Maj • 03:16 • -10db
55% Popularity • 23% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
55% Popularity • 23% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Stephanie J. Block
Holding to the Ground
81 bpm • B Maj • 02:34 • -10db
36% Popularity • 55% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
36% Popularity • 55% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Natalie Cortez
Montage, Part 2: Nothing
75 bpm • G# min • 06:46 • -9db
31% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 51% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Anthony Rapp
The Kite
75 bpm • G# Maj • 02:07 • -13db
29% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Sherie Rene Scott as Ursula
I Want the Good Times Back
82 bpm • G Maj • 04:57 • -14.85db
34% Popularity • 49% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
34% Popularity • 49% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Jeremy Jordan
The Schmuel Song
82 bpm • F# min • 07:42 • -8.6db
34% Popularity • 46% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
34% Popularity • 46% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Christy Altomare
Once You See
80 bpm • E Maj • 01:32 • -12db
28% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 40% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Original StarKid Cast of Twisted
Everything and More
82 bpm • G Maj • 03:49 • -8.91db
30% Popularity • 54% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
30% Popularity • 54% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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'Falsettos' 2016 Broadway Company
Jason's Bar Mitzvah
82 bpm • E Maj • 05:08 • -8.72db
34% Popularity • 38% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 38% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Erika Henningsen
More Is Better
74 bpm • C Maj • 03:20 • -8.07db
46% Popularity • 37% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
46% Popularity • 37% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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'Come From Away' Company
Darkness And Trees
82 bpm • E min • 03:08 • -12.61db
40% Popularity • 63% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
40% Popularity • 63% Danceability • 40% Energy • 27% Liveness
0% Instrumentalness • 26% Positiveness
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Andrea Burns
No Me Diga
82 bpm • G# Maj • 02:26 • -8.08db
40% Popularity • 60% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
40% Popularity • 60% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Allison Janney and Ensemble
Around Here
82 bpm • C Maj • 03:00 • -9db
36% Popularity • 66% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
36% Popularity • 66% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 90% Positiveness
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Sean Palmer as Prince Eric
One Step Closer
83 bpm • D Maj • 04:22 • -20.5db
32% Popularity • 28% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
32% Popularity • 28% Danceability • 9% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Alice Ripley
Just Another Day
83 bpm • E min • 03:49 • -7.52db
36% Popularity • 52% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 52% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Heidi Blickenstaff
Parents Lie
74 bpm • B Maj • 02:51 • -10db
28% Popularity • 34% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 34% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Nicholas Barasch
Try Me
83 bpm • D Maj • 03:41 • -10.41db
24% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 49% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Lewis Flinn
Where Am I Now?
83 bpm • A# Maj • 04:09 • -8.85db
19% Popularity • 32% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 32% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Kathy Fitzgerald and Ensemble
Heart To Hart
83 bpm • E Maj • 04:17 • -9.02db
28% Popularity • 43% Danceability • 26% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
28% Popularity • 43% Danceability • 26% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
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Brian D'Arcy James
Travel Song
83 bpm • E Maj • 01:56 • -8db
43% Popularity • 68% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
43% Popularity • 68% Danceability • 49% Energy • 31% Liveness
0% Instrumentalness • 77% Positiveness
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Lindsay Mendez
Come to a Party - Reprise
83 bpm • G Maj • 00:54 • -5.01db
24% Popularity • 49% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
24% Popularity • 49% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Liz Callaway
Journey to the Past
83 bpm • D# Maj • 03:02 • -6db
30% Popularity • 38% Danceability • 33% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
30% Popularity • 38% Danceability • 33% Energy • 25% Liveness
0% Instrumentalness • 16% Positiveness
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Lauren Lopez
What If?
83 bpm • B Maj • 01:48 • -10.81db
32% Popularity • 60% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
32% Popularity • 60% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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War Bears
Atlantis
83 bpm • D Maj • 03:35 • -11.73db
0% Popularity • 56% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
0% Popularity • 56% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Terrence Mann
In The Arms
83 bpm • C Maj • 02:25 • -8.25db
31% Popularity • 41% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 41% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
Finale
83 bpm • C Maj • 01:01 • -6.27db
28% Popularity • 64% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 64% Danceability • 39% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Doreen Montalvo
Finale
83 bpm • F Maj • 05:28 • -10.8db
35% Popularity • 44% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 44% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 29% Positiveness
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Marin Mazzie
And Eve Was Weak
83 bpm • F min • 03:16 • -5db
35% Popularity • 51% Danceability • 68% Energy • 58% Liveness
0% Instrumentalness • 44% Positiveness
35% Popularity • 51% Danceability • 68% Energy • 58% Liveness
0% Instrumentalness • 44% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Tryouts
73 bpm • G Maj • 01:01 • -5db
37% Popularity • 42% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
37% Popularity • 42% Danceability • 30% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
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Caitlin Kinnunen
Dance with You
84 bpm • C# Maj • 03:07 • -7.27db
36% Popularity • 36% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 36% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Carolee Carmello
In His Eyes
84 bpm • A# Maj • 04:13 • -11.52db
28% Popularity • 25% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
28% Popularity • 25% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Alice Ripley
Maybe (Next to Normal)
84 bpm • G# Maj • 04:00 • -17.43db
29% Popularity • 33% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 33% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Alison Luff
It Could Totally Happen
84 bpm • B Maj • 03:27 • -6.27db
9% Popularity • 60% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
9% Popularity • 60% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Hailey Kilgore
Waiting for Life
84 bpm • A Maj • 03:25 • -10db
38% Popularity • 54% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
38% Popularity • 54% Danceability • 38% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Enjoy The Trip
84 bpm • G# Maj • 03:09 • -7.46db
35% Popularity • 57% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
35% Popularity • 57% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Patina Miller
Witch's Lament
84 bpm • A min • 02:18 • -13.12db
31% Popularity • 30% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
31% Popularity • 30% Danceability • 16% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Olga Merediz
Paciencia Y Fe
84 bpm • D Maj • 04:55 • -8.16db
40% Popularity • 54% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 54% Danceability • 41% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Christy Altomare
Epilogue
84 bpm • E Maj • 02:29 • -11db
26% Popularity • 34% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
26% Popularity • 34% Danceability • 11% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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Lesli Margherita
Loud
84 bpm • A Maj • 04:01 • -8db
35% Popularity • 44% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 44% Danceability • 63% Energy • 4% Liveness
0% Instrumentalness • 38% Positiveness
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Kenita R. Miller
A Part of Us
84 bpm • E Maj • 02:56 • -13.65db
22% Popularity • 41% Danceability • 15% Energy • 61% Liveness
0% Instrumentalness • 29% Positiveness
22% Popularity • 41% Danceability • 15% Energy • 61% Liveness
0% Instrumentalness • 29% Positiveness
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Derek Klena
Perfect
85 bpm • G# Maj • 02:52 • -6db
30% Popularity • 46% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
30% Popularity • 46% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Bring It On: The Musical - Original Broadway Cast
We're Not Done
72 bpm • A Maj • 03:04 • -9.73db
29% Popularity • 39% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 39% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 20% Positiveness
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Patina Miller
Stay With Me
84 bpm • D# Maj • 02:54 • -12.1db
34% Popularity • 37% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 37% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Ben Fankhauser
Watch What Happens (Reprise)
85 bpm • F Maj • 01:53 • -11db
45% Popularity • 74% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
45% Popularity • 74% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Original StarKid Cast of The Trail To Oregon!
When the World's at Stake
72 bpm • B Maj • 04:04 • -6.95db
30% Popularity • 59% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 59% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Corey Cott
Donny Novitski
85 bpm • B Maj • 03:44 • -8db
28% Popularity • 56% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 56% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 50% Positiveness
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Brian D'Arcy James
Big Bright Beautiful World (Reprise)
85 bpm • C# Maj • 01:56 • -20.09db
37% Popularity • 40% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 40% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Oona Laurence
I'm Here (Story 4)
85 bpm • F min • 04:16 • -12.35db
28% Popularity • 32% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
28% Popularity • 32% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Heidi Blickenstaff
Not Myself Today
85 bpm • C Maj • 03:42 • -5.95db
26% Popularity • 56% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
26% Popularity • 56% Danceability • 47% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Original Cast of Amélie
Tour De France
71 bpm • D Maj • 02:33 • -8.29db
20% Popularity • 41% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 41% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Carrie: The Musical Ensemble
Alma Mater
71 bpm • C Maj • 00:59 • -7.44db
25% Popularity • 54% Danceability • 49% Energy • 63% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 54% Danceability • 49% Energy • 63% Liveness
0% Instrumentalness • 78% Positiveness
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Santino Fontana
I Won't Let You Down
71 bpm • E Maj • 03:03 • -10.87db
11% Popularity • 31% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 31% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Lindsay Mendez
Mister Snow
85 bpm • G Maj • 05:02 • -10.69db
28% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Nick Cordero
You Will Still Be Mine
86 bpm • D# Maj • 02:18 • -9.05db
45% Popularity • 62% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
45% Popularity • 62% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
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Aaron Tveit
Stuck Together (Strange but True)
86 bpm • A min • 04:06 • -8.38db
27% Popularity • 64% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 64% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
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Alice Ripley
So Anyway
86 bpm • A Maj • 03:08 • -17.07db
29% Popularity • 43% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 43% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 20% Positiveness
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Marin Mazzie
Stay Here Instead
86 bpm • A# Maj • 02:25 • -11.19db
24% Popularity • 46% Danceability • 22% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 46% Danceability • 22% Energy • 23% Liveness
0% Instrumentalness • 19% Positiveness
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25th Annual Putnam County Spelling Bee Original Cast
My Friend, the Dictionary
87 bpm • F Maj • 02:45 • -10.23db
31% Popularity • 47% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 47% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Lindsay Mendez
Before It's Over
86 bpm • C Maj • 03:44 • -7.4db
33% Popularity • 36% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 36% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness