Songs like Do You Hear The People Sing? by Aaron Tveit
Based on a tempo of (+/- 10%) and a similar genre
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Dove Cameron
Something Real
79 bpm • B Maj • 03:11 • -12db
26% Popularity • 50% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 50% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Phillipa Soo
Helpless
79 bpm • F Maj • 04:09 • -7.49db
69% Popularity • 69% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
69% Popularity • 69% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Roger Allam
Javert's Suicide: Soliloquy
79 bpm • F Maj • 03:39 • -10.31db
34% Popularity • 33% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 33% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Aaron Tveit
Do You Hear The People Sing?
79 bpm • C Maj • 02:03 • -10.33db
54% Popularity • 38% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
54% Popularity • 38% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Anika Noni Rose
Almost There
79 bpm • A min • 02:24 • -6.47db
61% Popularity • 55% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
61% Popularity • 55% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 52% Positiveness
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Laura Bell Bundy
So Much Better
79 bpm • D Maj • 03:29 • -10.22db
54% Popularity • 59% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
54% Popularity • 59% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Dan Stevens
Evermore
79 bpm • C# Maj • 03:14 • -8.74db
62% Popularity • 28% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
62% Popularity • 28% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Original Cast of Billy Elliot
Electricity
80 bpm • D min • 05:53 • -10.9db
42% Popularity • 40% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
42% Popularity • 40% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 7% Positiveness
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"Les Misérables Original London Cast" Ensemble
One Day More
79 bpm • A Maj • 03:36 • -7db
49% Popularity • 23% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
49% Popularity • 23% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 26% Positiveness
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Les Misérables Cast
Epilogue
79 bpm • E Maj • 08:24 • -20.45db
38% Popularity • 27% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
38% Popularity • 27% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Nikki Blonsky
Welcome To The 60's
79 bpm • D min • 05:12 • -5.26db
49% Popularity • 59% Danceability • 80% Energy • 75% Liveness
0% Instrumentalness • 68% Positiveness
49% Popularity • 59% Danceability • 80% Energy • 75% Liveness
0% Instrumentalness • 68% Positiveness
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Aaron Tveit
I'm Alive - Live
79 bpm • C Maj • 03:44 • -7db
19% Popularity • 40% Danceability • 78% Energy • 92% Liveness
0% Instrumentalness • 63% Positiveness
19% Popularity • 40% Danceability • 78% Energy • 92% Liveness
0% Instrumentalness • 63% Positiveness
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John Bolton
Paris Holds the Key (To Your Heart)
80 bpm • D Maj • 03:07 • -9.63db
44% Popularity • 46% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
44% Popularity • 46% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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The 'Les Misérables 2010' Company
Epilogue - Live
78 bpm • D# Maj • 08:54 • -19db
29% Popularity • 19% Danceability • 16% Energy • 72% Liveness
0% Instrumentalness • 13% Positiveness
29% Popularity • 19% Danceability • 16% Energy • 72% Liveness
0% Instrumentalness • 13% Positiveness
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The Cast of Mary Poppins
Supercalifragilisticexpialidocious
80 bpm • G min • 02:02 • -13.03db
36% Popularity • 53% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
36% Popularity • 53% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 92% Positiveness
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John Williams
Sunrise, Sunset
80 bpm • F Maj • 03:51 • -16db
42% Popularity • 19% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
42% Popularity • 19% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 20% Positiveness
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Emily Blunt
It Takes Two
78 bpm • A Maj • 02:29 • -15.85db
41% Popularity • 57% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 57% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Aaron Tveit
Jet Set
78 bpm • A# Maj • 03:36 • -5.69db
36% Popularity • 47% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
36% Popularity • 47% Danceability • 60% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
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Amanda Seyfried
In My Life
80 bpm • D Maj • 04:16 • -18.56db
40% Popularity • 46% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
40% Popularity • 46% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Amick Byram
All I Ever Wanted (With Queen's Reprise)
78 bpm • F# Maj • 02:51 • -16.2db
49% Popularity • 26% Danceability • 23% Energy • 40% Liveness
0% Instrumentalness • 15% Positiveness
49% Popularity • 26% Danceability • 23% Energy • 40% Liveness
0% Instrumentalness • 15% Positiveness
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Heather Headley
Shadowland
78 bpm • A min • 04:28 • -11.36db
44% Popularity • 25% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
44% Popularity • 25% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Thayne Jasperson
Farmer Refuted
78 bpm • A min • 01:52 • -8.33db
66% Popularity • 80% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
66% Popularity • 80% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Johnny Depp
By the Sea
80 bpm • A Maj • 02:19 • -12.34db
35% Popularity • 64% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 64% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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David Willetts
Do You Hear the People Sing
80 bpm • C Maj • 02:04 • -10db
9% Popularity • 62% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 62% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Laura Dreyfuss
Requiem
80 bpm • E Maj • 04:19 • -6.52db
50% Popularity • 41% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
50% Popularity • 41% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Aaron Tveit
There's a World
80 bpm • A# Maj • 01:34 • -19.08db
32% Popularity • 33% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
32% Popularity • 33% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Anne Hathaway
The Docks (Lovely Ladies)
78 bpm • D min • 04:03 • -16.35db
41% Popularity • 68% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
41% Popularity • 68% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Christopher Jackson
History Has Its Eyes on You
77 bpm • C min • 01:37 • -10db
65% Popularity • 44% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
65% Popularity • 44% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Barrett Wilbert Weed
Seventeen
77 bpm • A Maj • 03:11 • -9.4db
63% Popularity • 34% Danceability • 22% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
63% Popularity • 34% Danceability • 22% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
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Christy Altomare
In My Dreams
77 bpm • E min • 03:28 • -12db
49% Popularity • 27% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
49% Popularity • 27% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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Ben Platt
Found/Tonight
81 bpm • A# Maj • 02:59 • -7.2db
55% Popularity • 35% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
55% Popularity • 35% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Joseph Williams
Can You Feel the Love Tonight
81 bpm • F Maj • 02:56 • -15.26db
57% Popularity • 34% Danceability • 19% Energy • 60% Liveness
0% Instrumentalness • 44% Positiveness
57% Popularity • 34% Danceability • 19% Energy • 60% Liveness
0% Instrumentalness • 44% Positiveness
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Hugh Jackman
Who Am I?
78 bpm • G# Maj • 02:37 • -13.18db
41% Popularity • 37% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
41% Popularity • 37% Danceability • 30% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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The 'Les Misérables 2010' Company
One Day More - Live
82 bpm • D Maj • 03:40 • -8.94db
38% Popularity • 26% Danceability • 46% Energy • 74% Liveness
0% Instrumentalness • 12% Positiveness
38% Popularity • 26% Danceability • 46% Energy • 74% Liveness
0% Instrumentalness • 12% Positiveness
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Jennifer Hudson
Memory
77 bpm • A# Maj • 04:24 • -11.83db
40% Popularity • 24% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
40% Popularity • 24% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Christy Altomare
Journey to the Past
81 bpm • D# Maj • 03:16 • -10db
55% Popularity • 23% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
55% Popularity • 23% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Phillipa Soo
Take a Break
82 bpm • E Maj • 04:46 • -9.43db
64% Popularity • 55% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
64% Popularity • 55% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Santino Fontana
"Ten Minutes Ago"
76 bpm • G Maj • 02:52 • -11.5db
39% Popularity • 43% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
39% Popularity • 43% Danceability • 18% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Hugh Jackman
The Convent
77 bpm • B min • 00:52 • -21.9db
36% Popularity • 18% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
36% Popularity • 18% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Gary Beach
Keep It Gay
82 bpm • C# Maj • 05:07 • -13.2db
33% Popularity • 53% Danceability • 44% Energy • 60% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 53% Danceability • 44% Energy • 60% Liveness
0% Instrumentalness • 74% Positiveness
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David Ogden Stiers
The Bells of Notre Dame
76 bpm • D min • 06:26 • -16.47db
42% Popularity • 33% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 33% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 25% Positiveness
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Brian Stokes Mitchell
The Impossible Dream (The Quest)
82 bpm • A Maj • 03:53 • -9.28db
38% Popularity • 39% Danceability • 32% Energy • 8% Liveness
1% Instrumentalness • 28% Positiveness
38% Popularity • 39% Danceability • 32% Energy • 8% Liveness
1% Instrumentalness • 28% Positiveness
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Tsidii Le Loka
Circle of Life with Nants' Ingonyama
82 bpm • D Maj • 04:29 • -11db
49% Popularity • 30% Danceability • 39% Energy • 50% Liveness
0% Instrumentalness • 30% Positiveness
49% Popularity • 30% Danceability • 39% Energy • 50% Liveness
0% Instrumentalness • 30% Positiveness
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Adam Jacobs
Out There
82 bpm • D# Maj • 02:42 • -5.42db
17% Popularity • 21% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
17% Popularity • 21% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Eddie Redmayne
Suddenly - Reprise
82 bpm • D# Maj • 00:54 • -23.47db
35% Popularity • 40% Danceability • 5% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 40% Danceability • 5% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
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Loren Allred
Never Enough (Reprise)
82 bpm • A Maj • 01:20 • -19.38db
63% Popularity • 38% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
63% Popularity • 38% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Ian Tucker
Look Down
83 bpm • C Maj • 02:33 • -7.11db
35% Popularity • 54% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
35% Popularity • 54% Danceability • 32% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
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Original Broadway Cast of Hamilton
Who Lives, Who Dies, Who Tells Your Stor...
76 bpm • D Maj • 03:37 • -9.69db
65% Popularity • 35% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
65% Popularity • 35% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Max Casella
Hakuna Matata
76 bpm • C Maj • 03:13 • -10.46db
41% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
41% Popularity • 59% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Sally Dexter
I'd Do Anything
83 bpm • D min • 02:43 • -15db
36% Popularity • 73% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
36% Popularity • 73% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Sacha Baron Cohen
Master Of The House
83 bpm • D Maj • 04:48 • -13db
44% Popularity • 47% Danceability • 24% Energy • 72% Liveness
0% Instrumentalness • 55% Positiveness
44% Popularity • 47% Danceability • 24% Energy • 72% Liveness
0% Instrumentalness • 55% Positiveness
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Douglas Sills
Into the Fire
83 bpm • D Maj • 03:50 • -11db
27% Popularity • 35% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 35% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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David Burt
Do You Hear The People Sing?
83 bpm • C Maj • 02:16 • -7.93db
45% Popularity • 53% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
45% Popularity • 53% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Brian Stokes Mitchell
Make Them Hear You
83 bpm • E Maj • 02:47 • -12.83db
14% Popularity • 36% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 36% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Josh Gad
You and Me (But Mostly Me)
75 bpm • C Maj • 02:43 • -7.95db
52% Popularity • 48% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
52% Popularity • 48% Danceability • 51% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
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Natalie Cortez
What I Did for Love
83 bpm • G# Maj • 03:36 • -10.81db
41% Popularity • 25% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
41% Popularity • 25% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
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Aaron Tveit
The Death Of Gavroche
83 bpm • C min • 02:45 • -18.04db
35% Popularity • 57% Danceability • 20% Energy • 74% Liveness
0% Instrumentalness • 13% Positiveness
35% Popularity • 57% Danceability • 20% Energy • 74% Liveness
0% Instrumentalness • 13% Positiveness
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Evan Rachel Wood
All Is Found
83 bpm • F Maj • 02:05 • -12.32db
68% Popularity • 23% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
68% Popularity • 23% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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"Les Misérables Original London Cast" Ensemble
Finale
83 bpm • G# Maj • 04:45 • -14db
35% Popularity • 24% Danceability • 12% Energy • 5% Liveness
0% Instrumentalness • 16% Positiveness
35% Popularity • 24% Danceability • 12% Energy • 5% Liveness
0% Instrumentalness • 16% Positiveness
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Carmen Twillie
Circle of Life
83 bpm • A# Maj • 03:57 • -8db
55% Popularity • 32% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
55% Popularity • 32% Danceability • 59% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Hugh Jackman
Look Down
75 bpm • F min • 02:22 • -10.42db
33% Popularity • 46% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 46% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 68% Positiveness
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Donna Murphy
Mother Knows Best
75 bpm • F Maj • 03:11 • -10.81db
51% Popularity • 44% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
51% Popularity • 44% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
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Anne Hathaway
Fantine’s Arrest
83 bpm • F Maj • 01:59 • -15.68db
39% Popularity • 46% Danceability • 11% Energy • 43% Liveness
0% Instrumentalness • 20% Positiveness
39% Popularity • 46% Danceability • 11% Energy • 43% Liveness
0% Instrumentalness • 20% Positiveness
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Auli'i Cravalho
How Far I'll Go
84 bpm • E Maj • 02:43 • -10.97db
70% Popularity • 54% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
70% Popularity • 54% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
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Terrence Mann
If I Can't Love Her
84 bpm • C Maj • 04:06 • -21db
43% Popularity • 30% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
43% Popularity • 30% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 14% Positiveness
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Austyn Johnson
A Million Dreams (Reprise)
74 bpm • F# Maj • 01:00 • -17.07db
65% Popularity • 25% Danceability • 14% Energy • 27% Liveness
0% Instrumentalness • 10% Positiveness
65% Popularity • 25% Danceability • 14% Energy • 27% Liveness
0% Instrumentalness • 10% Positiveness
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Aaron Tveit
Seven Wonders
74 bpm • C Maj • 03:19 • -9.05db
31% Popularity • 52% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 52% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Renée Zellweger
Funny Honey
84 bpm • G# Maj • 03:39 • -12.38db
30% Popularity • 35% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 35% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Hugh Jackman
Suddenly
75 bpm • G Maj • 02:32 • -21.94db
37% Popularity • 37% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 37% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Jonathan Pryce
Reviewing The Situation
84 bpm • F Maj • 04:53 • -15.27db
26% Popularity • 50% Danceability • 26% Energy • 44% Liveness
0% Instrumentalness • 32% Positiveness
26% Popularity • 50% Danceability • 26% Energy • 44% Liveness
0% Instrumentalness • 32% Positiveness
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Charles Strouse
Tomorrow
84 bpm • G# Maj • 02:29 • -8.48db
43% Popularity • 34% Danceability • 21% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
43% Popularity • 34% Danceability • 21% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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Jon Robyns
Do You Hear The People Sing? - Live
85 bpm • C Maj • 02:00 • -8.31db
35% Popularity • 35% Danceability • 48% Energy • 60% Liveness
0% Instrumentalness • 58% Positiveness
35% Popularity • 35% Danceability • 48% Energy • 60% Liveness
0% Instrumentalness • 58% Positiveness
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Lin-Manuel Miranda
96,000
85 bpm • E min • 05:35 • -7.2db
46% Popularity • 72% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
46% Popularity • 72% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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John C. Reilly
Mister Cellophane
85 bpm • E Maj • 03:57 • -13.21db
32% Popularity • 45% Danceability • 16% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 45% Danceability • 16% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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Hugh Jackman
Oh, What A Beautiful Mornin'
73 bpm • E Maj • 03:22 • -14db
34% Popularity • 24% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 24% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Beth Fowler
Beauty and the Beast
85 bpm • A Maj • 03:34 • -22db
35% Popularity • 32% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
35% Popularity • 32% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Ofra Haza
Deliver Us
73 bpm • E min • 07:15 • -16.68db
55% Popularity • 22% Danceability • 18% Energy • 13% Liveness
1% Instrumentalness • 9% Positiveness
55% Popularity • 22% Danceability • 18% Energy • 13% Liveness
1% Instrumentalness • 9% Positiveness
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Samantha Barks
On My Own
85 bpm • C Maj • 03:11 • -15.72db
51% Popularity • 30% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
51% Popularity • 30% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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Liz Callaway, Howard McGillin, David Zippel, Lex de Azevedo, Larry Bastian, Larry Schwartz
Far Longer Than Forever
86 bpm • C Maj • 02:24 • -18.73db
47% Popularity • 31% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
47% Popularity • 31% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Aaron Tveit
Stuck Together (Strange but True)
86 bpm • A min • 04:06 • -8.38db
27% Popularity • 64% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 64% Danceability • 37% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
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"Les Misérables Original London Cast" Ensemble
Wedding Chorale / Beggars At the Feast
73 bpm • E min • 02:16 • -8.18db
31% Popularity • 43% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
31% Popularity • 43% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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The Cast of Mary Poppins
Chim Chim Cher-Ee
73 bpm • C Maj • 02:46 • -17.31db
29% Popularity • 37% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 37% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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John Williams
To Life
72 bpm • C Maj • 06:14 • -14db
37% Popularity • 47% Danceability • 48% Energy • 42% Liveness
0% Instrumentalness • 58% Positiveness
37% Popularity • 47% Danceability • 48% Energy • 42% Liveness
0% Instrumentalness • 58% Positiveness
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Hugh Jackman
The Confrontation
86 bpm • A# Maj • 01:54 • -11.05db
42% Popularity • 40% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
42% Popularity • 40% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 46% Positiveness
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Ruthie Henshall
I Dreamed A Dream - Live
72 bpm • D# Maj • 04:38 • -19.13db
41% Popularity • 23% Danceability • 11% Energy • 69% Liveness
0% Instrumentalness • 7% Positiveness
41% Popularity • 23% Danceability • 11% Energy • 69% Liveness
0% Instrumentalness • 7% Positiveness
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Leslie Odom Jr.
Wait for It
87 bpm • F# Maj • 03:13 • -9.64db
70% Popularity • 54% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
70% Popularity • 54% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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David Ogden Stiers
Mine, Mine, Mine
72 bpm • C Maj • 03:05 • -13.95db
46% Popularity • 50% Danceability • 31% Energy • 54% Liveness
0% Instrumentalness • 58% Positiveness
46% Popularity • 50% Danceability • 31% Energy • 54% Liveness
0% Instrumentalness • 58% Positiveness
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The Cast of Mary Poppins
Feed The Birds (Tuppence A Bag)
86 bpm • F# Maj • 03:51 • -23.51db
21% Popularity • 30% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 30% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Company
When You're An Addams
87 bpm • G min • 04:25 • -9.34db
47% Popularity • 63% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
47% Popularity • 63% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Daniel Huttlestone
Paris / Look Down
85 bpm • F min • 03:13 • -9.39db
42% Popularity • 46% Danceability • 55% Energy • 86% Liveness
0% Instrumentalness • 60% Positiveness
42% Popularity • 46% Danceability • 55% Energy • 86% Liveness
0% Instrumentalness • 60% Positiveness
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Mike Faist
Jet Song
72 bpm • F Maj • 02:11 • -13db
42% Popularity • 76% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
42% Popularity • 76% Danceability • 35% Energy • 6% Liveness
0% Instrumentalness • 60% Positiveness
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Ben Platt
You Will Be Found
87 bpm • A Maj • 06:00 • -7.13db
61% Popularity • 29% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
61% Popularity • 29% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Chorus - Pocahontas
Savages - Pt. 2
72 bpm • A min • 02:15 • -16db
43% Popularity • 33% Danceability • 27% Energy • 8% Liveness
4% Instrumentalness • 31% Positiveness
43% Popularity • 33% Danceability • 27% Energy • 8% Liveness
4% Instrumentalness • 31% Positiveness
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Emma Thompson
Beauty and the Beast
88 bpm • G min • 03:19 • -12.52db
52% Popularity • 21% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
52% Popularity • 21% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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The "Les Misérables" 10th Anniversary Full Cast
Encore 2: One Day More - Live
87 bpm • C Maj • 04:11 • -18.96db
31% Popularity • 36% Danceability • 37% Energy • 98% Liveness
0% Instrumentalness • 51% Positiveness
31% Popularity • 36% Danceability • 37% Energy • 98% Liveness
0% Instrumentalness • 51% Positiveness
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Les Misérables Cast
One Day More
86 bpm • A Maj • 03:41 • -11.95db
53% Popularity • 38% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
53% Popularity • 38% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Heather Headley
Can You Feel The Love Tonight
71 bpm • F# Maj • 04:59 • -13db
41% Popularity • 19% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
41% Popularity • 19% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Brian Stokes Mitchell
Make Them Hear You
88 bpm • E Maj • 02:11 • -7.93db
29% Popularity • 36% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 36% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness