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Doin' the Uptown Lowdown
Songs like
Doin' the Uptown Lowdown (with The Dorsey Brothers Orchestra)
by
Mildred Bailey
Based on a tempo of (+/- 10%) and a similar genre
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Mildred Bailey
Doin' the Uptown Lowdown
112 bpm • D# min • 02:51 • -11.16db
32% Popularity • 80% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Rudy Vallee and His Connecticut Yankees
You're Driving Me Crazy (1931)
112 bpm • B Maj • 03:30 • -23.44db
18% Popularity • 33% Danceability • 8% Energy • 13% Liveness
15% Instrumentalness • 49% Positiveness
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The Boswell Sisters
Roll on, Mississippi, roll on
112 bpm • B min • 03:00 • -6.26db
3% Popularity • 62% Danceability • 39% Energy • 12% Liveness
18% Instrumentalness • 53% Positiveness
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Cab Calloway & His Orchestra
Two Blocks Down, Turn to the Left
112 bpm • G min • 03:14 • -11.53db
3% Popularity • 62% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 77% Positiveness
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Ethel Waters
No Man's Mama - A Woman's Choice
112 bpm • F# Maj • 03:08 • -9.58db
5% Popularity • 67% Danceability • 31% Energy • 48% Liveness
0% Instrumentalness • 57% Positiveness
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Ted Weems
Somebody Stole My Gal
112 bpm • E Maj • 03:02 • -13db
22% Popularity • 81% Danceability • 41% Energy • 31% Liveness
96% Instrumentalness • 73% Positiveness
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Jean Goldkette & His Orchestra
In My Merry Oldsmobile
111 bpm • D Maj • 02:32 • -11db
26% Popularity • 74% Danceability • 26% Energy • 6% Liveness
23% Instrumentalness • 69% Positiveness
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Fletcher Henderson
Rug Cutter's Swing
111 bpm • G Maj • 03:07 • -12db
22% Popularity • 81% Danceability • 39% Energy • 9% Liveness
77% Instrumentalness • 91% Positiveness
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George Olsen
Bye Bye Blackbird
111 bpm • G# Maj • 03:05 • -16db
18% Popularity • 83% Danceability • 11% Energy • 9% Liveness
2% Instrumentalness • 62% Positiveness
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Billy Cotton & His Band
Puttin' On The Ritz
111 bpm • D# Maj • 03:02 • -19.73db
11% Popularity • 82% Danceability • 28% Energy • 18% Liveness
58% Instrumentalness • 85% Positiveness
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Clarence Williams
Crazy Blues
111 bpm • G min • 02:26 • -10.61db
24% Popularity • 79% Danceability • 37% Energy • 8% Liveness
89% Instrumentalness • 81% Positiveness
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Eddie Cantor
Yes Sir, That's My Baby! - Remastered
113 bpm • G# Maj • 02:05 • -8.95db
20% Popularity • 87% Danceability • 45% Energy • 39% Liveness
0% Instrumentalness • 77% Positiveness
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The Cast
Bill Bailey, Won't You Please Come Home
113 bpm • C min • 02:01 • -8.01db
38% Popularity • 70% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Mildred Bailey
Don't Worry 'Bout Strangers
113 bpm • C Maj • 03:00 • -13.21db
18% Popularity • 71% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 52% Positiveness
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The Piccadilly Players
Sunny Skies
113 bpm • A# Maj • 03:14 • -10db
26% Popularity • 82% Danceability • 46% Energy • 11% Liveness
75% Instrumentalness • 92% Positiveness
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The Dorsey Brothers Orchestra
Don't Let It Bother You
111 bpm • C Maj • 02:04 • -20.88db
1% Popularity • 72% Danceability • 18% Energy • 13% Liveness
86% Instrumentalness • 94% Positiveness
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Lee Wiley
A Ghost of a Chance - Studio
113 bpm • F Maj • 03:20 • -16.42db
29% Popularity • 45% Danceability • 11% Energy • 9% Liveness
2% Instrumentalness • 16% Positiveness
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Gene Krupa
Drummin' Man
110 bpm • D# Maj • 03:03 • -3db
20% Popularity • 78% Danceability • 84% Energy • 7% Liveness
74% Instrumentalness • 76% Positiveness
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The Cast
Back Home Again in Indiana
111 bpm • C min • 01:55 • -9db
30% Popularity • 76% Danceability • 46% Energy • 21% Liveness
4% Instrumentalness • 91% Positiveness
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Mildred Bailey
Please Be Kind
110 bpm • F# Maj • 02:33 • -7.86db
24% Popularity • 61% Danceability • 27% Energy • 18% Liveness
7% Instrumentalness • 48% Positiveness
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The California Ramblers
Yes She Do (No She Don't)
114 bpm • A# Maj • 02:43 • -14db
12% Popularity • 72% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 78% Positiveness
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Ethel Waters
Shine on Harvest Moon
114 bpm • F# min • 03:01 • -12db
13% Popularity • 60% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Ben Bernie
Ain't She Sweet
110 bpm • D# Maj • 02:36 • -11db
14% Popularity • 70% Danceability • 37% Energy • 20% Liveness
82% Instrumentalness • 80% Positiveness
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Noel Coward
Twentieth Century Blues (Cavalcade)
114 bpm • G# Maj • 01:22 • -19db
34% Popularity • 51% Danceability • 13% Energy • 11% Liveness
8% Instrumentalness • 46% Positiveness
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Red Norvo
Remember
110 bpm • C# Maj • 03:26 • -18.46db
1% Popularity • 53% Danceability • 12% Energy • 10% Liveness
96% Instrumentalness • 16% Positiveness
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Mildred Bailey
When It's Sleepy Time Down South
114 bpm • A# Maj • 03:02 • -11.02db
6% Popularity • 65% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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The Merry Macs
Deep in the Heart of Texas
110 bpm • C# Maj • 03:10 • -14db
23% Popularity • 66% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Johnny Mercer & The Pied Pipers
My Sugar Is So Refined
110 bpm • F Maj • 02:40 • -11.47db
18% Popularity • 76% Danceability • 17% Energy • 22% Liveness
0% Instrumentalness • 58% Positiveness
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Bunny Berigan
When I Take My Sugar to Tea
110 bpm • C Maj • 03:12 • -9.08db
22% Popularity • 86% Danceability • 31% Energy • 8% Liveness
4% Instrumentalness • 91% Positiveness
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Glen Gray
Melancholy Mood
109 bpm • F min • 03:14 • -12.72db
12% Popularity • 59% Danceability • 18% Energy • 19% Liveness
4% Instrumentalness • 51% Positiveness
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Ted Weems
You're the Cream in My Coffee
110 bpm • D# Maj • 03:04 • -10.66db
12% Popularity • 74% Danceability • 49% Energy • 17% Liveness
39% Instrumentalness • 81% Positiveness
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Mildred Bailey
Blues In My Heart
114 bpm • C# Maj • 03:09 • -11db
25% Popularity • 55% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Lee Wiley
You Turned The Tables On Me
115 bpm • C# Maj • 02:47 • -19.16db
27% Popularity • 66% Danceability • 8% Energy • 39% Liveness
0% Instrumentalness • 61% Positiveness
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Matt Malneck
Rockin' Chair - Remastered 2002
109 bpm • C# Maj • 02:59 • -14.53db
6% Popularity • 50% Danceability • 11% Energy • 21% Liveness
0% Instrumentalness • 44% Positiveness
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The Dorsey Brothers Orchestra
Gold Diggers of 1935: Lullaby of Broadwa...
109 bpm • F Maj • 02:47 • -12.5db
5% Popularity • 81% Danceability • 32% Energy • 6% Liveness
6% Instrumentalness • 82% Positiveness
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Ella Mae Morse
Cow Cow Boogie
109 bpm • G# Maj • 03:11 • -3.96db
13% Popularity • 62% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Irving Aaronson and His Commanders
An' Furthermore
115 bpm • D# Maj • 02:59 • -10db
17% Popularity • 80% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Mildred Bailey
Give Me Liberty or Give Me Love
110 bpm • A# Maj • 03:00 • -11.28db
22% Popularity • 67% Danceability • 23% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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Mills Blue Rhythm Band
Tallahassee
109 bpm • G min • 02:34 • -8.94db
13% Popularity • 75% Danceability • 44% Energy • 13% Liveness
90% Instrumentalness • 93% Positiveness
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Glen Gray & The Casa Loma Orchestra
Blue Moon
109 bpm • D# Maj • 03:12 • -16.81db
23% Popularity • 40% Danceability • 11% Energy • 19% Liveness
79% Instrumentalness • 21% Positiveness
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Lee Wiley
Let's Fly Away
115 bpm • G Maj • 03:04 • -14db
23% Popularity • 63% Danceability • 8% Energy • 16% Liveness
10% Instrumentalness • 34% Positiveness
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Lil Hardin Armstrong
Harlem on Saturday Night
115 bpm • C Maj • 02:42 • -7.31db
17% Popularity • 83% Danceability • 47% Energy • 8% Liveness
10% Instrumentalness • 96% Positiveness
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Ted Weems & His Orchestra
Talk of the Town
109 bpm • D# Maj • 03:12 • -13db
16% Popularity • 80% Danceability • 25% Energy • 18% Liveness
92% Instrumentalness • 91% Positiveness
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Mildred Bailey
Cry, Cry, Cry
115 bpm • D# Maj • 03:03 • -9.28db
6% Popularity • 50% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Bert Firman Orchestra
Charleston Charley
115 bpm • A# Maj • 02:34 • -12db
28% Popularity • 81% Danceability • 39% Energy • 5% Liveness
68% Instrumentalness • 98% Positiveness
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The Dorsey Brothers Orchestra
I'll Never Say "Never Again" Again
109 bpm • F Maj • 02:48 • -19.12db
4% Popularity • 86% Danceability • 27% Energy • 9% Liveness
75% Instrumentalness • 97% Positiveness
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Eddie Lang
Good Little, Bad Little You
115 bpm • G Maj • 02:42 • -16db
8% Popularity • 82% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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Cab Calloway & His Orchestra
Nagasaki
116 bpm • G min • 02:56 • -12.99db
10% Popularity • 66% Danceability • 40% Energy • 19% Liveness
40% Instrumentalness • 76% Positiveness
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Mildred Bailey & Her Orchestra
The moon got in my eyes
108 bpm • D Maj • 02:43 • -5.46db
0% Popularity • 73% Danceability • 36% Energy • 4% Liveness
1% Instrumentalness • 52% Positiveness
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Mildred Bailey
Wrap Your Troubles In Dreams
109 bpm • B min • 03:08 • -13.29db
5% Popularity • 48% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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The California Ramblers
Vo-Do-Do-De-O Blues
108 bpm • G min • 03:10 • -13db
5% Popularity • 84% Danceability • 38% Energy • 16% Liveness
5% Instrumentalness • 87% Positiveness
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Bessie Smith
Kitchen Man - 78 rpm Version
116 bpm • D# Maj • 02:55 • -15.27db
21% Popularity • 80% Danceability • 8% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Charlie Barnet
Skyliner (Alternate Take)
108 bpm • F min • 03:01 • -6.75db
29% Popularity • 65% Danceability • 55% Energy • 11% Liveness
72% Instrumentalness • 81% Positiveness
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Eva Taylor
Baby Won't You Please Come Home?
116 bpm • F Maj • 02:58 • -14.31db
22% Popularity • 76% Danceability • 15% Energy • 45% Liveness
0% Instrumentalness • 45% Positiveness
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The Cats & The Fiddle
Public Jitterbug No1
108 bpm • F min • 02:51 • -11.22db
17% Popularity • 75% Danceability • 36% Energy • 8% Liveness
10% Instrumentalness • 68% Positiveness
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Mildred Bailey
So Help Me - Remastered
109 bpm • D# Maj • 02:46 • -5.13db
16% Popularity • 61% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Ella Mae Morse
No Love, No Nothin’
108 bpm • A# Maj • 02:35 • -7.88db
23% Popularity • 56% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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The Dorsey Brothers Orchestra
I Believe in Miracles
116 bpm • G# Maj • 03:12 • -24.06db
1% Popularity • 47% Danceability • 3% Energy • 11% Liveness
50% Instrumentalness • 24% Positiveness
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Ted Lewis
On the Sunny Side of the Street
108 bpm • D# Maj • 03:34 • -17.87db
13% Popularity • 52% Danceability • 14% Energy • 10% Liveness
26% Instrumentalness • 59% Positiveness
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Isham Jones
Doin' the Uptown Lowdown
108 bpm • D# min • 02:38 • -13db
18% Popularity • 83% Danceability • 70% Energy • 31% Liveness
12% Instrumentalness • 59% Positiveness
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Leo Reisman & His Orchestra
Puttin' on the Ritz (Puttin' on the Ritz...
108 bpm • F min • 02:48 • -10.3db
22% Popularity • 88% Danceability • 29% Energy • 8% Liveness
76% Instrumentalness • 93% Positiveness
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Mildred Bailey
It's a woman's prerogative
116 bpm • F Maj • 03:03 • -5.63db
0% Popularity • 65% Danceability • 34% Energy • 28% Liveness
1% Instrumentalness • 47% Positiveness
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Bobby Short
That's My Weakness Now
108 bpm • G# Maj • 02:05 • -11.53db
24% Popularity • 89% Danceability • 35% Energy • 32% Liveness
0% Instrumentalness • 89% Positiveness
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Mildred Bailey & Her Orchestra
So help me
108 bpm • D# Maj • 02:52 • -5.08db
0% Popularity • 60% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Geraldo & His Orchestra
We Must All Stick Together
117 bpm • E min • 03:09 • -14.12db
26% Popularity • 92% Danceability • 26% Energy • 6% Liveness
7% Instrumentalness • 81% Positiveness
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The Dorsey Brothers Orchestra
Tailspin
117 bpm • G# Maj • 02:54 • -20.07db
3% Popularity • 81% Danceability • 28% Energy • 11% Liveness
93% Instrumentalness • 97% Positiveness
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Ben Bernie & His Orchestra
Ain't She Sweet?
107 bpm • D# Maj • 02:38 • -8.36db
23% Popularity • 82% Danceability • 38% Energy • 15% Liveness
6% Instrumentalness • 75% Positiveness
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Mildred Bailey
It's A Woman's Perogative
117 bpm • C Maj • 03:02 • -10.51db
17% Popularity • 67% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Ted Lewis
Clarinet Marmalade
107 bpm • F Maj • 03:11 • -11.41db
18% Popularity • 76% Danceability • 44% Energy • 9% Liveness
80% Instrumentalness • 94% Positiveness
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Johnny Dodds
Come on and Stomp, Stomp, Stomp
107 bpm • F Maj • 02:55 • -8db
26% Popularity • 79% Danceability • 66% Energy • 11% Liveness
92% Instrumentalness • 96% Positiveness
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Paul Whiteman
Happy Feet
117 bpm • A# min • 02:55 • -11.22db
21% Popularity • 75% Danceability • 44% Energy • 18% Liveness
90% Instrumentalness • 89% Positiveness
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Ben Selvin & His Orchestra
Baby Face
117 bpm • C Maj • 03:04 • -3.64db
19% Popularity • 71% Danceability • 40% Energy • 12% Liveness
73% Instrumentalness • 90% Positiveness
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The Dorsey Brothers Orchestra
Old Man Harlem
107 bpm • F Maj • 02:50 • -12.43db
1% Popularity • 89% Danceability • 38% Energy • 8% Liveness
50% Instrumentalness • 96% Positiveness
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Mildred Bailey
Georgia On My Mind
107 bpm • A# min • 03:31 • -18.98db
5% Popularity • 44% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Cass Daley
A Good Man Is Hard to Find
118 bpm • G min • 02:44 • -10.69db
18% Popularity • 71% Danceability • 29% Energy • 30% Liveness
0% Instrumentalness • 72% Positiveness
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Johnny Dodds
Little Bits
118 bpm • C Maj • 02:59 • -6.56db
22% Popularity • 69% Danceability • 65% Energy • 39% Liveness
91% Instrumentalness • 96% Positiveness
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Frank Crumit
I Married the Bootlegger's Daughter
118 bpm • A# min • 02:51 • -11db
10% Popularity • 92% Danceability • 27% Energy • 18% Liveness
32% Instrumentalness • 66% Positiveness
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Eddie Cantor
Makin' Whoopee
118 bpm • G Maj • 03:08 • -10db
14% Popularity • 56% Danceability • 23% Energy • 12% Liveness
1% Instrumentalness • 53% Positiveness
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The Dorsey Brothers Orchestra
St. Louis Blues
118 bpm • G Maj • 03:12 • -18.37db
4% Popularity • 77% Danceability • 34% Energy • 13% Liveness
88% Instrumentalness • 83% Positiveness
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Frankie Trumbauer
Riverboat Shuffle
106 bpm • G# Maj • 03:10 • -8.74db
4% Popularity • 73% Danceability • 53% Energy • 12% Liveness
88% Instrumentalness • 93% Positiveness
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Roy Brown
Mighty Mighty Man
106 bpm • C min • 02:23 • -15db
39% Popularity • 57% Danceability • 37% Energy • 58% Liveness
0% Instrumentalness • 82% Positiveness
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Bennie Moten
New Moten Stomp
106 bpm • G# Maj • 02:56 • -9.34db
23% Popularity • 81% Danceability • 47% Energy • 14% Liveness
79% Instrumentalness • 90% Positiveness
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Ray Noble & His Orchestra
Make Yourself A Happiness Pie
118 bpm • C min • 03:13 • -21.25db
11% Popularity • 68% Danceability • 9% Energy • 13% Liveness
41% Instrumentalness • 68% Positiveness
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Mildred Bailey
Thanks for the Memory
106 bpm • D Maj • 02:34 • -9.46db
12% Popularity • 68% Danceability • 32% Energy • 12% Liveness
55% Instrumentalness • 50% Positiveness
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Rudy Vallee and His Connecticut Yankees
I'm Just a Vagabond Lover
106 bpm • A# Maj • 03:18 • -19.24db
35% Popularity • 60% Danceability • 9% Energy • 9% Liveness
12% Instrumentalness • 65% Positiveness
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Cab Calloway & His Orchestra
Happy Feet
106 bpm • G min • 02:39 • -13.26db
18% Popularity • 70% Danceability • 54% Energy • 11% Liveness
88% Instrumentalness • 90% Positiveness
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Eddie Cantor
No No Nora
118 bpm • D# Maj • 03:07 • -11.93db
13% Popularity • 79% Danceability • 19% Energy • 14% Liveness
3% Instrumentalness • 68% Positiveness
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Al Friedman & his Orchestra
Building a Nest for Mary
106 bpm • F Maj • 03:10 • -8.57db
21% Popularity • 76% Danceability • 63% Energy • 6% Liveness
82% Instrumentalness • 95% Positiveness
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Leif Smoke Rings Anderson
The Big Broadcast of 1938: Thanks for th...
106 bpm • D Maj • 02:42 • -15.23db
4% Popularity • 70% Danceability • 18% Energy • 28% Liveness
62% Instrumentalness • 49% Positiveness
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Bobby Darin
Some of These Days
106 bpm • D min • 02:40 • -13.65db
30% Popularity • 46% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Lee Wiley
Manhattan
106 bpm • G# Maj • 03:25 • -17.66db
21% Popularity • 56% Danceability • 16% Energy • 17% Liveness
2% Instrumentalness • 49% Positiveness
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Cab Calloway & His Orchestra
Happy Feet
106 bpm • G min • 02:38 • -8.17db
21% Popularity • 78% Danceability • 62% Energy • 5% Liveness
87% Instrumentalness • 96% Positiveness
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Ben Selvin & His Orchestra
Happy Days Are Here Again
119 bpm • C Maj • 03:22 • -12.2db
28% Popularity • 82% Danceability • 26% Energy • 4% Liveness
9% Instrumentalness • 76% Positiveness
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Jack Hylton
Happy Days Are Here Again
119 bpm • G Maj • 03:10 • -9.64db
13% Popularity • 80% Danceability • 52% Energy • 30% Liveness
6% Instrumentalness • 86% Positiveness
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Anne Shelton
Coming in on a Wing & a Prayer
106 bpm • D# Maj • 02:45 • -10.75db
24% Popularity • 66% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Richard Himber and his Orchestra
Dancing On The Ceiling - Of Thee I Sing
119 bpm • C# Maj • 04:16 • -10.73db
15% Popularity • 46% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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Lee Wiley
Any Time, Any Day, Anywhere
119 bpm • C# Maj • 02:30 • -13.76db
31% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Ethel Waters
My Handy Man - Remastered
106 bpm • G# Maj • 02:47 • -4.22db
12% Popularity • 56% Danceability • 63% Energy • 34% Liveness
3% Instrumentalness • 55% Positiveness
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Sid Peltyn and His Orchestra
Play Me a Frigid Air
119 bpm • F Maj • 02:41 • -11.9db
15% Popularity • 74% Danceability • 39% Energy • 11% Liveness
91% Instrumentalness • 95% Positiveness
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Marion Harris
You May Be Fast, but You Won't Last
119 bpm • G Maj • 03:15 • -11.95db
7% Popularity • 67% Danceability • 12% Energy • 34% Liveness
11% Instrumentalness • 49% Positiveness
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Doin' the Uptown Lowdown