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Dolphins
Songs like
Dolphins
by
David Binney
Based on a tempo of (+/- 10%) and a similar genre
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David Binney
Dolphins
120 bpm • G Maj • 06:30 • -8.44db
1% Popularity • 66% Danceability • 88% Energy • 21% Liveness
90% Instrumentalness • 39% Positiveness
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Laurent Dury
Negroni on the Rocks
120 bpm • D min • 01:59 • -12.58db
20% Popularity • 69% Danceability • 52% Energy • 30% Liveness
21% Instrumentalness • 54% Positiveness
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DJ-AJC
Echolalia Inferno
120 bpm • C Maj • 01:56 • -15.57db
9% Popularity • 76% Danceability • 50% Energy • 14% Liveness
87% Instrumentalness • 28% Positiveness
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Jonnathan Green
Don't Pile On
120 bpm • C# Maj • 03:17 • -18.33db
21% Popularity • 80% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 45% Positiveness
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Dan Rosenboom
Apes in Rapture
120 bpm • A Maj • 06:17 • -8.36db
0% Popularity • 40% Danceability • 81% Energy • 13% Liveness
8% Instrumentalness • 63% Positiveness
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Luca Fasolin
Second impression
120 bpm • C min • 02:00 • -18.5db
10% Popularity • 52% Danceability • 18% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
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David Binney
Ritual
120 bpm • F min • 03:37 • -12.31db
3% Popularity • 30% Danceability • 94% Energy • 8% Liveness
89% Instrumentalness • 22% Positiveness
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Nastazio Gkoumas
Voices
120 bpm • G Maj • 05:12 • -10.43db
26% Popularity • 47% Danceability • 51% Energy • 27% Liveness
10% Instrumentalness • 32% Positiveness
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Tourismo
Torque
120 bpm • E min • 08:11 • -15.62db
8% Popularity • 47% Danceability • 45% Energy • 10% Liveness
92% Instrumentalness • 73% Positiveness
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Jonnathan Green
The Rest Will Have to Wait Their Turn
120 bpm • C# min • 03:34 • -14.58db
21% Popularity • 81% Danceability • 31% Energy • 11% Liveness
97% Instrumentalness • 9% Positiveness
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Lis Wessberg
Tapestry of Life
120 bpm • C# min • 03:51 • -13.78db
7% Popularity • 57% Danceability • 72% Energy • 11% Liveness
76% Instrumentalness • 48% Positiveness
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Morten Haxholm
Whirl
120 bpm • C# Maj • 05:28 • -12.16db
17% Popularity • 40% Danceability • 34% Energy • 12% Liveness
16% Instrumentalness • 37% Positiveness
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David Binney
Leaving
120 bpm • D Maj • 03:22 • -17.51db
2% Popularity • 58% Danceability • 24% Energy • 11% Liveness
86% Instrumentalness • 17% Positiveness
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Tima Volozh
Adoration of the Earth
120 bpm • A min • 02:46 • -11.61db
21% Popularity • 47% Danceability • 37% Energy • 10% Liveness
81% Instrumentalness • 56% Positiveness
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Tom Ollendorff
Arrows and Loops
119 bpm • D# min • 10:23 • -13.5db
12% Popularity • 47% Danceability • 34% Energy • 10% Liveness
83% Instrumentalness • 30% Positiveness
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David Friedman
3 + 1 = 5
121 bpm • F min • 05:51 • -13.68db
8% Popularity • 49% Danceability • 43% Energy • 14% Liveness
21% Instrumentalness • 39% Positiveness
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Kit Downes
Hollywood Bypass
121 bpm • D Maj • 02:47 • -13.95db
26% Popularity • 41% Danceability • 39% Energy • 9% Liveness
93% Instrumentalness • 32% Positiveness
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AGE
Ballage
119 bpm • D Maj • 03:43 • -14.47db
9% Popularity • 60% Danceability • 18% Energy • 12% Liveness
36% Instrumentalness • 21% Positiveness
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Logan Kane
DSP
119 bpm • G# Maj • 02:44 • -7.3db
1% Popularity • 43% Danceability • 91% Energy • 14% Liveness
44% Instrumentalness • 69% Positiveness
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Remy Le Boeuf
Walking on Water
121 bpm • G min • 05:59 • -9.55db
12% Popularity • 50% Danceability • 27% Energy • 11% Liveness
89% Instrumentalness • 8% Positiveness
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Louis Matute
Tangos
119 bpm • F min • 06:16 • -10.44db
10% Popularity • 44% Danceability • 46% Energy • 8% Liveness
83% Instrumentalness • 32% Positiveness
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Patrick Booth
In the Still Silence
119 bpm • B Maj • 06:24 • -13.1db
11% Popularity • 37% Danceability • 36% Energy • 13% Liveness
93% Instrumentalness • 14% Positiveness
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Harald Lassen
Good luck, W
122 bpm • B Maj • 04:54 • -15.43db
12% Popularity • 36% Danceability • 27% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Melissa Aldana
I Know You Know
122 bpm • F# min • 06:29 • -13.97db
19% Popularity • 55% Danceability • 25% Energy • 13% Liveness
86% Instrumentalness • 30% Positiveness
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David Binney
Pere
122 bpm • G Maj • 06:48 • -11.33db
4% Popularity • 40% Danceability • 50% Energy • 11% Liveness
6% Instrumentalness • 57% Positiveness
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Atrisma
Lucioles
122 bpm • A# min • 01:11 • -18.68db
23% Popularity • 56% Danceability • 44% Energy • 11% Liveness
86% Instrumentalness • 20% Positiveness
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Jesse Koolhaas
Six Shooter
122 bpm • G# Maj • 06:56 • -16.46db
8% Popularity • 55% Danceability • 25% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Francesca Tandoi
Pink Walker
122 bpm • C Maj • 05:31 • -13.69db
10% Popularity • 50% Danceability • 42% Energy • 9% Liveness
84% Instrumentalness • 49% Positiveness
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Petter Bergander Trio
On The Train to Lviv
118 bpm • G min • 07:45 • -16.8db
12% Popularity • 38% Danceability • 53% Energy • 9% Liveness
83% Instrumentalness • 34% Positiveness
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Romain Pilon
Home
123 bpm • D Maj • 05:20 • -19.21db
12% Popularity • 40% Danceability • 15% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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David Binney
Carpinteria
122 bpm • C Maj • 03:43 • -23.83db
0% Popularity • 52% Danceability • 12% Energy • 11% Liveness
89% Instrumentalness • 14% Positiveness
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Logan Kane
Spiders
117 bpm • F# Maj • 06:24 • -11.45db
1% Popularity • 36% Danceability • 25% Energy • 11% Liveness
81% Instrumentalness • 6% Positiveness
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Adam Ratner
Light Waves
123 bpm • A# min • 04:56 • -10.2db
6% Popularity • 40% Danceability • 48% Energy • 15% Liveness
44% Instrumentalness • 26% Positiveness
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Wajdi Riahi
Choral Stambeli
117 bpm • G min • 03:21 • -17.53db
14% Popularity • 35% Danceability • 34% Energy • 11% Liveness
87% Instrumentalness • 44% Positiveness
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Anthony Fung
What Does it Mean to be Free?
123 bpm • F min • 04:28 • -8.57db
1% Popularity • 34% Danceability • 68% Energy • 46% Liveness
81% Instrumentalness • 26% Positiveness
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Aaron Parks
Kid
123 bpm • F min • 07:21 • -11db
28% Popularity • 37% Danceability • 68% Energy • 11% Liveness
90% Instrumentalness • 29% Positiveness
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David Binney
Toronto
123 bpm • F min • 08:44 • -14.37db
1% Popularity • 43% Danceability • 35% Energy • 11% Liveness
31% Instrumentalness • 41% Positiveness
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Fadhilah Kharisma Apriliani
Kemarau - Acoustic
117 bpm • F# min • 01:00 • -22.74db
9% Popularity • 49% Danceability • 33% Energy • 12% Liveness
71% Instrumentalness • 68% Positiveness
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Spirale
Oh No
117 bpm • E min • 03:57 • -12.07db
8% Popularity • 41% Danceability • 48% Energy • 16% Liveness
64% Instrumentalness • 17% Positiveness
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Magic trio
Take the step
123 bpm • C min • 02:31 • -14.15db
26% Popularity • 38% Danceability • 47% Energy • 12% Liveness
91% Instrumentalness • 52% Positiveness
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Noah Haidu
Obsesión
116 bpm • D min • 08:42 • -16.88db
15% Popularity • 60% Danceability • 31% Energy • 10% Liveness
78% Instrumentalness • 50% Positiveness
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Walter Smith III
Oliver
124 bpm • D min • 02:40 • -9.55db
10% Popularity • 44% Danceability • 47% Energy • 7% Liveness
84% Instrumentalness • 51% Positiveness
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David Binney
Light Through Water
117 bpm • F# Maj • 05:47 • -19.16db
2% Popularity • 17% Danceability • 18% Energy • 9% Liveness
95% Instrumentalness • 5% Positiveness
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Buchersommerfriedli & Aeby
Mininatur
124 bpm • C min • 01:39 • -13db
31% Popularity • 68% Danceability • 38% Energy • 11% Liveness
91% Instrumentalness • 79% Positiveness
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Enoch Lee
Blur
116 bpm • F min • 03:28 • -9.21db
0% Popularity • 41% Danceability • 52% Energy • 19% Liveness
86% Instrumentalness • 22% Positiveness
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Ramon Valle
Dayla
124 bpm • F# min • 06:32 • -16.8db
10% Popularity • 40% Danceability • 36% Energy • 23% Liveness
89% Instrumentalness • 35% Positiveness
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Espen Eriksen Trio
In The Mountains
124 bpm • G# Maj • 09:26 • -14.34db
9% Popularity • 47% Danceability • 29% Energy • 10% Liveness
87% Instrumentalness • 25% Positiveness
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Daniel Karlsson Trio
Happy hour
116 bpm • G min • 04:36 • -17.3db
8% Popularity • 50% Danceability • 60% Energy • 15% Liveness
92% Instrumentalness • 43% Positiveness
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David Binney
The Fall
117 bpm • A# min • 03:32 • -11.4db
1% Popularity • 46% Danceability • 42% Energy • 12% Liveness
18% Instrumentalness • 11% Positiveness
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Edson Ensemble
Heal Spell
116 bpm • A# Maj • 03:33 • -21.95db
19% Popularity • 63% Danceability • 5% Energy • 7% Liveness
74% Instrumentalness • 8% Positiveness
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Lorenzo Cimino
Electric Trumpet 4
116 bpm • F min • 02:36 • -24.47db
10% Popularity • 48% Danceability • 8% Energy • 8% Liveness
9% Instrumentalness • 42% Positiveness
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Adam Ratner
Nebula Vision
116 bpm • A# Maj • 05:59 • -10.55db
10% Popularity • 60% Danceability • 65% Energy • 12% Liveness
87% Instrumentalness • 63% Positiveness
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Dayna Stephens
Placate
124 bpm • F Maj • 04:12 • -16.03db
10% Popularity • 35% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Arnaud Dolmen
Agora Sim
124 bpm • B min • 07:20 • -12.14db
8% Popularity • 33% Danceability • 68% Energy • 8% Liveness
81% Instrumentalness • 38% Positiveness
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David Binney
Los Angeles
124 bpm • E Maj • 06:57 • -10.99db
1% Popularity • 43% Danceability • 48% Energy • 7% Liveness
34% Instrumentalness • 40% Positiveness
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Eduardo Farias
AMAZONAS
116 bpm • A min • 05:21 • -10.84db
8% Popularity • 56% Danceability • 55% Energy • 11% Liveness
86% Instrumentalness • 47% Positiveness
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Amanda Whiting
Stay for One
125 bpm • A min • 07:11 • -18.66db
8% Popularity • 47% Danceability • 16% Energy • 10% Liveness
34% Instrumentalness • 16% Positiveness
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Damien Kingston Quartet
CLFL Maps
116 bpm • C Maj • 02:07 • -12.85db
10% Popularity • 47% Danceability • 46% Energy • 10% Liveness
88% Instrumentalness • 90% Positiveness
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EYM Trio
No Madness
125 bpm • C# Maj • 06:00 • -14.21db
8% Popularity • 51% Danceability • 40% Energy • 11% Liveness
83% Instrumentalness • 59% Positiveness
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David Binney Quartet
In a Way
115 bpm • E min • 04:50 • -13.34db
2% Popularity • 41% Danceability • 33% Energy • 11% Liveness
44% Instrumentalness • 11% Positiveness
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David Binney
London
124 bpm • A# min • 10:36 • -11.62db
1% Popularity • 50% Danceability • 39% Energy • 12% Liveness
16% Instrumentalness • 49% Positiveness
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Mark Guiliana
our essential nature
115 bpm • G# min • 07:07 • -9.37db
15% Popularity • 40% Danceability • 55% Energy • 12% Liveness
87% Instrumentalness • 47% Positiveness
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Remy Le Boeuf
Little Song
115 bpm • G# min • 05:47 • -9.11db
12% Popularity • 38% Danceability • 39% Energy • 10% Liveness
87% Instrumentalness • 19% Positiveness
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Spider's Egg
Fuki's Tune (Live)
115 bpm • A min • 09:29 • -7.8db
1% Popularity • 37% Danceability • 92% Energy • 54% Liveness
28% Instrumentalness • 21% Positiveness
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Kait Dunton
River
115 bpm • A# Maj • 01:48 • -14db
18% Popularity • 59% Danceability • 14% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
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Martin Lindholm
Moving Forward
115 bpm • A min • 03:08 • -16.09db
20% Popularity • 51% Danceability • 46% Energy • 13% Liveness
98% Instrumentalness • 24% Positiveness
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David Binney
We Will See Our Way Through
116 bpm • G# min • 04:46 • -7.56db
1% Popularity • 35% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Emma Rawicz
Rune
115 bpm • D Maj • 05:33 • -12.13db
13% Popularity • 42% Danceability • 37% Energy • 12% Liveness
96% Instrumentalness • 16% Positiveness
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Louis Matute
Movie Star
115 bpm • G min • 03:56 • -13.55db
16% Popularity • 37% Danceability • 47% Energy • 13% Liveness
88% Instrumentalness • 44% Positiveness
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Jasper Høiby
Inceptions
115 bpm • D min • 01:05 • -26.1db
9% Popularity • 56% Danceability • 14% Energy • 8% Liveness
57% Instrumentalness • 38% Positiveness
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Andreas Hourdakis
Pink Mountains
126 bpm • G Maj • 06:58 • -17.89db
10% Popularity • 44% Danceability • 24% Energy • 10% Liveness
93% Instrumentalness • 19% Positiveness
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ELGNZA
IF I ENTER
114 bpm • C# min • 02:50 • -18.78db
16% Popularity • 44% Danceability • 14% Energy • 12% Liveness
96% Instrumentalness • 8% Positiveness
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Melissa Aldana
Unconscious Whispers
114 bpm • A Maj • 06:49 • -15.27db
37% Popularity • 48% Danceability • 30% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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Aaron Parks
Attention, Earthlings
126 bpm • C# min • 05:59 • -12db
25% Popularity • 37% Danceability • 59% Energy • 8% Liveness
87% Instrumentalness • 56% Positiveness
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Nils Kugelmann
About the Moment of Beginning
114 bpm • G# Maj • 05:54 • -13.45db
13% Popularity • 53% Danceability • 42% Energy • 12% Liveness
87% Instrumentalness • 53% Positiveness
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David Binney
Late Day Swell
114 bpm • C# Maj • 05:30 • -10.2db
0% Popularity • 46% Danceability • 36% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
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Zoe Rahman
For Love
114 bpm • G# Maj • 06:22 • -8.9db
8% Popularity • 38% Danceability • 46% Energy • 14% Liveness
89% Instrumentalness • 29% Positiveness
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David Binney Quartet
Nightfall
127 bpm • E Maj • 08:34 • -11.55db
1% Popularity • 37% Danceability • 50% Energy • 9% Liveness
70% Instrumentalness • 34% Positiveness
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Greg Spero
hills
127 bpm • D Maj • 04:00 • -11.62db
26% Popularity • 37% Danceability • 45% Energy • 11% Liveness
81% Instrumentalness • 40% Positiveness
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Outside World
Golden Age
127 bpm • C# min • 04:22 • -8.45db
31% Popularity • 68% Danceability • 63% Energy • 18% Liveness
69% Instrumentalness • 50% Positiveness
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Ivo Neame
That Syncing Feeling
113 bpm • F# min • 03:55 • -15.72db
10% Popularity • 51% Danceability • 22% Energy • 11% Liveness
66% Instrumentalness • 20% Positiveness
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David Binney
Isthmus
127 bpm • C# Maj • 03:02 • -14db
3% Popularity • 62% Danceability • 46% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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The Greg Foat Group
The Bull Leap
127 bpm • A# min • 04:08 • -13.01db
10% Popularity • 29% Danceability • 53% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
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Dayna Stephens
Bubbly
127 bpm • A Maj • 05:15 • -12.68db
12% Popularity • 48% Danceability • 37% Energy • 10% Liveness
8% Instrumentalness • 42% Positiveness
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Alexis Valet
Following the Sun
127 bpm • F min • 06:35 • -8.15db
9% Popularity • 44% Danceability • 69% Energy • 13% Liveness
52% Instrumentalness • 55% Positiveness
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Steve Lehman Trio
Interlude
113 bpm • G# Maj • 01:04 • -17db
22% Popularity • 65% Danceability • 29% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
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Félix Zurstrassen
Syatco
127 bpm • A# min • 02:11 • -9.94db
9% Popularity • 43% Danceability • 58% Energy • 13% Liveness
1% Instrumentalness • 51% Positiveness
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Mu Quintet
IV
127 bpm • D Maj • 01:23 • -39db
27% Popularity • 35% Danceability • 8% Energy • 11% Liveness
97% Instrumentalness • 17% Positiveness
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Roisel Suà rez
If I Were to lose you
128 bpm • G Maj • 05:17 • -11.95db
13% Popularity • 48% Danceability • 22% Energy • 13% Liveness
89% Instrumentalness • 10% Positiveness
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Reinier Baas
I Wish I Knew No Astronomy When Stars Ap...
128 bpm • D Maj • 05:04 • -17.63db
19% Popularity • 48% Danceability • 20% Energy • 19% Liveness
91% Instrumentalness • 14% Positiveness
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Joel Harrison
Beware of Darkness
128 bpm • C# min • 05:14 • -14.95db
1% Popularity • 49% Danceability • 24% Energy • 11% Liveness
84% Instrumentalness • 24% Positiveness
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Hamrå Orkester
Hälsingland
113 bpm • C min • 04:41 • -18.54db
7% Popularity • 38% Danceability • 5% Energy • 11% Liveness
52% Instrumentalness • 17% Positiveness
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Akropolis Reed Quintet
Strands
113 bpm • G# Maj • 07:33 • -11db
9% Popularity • 45% Danceability • 42% Energy • 8% Liveness
87% Instrumentalness • 30% Positiveness
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Will Vinson
Olive Tree
112 bpm • C Maj • 05:29 • -11.17db
13% Popularity • 41% Danceability • 22% Energy • 14% Liveness
36% Instrumentalness • 8% Positiveness
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Dayna Stephens
Blue Poles
128 bpm • C# min • 03:59 • -11.21db
7% Popularity • 35% Danceability • 31% Energy • 10% Liveness
9% Instrumentalness • 11% Positiveness
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Foehn Trio
Romy (And the World After)
128 bpm • A# min • 05:50 • -12.03db
12% Popularity • 40% Danceability • 44% Energy • 9% Liveness
92% Instrumentalness • 37% Positiveness
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Enoch Lee
Peace
112 bpm • C# Maj • 04:15 • -8.47db
0% Popularity • 53% Danceability • 57% Energy • 10% Liveness
86% Instrumentalness • 32% Positiveness
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Sonny Greenwich Jr
Sins
112 bpm • G Maj • 03:30 • -7.26db
2% Popularity • 49% Danceability • 81% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Kris Monson
No. 2 Hit
112 bpm • C# Maj • 07:15 • -15.01db
21% Popularity • 51% Danceability • 34% Energy • 9% Liveness
92% Instrumentalness • 43% Positiveness
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Joel Harrison
Tennesee Waltz
112 bpm • G Maj • 06:11 • -17.02db
2% Popularity • 31% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Dolphins