Songs like Domino by Nicole Atkins
Based on a tempo of (+/- 10%) and a similar genre
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NEIL FRANCES
On the Lookout
105 bpm • E min • 03:49 • -7.45db
56% Popularity • 79% Danceability • 66% Energy • 9% Liveness
37% Instrumentalness • 58% Positiveness
56% Popularity • 79% Danceability • 66% Energy • 9% Liveness
37% Instrumentalness • 58% Positiveness
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Nicole Atkins
Domino
105 bpm • E Maj • 04:03 • -6.9db
35% Popularity • 77% Danceability • 64% Energy • 8% Liveness
49% Instrumentalness • 96% Positiveness
35% Popularity • 77% Danceability • 64% Energy • 8% Liveness
49% Instrumentalness • 96% Positiveness
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Ron Gallo
WUNDAY (CRAZY AFTER DARK)
105 bpm • G Maj • 02:37 • -6.4db
17% Popularity • 67% Danceability • 84% Energy • 7% Liveness
6% Instrumentalness • 77% Positiveness
17% Popularity • 67% Danceability • 84% Energy • 7% Liveness
6% Instrumentalness • 77% Positiveness
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Steelism
Roulette
105 bpm • D min • 04:31 • -6.41db
19% Popularity • 53% Danceability • 79% Energy • 7% Liveness
63% Instrumentalness • 50% Positiveness
19% Popularity • 53% Danceability • 79% Energy • 7% Liveness
63% Instrumentalness • 50% Positiveness
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Delta Spirit
It Ain’t Easy
105 bpm • A# min • 03:20 • -7.93db
45% Popularity • 66% Danceability • 86% Energy • 52% Liveness
0% Instrumentalness • 78% Positiveness
45% Popularity • 66% Danceability • 86% Energy • 52% Liveness
0% Instrumentalness • 78% Positiveness
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Frazey Ford
Azad
105 bpm • G Maj • 03:03 • -9db
36% Popularity • 73% Danceability • 66% Energy • 6% Liveness
6% Instrumentalness • 35% Positiveness
36% Popularity • 73% Danceability • 66% Energy • 6% Liveness
6% Instrumentalness • 35% Positiveness
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Har Mar Superstar
Late Night Morning Light
105 bpm • G Maj • 02:05 • -6.11db
44% Popularity • 65% Danceability • 74% Energy • 59% Liveness
7% Instrumentalness • 81% Positiveness
44% Popularity • 65% Danceability • 74% Energy • 59% Liveness
7% Instrumentalness • 81% Positiveness
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Anna Ash
Righteously
105 bpm • A# Maj • 03:18 • -9db
51% Popularity • 83% Danceability • 57% Energy • 8% Liveness
9% Instrumentalness • 76% Positiveness
51% Popularity • 83% Danceability • 57% Energy • 8% Liveness
9% Instrumentalness • 76% Positiveness
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Khruangbin
Time (You and I)
105 bpm • B Maj • 05:42 • -14db
62% Popularity • 75% Danceability • 49% Energy • 8% Liveness
15% Instrumentalness • 92% Positiveness
62% Popularity • 75% Danceability • 49% Energy • 8% Liveness
15% Instrumentalness • 92% Positiveness
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Early James
All Down Hill
105 bpm • B Maj • 03:00 • -10.2db
14% Popularity • 77% Danceability • 48% Energy • 8% Liveness
1% Instrumentalness • 83% Positiveness
14% Popularity • 77% Danceability • 48% Energy • 8% Liveness
1% Instrumentalness • 83% Positiveness
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Dan Auerbach
Malibu Man
106 bpm • A Maj • 03:36 • -4.68db
46% Popularity • 62% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
46% Popularity • 62% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Diane Coffee
Spring Breathes
106 bpm • D# Maj • 05:04 • -9.73db
26% Popularity • 35% Danceability • 42% Energy • 34% Liveness
2% Instrumentalness • 23% Positiveness
26% Popularity • 35% Danceability • 42% Energy • 34% Liveness
2% Instrumentalness • 23% Positiveness
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Nicole Atkins
Domino
106 bpm • C# min • 03:37 • -8.77db
4% Popularity • 62% Danceability • 28% Energy • 11% Liveness
5% Instrumentalness • 34% Positiveness
4% Popularity • 62% Danceability • 28% Energy • 11% Liveness
5% Instrumentalness • 34% Positiveness
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Caroline Rose
Got To Go My Own Way
106 bpm • G# min • 03:21 • -3.08db
37% Popularity • 64% Danceability • 87% Energy • 6% Liveness
62% Instrumentalness • 56% Positiveness
37% Popularity • 64% Danceability • 87% Energy • 6% Liveness
62% Instrumentalness • 56% Positiveness
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Khruangbin
Evan Finds the Third Room
106 bpm • A# min • 04:00 • -9.98db
52% Popularity • 78% Danceability • 38% Energy • 17% Liveness
59% Instrumentalness • 84% Positiveness
52% Popularity • 78% Danceability • 38% Energy • 17% Liveness
59% Instrumentalness • 84% Positiveness
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Allah-Las
Keeping Dry
106 bpm • D Maj • 03:54 • -9.04db
25% Popularity • 80% Danceability • 55% Energy • 11% Liveness
18% Instrumentalness • 97% Positiveness
25% Popularity • 80% Danceability • 55% Energy • 11% Liveness
18% Instrumentalness • 97% Positiveness
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Zero 7
Take My Hand
104 bpm • G min • 03:50 • -11.8db
37% Popularity • 76% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
37% Popularity • 76% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Nick Waterhouse
Place Names
104 bpm • D# Maj • 03:53 • -5db
36% Popularity • 51% Danceability • 67% Energy • 26% Liveness
7% Instrumentalness • 50% Positiveness
36% Popularity • 51% Danceability • 67% Energy • 26% Liveness
7% Instrumentalness • 50% Positiveness
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Steve Gunn
New Moon
104 bpm • A Maj • 05:10 • -5.91db
35% Popularity • 42% Danceability • 70% Energy • 16% Liveness
6% Instrumentalness • 52% Positiveness
35% Popularity • 42% Danceability • 70% Energy • 16% Liveness
6% Instrumentalness • 52% Positiveness
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Jeb Loy Nichols
Can't Cheat the Dance
104 bpm • D Maj • 03:28 • -4.97db
11% Popularity • 62% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 62% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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Greyhounds
What's on Your Mind
106 bpm • G min • 04:00 • -5.68db
45% Popularity • 76% Danceability • 55% Energy • 12% Liveness
1% Instrumentalness • 48% Positiveness
45% Popularity • 76% Danceability • 55% Energy • 12% Liveness
1% Instrumentalness • 48% Positiveness
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Neal Francis
BNYLV
106 bpm • C# min • 05:53 • -9.88db
6% Popularity • 56% Danceability • 68% Energy • 19% Liveness
8% Instrumentalness • 28% Positiveness
6% Popularity • 56% Danceability • 68% Energy • 19% Liveness
8% Instrumentalness • 28% Positiveness
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Hamilton Leithauser
Here They Come
103 bpm • G Maj • 03:14 • -5.13db
34% Popularity • 61% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
34% Popularity • 61% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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The Cactus Blossoms
Happy Man
107 bpm • C Maj • 02:59 • -9db
36% Popularity • 81% Danceability • 38% Energy • 18% Liveness
1% Instrumentalness • 74% Positiveness
36% Popularity • 81% Danceability • 38% Energy • 18% Liveness
1% Instrumentalness • 74% Positiveness
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Illiterate Light
Freedom
103 bpm • D Maj • 03:55 • -7db
24% Popularity • 59% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 59% Danceability • 76% Energy • 31% Liveness
0% Instrumentalness • 28% Positiveness
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Orions Belte
Cherchez La Ghost
103 bpm • C# Maj • 02:40 • -8.82db
42% Popularity • 74% Danceability • 55% Energy • 32% Liveness
79% Instrumentalness • 29% Positiveness
42% Popularity • 74% Danceability • 55% Energy • 32% Liveness
79% Instrumentalness • 29% Positiveness
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Cool Sounds
Alive
107 bpm • F# Maj • 04:12 • -11db
33% Popularity • 85% Danceability • 46% Energy • 9% Liveness
49% Instrumentalness • 77% Positiveness
33% Popularity • 85% Danceability • 46% Energy • 9% Liveness
49% Instrumentalness • 77% Positiveness
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Neal Francis
Changes, Pts. 1 & 2
103 bpm • B min • 06:30 • -7.25db
49% Popularity • 58% Danceability • 77% Energy • 7% Liveness
40% Instrumentalness • 84% Positiveness
49% Popularity • 58% Danceability • 77% Energy • 7% Liveness
40% Instrumentalness • 84% Positiveness
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Kalu & The Electric Joint
Downfall
107 bpm • D min • 03:04 • -5.98db
29% Popularity • 70% Danceability • 81% Energy • 35% Liveness
48% Instrumentalness • 69% Positiveness
29% Popularity • 70% Danceability • 81% Energy • 35% Liveness
48% Instrumentalness • 69% Positiveness
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Caroline Rose
Feel The Way I Want
107 bpm • F Maj • 04:03 • -5.57db
48% Popularity • 83% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
48% Popularity • 83% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
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St. Paul & The Broken Bones
Apollo
107 bpm • A min • 04:43 • -5.07db
56% Popularity • 71% Danceability • 80% Energy • 9% Liveness
18% Instrumentalness • 68% Positiveness
56% Popularity • 71% Danceability • 80% Energy • 9% Liveness
18% Instrumentalness • 68% Positiveness
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Pearl Charles
Night Tides
103 bpm • D Maj • 03:34 • -8.37db
9% Popularity • 64% Danceability • 61% Energy • 18% Liveness
3% Instrumentalness • 29% Positiveness
9% Popularity • 64% Danceability • 61% Energy • 18% Liveness
3% Instrumentalness • 29% Positiveness
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Dawg Yawp
Lost At Sea
103 bpm • A Maj • 04:04 • -7.08db
26% Popularity • 47% Danceability • 80% Energy • 27% Liveness
1% Instrumentalness • 21% Positiveness
26% Popularity • 47% Danceability • 80% Energy • 27% Liveness
1% Instrumentalness • 21% Positiveness
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Neal Francis
Changes, Pt. 1
103 bpm • B min • 04:38 • -7.19db
37% Popularity • 55% Danceability • 88% Energy • 4% Liveness
23% Instrumentalness • 63% Positiveness
37% Popularity • 55% Danceability • 88% Energy • 4% Liveness
23% Instrumentalness • 63% Positiveness
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Seratones
Gotta Get To Know Ya
107 bpm • B Maj • 02:17 • -4.36db
33% Popularity • 59% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 59% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 69% Positiveness
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Aaron Frazer
Love Is
103 bpm • B min • 04:03 • -9.65db
34% Popularity • 77% Danceability • 55% Energy • 11% Liveness
33% Instrumentalness • 91% Positiveness
34% Popularity • 77% Danceability • 55% Energy • 11% Liveness
33% Instrumentalness • 91% Positiveness
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Courtney Barnett
New Speedway Boogie
108 bpm • B min • 05:20 • -9db
37% Popularity • 76% Danceability • 50% Energy • 12% Liveness
1% Instrumentalness • 37% Positiveness
37% Popularity • 76% Danceability • 50% Energy • 12% Liveness
1% Instrumentalness • 37% Positiveness
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Poolside
Shakedown Street
102 bpm • C Maj • 04:16 • -7.39db
34% Popularity • 78% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
34% Popularity • 78% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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The Cave Singers
That's Why
108 bpm • C Maj • 04:13 • -9.62db
30% Popularity • 75% Danceability • 72% Energy • 8% Liveness
34% Instrumentalness • 73% Positiveness
30% Popularity • 75% Danceability • 72% Energy • 8% Liveness
34% Instrumentalness • 73% Positiveness
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Jarrod Gorbel
Miserable Without You
108 bpm • G# Maj • 03:42 • -9.47db
5% Popularity • 53% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
5% Popularity • 53% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Elle Músa
Mango Pops
108 bpm • F# min • 03:24 • -8.44db
34% Popularity • 63% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 63% Danceability • 60% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
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Caroline Rose
Jeannie Becomes A Mom
102 bpm • F Maj • 04:21 • -4.79db
54% Popularity • 62% Danceability • 80% Energy • 25% Liveness
2% Instrumentalness • 57% Positiveness
54% Popularity • 62% Danceability • 80% Energy • 25% Liveness
2% Instrumentalness • 57% Positiveness
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Karen O
Turn The Light
102 bpm • E min • 03:19 • -10.54db
48% Popularity • 75% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
48% Popularity • 75% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Nicole Atkins
What Do You Know?
102 bpm • C Maj • 03:42 • -8.59db
1% Popularity • 54% Danceability • 70% Energy • 14% Liveness
3% Instrumentalness • 30% Positiveness
1% Popularity • 54% Danceability • 70% Energy • 14% Liveness
3% Instrumentalness • 30% Positiveness
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Shannon Shaw
Goodbye Summer
102 bpm • E min • 02:43 • -4.78db
35% Popularity • 52% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
35% Popularity • 52% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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Seratones
Fear
108 bpm • A min • 03:34 • -2.1db
17% Popularity • 63% Danceability • 79% Energy • 8% Liveness
21% Instrumentalness • 55% Positiveness
17% Popularity • 63% Danceability • 79% Energy • 8% Liveness
21% Instrumentalness • 55% Positiveness
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Bedouine
Dizzy
108 bpm • G# min • 04:13 • -12.73db
26% Popularity • 46% Danceability • 70% Energy • 16% Liveness
49% Instrumentalness • 56% Positiveness
26% Popularity • 46% Danceability • 70% Energy • 16% Liveness
49% Instrumentalness • 56% Positiveness
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Lilly Hiatt
Brightest Star
109 bpm • F# min • 03:07 • -8db
35% Popularity • 63% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
35% Popularity • 63% Danceability • 54% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Plants and Animals
Love That Boy
102 bpm • G# min • 03:44 • -7.4db
21% Popularity • 68% Danceability • 76% Energy • 10% Liveness
32% Instrumentalness • 84% Positiveness
21% Popularity • 68% Danceability • 76% Energy • 10% Liveness
32% Instrumentalness • 84% Positiveness
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Nicole Atkins
St. Dymphna
101 bpm • A min • 03:04 • -7.52db
3% Popularity • 46% Danceability • 35% Energy • 18% Liveness
3% Instrumentalness • 16% Positiveness
3% Popularity • 46% Danceability • 35% Energy • 18% Liveness
3% Instrumentalness • 16% Positiveness
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Amo Amo
Wish I Had the Power
101 bpm • A# Maj • 04:17 • -7.27db
11% Popularity • 69% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 69% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Dan Mangan
Lynchpin
109 bpm • F# Maj • 04:02 • -8.17db
32% Popularity • 52% Danceability • 40% Energy • 20% Liveness
2% Instrumentalness • 48% Positiveness
32% Popularity • 52% Danceability • 40% Energy • 20% Liveness
2% Instrumentalness • 48% Positiveness
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Shannon Shaw
Freddies 'n' Teddies
109 bpm • G Maj • 03:37 • -5.77db
22% Popularity • 68% Danceability • 83% Energy • 8% Liveness
3% Instrumentalness • 82% Positiveness
22% Popularity • 68% Danceability • 83% Energy • 8% Liveness
3% Instrumentalness • 82% Positiveness
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Sir Woman
Blame It on the Water
101 bpm • B min • 03:23 • -7db
38% Popularity • 69% Danceability • 71% Energy • 8% Liveness
2% Instrumentalness • 85% Positiveness
38% Popularity • 69% Danceability • 71% Energy • 8% Liveness
2% Instrumentalness • 85% Positiveness
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Boulevards
Too Far
101 bpm • D Maj • 03:52 • -8.93db
16% Popularity • 74% Danceability • 68% Energy • 26% Liveness
4% Instrumentalness • 53% Positiveness
16% Popularity • 74% Danceability • 68% Energy • 26% Liveness
4% Instrumentalness • 53% Positiveness
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Paul McCartney
Pretty Boys
101 bpm • B min • 05:48 • -5.34db
51% Popularity • 70% Danceability • 98% Energy • 12% Liveness
77% Instrumentalness • 96% Positiveness
51% Popularity • 70% Danceability • 98% Energy • 12% Liveness
77% Instrumentalness • 96% Positiveness
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Pearl Charles
Only For Tonight
101 bpm • F# Maj • 04:32 • -4.49db
30% Popularity • 51% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 51% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Fruit Bats
A Lingering Love
101 bpm • D Maj • 03:36 • -9db
52% Popularity • 62% Danceability • 79% Energy • 12% Liveness
56% Instrumentalness • 36% Positiveness
52% Popularity • 62% Danceability • 79% Energy • 12% Liveness
56% Instrumentalness • 36% Positiveness
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The Jack Moves
Three the Hard Way
101 bpm • D# Maj • 02:57 • -6.2db
17% Popularity • 73% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
17% Popularity • 73% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Neal Francis
She's A Winner
109 bpm • C Maj • 05:06 • -6.53db
30% Popularity • 62% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 62% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Tune-Yards
Powa
110 bpm • F Maj • 05:03 • -7.46db
45% Popularity • 75% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
45% Popularity • 75% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Dr. Dog
Here Comes the Hotstepper
100 bpm • A Maj • 04:44 • -8db
37% Popularity • 70% Danceability • 64% Energy • 35% Liveness
76% Instrumentalness • 86% Positiveness
37% Popularity • 70% Danceability • 64% Energy • 35% Liveness
76% Instrumentalness • 86% Positiveness
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Nicole Atkins
Red Ropes
110 bpm • D min • 04:21 • -7.41db
6% Popularity • 74% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
6% Popularity • 74% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 57% Positiveness
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Matt Duncan
Who Are You on Your Own?
110 bpm • G min • 03:36 • -10.26db
25% Popularity • 77% Danceability • 50% Energy • 4% Liveness
69% Instrumentalness • 59% Positiveness
25% Popularity • 77% Danceability • 50% Energy • 4% Liveness
69% Instrumentalness • 59% Positiveness
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SAULT
Don't Waste My Time
110 bpm • G Maj • 03:15 • -6.53db
49% Popularity • 84% Danceability • 89% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
49% Popularity • 84% Danceability • 89% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
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Molly Burch
Emotion Wild Nothing
110 bpm • G# min • 04:07 • -5.84db
40% Popularity • 83% Danceability • 64% Energy • 7% Liveness
1% Instrumentalness • 94% Positiveness
40% Popularity • 83% Danceability • 64% Energy • 7% Liveness
1% Instrumentalness • 94% Positiveness
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Liz Cooper
Motorcycle
110 bpm • C min • 03:50 • -6.78db
30% Popularity • 68% Danceability • 77% Energy • 23% Liveness
2% Instrumentalness • 69% Positiveness
30% Popularity • 68% Danceability • 77% Energy • 23% Liveness
2% Instrumentalness • 69% Positiveness
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Jackie Venson
Keep On
110 bpm • B Maj • 03:59 • -5db
38% Popularity • 94% Danceability • 56% Energy • 6% Liveness
2% Instrumentalness • 84% Positiveness
38% Popularity • 94% Danceability • 56% Energy • 6% Liveness
2% Instrumentalness • 84% Positiveness
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Atlantis Aquarius
Nibirian Sun
100 bpm • E Maj • 04:24 • -9.6db
25% Popularity • 52% Danceability • 72% Energy • 39% Liveness
32% Instrumentalness • 84% Positiveness
25% Popularity • 52% Danceability • 72% Energy • 39% Liveness
32% Instrumentalness • 84% Positiveness
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Nicole Atkins
Brokedown Luck
100 bpm • C# min • 03:43 • -7.51db
9% Popularity • 77% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
9% Popularity • 77% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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The Texas Gentlemen
Bondurant Women
100 bpm • D Maj • 05:16 • -6.5db
29% Popularity • 47% Danceability • 81% Energy • 65% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 47% Danceability • 81% Energy • 65% Liveness
0% Instrumentalness • 21% Positiveness
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Golden Dawn Arkestra
Phenomenal
110 bpm • A min • 03:57 • -8.2db
20% Popularity • 71% Danceability • 74% Energy • 11% Liveness
2% Instrumentalness • 84% Positiveness
20% Popularity • 71% Danceability • 74% Energy • 11% Liveness
2% Instrumentalness • 84% Positiveness
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Girl Ray
Keep It Tight
100 bpm • C Maj • 03:56 • -9.1db
14% Popularity • 80% Danceability • 47% Energy • 13% Liveness
5% Instrumentalness • 37% Positiveness
14% Popularity • 80% Danceability • 47% Energy • 13% Liveness
5% Instrumentalness • 37% Positiveness
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Cotton Mather
Faded
110 bpm • D Maj • 03:49 • -5.4db
0% Popularity • 62% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
0% Popularity • 62% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 43% Positiveness
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Shungudzo
It's a good day (to fight the system)
100 bpm • A Maj • 03:17 • -4.01db
47% Popularity • 59% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 59% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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The Staves
Good Woman
100 bpm • C# Maj • 03:17 • -12.51db
43% Popularity • 63% Danceability • 34% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
43% Popularity • 63% Danceability • 34% Energy • 12% Liveness
2% Instrumentalness • 12% Positiveness
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St. Paul & The Broken Bones
Call Me
110 bpm • G Maj • 02:51 • -4db
62% Popularity • 57% Danceability • 79% Energy • 12% Liveness
21% Instrumentalness • 61% Positiveness
62% Popularity • 57% Danceability • 79% Energy • 12% Liveness
21% Instrumentalness • 61% Positiveness
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Widowspeak
Money
100 bpm • G# Maj • 04:53 • -7.46db
36% Popularity • 64% Danceability • 58% Energy • 8% Liveness
2% Instrumentalness • 60% Positiveness
36% Popularity • 64% Danceability • 58% Energy • 8% Liveness
2% Instrumentalness • 60% Positiveness
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Girl Ray
Show Me More
100 bpm • D min • 03:27 • -6.87db
39% Popularity • 75% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
39% Popularity • 75% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 90% Positiveness
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Whyte Horses
The Best Of It
100 bpm • E min • 02:29 • -7db
28% Popularity • 54% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 54% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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The Greyboy Allstars
How Glad I Am
110 bpm • E Maj • 02:50 • -8db
34% Popularity • 58% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 58% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Nicole Atkins
In The Splinters
111 bpm • D# Maj • 03:23 • -7.73db
1% Popularity • 35% Danceability • 28% Energy • 20% Liveness
1% Instrumentalness • 21% Positiveness
1% Popularity • 35% Danceability • 28% Energy • 20% Liveness
1% Instrumentalness • 21% Positiveness
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Mocky
Living In The Snow
111 bpm • B Maj • 02:36 • -11.96db
23% Popularity • 64% Danceability • 55% Energy • 12% Liveness
5% Instrumentalness • 80% Positiveness
23% Popularity • 64% Danceability • 55% Energy • 12% Liveness
5% Instrumentalness • 80% Positiveness
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Bonny Light Horseman
Buzzin' Fly
111 bpm • F Maj • 05:37 • -5.44db
27% Popularity • 64% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 64% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Damien Jurado
Florence-Jean
111 bpm • B min • 02:26 • -7.76db
45% Popularity • 85% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
45% Popularity • 85% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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AM & Shawn Lee
You Are in My System
111 bpm • G# Maj • 04:57 • -11db
19% Popularity • 75% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
19% Popularity • 75% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Tom Tom Club
You Make Me Rock and Roll
99 bpm • E min • 04:17 • -9.32db
30% Popularity • 82% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 82% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 92% Positiveness
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Seratones
Good Day
99 bpm • F# Maj • 03:07 • -8.17db
29% Popularity • 58% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 58% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
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Pearl Charles
Imposter
99 bpm • C Maj • 03:25 • -8.66db
18% Popularity • 58% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 70% Positiveness
18% Popularity • 58% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 70% Positiveness
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White Denim
Take It Easy (Ever After Lasting Love)
99 bpm • E Maj • 03:27 • -11.88db
44% Popularity • 59% Danceability • 45% Energy • 14% Liveness
2% Instrumentalness • 42% Positiveness
44% Popularity • 59% Danceability • 45% Energy • 14% Liveness
2% Instrumentalness • 42% Positiveness
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St. Paul & The Broken Bones
Sanctify
112 bpm • G Maj • 05:55 • -8.42db
41% Popularity • 42% Danceability • 34% Energy • 21% Liveness
20% Instrumentalness • 23% Positiveness
41% Popularity • 42% Danceability • 34% Energy • 21% Liveness
20% Instrumentalness • 23% Positiveness
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Bash & Pop
Too Late
99 bpm • C Maj • 03:37 • -6.03db
10% Popularity • 40% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
10% Popularity • 40% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Valley Queen
Hold on You
112 bpm • E Maj • 04:57 • -7.81db
36% Popularity • 59% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 59% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Fat Night
Sun Go Down
112 bpm • D Maj • 03:42 • -7.11db
49% Popularity • 79% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
49% Popularity • 79% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 74% Positiveness
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Seratones
Over You
112 bpm • G Maj • 02:41 • -4db
37% Popularity • 73% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
37% Popularity • 73% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Silver Synthetic
In the Beginning
112 bpm • C Maj • 03:53 • -5db
16% Popularity • 61% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
16% Popularity • 61% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Sir Woman
Can't Stay Mad
112 bpm • B min • 02:59 • -8.18db
29% Popularity • 80% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
29% Popularity • 80% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Your Smith
The Spot
112 bpm • E Maj • 02:51 • -6.96db
47% Popularity • 93% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
47% Popularity • 93% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
