Songs like Done That (The Medicine) Part3 - Jossie Telch Remix by Perfect Stranger
Based on a tempo of (+/- 10%) and a similar genre
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Perfect Stranger
Done That (The Medicine) Part3 - Jossie ...
130 bpm • A Maj • 07:56 • -6.4db
3% Popularity • 80% Danceability • 70% Energy • 8% Liveness
83% Instrumentalness • 22% Positiveness
3% Popularity • 80% Danceability • 70% Energy • 8% Liveness
83% Instrumentalness • 22% Positiveness
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Lorrie Morgan
What Part of No
130 bpm • D# Maj • 02:44 • -10db
51% Popularity • 72% Danceability • 53% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
51% Popularity • 72% Danceability • 53% Energy • 34% Liveness
0% Instrumentalness • 83% Positiveness
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Jeff Bates
The Love Song
130 bpm • G# Maj • 04:05 • -6db
27% Popularity • 52% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 52% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Rick Trevino
Just Enough Rope
130 bpm • C# Maj • 03:11 • -6db
24% Popularity • 81% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 81% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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Jeff Carson
Holdin' Onto Something
130 bpm • G Maj • 02:51 • -7.92db
16% Popularity • 66% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
16% Popularity • 66% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Doug Supernaw
She Never Looks Back
130 bpm • D Maj • 02:29 • -6.89db
17% Popularity • 63% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
17% Popularity • 63% Danceability • 92% Energy • 33% Liveness
0% Instrumentalness • 95% Positiveness
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Neal McCoy
You Gotta Love That
130 bpm • C Maj • 02:38 • -7db
27% Popularity • 70% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 70% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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David Ball
Watching My Baby Not Coming Back
130 bpm • A Maj • 03:39 • -5.51db
22% Popularity • 62% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
22% Popularity • 62% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Rhett Akins
What They're Talkin' About
130 bpm • D Maj • 03:27 • -7.51db
26% Popularity • 65% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 65% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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David Lee Murphy
Every Time I Get Around You
131 bpm • D Maj • 03:26 • -11db
37% Popularity • 75% Danceability • 59% Energy • 3% Liveness
0% Instrumentalness • 84% Positiveness
37% Popularity • 75% Danceability • 59% Energy • 3% Liveness
0% Instrumentalness • 84% Positiveness
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Little Texas
What Might Have Been
131 bpm • G Maj • 03:58 • -15.11db
48% Popularity • 62% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
48% Popularity • 62% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Sawyer Brown
Treat Her Right
131 bpm • D# Maj • 03:39 • -13db
31% Popularity • 63% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 63% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Neal McCoy
Twang
130 bpm • A Maj • 02:57 • -4.9db
26% Popularity • 75% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 75% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Paul Overstreet
Seein' My Father In Me
129 bpm • C Maj • 03:23 • -16db
33% Popularity • 68% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 68% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Rick Trevino
I Only Get This Way With You
129 bpm • D# Maj • 03:36 • -8.39db
24% Popularity • 59% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 59% Danceability • 47% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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Ronnie Milsap
Smokey Mountain Rain
131 bpm • G Maj • 04:27 • -11.31db
36% Popularity • 45% Danceability • 48% Energy • 75% Liveness
0% Instrumentalness • 38% Positiveness
36% Popularity • 45% Danceability • 48% Energy • 75% Liveness
0% Instrumentalness • 38% Positiveness
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Little Texas
Life Goes On
129 bpm • G Maj • 02:38 • -5.67db
24% Popularity • 71% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
24% Popularity • 71% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Alabama
Give Me One More Shot
131 bpm • G# Maj • 03:29 • -7.77db
30% Popularity • 73% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 73% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Neal McCoy
Love Happens Like That
129 bpm • C Maj • 02:42 • -5.55db
14% Popularity • 71% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
14% Popularity • 71% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Gary Allan
Her Man
128 bpm • F# Maj • 02:44 • -11db
57% Popularity • 64% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
57% Popularity • 64% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Doug Supernaw
Not Enough Hours in the Night
128 bpm • E Maj • 03:11 • -11db
29% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Sawyer Brown
The Walk
128 bpm • D Maj • 03:44 • -11.59db
47% Popularity • 69% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 69% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 46% Positiveness
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Little Texas
Southern Grace
129 bpm • E min • 05:44 • -10.38db
20% Popularity • 60% Danceability • 35% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 60% Danceability • 35% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
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Alabama
Roll On (Eighteen Wheeler) - Short Versi...
132 bpm • F Maj • 03:43 • -10.5db
29% Popularity • 65% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 65% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
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Pam Tillis
All The Good Ones Are Gone
128 bpm • A# Maj • 03:16 • -8db
24% Popularity • 66% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 66% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Steve Wariner
I'm Already Taken
128 bpm • G Maj • 03:20 • -10db
29% Popularity • 39% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
29% Popularity • 39% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Billy Dean
You Don't Count The Cost
133 bpm • E Maj • 03:16 • -11.98db
23% Popularity • 63% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
23% Popularity • 63% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Rhett Akins
Katy Brought My Guitar Back Today
133 bpm • F Maj • 03:05 • -11.91db
13% Popularity • 61% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 61% Danceability • 28% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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BlackHawk
I Need You All The Time
127 bpm • C# Maj • 02:46 • -4db
29% Popularity • 66% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 66% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Sara Evans
No Place That Far
133 bpm • C Maj • 03:37 • -7db
50% Popularity • 55% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
50% Popularity • 55% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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John Conlee
Working Man
127 bpm • C Maj • 04:12 • -9db
39% Popularity • 69% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
39% Popularity • 69% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Clay Davidson
Unconditional
133 bpm • G Maj • 04:00 • -7.8db
23% Popularity • 56% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 56% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Patty Loveless
Hurt Me Bad (In A Real Good Way)
133 bpm • D Maj • 03:02 • -11db
40% Popularity • 72% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
40% Popularity • 72% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Doug Supernaw
Red and Rio Grande
127 bpm • D Maj • 03:59 • -12.95db
27% Popularity • 65% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 65% Danceability • 43% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
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Paul Brandt
My Heart Has A History
127 bpm • E Maj • 03:22 • -10db
38% Popularity • 71% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
38% Popularity • 71% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Terri Clark
You're Easy On The Eyes
126 bpm • C Maj • 03:33 • -5.84db
41% Popularity • 72% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
41% Popularity • 72% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Ricky Lynn Gregg
If I Had A Cheatin' Heart
126 bpm • A Maj • 03:05 • -6.69db
24% Popularity • 67% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 67% Danceability • 68% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
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Lorrie Morgan
Good as I Was to You
134 bpm • B Maj • 03:25 • -7.47db
43% Popularity • 56% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
43% Popularity • 56% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Brooks Jefferson
Two of a Kind (Workin' On a Full House)
126 bpm • D Maj • 02:31 • -3.73db
43% Popularity • 63% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
43% Popularity • 63% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Perfect Stranger
Fire When Ready
126 bpm • A# Maj • 03:04 • -6.01db
5% Popularity • 69% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
5% Popularity • 69% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Mark Collie
Calloused Hands
126 bpm • A# Maj • 03:15 • -12.05db
17% Popularity • 72% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 72% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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BlackHawk
Postmarked Birmingham
126 bpm • E Maj • 04:20 • -9.26db
28% Popularity • 55% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
28% Popularity • 55% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Chris Cummings
I Waited
126 bpm • C Maj • 03:15 • -10.43db
17% Popularity • 53% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
17% Popularity • 53% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Reba McEntire
I'd Rather Ride Around With You
135 bpm • C Maj • 03:28 • -4.06db
37% Popularity • 64% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
37% Popularity • 64% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Toby Keith
Does That Blue Moon Ever Shine On You
135 bpm • C Maj • 03:49 • -6.81db
53% Popularity • 60% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
53% Popularity • 60% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Perfect Stranger
It's Up To You
134 bpm • C Maj • 02:36 • -8.93db
6% Popularity • 65% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
6% Popularity • 65% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
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Ricochet
Daddy's Money
135 bpm • D Maj • 03:03 • -5db
58% Popularity • 70% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
58% Popularity • 70% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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BlackHawk
Hook, Line and Sinker
126 bpm • A# Maj • 03:32 • -7.91db
20% Popularity • 71% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
20% Popularity • 71% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Patty Loveless
A Thousand Times A Day
135 bpm • G Maj • 03:30 • -8.86db
16% Popularity • 60% Danceability • 38% Energy • 46% Liveness
0% Instrumentalness • 33% Positiveness
16% Popularity • 60% Danceability • 38% Energy • 46% Liveness
0% Instrumentalness • 33% Positiveness
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Jeff Carson
That Last Mile
135 bpm • G Maj • 03:15 • -10.9db
11% Popularity • 62% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
11% Popularity • 62% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Rhett Akins
She Said Yes
135 bpm • F Maj • 03:31 • -10db
31% Popularity • 55% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 55% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Perfect Stranger
The Comeback
126 bpm • A Maj • 03:32 • -3.06db
1% Popularity • 53% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
1% Popularity • 53% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
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Earl Thomas Conley
Love Don't Care (Whose Heart It Breaks)
125 bpm • F Maj • 03:28 • -14.23db
26% Popularity • 70% Danceability • 46% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 70% Danceability • 46% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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James Bonamy
She's Got A Mind Of Her Own
135 bpm • F Maj • 03:27 • -7.99db
16% Popularity • 63% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 63% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 72% Positiveness
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Neal McCoy
If I Was a Drinkin' Man
125 bpm • F Maj • 03:21 • -12.63db
30% Popularity • 65% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
30% Popularity • 65% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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John Conlee
I'm Only In It For Love
125 bpm • A# Maj • 03:19 • -7.69db
40% Popularity • 73% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
40% Popularity • 73% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
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Toby Keith
A Woman's Touch
135 bpm • B min • 05:35 • -7.8db
26% Popularity • 62% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 62% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Perfect Stranger
Something Else Will
135 bpm • C Maj • 03:23 • -3.98db
0% Popularity • 59% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
0% Popularity • 59% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Ricochet
Love Is Stronger Than Pride
135 bpm • C Maj • 03:12 • -6.75db
21% Popularity • 60% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
21% Popularity • 60% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 45% Positiveness
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Chad Brock
Ordinary Life
125 bpm • D# Maj • 03:56 • -9db
20% Popularity • 54% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 54% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Earl Thomas Conley
Holding Her And Lovin' You
125 bpm • G Maj • 03:16 • -9.22db
31% Popularity • 64% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 64% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Lonestar
Runnin' Away With My Heart
124 bpm • G Maj • 03:30 • -6.5db
25% Popularity • 65% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 65% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 82% Positiveness
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Alabama
Close Enough to Perfect
135 bpm • G Maj • 03:32 • -9.71db
42% Popularity • 59% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 40% Positiveness
42% Popularity • 59% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 40% Positiveness
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Perfect Stranger
Highway Girl
125 bpm • D Maj • 03:55 • -4.14db
1% Popularity • 57% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
1% Popularity • 57% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 59% Positiveness
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Gary Allan
The One
136 bpm • G# Maj • 04:19 • -9db
45% Popularity • 59% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
45% Popularity • 59% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Lorrie Morgan
I Just Want You
136 bpm • A Maj • 03:32 • -12.57db
34% Popularity • 64% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 64% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Jeff Bates
My Inlaws Are Outlaws
124 bpm • D Maj • 03:00 • -4.86db
10% Popularity • 63% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
10% Popularity • 63% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
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Confederate Railroad
She Took It Like a Man - Remastered Vers...
124 bpm • G Maj • 02:47 • -7.85db
32% Popularity • 75% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
32% Popularity • 75% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Alabama
In Pictures
136 bpm • F# Maj • 03:31 • -12.84db
18% Popularity • 44% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
18% Popularity • 44% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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David Kersh
Something To Think About
137 bpm • F# Maj • 03:15 • -5.6db
11% Popularity • 66% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 93% Positiveness
11% Popularity • 66% Danceability • 88% Energy • 38% Liveness
0% Instrumentalness • 93% Positiveness
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Toby Keith
Who's That Man - Radio Edit
124 bpm • D Maj • 03:32 • -5.4db
43% Popularity • 80% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 80% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 58% Positiveness
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Ken Mellons
Learnin' to Live Without You
137 bpm • D Maj • 03:07 • -7.14db
22% Popularity • 57% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
22% Popularity • 57% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Doug Supernaw
Honky Tonkin' Fool
137 bpm • E Maj • 03:14 • -13.33db
23% Popularity • 68% Danceability • 43% Energy • 40% Liveness
0% Instrumentalness • 83% Positiveness
23% Popularity • 68% Danceability • 43% Energy • 40% Liveness
0% Instrumentalness • 83% Positiveness
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Morax
Mountain High - Original Mix
137 bpm • C min • 09:39 • -10.79db
0% Popularity • 78% Danceability • 80% Energy • 35% Liveness
91% Instrumentalness • 42% Positiveness
0% Popularity • 78% Danceability • 80% Energy • 35% Liveness
91% Instrumentalness • 42% Positiveness
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Jeff Carson
She's The One
137 bpm • C Maj • 03:10 • -10.65db
9% Popularity • 55% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 55% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Neal McCoy
The City Put the Country Back in Me
123 bpm • D Maj • 03:36 • -8.49db
28% Popularity • 66% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 66% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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John Conlee
In My Eyes
137 bpm • B Maj • 03:38 • -12.37db
40% Popularity • 57% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 57% Danceability • 30% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
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Collin Raye
Little Rock
137 bpm • C Maj • 03:57 • -6db
43% Popularity • 55% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 55% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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David Lee Murphy
The Road You Leave Behind
123 bpm • E Maj • 03:53 • -12db
31% Popularity • 78% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 78% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Perfect Stranger
Turn Around Point
123 bpm • A min • 02:24 • -4.42db
1% Popularity • 61% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
1% Popularity • 61% Danceability • 86% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
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Little Texas
First Time for Everything
123 bpm • C Maj • 04:02 • -9.51db
29% Popularity • 66% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 66% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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BlackHawk
Goodbye Says It All
138 bpm • G# Maj • 03:24 • -9.82db
54% Popularity • 65% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
54% Popularity • 65% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 68% Positiveness
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Billy Dean
I Wouldn't Be A Man
123 bpm • C Maj • 04:27 • -10.9db
12% Popularity • 72% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
12% Popularity • 72% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Sawyer Brown
The Boys And Me
138 bpm • F Maj • 03:24 • -6.64db
33% Popularity • 68% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
33% Popularity • 68% Danceability • 81% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
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Eddy Raven
Sometimes A Lady
123 bpm • A Maj • 03:23 • -11.02db
33% Popularity • 75% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 75% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 69% Positiveness
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Perfect Stranger
Miracle
138 bpm • G Maj • 03:33 • -6.19db
4% Popularity • 58% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
4% Popularity • 58% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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The Country Gentlemen
Send 'em on Down the Road
138 bpm • D Maj • 04:18 • -8.54db
16% Popularity • 53% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 53% Danceability • 33% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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Little Texas
I'd Rather Miss You
138 bpm • E Maj • 03:58 • -12db
24% Popularity • 39% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 39% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Patty Loveless
She Drew A Broken Heart
122 bpm • E Maj • 02:51 • -6.73db
21% Popularity • 68% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
21% Popularity • 68% Danceability • 78% Energy • 35% Liveness
0% Instrumentalness • 80% Positiveness
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Mark Collie
Even The Man In The Moon Is Crying
122 bpm • F Maj • 03:41 • -11.7db
41% Popularity • 73% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
41% Popularity • 73% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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Rhett Akins
A Thousand Memories
122 bpm • G Maj • 04:22 • -8.89db
17% Popularity • 61% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
17% Popularity • 61% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Perfect Stranger
Beautiful Regret
138 bpm • D Maj • 03:21 • -5.22db
3% Popularity • 50% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
3% Popularity • 50% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
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Ricochet
Do I Love You Enough
122 bpm • C Maj • 03:01 • -10db
9% Popularity • 64% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 64% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Little Texas
You and Forever and Me
138 bpm • G Maj • 03:45 • -11db
27% Popularity • 61% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
27% Popularity • 61% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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DERYL DODD
A Bitter End
138 bpm • A# Maj • 03:40 • -7.42db
11% Popularity • 57% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 57% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Chad Brock
She Does
122 bpm • A Maj • 04:02 • -4db
11% Popularity • 68% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 68% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Blaine Larsen
I Don't Know What She Said
122 bpm • B Maj • 03:44 • -3db
24% Popularity • 68% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
24% Popularity • 68% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
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Perfect Stranger
I Ain't Never
138 bpm • B Maj • 02:42 • -8.02db
10% Popularity • 65% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
10% Popularity • 65% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
