Songs like Don't Blink by Fancy Hagood
Based on a tempo of (+/- 10%) and a similar genre
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Bre Kennedy
Progress
140 bpm • G# Maj • 03:55 • -11.23db
29% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Judah & the Lion
Help Me To Feel Again
140 bpm • C Maj • 04:22 • -8.78db
42% Popularity • 57% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
42% Popularity • 57% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Elenowen
Losing the Lonely
140 bpm • D Maj • 03:51 • -9.97db
28% Popularity • 56% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 56% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Fancy Hagood
Don't Blink
140 bpm • G# Maj • 03:28 • -6.96db
28% Popularity • 47% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 47% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 23% Positiveness
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Jordy Searcy
Only Know How to Love You
140 bpm • E min • 03:01 • -8.05db
33% Popularity • 74% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
33% Popularity • 74% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Madison Hughes
Meet Me in the Woods
140 bpm • A Maj • 03:38 • -13.21db
25% Popularity • 71% Danceability • 26% Energy • 18% Liveness
2% Instrumentalness • 32% Positiveness
25% Popularity • 71% Danceability • 26% Energy • 18% Liveness
2% Instrumentalness • 32% Positiveness
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AHI
Until You - Acoustic
140 bpm • A Maj • 03:17 • -11.73db
17% Popularity • 72% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 72% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Luca Fogale
Half-Saved - Acoustic
140 bpm • A Maj • 03:58 • -11.89db
25% Popularity • 57% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
25% Popularity • 57% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Birdtalker
Tides
140 bpm • C Maj • 03:03 • -15.91db
23% Popularity • 70% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
23% Popularity • 70% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Mills
Fight Alone
140 bpm • G Maj • 03:54 • -11.97db
18% Popularity • 53% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 53% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Trousdale
If You're Hurting
140 bpm • G Maj • 03:59 • -13.81db
32% Popularity • 39% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 39% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Abby Cates
Roadtripsong
140 bpm • D Maj • 03:41 • -17.69db
46% Popularity • 53% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
46% Popularity • 53% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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AHI
Until You
140 bpm • A Maj • 03:18 • -10.18db
52% Popularity • 72% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
52% Popularity • 72% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Luke Laird
Girl Crush
140 bpm • A# Maj • 03:40 • -6.15db
21% Popularity • 41% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
21% Popularity • 41% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Amy Allen
Queen of Silver Linings
141 bpm • C Maj • 03:32 • -6.27db
41% Popularity • 47% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
41% Popularity • 47% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Jordy Searcy
Loved Loving You
141 bpm • E Maj • 03:12 • -11.7db
21% Popularity • 51% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
21% Popularity • 51% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Jeremy Lister
L O V E L O V E
139 bpm • C Maj • 03:51 • -9.19db
24% Popularity • 53% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 53% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Brittney Spencer
Sorrys Don't Work No More
139 bpm • B Maj • 03:45 • -13.62db
20% Popularity • 40% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 40% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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AHI
On Your Way - Acoustic
140 bpm • C Maj • 03:08 • -12.67db
28% Popularity • 66% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 66% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Henry Jamison
Make It Out
138 bpm • D Maj • 03:03 • -13.18db
34% Popularity • 51% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
34% Popularity • 51% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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PJ Harding
The Best Of You
142 bpm • E Maj • 01:11 • -12.56db
44% Popularity • 46% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
44% Popularity • 46% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Anderson East
Hood of My Car
142 bpm • D Maj • 05:08 • -6.76db
22% Popularity • 56% Danceability • 67% Energy • 40% Liveness
0% Instrumentalness • 23% Positiveness
22% Popularity • 56% Danceability • 67% Energy • 40% Liveness
0% Instrumentalness • 23% Positiveness
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Caitlyn Smith
Maybe In Another Life
142 bpm • G Maj • 04:07 • -7db
29% Popularity • 52% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 52% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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The Hussey Brothers
Ohio
142 bpm • A# Maj • 03:53 • -9db
23% Popularity • 46% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
23% Popularity • 46% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Cam
Redwood Tree
138 bpm • D Maj • 03:18 • -10.29db
34% Popularity • 60% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 60% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Kacey Musgraves
camera roll
138 bpm • G# Maj • 02:39 • -11.21db
49% Popularity • 59% Danceability • 23% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
49% Popularity • 59% Danceability • 23% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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Daya
Montana
138 bpm • D Maj • 03:23 • -7db
42% Popularity • 60% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 60% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Wyatt Pike
Deep Blue
143 bpm • G Maj • 02:37 • -8.62db
19% Popularity • 68% Danceability • 70% Energy • 41% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 68% Danceability • 70% Energy • 41% Liveness
0% Instrumentalness • 66% Positiveness
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Caitlyn Smith
I Can't
138 bpm • C Maj • 03:30 • -4.34db
47% Popularity • 50% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
47% Popularity • 50% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Martin Kerr
Delicate Love
137 bpm • G Maj • 03:30 • -8.53db
15% Popularity • 54% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 54% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Fancy Hagood
The Answer
137 bpm • F Maj • 04:23 • -7.28db
5% Popularity • 38% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
5% Popularity • 38% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Lo Beeston
together, you and i
144 bpm • E min • 02:51 • -11db
31% Popularity • 49% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 3% Positiveness
31% Popularity • 49% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 3% Positiveness
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Kacey Musgraves
Fix You
143 bpm • D# Maj • 02:21 • -8.88db
51% Popularity • 52% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
51% Popularity • 52% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Skyline Motel
Fields of Knowing
144 bpm • E Maj • 04:01 • -6.56db
31% Popularity • 57% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 57% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 64% Positiveness
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Caitlyn Smith
Put Me Back Together
137 bpm • C Maj • 03:29 • -5.19db
30% Popularity • 50% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 50% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 29% Positiveness
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Sean McConnell
I Built You Up
144 bpm • D Maj • 03:56 • -7.21db
9% Popularity • 56% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 56% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Ross Copperman
Nobody But You
144 bpm • B Maj • 03:09 • -7.36db
20% Popularity • 53% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 53% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Ben Abraham
Friendly Fire
136 bpm • G min • 04:03 • -9.91db
21% Popularity • 40% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 40% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Shane McAnally
Say You Do
144 bpm • F# Maj • 03:27 • -11.14db
19% Popularity • 56% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
19% Popularity • 56% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Fancy Hagood
Another Lover Says
144 bpm • G# Maj • 03:37 • -5db
7% Popularity • 44% Danceability • 82% Energy • 6% Liveness
2% Instrumentalness • 47% Positiveness
7% Popularity • 44% Danceability • 82% Energy • 6% Liveness
2% Instrumentalness • 47% Positiveness
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Stephen Day
Dreams Tonight
136 bpm • D Maj • 02:42 • -13.8db
29% Popularity • 62% Danceability • 39% Energy • 7% Liveness
5% Instrumentalness • 38% Positiveness
29% Popularity • 62% Danceability • 39% Energy • 7% Liveness
5% Instrumentalness • 38% Positiveness
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Wyatt Pike
Hearts
144 bpm • C# Maj • 03:12 • -9.4db
16% Popularity • 58% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
16% Popularity • 58% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Jordy Searcy
Fire
144 bpm • A Maj • 03:09 • -9.39db
47% Popularity • 66% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 67% Positiveness
47% Popularity • 66% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 67% Positiveness
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Jesse Daniel Smith
I Really Love Ya
136 bpm • D Maj • 03:23 • -9.26db
27% Popularity • 72% Danceability • 39% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 72% Danceability • 39% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
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Jillian Jacqueline
Wait for the Light
136 bpm • D# Maj • 03:05 • -7.19db
32% Popularity • 60% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
32% Popularity • 60% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Fancy Hagood
Let Me Be
136 bpm • G# Maj • 03:31 • -7.2db
27% Popularity • 42% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 42% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Cecilia Castleman
It's Alright
136 bpm • G# Maj • 04:08 • -7.79db
41% Popularity • 63% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
41% Popularity • 63% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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John Muirhead
Love Can Save Us
136 bpm • A# Maj • 02:56 • -6.55db
14% Popularity • 60% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
14% Popularity • 60% Danceability • 83% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Katie Pruitt
Normal
136 bpm • A Maj • 05:11 • -12.56db
33% Popularity • 49% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
33% Popularity • 49% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Jill Andrews
Call It Even
136 bpm • A# Maj • 03:24 • -11.83db
24% Popularity • 50% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 50% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Ross Copperman
Everything Changes
145 bpm • A# Maj • 03:10 • -6.83db
25% Popularity • 46% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
25% Popularity • 46% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Fancy Hagood
Southern Curiosity
144 bpm • C Maj • 04:41 • -6.16db
15% Popularity • 48% Danceability • 80% Energy • 71% Liveness
0% Instrumentalness • 54% Positiveness
15% Popularity • 48% Danceability • 80% Energy • 71% Liveness
0% Instrumentalness • 54% Positiveness
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Virginia Man
Forgive Me (Hide and Seek)
145 bpm • C# Maj • 03:14 • -9.34db
25% Popularity • 62% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 62% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Bre Kennedy
Whirlwind
145 bpm • D Maj • 03:08 • -16db
34% Popularity • 66% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 66% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Foy Vance
Sapling
135 bpm • A# min • 03:13 • -7db
30% Popularity • 55% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 55% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Nicolle Galyon
self care.
135 bpm • G# Maj • 02:19 • -9.12db
24% Popularity • 67% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 67% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Cujo Moon
Beat of My Heart
135 bpm • C# Maj • 03:35 • -13.6db
42% Popularity • 69% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
42% Popularity • 69% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Madi Diaz
New Person, Old Place
135 bpm • C Maj • 04:06 • -8db
36% Popularity • 60% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
36% Popularity • 60% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Caitlyn Smith
I Can't (Acoustic)
135 bpm • C Maj • 03:32 • -7.42db
26% Popularity • 61% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 61% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Wilder Woods
Mary, You're Wrong
146 bpm • C# Maj • 03:36 • -7.94db
41% Popularity • 61% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 61% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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LULLANAS
Highway Honey
146 bpm • C# Maj • 03:13 • -8db
32% Popularity • 55% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
32% Popularity • 55% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Nicolle Galyon
winner.
146 bpm • F Maj • 02:58 • -9db
17% Popularity • 58% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
17% Popularity • 58% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Taylor Rae
Fixer Upper
146 bpm • D Maj • 04:39 • -6.53db
22% Popularity • 57% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 57% Danceability • 54% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
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Jordyn Shellhart
Maybe Someday You’ll Have A Daughter
134 bpm • G Maj • 03:28 • -9.63db
26% Popularity • 55% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
26% Popularity • 55% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Maddie Poppe
Peace of Mind
134 bpm • E Maj • 02:57 • -9db
20% Popularity • 71% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 71% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Jadea Kelly
Any Old Boat
134 bpm • B Maj • 03:50 • -12.12db
12% Popularity • 73% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 73% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Jordy Searcy
I Don't Think You Love Me
134 bpm • C Maj • 03:12 • -6.59db
23% Popularity • 42% Danceability • 63% Energy • 44% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 42% Danceability • 63% Energy • 44% Liveness
0% Instrumentalness • 40% Positiveness
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PJ Harding
Dear August
147 bpm • C Maj • 03:20 • -7.82db
65% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
65% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Ben Abraham
If I Didn’t Love You
147 bpm • A# Maj • 04:06 • -11.62db
43% Popularity • 57% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
43% Popularity • 57% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Hunter Metts
The River
133 bpm • A min • 04:18 • -12.77db
33% Popularity • 57% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
33% Popularity • 57% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Corey Harper
Pink Razor
148 bpm • A Maj • 03:10 • -7db
27% Popularity • 65% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 65% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
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Jon Bryant
Back to Love
148 bpm • B Maj • 03:51 • -10db
33% Popularity • 54% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
33% Popularity • 54% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Katie Pruitt
Searching For The Truth
148 bpm • F Maj • 04:31 • -9.02db
29% Popularity • 52% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 52% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Caitlyn Smith
High
148 bpm • G Maj • 03:47 • -5.31db
32% Popularity • 48% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
32% Popularity • 48% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Ed Patrick
You In My Life
132 bpm • B Maj • 03:37 • -16.57db
44% Popularity • 56% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 34% Positiveness
44% Popularity • 56% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 34% Positiveness
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Delacey
Manly Man
132 bpm • C Maj • 03:30 • -7db
36% Popularity • 63% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
36% Popularity • 63% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Addison Agen
My Kitchen Floor
132 bpm • A Maj • 04:12 • -7.5db
13% Popularity • 48% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 48% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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The Light The Heat
Belong with You
132 bpm • A# Maj • 03:54 • -8.31db
30% Popularity • 50% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
30% Popularity • 50% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Quinn Lewis
Only Everything - Acoustic
132 bpm • D Maj • 02:54 • -8.52db
30% Popularity • 60% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 60% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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The Head And The Heart
Virginia (Wind In The Night) - Acoustic
132 bpm • G Maj • 03:27 • -7.26db
20% Popularity • 43% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
20% Popularity • 43% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
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Ed Patrick
Minute Of Your Love
132 bpm • F Maj • 02:16 • -17.97db
51% Popularity • 51% Danceability • 11% Energy • 11% Liveness
5% Instrumentalness • 36% Positiveness
51% Popularity • 51% Danceability • 11% Energy • 11% Liveness
5% Instrumentalness • 36% Positiveness
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Fancy Hagood
Good Man
149 bpm • D Maj • 04:05 • -10.06db
20% Popularity • 55% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
20% Popularity • 55% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Bre Kennedy
Wilburn Street
131 bpm • G Maj • 02:50 • -7.18db
18% Popularity • 64% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
18% Popularity • 64% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Austin Cain
Color of You
149 bpm • F Maj • 03:51 • -7.29db
29% Popularity • 45% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
29% Popularity • 45% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Judah & the Lion
Spirit (Acoustic)
150 bpm • G Maj • 04:12 • -11.25db
24% Popularity • 40% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
24% Popularity • 40% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Colton Venner
Honey Slow
131 bpm • F# Maj • 04:24 • -9db
30% Popularity • 71% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 71% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Tristan Bushman
Break Itself
150 bpm • C Maj • 03:39 • -6.08db
20% Popularity • 52% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 52% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Fancy Hagood
Either
131 bpm • G Maj • 04:00 • -10.53db
9% Popularity • 45% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 45% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Tommy Ashby
Ceremony
150 bpm • G# Maj • 03:05 • -12.11db
16% Popularity • 57% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
16% Popularity • 57% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Katie Pruitt
It's Always Been You
130 bpm • G Maj • 05:13 • -10.91db
31% Popularity • 38% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
31% Popularity • 38% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Stephen Barker Liles
Try to Make It Anyway
130 bpm • C Maj • 03:15 • -10.35db
24% Popularity • 84% Danceability • 22% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 84% Danceability • 22% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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JORDY
South Dakota
130 bpm • A Maj • 03:11 • -8.35db
34% Popularity • 68% Danceability • 33% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 68% Danceability • 33% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
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Jensen McRae
My Ego Dies At The End
130 bpm • D# Maj • 04:02 • -6.36db
51% Popularity • 70% Danceability • 45% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
51% Popularity • 70% Danceability • 45% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Lily Meola
Sunshine
130 bpm • E Maj • 03:25 • -9.29db
50% Popularity • 67% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
50% Popularity • 67% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
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Ed Prosek
The Other Side
130 bpm • A Maj • 03:53 • -13db
44% Popularity • 60% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 60% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Foy Vance
Sapling
130 bpm • A# min • 04:17 • -8.53db
45% Popularity • 45% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
45% Popularity • 45% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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CAL
Whatever You Like
130 bpm • B Maj • 03:06 • -8.32db
28% Popularity • 61% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 61% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Leah Mason
Honeydew & Hennessy
130 bpm • D Maj • 03:59 • -7.62db
36% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
36% Popularity • 48% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
