Songs like Don't Come Back Knockin' - Alternate Verison by Buddy Holly
Based on a tempo of (+/- 10%) and a similar genre
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The Monkees
Valleri - First Recorded Version; 2006 R...
152 bpm • G# min • 02:14 • -7.68db
38% Popularity • 40% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 40% Danceability • 56% Energy • 26% Liveness
0% Instrumentalness • 41% Positiveness
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The Contours
Do You Love Me - Mono Single
150 bpm • F Maj • 02:52 • -7db
69% Popularity • 60% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
69% Popularity • 60% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Sonny James
Young Love
150 bpm • D Maj • 02:30 • -10db
47% Popularity • 44% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
47% Popularity • 44% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Herman's Hermits
Mrs Brown You've Got a Lovely Daughter -...
149 bpm • C Maj • 02:45 • -8.81db
36% Popularity • 64% Danceability • 47% Energy • 9% Liveness
1% Instrumentalness • 92% Positiveness
36% Popularity • 64% Danceability • 47% Energy • 9% Liveness
1% Instrumentalness • 92% Positiveness
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The Gentrys
Keep On Dancing
153 bpm • A# Maj • 02:11 • -11db
36% Popularity • 35% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
36% Popularity • 35% Danceability • 66% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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Paul Evans
Midnight Special
149 bpm • G Maj • 02:05 • -7.63db
9% Popularity • 53% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
9% Popularity • 53% Danceability • 56% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
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Chris Montez
Let's Dance
153 bpm • C# Maj • 02:29 • -6.3db
46% Popularity • 72% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
46% Popularity • 72% Danceability • 83% Energy • 17% Liveness
0% Instrumentalness • 93% Positiveness
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The Crickets
I Fought The Law
149 bpm • G Maj • 02:14 • -7db
40% Popularity • 65% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
40% Popularity • 65% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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The Diamonds
Little Darlin'
153 bpm • F# Maj • 02:09 • -10.1db
47% Popularity • 63% Danceability • 61% Energy • 19% Liveness
20% Instrumentalness • 64% Positiveness
47% Popularity • 63% Danceability • 61% Energy • 19% Liveness
20% Instrumentalness • 64% Positiveness
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Ray Charles
Mess Around
149 bpm • G# Maj • 02:40 • -2.98db
59% Popularity • 56% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
59% Popularity • 56% Danceability • 96% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Buddy Holly
Peggy Sue
148 bpm • A Maj • 02:30 • -8.13db
57% Popularity • 68% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
57% Popularity • 68% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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The Seekers
Georgy Girl
154 bpm • E Maj • 02:20 • -7.45db
55% Popularity • 52% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
55% Popularity • 52% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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Bobby Darin
Splish Splash
148 bpm • C Maj • 02:11 • -2db
59% Popularity • 64% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
59% Popularity • 64% Danceability • 94% Energy • 37% Liveness
0% Instrumentalness • 96% Positiveness
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The Chiffons
Sweet Talkin' Guy
148 bpm • B min • 02:26 • -5db
46% Popularity • 54% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
46% Popularity • 54% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Gerry & The Pacemakers
I Like It (Main)
148 bpm • G Maj • 02:15 • -10.33db
39% Popularity • 55% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
39% Popularity • 55% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Frankie Avalon
Ginger Bread
148 bpm • G# Maj • 02:03 • -5.87db
17% Popularity • 54% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
17% Popularity • 54% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 97% Positiveness
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Ricky Nelson
Poor Little Fool - Remastered
155 bpm • C Maj • 02:33 • -12db
57% Popularity • 47% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
57% Popularity • 47% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Buddy Holly
Don't Come Back Knockin'
147 bpm • F# min • 02:15 • -7.52db
24% Popularity • 68% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
24% Popularity • 68% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
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Dion & The Belmonts
I Can't Go On (Rosalie)
147 bpm • D Maj • 02:15 • -7.71db
30% Popularity • 34% Danceability • 64% Energy • 40% Liveness
0% Instrumentalness • 91% Positiveness
30% Popularity • 34% Danceability • 64% Energy • 40% Liveness
0% Instrumentalness • 91% Positiveness
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Jimmy Jones
Good Timin'
147 bpm • D# Maj • 02:08 • -7.68db
46% Popularity • 55% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
46% Popularity • 55% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Jackie Wilson
That's Why (I Love You So)
147 bpm • F Maj • 02:06 • -8db
37% Popularity • 72% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 72% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 96% Positiveness
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The Bell Notes
I've Had It
147 bpm • E Maj • 02:42 • -12.59db
18% Popularity • 54% Danceability • 78% Energy • 26% Liveness
3% Instrumentalness • 94% Positiveness
18% Popularity • 54% Danceability • 78% Energy • 26% Liveness
3% Instrumentalness • 94% Positiveness
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The Dave Clark Five
Catch Us If You Can (2019 - Remaster)
147 bpm • G Maj • 01:55 • -9.52db
38% Popularity • 49% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
38% Popularity • 49% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 88% Positiveness
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Sil Austin
Slow Walk
146 bpm • F Maj • 02:39 • -9db
51% Popularity • 61% Danceability • 53% Energy • 26% Liveness
82% Instrumentalness • 69% Positiveness
51% Popularity • 61% Danceability • 53% Energy • 26% Liveness
82% Instrumentalness • 69% Positiveness
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Eddie Cochran
Somethin' Else
156 bpm • D Maj • 02:10 • -8.32db
46% Popularity • 60% Danceability • 91% Energy • 5% Liveness
2% Instrumentalness • 96% Positiveness
46% Popularity • 60% Danceability • 91% Energy • 5% Liveness
2% Instrumentalness • 96% Positiveness
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The Ventures
Walk, Don't Run - Stereo
156 bpm • F Maj • 02:02 • -13.25db
50% Popularity • 49% Danceability • 65% Energy • 13% Liveness
91% Instrumentalness • 95% Positiveness
50% Popularity • 49% Danceability • 65% Energy • 13% Liveness
91% Instrumentalness • 95% Positiveness
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Carole King
It Might as Well Rain Until September
146 bpm • C Maj • 02:27 • -6.72db
37% Popularity • 41% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
37% Popularity • 41% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Larry Williams
Short Fat Fannie
146 bpm • C Maj • 02:26 • -11db
54% Popularity • 66% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
54% Popularity • 66% Danceability • 62% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
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Chubby Checker
The Twist
157 bpm • E Maj • 02:35 • -5.68db
64% Popularity • 57% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
64% Popularity • 57% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 85% Positiveness
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Bill Haley & His Comets
See You Later, Alligator
157 bpm • A# min • 02:46 • -10.07db
54% Popularity • 66% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
54% Popularity • 66% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 81% Positiveness
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Eddie Cochran
Summertime Blues
156 bpm • B min • 01:59 • -8.63db
63% Popularity • 71% Danceability • 89% Energy • 18% Liveness
18% Instrumentalness • 95% Positiveness
63% Popularity • 71% Danceability • 89% Energy • 18% Liveness
18% Instrumentalness • 95% Positiveness
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The Elegants
Little Star
145 bpm • A Maj • 02:42 • -9.56db
35% Popularity • 40% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 40% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Jimmy Jones
Handy Man
145 bpm • A# Maj • 02:04 • -7db
38% Popularity • 48% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
38% Popularity • 48% Danceability • 78% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
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Larry Williams
Bony Moronie
158 bpm • C# Maj • 03:07 • -12db
43% Popularity • 42% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
43% Popularity • 42% Danceability • 69% Energy • 31% Liveness
0% Instrumentalness • 97% Positiveness
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The Mystics
Hushabye
145 bpm • F Maj • 02:33 • -7db
39% Popularity • 46% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
39% Popularity • 46% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 76% Positiveness
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Chris Kenner
I Like It Like That - Pt. 1
144 bpm • F Maj • 02:00 • -12db
28% Popularity • 58% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
28% Popularity • 58% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 81% Positiveness
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Eddie Cochran
Sittin' In The Balcony
144 bpm • G Maj • 02:00 • -13db
32% Popularity • 53% Danceability • 46% Energy • 30% Liveness
2% Instrumentalness • 89% Positiveness
32% Popularity • 53% Danceability • 46% Energy • 30% Liveness
2% Instrumentalness • 89% Positiveness
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Tennessee Ernie Ford
Sixteen Tons
144 bpm • B Maj • 02:35 • -18.53db
60% Popularity • 67% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
60% Popularity • 67% Danceability • 25% Energy • 25% Liveness
0% Instrumentalness • 41% Positiveness
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Buddy Holly
Look At Me
144 bpm • D Maj • 02:05 • -7.37db
29% Popularity • 72% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 72% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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The Dave Clark Five
Bits and Pieces (2019 - Remaster)
144 bpm • C Maj • 01:58 • -8.88db
39% Popularity • 50% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
39% Popularity • 50% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 98% Positiveness
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Little Richard
Lucille
144 bpm • G# min • 02:23 • -12.12db
59% Popularity • 68% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
59% Popularity • 68% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Freddy Cannon
Way Down Yonder in New Orleans
143 bpm • G# Maj • 02:31 • -4db
25% Popularity • 45% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 45% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
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Lee Dorsey
Working in the Coal Mine
143 bpm • A# Maj • 02:49 • -9.06db
37% Popularity • 76% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
37% Popularity • 76% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Marty Robbins
Singing the Blues
143 bpm • F Maj • 02:25 • -8.97db
49% Popularity • 55% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
49% Popularity • 55% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Buddy Holly
Rave On
160 bpm • C Maj • 01:49 • -7db
54% Popularity • 57% Danceability • 71% Energy • 42% Liveness
0% Instrumentalness • 96% Positiveness
54% Popularity • 57% Danceability • 71% Energy • 42% Liveness
0% Instrumentalness • 96% Positiveness
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The Marcels
Heartaches - Remastered
142 bpm • A Maj • 02:29 • -11.33db
25% Popularity • 48% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
25% Popularity • 48% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Gerry & The Pacemakers
How Do You Do It? - Mono
142 bpm • A Maj • 01:54 • -6db
53% Popularity • 62% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
53% Popularity • 62% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Freddy Cannon
Tallahassee Lassie
143 bpm • D Maj • 02:13 • -5.37db
27% Popularity • 33% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 33% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 24% Positiveness
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The Honeycombs
Have I the Right
142 bpm • C# min • 02:58 • -8.07db
35% Popularity • 37% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
35% Popularity • 37% Danceability • 89% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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The Everly Brothers
('Til) I Kissed You
142 bpm • C# Maj • 02:24 • -10db
50% Popularity • 58% Danceability • 46% Energy • 38% Liveness
0% Instrumentalness • 63% Positiveness
50% Popularity • 58% Danceability • 46% Energy • 38% Liveness
0% Instrumentalness • 63% Positiveness
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Buddy Holly
Peggy Sue Got Married
141 bpm • G# Maj • 01:49 • -13.06db
16% Popularity • 58% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
16% Popularity • 58% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
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Jerry Lee Lewis
Whole Lotta Shakin' Going On - Remastere...
161 bpm • C Maj • 02:53 • -3.47db
51% Popularity • 35% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
51% Popularity • 35% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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The Shirelles
Mama Said
141 bpm • C# min • 02:04 • -12.1db
57% Popularity • 70% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
57% Popularity • 70% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Shirley & Lee
Let The Good Times Roll
141 bpm • C# Maj • 02:24 • -7.85db
43% Popularity • 51% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
43% Popularity • 51% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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The Big Bopper
Little Red Riding Hood
162 bpm • C min • 02:12 • -6db
33% Popularity • 61% Danceability • 75% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
33% Popularity • 61% Danceability • 75% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Jimmie Rodgers
Kisses Sweeter Than Wine
162 bpm • F# Maj • 02:22 • -12.97db
45% Popularity • 50% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
45% Popularity • 50% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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The Kinks
A Well Respected Man
162 bpm • A min • 02:40 • -9.63db
60% Popularity • 51% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
60% Popularity • 51% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Ben E. King with orchestra
This Magic Moment
141 bpm • C Maj • 02:27 • -13.83db
35% Popularity • 34% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
35% Popularity • 34% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Sam The Sham & The Pharaohs
Wooly Bully
140 bpm • G Maj • 02:21 • -9.38db
54% Popularity • 53% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
54% Popularity • 53% Danceability • 70% Energy • 28% Liveness
0% Instrumentalness • 50% Positiveness
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Buddy Holly
Wait Till The Sun Shines, Nellie
140 bpm • F# Maj • 01:55 • -6.65db
29% Popularity • 44% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
29% Popularity • 44% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 69% Positiveness
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Gary U.S. Bonds
Quarter to Three
164 bpm • C min • 02:30 • -9.32db
35% Popularity • 46% Danceability • 82% Energy • 84% Liveness
4% Instrumentalness • 90% Positiveness
35% Popularity • 46% Danceability • 82% Energy • 84% Liveness
4% Instrumentalness • 90% Positiveness
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Little Richard
Good Golly, Miss Molly
164 bpm • G Maj • 02:09 • -11.95db
62% Popularity • 56% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
62% Popularity • 56% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 97% Positiveness
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The Newbeats
Bread and Butter
164 bpm • D Maj • 02:02 • -14.59db
29% Popularity • 70% Danceability • 56% Energy • 15% Liveness
1% Instrumentalness • 91% Positiveness
29% Popularity • 70% Danceability • 56% Energy • 15% Liveness
1% Instrumentalness • 91% Positiveness
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Dion & The Belmonts
When The Red, Red Robin Comes Bob, Bob, ...
164 bpm • G Maj • 02:01 • -4.25db
27% Popularity • 34% Danceability • 72% Energy • 72% Liveness
0% Instrumentalness • 93% Positiveness
27% Popularity • 34% Danceability • 72% Energy • 72% Liveness
0% Instrumentalness • 93% Positiveness
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The Isley Brothers
Shout, Pts. 1 & 2
139 bpm • A# Maj • 04:28 • -7.43db
58% Popularity • 49% Danceability • 87% Energy • 88% Liveness
0% Instrumentalness • 42% Positiveness
58% Popularity • 49% Danceability • 87% Energy • 88% Liveness
0% Instrumentalness • 42% Positiveness
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Buddy Holly
Come Back Baby
140 bpm • A Maj • 01:48 • -8.64db
25% Popularity • 71% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 71% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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The Lovin' Spoonful
Do You Believe in Magic?
139 bpm • C Maj • 02:05 • -7.96db
69% Popularity • 55% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
69% Popularity • 55% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 76% Positiveness
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The Big Bopper
Walking Through My Dreams
139 bpm • B Maj • 02:20 • -7.38db
31% Popularity • 69% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
31% Popularity • 69% Danceability • 71% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
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Paul Anka
Diana - Remastered
138 bpm • G Maj • 02:27 • -11db
60% Popularity • 64% Danceability • 48% Energy • 37% Liveness
0% Instrumentalness • 95% Positiveness
60% Popularity • 64% Danceability • 48% Energy • 37% Liveness
0% Instrumentalness • 95% Positiveness
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The Spencer Davis Group
Keep On Running - Mono Version
138 bpm • A Maj • 02:46 • -6db
52% Popularity • 66% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
52% Popularity • 66% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 74% Positiveness
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Ike Turner
Rocket 88
165 bpm • A# Maj • 02:49 • -8.06db
40% Popularity • 41% Danceability • 53% Energy • 12% Liveness
1% Instrumentalness • 86% Positiveness
40% Popularity • 41% Danceability • 53% Energy • 12% Liveness
1% Instrumentalness • 86% Positiveness
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Billy Lee Riley
Flyin' Saucers Rock 'n' Roll - Remastere...
165 bpm • D Maj • 02:02 • -8.97db
38% Popularity • 44% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 44% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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The Dave Clark Five
Glad All Over (2019 - Remaster)
138 bpm • D Maj • 02:43 • -8.35db
47% Popularity • 46% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
47% Popularity • 46% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Petula Clark
I Know a Place
138 bpm • E Maj • 02:41 • -9.08db
31% Popularity • 49% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
31% Popularity • 49% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Buddy Holly
You're The One
138 bpm • G# Maj • 02:03 • -9.06db
22% Popularity • 58% Danceability • 66% Energy • 7% Liveness
2% Instrumentalness • 97% Positiveness
22% Popularity • 58% Danceability • 66% Energy • 7% Liveness
2% Instrumentalness • 97% Positiveness
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The Jarmels
A Little Bit Of Soap
137 bpm • A# min • 02:14 • -9db
42% Popularity • 60% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
42% Popularity • 60% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Jack Scott
My True Love
137 bpm • E Maj • 02:45 • -12.6db
25% Popularity • 56% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 56% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Freddy Cannon
Palisades Park
166 bpm • F min • 01:54 • -9.2db
26% Popularity • 49% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
26% Popularity • 49% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 95% Positiveness
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Charlie Gracie
Fabulous
166 bpm • D# Maj • 02:19 • -7.56db
23% Popularity • 57% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
23% Popularity • 57% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 86% Positiveness
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Jackie Wilson
Lonely Teardrops
137 bpm • G Maj • 02:46 • -9db
49% Popularity • 52% Danceability • 48% Energy • 74% Liveness
0% Instrumentalness • 84% Positiveness
49% Popularity • 52% Danceability • 48% Energy • 74% Liveness
0% Instrumentalness • 84% Positiveness
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Connie Francis
Stupid Cupid
137 bpm • D# Maj • 02:14 • -7.02db
61% Popularity • 61% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
61% Popularity • 61% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Buddy Holly & The Crickets
Maybe Baby
137 bpm • A Maj • 02:02 • -12.9db
52% Popularity • 61% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
52% Popularity • 61% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 89% Positiveness
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The Shirelles
Will You Love Me Tomorrow
136 bpm • C Maj • 02:40 • -11.81db
66% Popularity • 53% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
66% Popularity • 53% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Buddy Holly
Take Your Time
136 bpm • G Maj • 01:59 • -5.25db
27% Popularity • 76% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 93% Positiveness
27% Popularity • 76% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 93% Positiveness
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Cliff Richard
The Young Ones
136 bpm • G Maj • 03:11 • -10.17db
38% Popularity • 46% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
38% Popularity • 46% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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Bill Haley & His Comets
Shake, Rattle And Roll
168 bpm • F Maj • 02:29 • -6.94db
56% Popularity • 66% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
56% Popularity • 66% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 84% Positiveness
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The Supremes
Baby Love
136 bpm • F Maj • 02:38 • -9.28db
69% Popularity • 60% Danceability • 64% Energy • 54% Liveness
0% Instrumentalness • 73% Positiveness
69% Popularity • 60% Danceability • 64% Energy • 54% Liveness
0% Instrumentalness • 73% Positiveness
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Johnny Tillotson
Poetry In Motion
135 bpm • G# Maj • 02:34 • -7.42db
55% Popularity • 48% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
55% Popularity • 48% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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The Marcels
My Melancholy Baby
135 bpm • C min • 02:29 • -10.38db
20% Popularity • 69% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
20% Popularity • 69% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Buddy Holly
Soft Place In My Heart - Undubbed Versio...
135 bpm • F# min • 02:14 • -9.17db
24% Popularity • 59% Danceability • 37% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
24% Popularity • 59% Danceability • 37% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
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Neil Sedaka
Oh! Carol
135 bpm • B Maj • 02:15 • -3.23db
61% Popularity • 73% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
61% Popularity • 73% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Neil Diamond
Brother Love's Travelling Salvation Show
135 bpm • G# Maj • 03:31 • -11.58db
51% Popularity • 43% Danceability • 43% Energy • 9% Liveness
1% Instrumentalness • 81% Positiveness
51% Popularity • 43% Danceability • 43% Energy • 9% Liveness
1% Instrumentalness • 81% Positiveness
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Carl Perkins
Blue Suede Shoes
169 bpm • E min • 02:14 • -7.32db
56% Popularity • 55% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
56% Popularity • 55% Danceability • 67% Energy • 34% Liveness
0% Instrumentalness • 96% Positiveness
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The Supremes
Where Did Our Love Go
135 bpm • C Maj • 02:33 • -10.87db
66% Popularity • 57% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
66% Popularity • 57% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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The Searchers
When You Walk in the Room
134 bpm • A Maj • 02:22 • -8.99db
43% Popularity • 43% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
43% Popularity • 43% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Buddy Holly
Everyday
136 bpm • D# Maj • 02:09 • -12.56db
66% Popularity • 75% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
66% Popularity • 75% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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The Rivieras
California Sun
170 bpm • D# Maj • 02:26 • -8.69db
43% Popularity • 41% Danceability • 91% Energy • 11% Liveness
8% Instrumentalness • 96% Positiveness
43% Popularity • 41% Danceability • 91% Energy • 11% Liveness
8% Instrumentalness • 96% Positiveness
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The Foundations
Build Me Up Buttercup (Mono)
134 bpm • C Maj • 03:00 • -4.73db
80% Popularity • 64% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
80% Popularity • 64% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 88% Positiveness
