Songs like Don't Despair by Solomon Burke
Based on a tempo of (+/- 10%) and a similar genre
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The Fatal Flowers
Younger Days
116 bpm • D Maj • 03:06 • -6.95db
20% Popularity • 53% Danceability • 71% Energy • 70% Liveness
0% Instrumentalness • 59% Positiveness
20% Popularity • 53% Danceability • 71% Energy • 70% Liveness
0% Instrumentalness • 59% Positiveness
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The Scene
Rij Rij Rij
116 bpm • D Maj • 03:30 • -11.78db
22% Popularity • 62% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 62% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Frank Boeijen
De Ontmoeting
116 bpm • D Maj • 05:15 • -11.84db
26% Popularity • 35% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
26% Popularity • 35% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Admiral Freebee
Alibies
116 bpm • G Maj • 04:53 • -10.16db
16% Popularity • 50% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 50% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Frankie Miller
Love Letters - 2011 Remaster
116 bpm • D Maj • 02:58 • -9.56db
28% Popularity • 78% Danceability • 74% Energy • 16% Liveness
21% Instrumentalness • 69% Positiveness
28% Popularity • 78% Danceability • 74% Energy • 16% Liveness
21% Instrumentalness • 69% Positiveness
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KANE
Can You Handle Me
116 bpm • G# min • 03:21 • -6.37db
36% Popularity • 55% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
36% Popularity • 55% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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The Fatal Flowers
Younger Days
116 bpm • D Maj • 03:08 • -6.96db
30% Popularity • 54% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 54% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 30% Positiveness
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The Cats
The End Of The Show
117 bpm • A# Maj • 04:31 • -10.29db
37% Popularity • 58% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
37% Popularity • 58% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Hans De Booij
Een Vrouw Zoals Jij - Remaster
117 bpm • D# Maj • 03:19 • -7.6db
29% Popularity • 70% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
29% Popularity • 70% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Sam & Dave
You Don't Know Like I Know - LP/Single V...
117 bpm • D# Maj • 02:42 • -14db
29% Popularity • 77% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 77% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Arno
Forget the Cold Sweat
115 bpm • A min • 07:11 • -12.66db
20% Popularity • 91% Danceability • 64% Energy • 16% Liveness
1% Instrumentalness • 97% Positiveness
20% Popularity • 91% Danceability • 64% Energy • 16% Liveness
1% Instrumentalness • 97% Positiveness
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De Dijk
Ga In Mijn Schoenen Staan
115 bpm • A Maj • 05:05 • -5.43db
23% Popularity • 50% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
23% Popularity • 50% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Solomon Burke
Sit This One Out
115 bpm • C Maj • 04:33 • -10.93db
20% Popularity • 68% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 68% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Bintangs
Ridin On The L & N
117 bpm • D Maj • 02:38 • -9.28db
25% Popularity • 66% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 95% Positiveness
25% Popularity • 66% Danceability • 58% Energy • 23% Liveness
0% Instrumentalness • 95% Positiveness
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Randy Newman
Birmingham
117 bpm • D Maj • 02:21 • -13.04db
19% Popularity • 62% Danceability • 28% Energy • 13% Liveness
2% Instrumentalness • 48% Positiveness
19% Popularity • 62% Danceability • 28% Energy • 13% Liveness
2% Instrumentalness • 48% Positiveness
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Van Dik Hout
De Stilte Valt Zo Hard
118 bpm • C Maj • 03:49 • -9.84db
28% Popularity • 63% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
28% Popularity • 63% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Ernst Jansz
Een Eerste Klein Verraad
118 bpm • F Maj • 05:15 • -10db
16% Popularity • 67% Danceability • 39% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
16% Popularity • 67% Danceability • 39% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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De Dijk
Bloedend Hart
115 bpm • B min • 03:46 • -6.43db
43% Popularity • 64% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
43% Popularity • 64% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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The Scene
De Schaduw Van Het Kruis
114 bpm • A Maj • 04:17 • -8.04db
22% Popularity • 46% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 46% Danceability • 85% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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The Wolf Banes
Miles Away from Here - 1994 Remaster
118 bpm • G Maj • 03:29 • -10.38db
18% Popularity • 62% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
18% Popularity • 62% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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B.B. King
All Over Again
114 bpm • C# min • 04:53 • -8.38db
46% Popularity • 59% Danceability • 55% Energy • 9% Liveness
1% Instrumentalness • 60% Positiveness
46% Popularity • 59% Danceability • 55% Energy • 9% Liveness
1% Instrumentalness • 60% Positiveness
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Frank Boeijen Groep
Voor jou alleen
114 bpm • G Maj • 03:41 • -18db
23% Popularity • 61% Danceability • 22% Energy • 26% Liveness
1% Instrumentalness • 17% Positiveness
23% Popularity • 61% Danceability • 22% Energy • 26% Liveness
1% Instrumentalness • 17% Positiveness
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Margriet Eshuijs Band
Black Pearl
118 bpm • D min • 05:30 • -10.41db
21% Popularity • 74% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 74% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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De Dijk
Binnen Zonder Kloppen
117 bpm • F Maj • 04:45 • -10db
46% Popularity • 73% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
46% Popularity • 73% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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The Scene
Iedereen Is Van De Wereld
118 bpm • E Maj • 03:47 • -6.83db
47% Popularity • 45% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
47% Popularity • 45% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
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Joe Jackson
The Harder They Come
114 bpm • A# Maj • 03:54 • -10.49db
31% Popularity • 63% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 63% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Doe Maar
Sinds 1 Dag Of 2 (32 Jaar)
114 bpm • A Maj • 03:20 • -10.89db
54% Popularity • 88% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
54% Popularity • 88% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Solomon Burke
I Wish I Knew (How It Would Feel to Be F...
114 bpm • G Maj • 02:52 • -15.13db
16% Popularity • 67% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 81% Positiveness
16% Popularity • 67% Danceability • 42% Energy • 26% Liveness
0% Instrumentalness • 81% Positiveness
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Ramses Shaffy
Wij Zullen Doorgaan
113 bpm • D Maj • 02:20 • -15.07db
25% Popularity • 43% Danceability • 30% Energy • 37% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 43% Danceability • 30% Energy • 37% Liveness
0% Instrumentalness • 40% Positiveness
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De Dijk
Soort Van Elvis
114 bpm • G Maj • 03:15 • -7.19db
15% Popularity • 56% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 56% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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The Scene
Iedereen Is Van De Wereld
118 bpm • E Maj • 03:46 • -9.68db
39% Popularity • 54% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
39% Popularity • 54% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Férré Grignard
Ring, Ring, I've Got To Sing
113 bpm • A Maj • 03:50 • -13.06db
36% Popularity • 54% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
36% Popularity • 54% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 85% Positiveness
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Ry Cooder
Get Rhythm - 2018 Remaster
113 bpm • F Maj • 03:18 • -10.72db
26% Popularity • 69% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
26% Popularity • 69% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
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John Hiatt
She Loves The Jerk
113 bpm • G Maj • 03:39 • -13.01db
13% Popularity • 70% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 70% Danceability • 38% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Ben E. King
Stand By Me
119 bpm • A Maj • 02:55 • -12.33db
79% Popularity • 63% Danceability • 23% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
79% Popularity • 63% Danceability • 23% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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De Dijk
Mag Het Licht Uit
113 bpm • C Maj • 04:19 • -13.93db
43% Popularity • 75% Danceability • 31% Energy • 9% Liveness
28% Instrumentalness • 48% Positiveness
43% Popularity • 75% Danceability • 31% Energy • 9% Liveness
28% Instrumentalness • 48% Positiveness
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Percy Sledge
Out of Left Field - Single Version
119 bpm • B Maj • 03:32 • -12.03db
17% Popularity • 40% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 40% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Doe Maar
Tijd Genoeg
119 bpm • C Maj • 04:07 • -12.87db
40% Popularity • 77% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
40% Popularity • 77% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Waylon
Until We Meet Again
113 bpm • D Maj • 03:18 • -11.49db
11% Popularity • 44% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 44% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Solomon Burke
The Other Side Of The Coin
112 bpm • F Maj • 03:46 • -11.5db
19% Popularity • 52% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
19% Popularity • 52% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Sam & Dave
Soul Man
112 bpm • C Maj • 02:39 • -13.24db
68% Popularity • 79% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
68% Popularity • 79% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Kayak
Lyrics
120 bpm • C Maj • 01:58 • -21.42db
21% Popularity • 36% Danceability • 11% Energy • 18% Liveness
1% Instrumentalness • 29% Positiveness
21% Popularity • 36% Danceability • 11% Energy • 18% Liveness
1% Instrumentalness • 29% Positiveness
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Admiral Freebee
Rags 'n' Run
112 bpm • F Maj • 04:33 • -9.44db
43% Popularity • 72% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
43% Popularity • 72% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Vreemde Kostgangers
Vergeet De Pijn
120 bpm • A# Maj • 04:27 • -10.4db
19% Popularity • 60% Danceability • 51% Energy • 10% Liveness
3% Instrumentalness • 38% Positiveness
19% Popularity • 60% Danceability • 51% Energy • 10% Liveness
3% Instrumentalness • 38% Positiveness
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Malford Milligan
Feel Like Going Home
112 bpm • C Maj • 04:48 • -10.12db
17% Popularity • 43% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
17% Popularity • 43% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Sean Webster
So Rare
120 bpm • A min • 06:40 • -10.12db
10% Popularity • 69% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 69% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Henny Vrienten
Gitaar
112 bpm • B min • 04:22 • -8.8db
10% Popularity • 78% Danceability • 43% Energy • 34% Liveness
74% Instrumentalness • 65% Positiveness
10% Popularity • 78% Danceability • 43% Energy • 34% Liveness
74% Instrumentalness • 65% Positiveness
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Doe Maar
Dansmuziek
120 bpm • A Maj • 04:12 • -8.83db
15% Popularity • 77% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 77% Danceability • 52% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Admiral Freebee
Recipe For Disaster
120 bpm • F Maj • 03:29 • -7.83db
24% Popularity • 73% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
24% Popularity • 73% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Dolf de Vries
No More Fear of Flying
120 bpm • F min • 04:42 • -6db
19% Popularity • 74% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 74% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Wilson Pickett
In the Midnight Hour
112 bpm • E Maj • 02:37 • -8.63db
64% Popularity • 75% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
64% Popularity • 75% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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DI-RECT
All In Vain
112 bpm • A Maj • 04:06 • -12db
38% Popularity • 52% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
38% Popularity • 52% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Solomon Burke
Proud Mary
120 bpm • D Maj • 03:22 • -11db
33% Popularity • 76% Danceability • 49% Energy • 14% Liveness
1% Instrumentalness • 74% Positiveness
33% Popularity • 76% Danceability • 49% Energy • 14% Liveness
1% Instrumentalness • 74% Positiveness
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The Veldman Brothers
One More Chance
120 bpm • B min • 05:46 • -5.74db
16% Popularity • 34% Danceability • 72% Energy • 6% Liveness
1% Instrumentalness • 68% Positiveness
16% Popularity • 34% Danceability • 72% Energy • 6% Liveness
1% Instrumentalness • 68% Positiveness
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Frank Boeijen Groep
Waar Kom Jij Vandaan
112 bpm • E Maj • 02:51 • -23db
25% Popularity • 31% Danceability • 20% Energy • 94% Liveness
4% Instrumentalness • 14% Positiveness
25% Popularity • 31% Danceability • 20% Energy • 94% Liveness
4% Instrumentalness • 14% Positiveness
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Admiral Freebee
Bad Year For Rock 'n' Roll
121 bpm • G Maj • 03:21 • -8.21db
14% Popularity • 69% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
14% Popularity • 69% Danceability • 42% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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Fran
Johnny
121 bpm • C Maj • 04:23 • -11.33db
12% Popularity • 64% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 64% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Freddie King
Sweet Home Chicago
121 bpm • A Maj • 04:24 • -8.26db
26% Popularity • 44% Danceability • 70% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
26% Popularity • 44% Danceability • 70% Energy • 37% Liveness
0% Instrumentalness • 60% Positiveness
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Solomon Burke
Tonight My Heart She Is Crying
112 bpm • C min • 02:17 • -12.41db
7% Popularity • 58% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 94% Positiveness
7% Popularity • 58% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 94% Positiveness
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Wilson Pickett
Knock on Wood
121 bpm • A# Maj • 02:39 • -17db
29% Popularity • 84% Danceability • 38% Energy • 6% Liveness
26% Instrumentalness • 77% Positiveness
29% Popularity • 84% Danceability • 38% Energy • 6% Liveness
26% Instrumentalness • 77% Positiveness
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Frank Boeijen Groep
De Wind Nam Hem Mee
111 bpm • D Maj • 05:27 • -18db
16% Popularity • 44% Danceability • 14% Energy • 10% Liveness
3% Instrumentalness • 8% Positiveness
16% Popularity • 44% Danceability • 14% Energy • 10% Liveness
3% Instrumentalness • 8% Positiveness
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De Dijk
Zevende Hemel
121 bpm • F# min • 04:39 • -8.03db
26% Popularity • 53% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 53% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 36% Positiveness
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Colin Blunstone
Wild Places
121 bpm • C Maj • 04:00 • -6.75db
15% Popularity • 62% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 62% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Vreemde Kostgangers
De Roeiboot En Ik
111 bpm • D Maj • 04:37 • -9db
16% Popularity • 76% Danceability • 66% Energy • 22% Liveness
9% Instrumentalness • 74% Positiveness
16% Popularity • 76% Danceability • 66% Energy • 22% Liveness
9% Instrumentalness • 74% Positiveness
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JW Roy
Broken Wings
121 bpm • B Maj • 03:39 • -14.84db
13% Popularity • 54% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
13% Popularity • 54% Danceability • 8% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Alex Roeka
Het Nachtcafé Aan Het Eind Van De Straa...
121 bpm • C# min • 04:06 • -4.96db
5% Popularity • 64% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
5% Popularity • 64% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Doe Maar
Is Dit Alles
121 bpm • D min • 05:23 • -13.56db
47% Popularity • 83% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
47% Popularity • 83% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Q65
You're The Victor
121 bpm • E Maj • 02:26 • -10.4db
18% Popularity • 55% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
18% Popularity • 55% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
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Joe Jackson
Is She Really Going Out With Him? - Live
111 bpm • F# Maj • 04:29 • -8db
35% Popularity • 56% Danceability • 42% Energy • 41% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 56% Danceability • 42% Energy • 41% Liveness
0% Instrumentalness • 45% Positiveness
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Waylon
Wicked Way
122 bpm • G Maj • 04:15 • -6.19db
38% Popularity • 61% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
38% Popularity • 61% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 48% Positiveness
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Wilson Pickett
Mustang Sally
110 bpm • C Maj • 03:07 • -17.71db
59% Popularity • 72% Danceability • 33% Energy • 21% Liveness
33% Instrumentalness • 69% Positiveness
59% Popularity • 72% Danceability • 33% Energy • 21% Liveness
33% Instrumentalness • 69% Positiveness
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Sandy Coast
True Love That's a Wonder
122 bpm • D Maj • 03:15 • -9.63db
31% Popularity • 58% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 86% Positiveness
31% Popularity • 58% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 86% Positiveness
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Solomon Burke
Goodbye Baby (Baby Goodbye)
122 bpm • F Maj • 03:22 • -11.63db
26% Popularity • 65% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
26% Popularity • 65% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Sam & Dave
You Don't Know What You Mean to Me
122 bpm • C# Maj • 02:10 • -8.29db
13% Popularity • 70% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 70% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Frank Boeijen
Kamer Voor Twee - Februari '57
110 bpm • E min • 02:38 • -11.77db
18% Popularity • 57% Danceability • 25% Energy • 28% Liveness
0% Instrumentalness • 13% Positiveness
18% Popularity • 57% Danceability • 25% Energy • 28% Liveness
0% Instrumentalness • 13% Positiveness
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Nits
The Train
110 bpm • G Maj • 04:06 • -16.31db
23% Popularity • 50% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 50% Danceability • 48% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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Magic Frankie
Dentist Blues
110 bpm • D Maj • 02:37 • -12.64db
10% Popularity • 74% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 74% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 80% Positiveness
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Albert Collins
Iceman
110 bpm • C Maj • 05:02 • -11db
42% Popularity • 60% Danceability • 67% Energy • 11% Liveness
13% Instrumentalness • 78% Positiveness
42% Popularity • 60% Danceability • 67% Energy • 11% Liveness
13% Instrumentalness • 78% Positiveness
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The Red Devils
Automatic - Live At King King / 1992
122 bpm • E Maj • 03:24 • -7.59db
23% Popularity • 46% Danceability • 87% Energy • 15% Liveness
7% Instrumentalness • 71% Positiveness
23% Popularity • 46% Danceability • 87% Energy • 15% Liveness
7% Instrumentalness • 71% Positiveness
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Slim Harpo
Please Don´t Turn Me Down
110 bpm • E Maj • 02:59 • -14.67db
4% Popularity • 53% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
4% Popularity • 53% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Frank Boeijen Groep
Linda
110 bpm • F Maj • 03:36 • -10.23db
40% Popularity • 57% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
40% Popularity • 57% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 83% Positiveness
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Charles et Les Lulus
It's all over now
110 bpm • E Maj • 04:02 • -16.06db
14% Popularity • 65% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 65% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 71% Positiveness
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Golden Earring
Back Home
123 bpm • D Maj • 03:51 • -6.36db
34% Popularity • 47% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 47% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 74% Positiveness
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Ian Siegal
Falling On Down Again
123 bpm • A# Maj • 06:22 • -9.37db
14% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
14% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Jan Rot
Counting Sheep
123 bpm • D Maj • 03:19 • -10.29db
3% Popularity • 92% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
3% Popularity • 92% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
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Gerard Van Maasakkers
As ge ooit
123 bpm • B Maj • 03:50 • -12.33db
29% Popularity • 62% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
29% Popularity • 62% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Waylon
Need A Little Time
109 bpm • B Maj • 04:21 • -9.28db
11% Popularity • 65% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 65% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Robert Palmer
Best Of Both Worlds
124 bpm • C# min • 03:57 • -14db
39% Popularity • 78% Danceability • 51% Energy • 5% Liveness
18% Instrumentalness • 97% Positiveness
39% Popularity • 78% Danceability • 51% Energy • 5% Liveness
18% Instrumentalness • 97% Positiveness
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Rob De Nijs
Banger Hart
124 bpm • D Maj • 04:33 • -11db
55% Popularity • 71% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
55% Popularity • 71% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Sandy Coast
Summertrain
108 bpm • F# min • 03:09 • -11.6db
21% Popularity • 79% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
21% Popularity • 79% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Volumia!
Afscheid
124 bpm • F Maj • 04:35 • -11db
47% Popularity • 66% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
47% Popularity • 66% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Arno
Boogie Woogie Into Town
108 bpm • C Maj • 03:08 • -14.71db
12% Popularity • 69% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 69% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Frank Boeijen
Paradijs
108 bpm • C# min • 04:48 • -10.35db
19% Popularity • 61% Danceability • 67% Energy • 3% Liveness
0% Instrumentalness • 68% Positiveness
19% Popularity • 61% Danceability • 67% Energy • 3% Liveness
0% Instrumentalness • 68% Positiveness
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Voltage
She's Gone Like the Wind
108 bpm • G Maj • 03:59 • -6.98db
27% Popularity • 60% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 60% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Solomon Burke
Down in the Valley
108 bpm • C# Maj • 02:24 • -21.41db
32% Popularity • 78% Danceability • 25% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 78% Danceability • 25% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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Frank Boeijen Groep
Zeg Me Dat Het Niet Zo Is
108 bpm • C min • 03:11 • -16.41db
23% Popularity • 39% Danceability • 16% Energy • 70% Liveness
0% Instrumentalness • 26% Positiveness
23% Popularity • 39% Danceability • 16% Energy • 70% Liveness
0% Instrumentalness • 26% Positiveness
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JW Roy
Eersel: Hier Is Het Goed
125 bpm • F# min • 05:01 • -10.68db
10% Popularity • 64% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
10% Popularity • 64% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Golden Earring
Bombay
125 bpm • F Maj • 03:54 • -7.32db
28% Popularity • 52% Danceability • 92% Energy • 2% Liveness
17% Instrumentalness • 73% Positiveness
28% Popularity • 52% Danceability • 92% Energy • 2% Liveness
17% Instrumentalness • 73% Positiveness