Songs like Don't Do It by Courtney Barnett
Based on a tempo of (+/- 10%) and a similar genre
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Courtney Barnett
Don't Do It
80 bpm • D# Maj • 04:48 • -9.29db
21% Popularity • 54% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
21% Popularity • 54% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Kurt Vile
Dandelions
80 bpm • A Maj • 06:34 • -8db
31% Popularity • 45% Danceability • 55% Energy • 18% Liveness
64% Instrumentalness • 52% Positiveness
31% Popularity • 45% Danceability • 55% Energy • 18% Liveness
64% Instrumentalness • 52% Positiveness
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TORRES
Good Grief
80 bpm • F# Maj • 05:03 • -6.62db
19% Popularity • 54% Danceability • 69% Energy • 8% Liveness
1% Instrumentalness • 56% Positiveness
19% Popularity • 54% Danceability • 69% Energy • 8% Liveness
1% Instrumentalness • 56% Positiveness
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Dirty Projectors
Searching Spirit
80 bpm • B Maj • 02:34 • -5.23db
16% Popularity • 61% Danceability • 76% Energy • 20% Liveness
14% Instrumentalness • 94% Positiveness
16% Popularity • 61% Danceability • 76% Energy • 20% Liveness
14% Instrumentalness • 94% Positiveness
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Buck Meek
Candle
80 bpm • E Maj • 03:43 • -8.68db
35% Popularity • 62% Danceability • 35% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
35% Popularity • 62% Danceability • 35% Energy • 9% Liveness
2% Instrumentalness • 40% Positiveness
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Super XX Man
Box Store
80 bpm • C Maj • 03:34 • -13.18db
4% Popularity • 46% Danceability • 32% Energy • 8% Liveness
13% Instrumentalness • 18% Positiveness
4% Popularity • 46% Danceability • 32% Energy • 8% Liveness
13% Instrumentalness • 18% Positiveness
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Margaret Glaspy
Vicious
79 bpm • B Maj • 02:39 • -6.31db
8% Popularity • 56% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
8% Popularity • 56% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Kevin Morby
Valley
80 bpm • C# min • 04:04 • -6.42db
41% Popularity • 59% Danceability • 57% Energy • 13% Liveness
7% Instrumentalness • 49% Positiveness
41% Popularity • 59% Danceability • 57% Energy • 13% Liveness
7% Instrumentalness • 49% Positiveness
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Built To Spill
Life In Vain
81 bpm • E Maj • 03:25 • -9.39db
22% Popularity • 49% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
22% Popularity • 49% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
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The Flaming Lips
Mother Please Don't Be Sad
79 bpm • B Maj • 03:35 • -3.6db
19% Popularity • 34% Danceability • 52% Energy • 42% Liveness
0% Instrumentalness • 20% Positiveness
19% Popularity • 34% Danceability • 52% Energy • 42% Liveness
0% Instrumentalness • 20% Positiveness
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Anna Calvi
Don’t Beat The Girl out of My Boy - Hu...
82 bpm • C Maj • 03:31 • -16.22db
18% Popularity • 56% Danceability • 18% Energy • 9% Liveness
7% Instrumentalness • 27% Positiveness
18% Popularity • 56% Danceability • 18% Energy • 9% Liveness
7% Instrumentalness • 27% Positiveness
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Porridge Radio
Lilac
82 bpm • F# Maj • 05:27 • -7.23db
21% Popularity • 18% Danceability • 69% Energy • 11% Liveness
7% Instrumentalness • 24% Positiveness
21% Popularity • 18% Danceability • 69% Energy • 11% Liveness
7% Instrumentalness • 24% Positiveness
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Caroline Rose
Pipe Dreams
82 bpm • C# Maj • 03:25 • -7.58db
25% Popularity • 59% Danceability • 52% Energy • 37% Liveness
75% Instrumentalness • 48% Positiveness
25% Popularity • 59% Danceability • 52% Energy • 37% Liveness
75% Instrumentalness • 48% Positiveness
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Johanna Samuels
All is Fine
78 bpm • B Maj • 03:26 • -4.71db
8% Popularity • 52% Danceability • 63% Energy • 21% Liveness
1% Instrumentalness • 56% Positiveness
8% Popularity • 52% Danceability • 63% Energy • 21% Liveness
1% Instrumentalness • 56% Positiveness
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The Antlers
Green to Gold
78 bpm • C Maj • 07:16 • -9.54db
24% Popularity • 57% Danceability • 51% Energy • 9% Liveness
76% Instrumentalness • 61% Positiveness
24% Popularity • 57% Danceability • 51% Energy • 9% Liveness
76% Instrumentalness • 61% Positiveness
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Rostam
Under Control
78 bpm • C# Maj • 03:17 • -11.33db
30% Popularity • 61% Danceability • 33% Energy • 11% Liveness
17% Instrumentalness • 20% Positiveness
30% Popularity • 61% Danceability • 33% Energy • 11% Liveness
17% Instrumentalness • 20% Positiveness
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Anna Burch
Not So Bad
78 bpm • F# Maj • 03:15 • -7.64db
8% Popularity • 55% Danceability • 56% Energy • 12% Liveness
64% Instrumentalness • 43% Positiveness
8% Popularity • 55% Danceability • 56% Energy • 12% Liveness
64% Instrumentalness • 43% Positiveness
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Kurt Vile
Baby's Arms
82 bpm • B min • 04:44 • -6db
41% Popularity • 49% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 49% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
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Soccer Mommy
Wide Open Spaces
83 bpm • E Maj • 05:01 • -8.5db
39% Popularity • 44% Danceability • 57% Energy • 81% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 44% Danceability • 57% Energy • 81% Liveness
0% Instrumentalness • 52% Positiveness
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Porridge Radio
Wet Road
83 bpm • E min • 03:24 • -11.49db
12% Popularity • 43% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
12% Popularity • 43% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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Jenny O.
God Knows Why
83 bpm • E Maj • 03:01 • -7.34db
20% Popularity • 46% Danceability • 66% Energy • 23% Liveness
19% Instrumentalness • 72% Positiveness
20% Popularity • 46% Danceability • 66% Energy • 23% Liveness
19% Instrumentalness • 72% Positiveness
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Big Thief
Shoulders - Live at The Bunker Studio
77 bpm • A Maj • 03:25 • -15.52db
20% Popularity • 46% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
20% Popularity • 46% Danceability • 48% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Squirrel Flower
Headlights
77 bpm • D Maj • 02:34 • -11.67db
30% Popularity • 47% Danceability • 34% Energy • 11% Liveness
4% Instrumentalness • 13% Positiveness
30% Popularity • 47% Danceability • 34% Energy • 11% Liveness
4% Instrumentalness • 13% Positiveness
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Andy Shauf
Living Room
77 bpm • F Maj • 03:05 • -9.96db
38% Popularity • 60% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
38% Popularity • 60% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Miss Grit
Blonde
76 bpm • G min • 05:41 • -7.87db
10% Popularity • 12% Danceability • 47% Energy • 13% Liveness
55% Instrumentalness • 7% Positiveness
10% Popularity • 12% Danceability • 47% Energy • 13% Liveness
55% Instrumentalness • 7% Positiveness
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The Antlers
Just One Sec
84 bpm • D Maj • 04:49 • -9.66db
16% Popularity • 48% Danceability • 25% Energy • 12% Liveness
23% Instrumentalness • 18% Positiveness
16% Popularity • 48% Danceability • 25% Energy • 12% Liveness
23% Instrumentalness • 18% Positiveness
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Porridge Radio
Good For You
85 bpm • G min • 03:35 • -7.52db
33% Popularity • 42% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 42% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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Big Thief
Certainty
77 bpm • A Maj • 03:07 • -9db
59% Popularity • 61% Danceability • 51% Energy • 22% Liveness
1% Instrumentalness • 40% Positiveness
59% Popularity • 61% Danceability • 51% Energy • 22% Liveness
1% Instrumentalness • 40% Positiveness
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Jess Cornelius
Love and Low Self Esteem
85 bpm • A Maj • 04:22 • -7.5db
9% Popularity • 46% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 46% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Kevin Morby
Jamie
85 bpm • B Maj • 04:11 • -11db
20% Popularity • 57% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
20% Popularity • 57% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Miss Grit
Dark Side of the Party
85 bpm • A Maj • 03:32 • -7.94db
10% Popularity • 55% Danceability • 42% Energy • 61% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 55% Danceability • 42% Energy • 61% Liveness
0% Instrumentalness • 17% Positiveness
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St. Vincent
The Nowhere Inn
75 bpm • G Maj • 04:29 • -8db
29% Popularity • 20% Danceability • 69% Energy • 32% Liveness
1% Instrumentalness • 42% Positiveness
29% Popularity • 20% Danceability • 69% Energy • 32% Liveness
1% Instrumentalness • 42% Positiveness
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Father John Misty
To R.
75 bpm • D Maj • 04:26 • -8.55db
34% Popularity • 66% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
34% Popularity • 66% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Big Thief
Love In Mine
76 bpm • D# Maj • 03:18 • -11.03db
37% Popularity • 45% Danceability • 56% Energy • 12% Liveness
7% Instrumentalness • 36% Positiveness
37% Popularity • 45% Danceability • 56% Energy • 12% Liveness
7% Instrumentalness • 36% Positiveness
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Monako
Hollow Moon
75 bpm • F# Maj • 04:25 • -8.83db
2% Popularity • 41% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
2% Popularity • 41% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Kevin Morby
Sundowner
85 bpm • A Maj • 05:09 • -12.33db
28% Popularity • 40% Danceability • 20% Energy • 12% Liveness
5% Instrumentalness • 29% Positiveness
28% Popularity • 40% Danceability • 20% Energy • 12% Liveness
5% Instrumentalness • 29% Positiveness
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Hurray For The Riff Raff
RHODODENDRON
75 bpm • F Maj • 03:34 • -7.88db
38% Popularity • 71% Danceability • 73% Energy • 9% Liveness
3% Instrumentalness • 69% Positiveness
38% Popularity • 71% Danceability • 73% Energy • 9% Liveness
3% Instrumentalness • 69% Positiveness
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Widowspeak
Romeo and Juliet
87 bpm • C Maj • 05:32 • -13.72db
34% Popularity • 36% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
34% Popularity • 36% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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Father John Misty
To S.
73 bpm • D Maj • 04:20 • -9.94db
33% Popularity • 39% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
33% Popularity • 39% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Clap Your Hands Say Yeah
Dee, Forgiven
88 bpm • D Maj • 04:08 • -4.86db
11% Popularity • 21% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
11% Popularity • 21% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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M. Ward
Birthday
88 bpm • B Maj • 03:52 • -17.54db
12% Popularity • 40% Danceability • 25% Energy • 11% Liveness
61% Instrumentalness • 19% Positiveness
12% Popularity • 40% Danceability • 25% Energy • 11% Liveness
61% Instrumentalness • 19% Positiveness
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Kevin Morby
Campfire
73 bpm • A Maj • 05:19 • -10.07db
38% Popularity • 45% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 45% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Warpaint
Lilys - HBO ‘Made For Love’ Cut
89 bpm • C# min • 03:39 • -8db
39% Popularity • 52% Danceability • 77% Energy • 10% Liveness
70% Instrumentalness • 46% Positiveness
39% Popularity • 52% Danceability • 77% Energy • 10% Liveness
70% Instrumentalness • 46% Positiveness
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Squirrel Flower
I'll Go Running
72 bpm • F min • 03:56 • -8.23db
9% Popularity • 51% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 51% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Julia Jacklin
CRY
72 bpm • C# min • 03:52 • -10db
42% Popularity • 30% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
42% Popularity • 30% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Natalie Bergman
Paint the Rain (Beck Remix)
89 bpm • E Maj • 03:59 • -6.09db
24% Popularity • 42% Danceability • 63% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 42% Danceability • 63% Energy • 33% Liveness
0% Instrumentalness • 34% Positiveness
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The Mountain Goats
The Slow Parts on Death Metal Albums
72 bpm • A# Maj • 05:26 • -12db
24% Popularity • 69% Danceability • 35% Energy • 14% Liveness
5% Instrumentalness • 59% Positiveness
24% Popularity • 69% Danceability • 35% Energy • 14% Liveness
5% Instrumentalness • 59% Positiveness
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Lightning Bug
September Song, pt. ii
89 bpm • A min • 03:57 • -10db
17% Popularity • 39% Danceability • 65% Energy • 17% Liveness
75% Instrumentalness • 25% Positiveness
17% Popularity • 39% Danceability • 65% Energy • 17% Liveness
75% Instrumentalness • 25% Positiveness
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Cassandra Jenkins
Crosshairs
72 bpm • D Maj • 04:03 • -12db
25% Popularity • 53% Danceability • 29% Energy • 13% Liveness
58% Instrumentalness • 40% Positiveness
25% Popularity • 53% Danceability • 29% Energy • 13% Liveness
58% Instrumentalness • 40% Positiveness
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The Weather Station
Wear
72 bpm • B Maj • 03:18 • -9.63db
18% Popularity • 54% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 54% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 43% Positiveness
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Big Thief
Two Hands
90 bpm • F Maj • 03:52 • -8.83db
40% Popularity • 52% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 52% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Sleater-Kinney
Worry With You
90 bpm • A Maj • 03:51 • -6.86db
29% Popularity • 61% Danceability • 76% Energy • 37% Liveness
44% Instrumentalness • 73% Positiveness
29% Popularity • 61% Danceability • 76% Energy • 37% Liveness
44% Instrumentalness • 73% Positiveness
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Snail Mail
Ben Franklin
90 bpm • B Maj • 03:01 • -5.45db
40% Popularity • 61% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
40% Popularity • 61% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Dry Cleaning
More Big Birds
91 bpm • E min • 04:07 • -8.58db
27% Popularity • 69% Danceability • 45% Energy • 9% Liveness
72% Instrumentalness • 76% Positiveness
27% Popularity • 69% Danceability • 45% Energy • 9% Liveness
72% Instrumentalness • 76% Positiveness
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Anna Burch
Can't Sleep
91 bpm • G Maj • 04:36 • -8db
20% Popularity • 59% Danceability • 41% Energy • 11% Liveness
88% Instrumentalness • 33% Positiveness
20% Popularity • 59% Danceability • 41% Energy • 11% Liveness
88% Instrumentalness • 33% Positiveness
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This Is The Kit
Carry Us Please
91 bpm • G# Maj • 04:13 • -10.3db
20% Popularity • 51% Danceability • 52% Energy • 14% Liveness
84% Instrumentalness • 53% Positiveness
20% Popularity • 51% Danceability • 52% Energy • 14% Liveness
84% Instrumentalness • 53% Positiveness
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Paul Kelly
Charcoal Lane
70 bpm • A Maj • 04:00 • -10.95db
7% Popularity • 46% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
7% Popularity • 46% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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The Antlers
Porchlight
70 bpm • G Maj • 04:11 • -10.27db
13% Popularity • 33% Danceability • 43% Energy • 34% Liveness
20% Instrumentalness • 27% Positiveness
13% Popularity • 33% Danceability • 43% Energy • 34% Liveness
20% Instrumentalness • 27% Positiveness
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Katy Kirby
Traffic!
92 bpm • C# Maj • 03:37 • -10db
28% Popularity • 62% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
28% Popularity • 62% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 50% Positiveness
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TORRES
Hug From a Dinosaur
92 bpm • D Maj • 03:18 • -5.84db
23% Popularity • 47% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
23% Popularity • 47% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Kevin Morby
A Night At The Little Los Angeles
93 bpm • D Maj • 07:10 • -12.8db
21% Popularity • 56% Danceability • 18% Energy • 9% Liveness
12% Instrumentalness • 16% Positiveness
21% Popularity • 56% Danceability • 18% Energy • 9% Liveness
12% Instrumentalness • 16% Positiveness
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Bright Eyes
Miracle of Life
93 bpm • G# Maj • 03:36 • -9.31db
28% Popularity • 53% Danceability • 58% Energy • 11% Liveness
12% Instrumentalness • 59% Positiveness
28% Popularity • 53% Danceability • 58% Energy • 11% Liveness
12% Instrumentalness • 59% Positiveness
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Porridge Radio
Sweet
94 bpm • E min • 03:42 • -9.36db
35% Popularity • 50% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
35% Popularity • 50% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 33% Positiveness
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The Flaming Lips
Dinosaurs on the Mountain
94 bpm • D Maj • 03:38 • -6.4db
24% Popularity • 48% Danceability • 65% Energy • 43% Liveness
44% Instrumentalness • 8% Positiveness
24% Popularity • 48% Danceability • 65% Energy • 43% Liveness
44% Instrumentalness • 8% Positiveness
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Kurt Vile
Gone Girl
94 bpm • E Maj • 03:44 • -9.26db
20% Popularity • 60% Danceability • 57% Energy • 12% Liveness
26% Instrumentalness • 47% Positiveness
20% Popularity • 60% Danceability • 57% Energy • 12% Liveness
26% Instrumentalness • 47% Positiveness
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TORRES
Are You Sleepwalking?
93 bpm • G Maj • 02:39 • -6.55db
22% Popularity • 28% Danceability • 88% Energy • 66% Liveness
0% Instrumentalness • 46% Positiveness
22% Popularity • 28% Danceability • 88% Energy • 66% Liveness
0% Instrumentalness • 46% Positiveness
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This Is The Kit
Coming to Get You Nowhere
95 bpm • G Maj • 03:20 • -11db
39% Popularity • 69% Danceability • 52% Energy • 13% Liveness
38% Instrumentalness • 86% Positiveness
39% Popularity • 69% Danceability • 52% Energy • 13% Liveness
38% Instrumentalness • 86% Positiveness
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Valley Maker
No One Is Missing
95 bpm • D# Maj • 04:03 • -6.85db
16% Popularity • 60% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 60% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Goat Girl
Bang
95 bpm • A# Maj • 04:27 • -6.87db
19% Popularity • 41% Danceability • 69% Energy • 31% Liveness
2% Instrumentalness • 48% Positiveness
19% Popularity • 41% Danceability • 69% Energy • 31% Liveness
2% Instrumentalness • 48% Positiveness
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Father John Misty
Hollywood Forever Cemetery Sings - Live ...
95 bpm • A Maj • 03:22 • -5.61db
19% Popularity • 46% Danceability • 87% Energy • 39% Liveness
81% Instrumentalness • 66% Positiveness
19% Popularity • 46% Danceability • 87% Energy • 39% Liveness
81% Instrumentalness • 66% Positiveness
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Kurt Vile
One Trick Ponies
95 bpm • A min • 05:21 • -5.32db
43% Popularity • 68% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
43% Popularity • 68% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Julia Jacklin
to Perth, before the border closes
96 bpm • D Maj • 02:56 • -12.44db
57% Popularity • 59% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
57% Popularity • 59% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Flock of Dimes
Two
96 bpm • D Maj • 03:38 • -10.14db
27% Popularity • 68% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
27% Popularity • 68% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Samantha Crain
Pastime
96 bpm • G Maj • 03:27 • -5.63db
31% Popularity • 60% Danceability • 54% Energy • 12% Liveness
3% Instrumentalness • 63% Positiveness
31% Popularity • 60% Danceability • 54% Energy • 12% Liveness
3% Instrumentalness • 63% Positiveness
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Vagabon
In A Bind - Strings Version
97 bpm • D# min • 03:43 • -11.76db
19% Popularity • 52% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 52% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Heartless Bastards
Revolution
97 bpm • D Maj • 06:12 • -5.21db
31% Popularity • 40% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
31% Popularity • 40% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Kurt Vile
Bassackwards
95 bpm • G Maj • 09:46 • -9.26db
41% Popularity • 63% Danceability • 57% Energy • 24% Liveness
72% Instrumentalness • 39% Positiveness
41% Popularity • 63% Danceability • 57% Energy • 24% Liveness
72% Instrumentalness • 39% Positiveness
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The Antlers
Solstice
97 bpm • A Maj • 03:55 • -7.2db
17% Popularity • 54% Danceability • 45% Energy • 9% Liveness
68% Instrumentalness • 13% Positiveness
17% Popularity • 54% Danceability • 45% Energy • 9% Liveness
68% Instrumentalness • 13% Positiveness
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Daniele Luppi
Pretty Prizes
98 bpm • E Maj • 03:05 • -5.11db
34% Popularity • 74% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
34% Popularity • 74% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 83% Positiveness
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Fenne Lily
Solipsism
98 bpm • G# Maj • 03:04 • -5.86db
20% Popularity • 49% Danceability • 68% Energy • 10% Liveness
1% Instrumentalness • 86% Positiveness
20% Popularity • 49% Danceability • 68% Energy • 10% Liveness
1% Instrumentalness • 86% Positiveness
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Vagabon
Wits About You
97 bpm • F# Maj • 02:39 • -14.38db
15% Popularity • 67% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
15% Popularity • 67% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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Porridge Radio
Born Confused
98 bpm • B min • 03:01 • -4.07db
30% Popularity • 49% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 70% Positiveness
30% Popularity • 49% Danceability • 85% Energy • 26% Liveness
0% Instrumentalness • 70% Positiveness
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Kurt Vile
Like Exploding Stones
95 bpm • C Maj • 07:18 • -9db
41% Popularity • 47% Danceability • 66% Energy • 9% Liveness
4% Instrumentalness • 89% Positiveness
41% Popularity • 47% Danceability • 66% Energy • 9% Liveness
4% Instrumentalness • 89% Positiveness
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Father John Misty
Fallin' Rain
98 bpm • G# Maj • 03:47 • -10.16db
30% Popularity • 62% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 62% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Kevin Morby
Sundowner - 4-Track Demo
98 bpm • E Maj • 04:22 • -13.42db
17% Popularity • 41% Danceability • 8% Energy • 11% Liveness
73% Instrumentalness • 28% Positiveness
17% Popularity • 41% Danceability • 8% Energy • 11% Liveness
73% Instrumentalness • 28% Positiveness
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Buck Meek
Second Sight
98 bpm • C Maj • 03:57 • -6.14db
27% Popularity • 58% Danceability • 70% Energy • 10% Liveness
89% Instrumentalness • 64% Positiveness
27% Popularity • 58% Danceability • 70% Energy • 10% Liveness
89% Instrumentalness • 64% Positiveness
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Vagabon
In A Bind
97 bpm • D# min • 03:40 • -14.25db
16% Popularity • 55% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
16% Popularity • 55% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Big Thief
Off You
99 bpm • F Maj • 04:04 • -9.95db
26% Popularity • 75% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 75% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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Kurt Vile
Mount Airy Hill (Way Gone)
96 bpm • A Maj • 05:32 • -9db
43% Popularity • 51% Danceability • 65% Energy • 12% Liveness
75% Instrumentalness • 33% Positiveness
43% Popularity • 51% Danceability • 65% Energy • 12% Liveness
75% Instrumentalness • 33% Positiveness
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Yo La Tengo
Wasn't Born to Follow
100 bpm • G Maj • 02:06 • -9.83db
25% Popularity • 55% Danceability • 42% Energy • 10% Liveness
46% Instrumentalness • 41% Positiveness
25% Popularity • 55% Danceability • 42% Energy • 10% Liveness
46% Instrumentalness • 41% Positiveness
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Lightning Bug
Song of the Bell
99 bpm • D Maj • 04:07 • -6.82db
14% Popularity • 34% Danceability • 57% Energy • 13% Liveness
16% Instrumentalness • 19% Positiveness
14% Popularity • 34% Danceability • 57% Energy • 13% Liveness
16% Instrumentalness • 19% Positiveness
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TORRES
Thirstier
100 bpm • A# Maj • 04:08 • -6.84db
26% Popularity • 48% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
26% Popularity • 48% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Whitney
Crying, Laughing, Loving, Lying
100 bpm • G Maj • 02:59 • -12.32db
27% Popularity • 68% Danceability • 35% Energy • 11% Liveness
22% Instrumentalness • 28% Positiveness
27% Popularity • 68% Danceability • 35% Energy • 11% Liveness
22% Instrumentalness • 28% Positiveness
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Bright Eyes
Flirted With You All My Life
100 bpm • F Maj • 04:07 • -7.93db
30% Popularity • 48% Danceability • 53% Energy • 10% Liveness
6% Instrumentalness • 24% Positiveness
30% Popularity • 48% Danceability • 53% Energy • 10% Liveness
6% Instrumentalness • 24% Positiveness
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Kurt Vile
Rollin With The Flow
96 bpm • D Maj • 02:59 • -7db
42% Popularity • 56% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
42% Popularity • 56% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 58% Positiveness
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Widowspeak
Money
100 bpm • G# Maj • 04:53 • -7.46db
36% Popularity • 64% Danceability • 58% Energy • 8% Liveness
2% Instrumentalness • 60% Positiveness
36% Popularity • 64% Danceability • 58% Energy • 8% Liveness
2% Instrumentalness • 60% Positiveness
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U.S. Girls
Junkyard
100 bpm • E min • 02:59 • -7.46db
8% Popularity • 60% Danceability • 65% Energy • 38% Liveness
60% Instrumentalness • 74% Positiveness
8% Popularity • 60% Danceability • 65% Energy • 38% Liveness
60% Instrumentalness • 74% Positiveness
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Horsegirl
Ballroom Dance Scene
100 bpm • A min • 03:28 • -11.01db
33% Popularity • 26% Danceability • 49% Energy • 8% Liveness
10% Instrumentalness • 20% Positiveness
33% Popularity • 26% Danceability • 49% Energy • 8% Liveness
10% Instrumentalness • 20% Positiveness
