Songs like Don't Drop It by DJ Rashad
Based on a tempo of (+/- 10%) and a similar genre
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TWEAKS
Peeping Thom
120 bpm • F# Maj • 03:20 • -8.24db
15% Popularity • 76% Danceability • 66% Energy • 53% Liveness
68% Instrumentalness • 49% Positiveness
15% Popularity • 76% Danceability • 66% Energy • 53% Liveness
68% Instrumentalness • 49% Positiveness
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DJ Orange Julius
Battle
120 bpm • G Maj • 03:52 • -9.71db
11% Popularity • 58% Danceability • 52% Energy • 17% Liveness
81% Instrumentalness • 18% Positiveness
11% Popularity • 58% Danceability • 52% Energy • 17% Liveness
81% Instrumentalness • 18% Positiveness
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DJ Spinn
Mercy
120 bpm • F# min • 03:42 • -9.1db
12% Popularity • 63% Danceability • 53% Energy • 30% Liveness
5% Instrumentalness • 55% Positiveness
12% Popularity • 63% Danceability • 53% Energy • 30% Liveness
5% Instrumentalness • 55% Positiveness
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DJ Rashad
Cause I Know U Feel
120 bpm • B min • 04:25 • -7.1db
15% Popularity • 49% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 49% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Lone
Lying in the Reeds
120 bpm • D min • 04:31 • -5db
29% Popularity • 67% Danceability • 89% Energy • 23% Liveness
70% Instrumentalness • 14% Positiveness
29% Popularity • 67% Danceability • 89% Energy • 23% Liveness
70% Instrumentalness • 14% Positiveness
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Teklife
ICE CREAM
120 bpm • A min • 03:14 • -14.31db
8% Popularity • 78% Danceability • 28% Energy • 11% Liveness
78% Instrumentalness • 25% Positiveness
8% Popularity • 78% Danceability • 28% Energy • 11% Liveness
78% Instrumentalness • 25% Positiveness
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DJ Clent
Ugh
120 bpm • F# min • 00:59 • -12.27db
18% Popularity • 83% Danceability • 39% Energy • 12% Liveness
92% Instrumentalness • 42% Positiveness
18% Popularity • 83% Danceability • 39% Energy • 12% Liveness
92% Instrumentalness • 42% Positiveness
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Taso
Worldstar VIP
120 bpm • C# Maj • 02:54 • -6.23db
2% Popularity • 46% Danceability • 69% Energy • 37% Liveness
28% Instrumentalness • 46% Positiveness
2% Popularity • 46% Danceability • 69% Energy • 37% Liveness
28% Instrumentalness • 46% Positiveness
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DJ Spinn
Dubby
120 bpm • G Maj • 04:28 • -8.68db
8% Popularity • 60% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
8% Popularity • 60% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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DJ Rashad
I Don't Give A Fuck
120 bpm • A Maj • 02:37 • -8.6db
4% Popularity • 63% Danceability • 76% Energy • 19% Liveness
41% Instrumentalness • 19% Positiveness
4% Popularity • 63% Danceability • 76% Energy • 19% Liveness
41% Instrumentalness • 19% Positiveness
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DJ Earl
Baaaaaa
120 bpm • G Maj • 02:30 • -5.02db
17% Popularity • 33% Danceability • 82% Energy • 50% Liveness
78% Instrumentalness • 39% Positiveness
17% Popularity • 33% Danceability • 82% Energy • 50% Liveness
78% Instrumentalness • 39% Positiveness
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Cakedog
Who We Be (Kings)
120 bpm • C# min • 02:36 • -9db
12% Popularity • 57% Danceability • 55% Energy • 17% Liveness
1% Instrumentalness • 51% Positiveness
12% Popularity • 57% Danceability • 55% Energy • 17% Liveness
1% Instrumentalness • 51% Positiveness
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N.Y House'n Authroity
APT. 2B - Mixed
121 bpm • F# Maj • 02:07 • -9.39db
23% Popularity • 65% Danceability • 63% Energy • 18% Liveness
85% Instrumentalness • 48% Positiveness
23% Popularity • 65% Danceability • 63% Energy • 18% Liveness
85% Instrumentalness • 48% Positiveness
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Delroy Edwards
Can U Get With
121 bpm • C# Maj • 03:54 • -5.89db
22% Popularity • 80% Danceability • 97% Energy • 19% Liveness
92% Instrumentalness • 56% Positiveness
22% Popularity • 80% Danceability • 97% Energy • 19% Liveness
92% Instrumentalness • 56% Positiveness
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DJ Spinn
Let Me Baby
120 bpm • A# min • 03:11 • -10.07db
9% Popularity • 81% Danceability • 64% Energy • 10% Liveness
48% Instrumentalness • 50% Positiveness
9% Popularity • 81% Danceability • 64% Energy • 10% Liveness
48% Instrumentalness • 50% Positiveness
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DJ Rashad
Only One
120 bpm • D Maj • 03:45 • -8.47db
5% Popularity • 56% Danceability • 56% Energy • 13% Liveness
20% Instrumentalness • 28% Positiveness
5% Popularity • 56% Danceability • 56% Energy • 13% Liveness
20% Instrumentalness • 28% Positiveness
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Stefan Ringer
Wanna Be Bad
119 bpm • F Maj • 04:20 • -9.46db
13% Popularity • 85% Danceability • 29% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 85% Danceability • 29% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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Cakedog
Slide Thru
120 bpm • G Maj • 02:12 • -7.32db
26% Popularity • 49% Danceability • 91% Energy • 15% Liveness
79% Instrumentalness • 40% Positiveness
26% Popularity • 49% Danceability • 91% Energy • 15% Liveness
79% Instrumentalness • 40% Positiveness
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Drexciya
Bang-Bang
122 bpm • G Maj • 05:29 • -12.26db
14% Popularity • 80% Danceability • 40% Energy • 10% Liveness
32% Instrumentalness • 26% Positiveness
14% Popularity • 80% Danceability • 40% Energy • 10% Liveness
32% Instrumentalness • 26% Positiveness
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LCY
Garden of E10
122 bpm • C# min • 03:40 • -15db
9% Popularity • 46% Danceability • 53% Energy • 10% Liveness
68% Instrumentalness • 12% Positiveness
9% Popularity • 46% Danceability • 53% Energy • 10% Liveness
68% Instrumentalness • 12% Positiveness
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DJ Spinn
Horn Chemist
120 bpm • C Maj • 04:35 • -10.95db
5% Popularity • 46% Danceability • 48% Energy • 30% Liveness
94% Instrumentalness • 32% Positiveness
5% Popularity • 46% Danceability • 48% Energy • 30% Liveness
94% Instrumentalness • 32% Positiveness
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DJ Rashad
I'm Too Hi
120 bpm • A# min • 02:59 • -9.14db
1% Popularity • 67% Danceability • 74% Energy • 48% Liveness
3% Instrumentalness • 13% Positiveness
1% Popularity • 67% Danceability • 74% Energy • 48% Liveness
3% Instrumentalness • 13% Positiveness
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Batu
Curved
122 bpm • B Maj • 04:00 • -8.15db
11% Popularity • 81% Danceability • 83% Energy • 8% Liveness
82% Instrumentalness • 26% Positiveness
11% Popularity • 81% Danceability • 83% Energy • 8% Liveness
82% Instrumentalness • 26% Positiveness
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Cakedog
Let That Shit Bang
122 bpm • G Maj • 02:39 • -11.58db
9% Popularity • 49% Danceability • 54% Energy • 19% Liveness
58% Instrumentalness • 52% Positiveness
9% Popularity • 49% Danceability • 54% Energy • 19% Liveness
58% Instrumentalness • 52% Positiveness
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Objekt
Cactus
118 bpm • C# Maj • 05:56 • -11.95db
15% Popularity • 66% Danceability • 52% Energy • 9% Liveness
66% Instrumentalness • 4% Positiveness
15% Popularity • 66% Danceability • 52% Energy • 9% Liveness
66% Instrumentalness • 4% Positiveness
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Actress
Always Human
117 bpm • B min • 02:57 • -8.13db
15% Popularity • 84% Danceability • 56% Energy • 10% Liveness
9% Instrumentalness • 55% Positiveness
15% Popularity • 84% Danceability • 56% Energy • 10% Liveness
9% Instrumentalness • 55% Positiveness
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Zomby
Daft Punk Rave
123 bpm • B Maj • 01:02 • -7.41db
19% Popularity • 84% Danceability • 66% Energy • 35% Liveness
75% Instrumentalness • 81% Positiveness
19% Popularity • 84% Danceability • 66% Energy • 35% Liveness
75% Instrumentalness • 81% Positiveness
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DJ Rashad
Last Winter
120 bpm • F# min • 04:31 • -6.56db
2% Popularity • 52% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
2% Popularity • 52% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
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Drexciya
Jazzy Fluids
124 bpm • B Maj • 03:23 • -4.89db
18% Popularity • 74% Danceability • 91% Energy • 16% Liveness
44% Instrumentalness • 61% Positiveness
18% Popularity • 74% Danceability • 91% Energy • 16% Liveness
44% Instrumentalness • 61% Positiveness
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Ross from Friends
Crystal Catcher (weed)
124 bpm • C# min • 04:11 • -7.7db
22% Popularity • 62% Danceability • 93% Energy • 21% Liveness
60% Instrumentalness • 35% Positiveness
22% Popularity • 62% Danceability • 93% Energy • 21% Liveness
60% Instrumentalness • 35% Positiveness
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Delroy Edwards
Bells
124 bpm • A# Maj • 05:29 • -9.79db
13% Popularity • 81% Danceability • 90% Energy • 7% Liveness
96% Instrumentalness • 36% Positiveness
13% Popularity • 81% Danceability • 90% Energy • 7% Liveness
96% Instrumentalness • 36% Positiveness
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Lanark Artefax
Touch Absence
125 bpm • C# Maj • 05:51 • -7db
25% Popularity • 77% Danceability • 99% Energy • 27% Liveness
81% Instrumentalness • 63% Positiveness
25% Popularity • 77% Danceability • 99% Energy • 27% Liveness
81% Instrumentalness • 63% Positiveness
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Lone
Once in a While
125 bpm • G Maj • 04:42 • -4.31db
14% Popularity • 59% Danceability • 90% Energy • 9% Liveness
5% Instrumentalness • 45% Positiveness
14% Popularity • 59% Danceability • 90% Energy • 9% Liveness
5% Instrumentalness • 45% Positiveness
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DJ Rashad
Pass That Shit
116 bpm • B min • 04:18 • -10.04db
6% Popularity • 52% Danceability • 52% Energy • 27% Liveness
18% Instrumentalness • 48% Positiveness
6% Popularity • 52% Danceability • 52% Energy • 27% Liveness
18% Instrumentalness • 48% Positiveness
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Drexciya
Bottom Feeders
116 bpm • F# min • 03:26 • -7.75db
13% Popularity • 79% Danceability • 60% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
13% Popularity • 79% Danceability • 60% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Overmono
O-Coast
125 bpm • F# min • 05:20 • -11.36db
19% Popularity • 58% Danceability • 84% Energy • 10% Liveness
95% Instrumentalness • 36% Positiveness
19% Popularity • 58% Danceability • 84% Energy • 10% Liveness
95% Instrumentalness • 36% Positiveness
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Randomer
Freak Dub
125 bpm • A Maj • 04:36 • -6.4db
11% Popularity • 80% Danceability • 94% Energy • 5% Liveness
89% Instrumentalness • 40% Positiveness
11% Popularity • 80% Danceability • 94% Energy • 5% Liveness
89% Instrumentalness • 40% Positiveness
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Sully
Let You
125 bpm • A Maj • 03:20 • -9.97db
10% Popularity • 83% Danceability • 45% Energy • 15% Liveness
49% Instrumentalness • 52% Positiveness
10% Popularity • 83% Danceability • 45% Energy • 15% Liveness
49% Instrumentalness • 52% Positiveness
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JIMMY EDGAR
WALK SHOW
125 bpm • G min • 06:40 • -6.62db
1% Popularity • 84% Danceability • 56% Energy • 10% Liveness
89% Instrumentalness • 20% Positiveness
1% Popularity • 84% Danceability • 56% Energy • 10% Liveness
89% Instrumentalness • 20% Positiveness
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Lone
Explorers
125 bpm • G Maj • 05:22 • -5.84db
16% Popularity • 57% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 57% Danceability • 97% Energy • 6% Liveness
0% Instrumentalness • 50% Positiveness
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Tom Blip
Kickdrums!!!
125 bpm • A Maj • 04:59 • -6db
16% Popularity • 80% Danceability • 86% Energy • 43% Liveness
91% Instrumentalness • 36% Positiveness
16% Popularity • 80% Danceability • 86% Energy • 43% Liveness
91% Instrumentalness • 36% Positiveness
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Scratcha DVA
B2l
126 bpm • G Maj • 04:31 • -6.21db
11% Popularity • 90% Danceability • 50% Energy • 8% Liveness
16% Instrumentalness • 46% Positiveness
11% Popularity • 90% Danceability • 50% Energy • 8% Liveness
16% Instrumentalness • 46% Positiveness
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Persian
Feel Da Vibe - A-Side
127 bpm • G min • 05:19 • -10.85db
8% Popularity • 92% Danceability • 52% Energy • 41% Liveness
51% Instrumentalness • 36% Positiveness
8% Popularity • 92% Danceability • 52% Energy • 41% Liveness
51% Instrumentalness • 36% Positiveness
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Drexciya
Polymono Plexusgel
128 bpm • F# Maj • 03:10 • -5.32db
19% Popularity • 64% Danceability • 91% Energy • 36% Liveness
88% Instrumentalness • 25% Positiveness
19% Popularity • 64% Danceability • 91% Energy • 36% Liveness
88% Instrumentalness • 25% Positiveness
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Breach
Fatherless
128 bpm • A min • 06:20 • -6.97db
8% Popularity • 73% Danceability • 84% Energy • 31% Liveness
86% Instrumentalness • 25% Positiveness
8% Popularity • 73% Danceability • 84% Energy • 31% Liveness
86% Instrumentalness • 25% Positiveness
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Pearson Sound
WAD
128 bpm • C Maj • 05:41 • -9.25db
11% Popularity • 80% Danceability • 89% Energy • 7% Liveness
90% Instrumentalness • 21% Positiveness
11% Popularity • 80% Danceability • 89% Energy • 7% Liveness
90% Instrumentalness • 21% Positiveness
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DJ Gant-Man
Juke Dat Girl
128 bpm • G Maj • 03:12 • -4.05db
18% Popularity • 92% Danceability • 86% Energy • 43% Liveness
1% Instrumentalness • 73% Positiveness
18% Popularity • 92% Danceability • 86% Energy • 43% Liveness
1% Instrumentalness • 73% Positiveness
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Ploy
Ramos
128 bpm • F# min • 06:34 • -7.44db
10% Popularity • 78% Danceability • 83% Energy • 11% Liveness
90% Instrumentalness • 37% Positiveness
10% Popularity • 78% Danceability • 83% Energy • 11% Liveness
90% Instrumentalness • 37% Positiveness
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Delroy Edwards
4 Club Use Only
128 bpm • B min • 08:25 • -7db
28% Popularity • 68% Danceability • 79% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
28% Popularity • 68% Danceability • 79% Energy • 9% Liveness
91% Instrumentalness • 17% Positiveness
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Drexciya
Wavejumper
127 bpm • A# min • 06:40 • -10.12db
18% Popularity • 77% Danceability • 90% Energy • 7% Liveness
80% Instrumentalness • 14% Positiveness
18% Popularity • 77% Danceability • 90% Energy • 7% Liveness
80% Instrumentalness • 14% Positiveness
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Traxman
Mainline 2022
128 bpm • C# Maj • 04:15 • -6.39db
8% Popularity • 84% Danceability • 70% Energy • 9% Liveness
88% Instrumentalness • 35% Positiveness
8% Popularity • 84% Danceability • 70% Energy • 9% Liveness
88% Instrumentalness • 35% Positiveness
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Machine Woman
Camile from Ohm Makes Me Feel Loved
128 bpm • G# Maj • 04:16 • -9.64db
15% Popularity • 83% Danceability • 92% Energy • 7% Liveness
85% Instrumentalness • 73% Positiveness
15% Popularity • 83% Danceability • 92% Energy • 7% Liveness
85% Instrumentalness • 73% Positiveness
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Kode9
Love Is The Drug
128 bpm • G Maj • 02:59 • -10.59db
23% Popularity • 66% Danceability • 65% Energy • 10% Liveness
89% Instrumentalness • 50% Positiveness
23% Popularity • 66% Danceability • 65% Energy • 10% Liveness
89% Instrumentalness • 50% Positiveness
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Steven Julien
Bloodline
129 bpm • G Maj • 05:23 • -7.14db
10% Popularity • 75% Danceability • 72% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
10% Popularity • 75% Danceability • 72% Energy • 11% Liveness
89% Instrumentalness • 7% Positiveness
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Delroy Edwards
Love Goes on and On
129 bpm • A# Maj • 06:34 • -10.09db
21% Popularity • 53% Danceability • 85% Energy • 6% Liveness
95% Instrumentalness • 44% Positiveness
21% Popularity • 53% Danceability • 85% Energy • 6% Liveness
95% Instrumentalness • 44% Positiveness
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Drexciya
You Don't Know
129 bpm • A# min • 05:54 • -11.37db
19% Popularity • 79% Danceability • 59% Energy • 8% Liveness
84% Instrumentalness • 31% Positiveness
19% Popularity • 79% Danceability • 59% Energy • 8% Liveness
84% Instrumentalness • 31% Positiveness
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DJ Orange Julius
Gangs
111 bpm • E min • 03:39 • -9.35db
8% Popularity • 53% Danceability • 54% Energy • 26% Liveness
34% Instrumentalness • 36% Positiveness
8% Popularity • 53% Danceability • 54% Energy • 26% Liveness
34% Instrumentalness • 36% Positiveness
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Horsepower Productions
HDN
130 bpm • F# min • 05:46 • -4.8db
9% Popularity • 91% Danceability • 96% Energy • 10% Liveness
18% Instrumentalness • 66% Positiveness
9% Popularity • 91% Danceability • 96% Energy • 10% Liveness
18% Instrumentalness • 66% Positiveness
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Oli XL
Clumsy
130 bpm • C# min • 04:29 • -9db
28% Popularity • 81% Danceability • 50% Energy • 10% Liveness
1% Instrumentalness • 54% Positiveness
28% Popularity • 81% Danceability • 50% Energy • 10% Liveness
1% Instrumentalness • 54% Positiveness
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Lone
Oedo 808
130 bpm • F# min • 05:28 • -7db
14% Popularity • 78% Danceability • 83% Energy • 63% Liveness
87% Instrumentalness • 54% Positiveness
14% Popularity • 78% Danceability • 83% Energy • 63% Liveness
87% Instrumentalness • 54% Positiveness
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DJ Swisha
(Respectfully)
130 bpm • C# min • 03:30 • -7.25db
17% Popularity • 76% Danceability • 64% Energy • 13% Liveness
60% Instrumentalness • 17% Positiveness
17% Popularity • 76% Danceability • 64% Energy • 13% Liveness
60% Instrumentalness • 17% Positiveness
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K-Lone
Sine Language
130 bpm • G Maj • 05:36 • -4.68db
9% Popularity • 79% Danceability • 83% Energy • 7% Liveness
62% Instrumentalness • 7% Positiveness
9% Popularity • 79% Danceability • 83% Energy • 7% Liveness
62% Instrumentalness • 7% Positiveness
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Klein Zage
Absolutely
130 bpm • B min • 04:01 • -4.45db
8% Popularity • 79% Danceability • 91% Energy • 11% Liveness
84% Instrumentalness • 31% Positiveness
8% Popularity • 79% Danceability • 91% Energy • 11% Liveness
84% Instrumentalness • 31% Positiveness
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Kode9
Black Sun
130 bpm • G Maj • 05:28 • -10.96db
5% Popularity • 67% Danceability • 55% Energy • 5% Liveness
85% Instrumentalness • 26% Positiveness
5% Popularity • 67% Danceability • 55% Energy • 5% Liveness
85% Instrumentalness • 26% Positiveness
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Oli XL
Mimetic
130 bpm • A# min • 05:34 • -9db
20% Popularity • 88% Danceability • 56% Energy • 31% Liveness
1% Instrumentalness • 44% Positiveness
20% Popularity • 88% Danceability • 56% Energy • 31% Liveness
1% Instrumentalness • 44% Positiveness
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Bored Lord
Crush on U
130 bpm • A# min • 04:27 • -7db
12% Popularity • 71% Danceability • 93% Energy • 6% Liveness
20% Instrumentalness • 27% Positiveness
12% Popularity • 71% Danceability • 93% Energy • 6% Liveness
20% Instrumentalness • 27% Positiveness
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Tessela
Helter Skelter
130 bpm • A# min • 04:01 • -5.87db
11% Popularity • 81% Danceability • 92% Energy • 3% Liveness
95% Instrumentalness • 64% Positiveness
11% Popularity • 81% Danceability • 92% Energy • 3% Liveness
95% Instrumentalness • 64% Positiveness
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K-Lone
Zissou
130 bpm • A# min • 04:05 • -5.73db
10% Popularity • 52% Danceability • 85% Energy • 6% Liveness
56% Instrumentalness • 14% Positiveness
10% Popularity • 52% Danceability • 85% Energy • 6% Liveness
56% Instrumentalness • 14% Positiveness
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Metrist
OL Face You Got
130 bpm • A# min • 05:17 • -10db
12% Popularity • 79% Danceability • 76% Energy • 9% Liveness
78% Instrumentalness • 42% Positiveness
12% Popularity • 79% Danceability • 76% Energy • 9% Liveness
78% Instrumentalness • 42% Positiveness
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Rezzett
Funkm8
130 bpm • D min • 03:00 • -6.35db
13% Popularity • 83% Danceability • 71% Energy • 10% Liveness
92% Instrumentalness • 85% Positiveness
13% Popularity • 83% Danceability • 71% Energy • 10% Liveness
92% Instrumentalness • 85% Positiveness
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Benton
Brian
130 bpm • G Maj • 04:33 • -7.83db
19% Popularity • 70% Danceability • 79% Energy • 27% Liveness
81% Instrumentalness • 23% Positiveness
19% Popularity • 70% Danceability • 79% Energy • 27% Liveness
81% Instrumentalness • 23% Positiveness
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Leonce
Werkk
130 bpm • C# Maj • 04:03 • -9.85db
11% Popularity • 80% Danceability • 78% Energy • 8% Liveness
94% Instrumentalness • 37% Positiveness
11% Popularity • 80% Danceability • 78% Energy • 8% Liveness
94% Instrumentalness • 37% Positiveness
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Kush Jones
GTB - DJ SWISHA Remix
130 bpm • D Maj • 02:31 • -6.32db
10% Popularity • 60% Danceability • 78% Energy • 6% Liveness
94% Instrumentalness • 77% Positiveness
10% Popularity • 60% Danceability • 78% Energy • 6% Liveness
94% Instrumentalness • 77% Positiveness
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Breaka
Rory's Theme
130 bpm • C# Maj • 05:59 • -8.09db
14% Popularity • 76% Danceability • 85% Energy • 4% Liveness
89% Instrumentalness • 18% Positiveness
14% Popularity • 76% Danceability • 85% Energy • 4% Liveness
89% Instrumentalness • 18% Positiveness
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Lone
Blossom Quarter
130 bpm • E min • 05:29 • -5.44db
13% Popularity • 61% Danceability • 97% Energy • 29% Liveness
41% Instrumentalness • 6% Positiveness
13% Popularity • 61% Danceability • 97% Energy • 29% Liveness
41% Instrumentalness • 6% Positiveness
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Rezzett
Hey Hugo
130 bpm • C# Maj • 05:01 • -6db
20% Popularity • 82% Danceability • 78% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
20% Popularity • 82% Danceability • 78% Energy • 11% Liveness
90% Instrumentalness • 41% Positiveness
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Les Sins
C'mon Les' Go
130 bpm • C# Maj • 04:11 • -8db
12% Popularity • 78% Danceability • 82% Energy • 9% Liveness
87% Instrumentalness • 44% Positiveness
12% Popularity • 78% Danceability • 82% Energy • 9% Liveness
87% Instrumentalness • 44% Positiveness
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MoMa Ready
Shade
130 bpm • A# min • 05:24 • -3.85db
8% Popularity • 76% Danceability • 90% Energy • 8% Liveness
4% Instrumentalness • 76% Positiveness
8% Popularity • 76% Danceability • 90% Energy • 8% Liveness
4% Instrumentalness • 76% Positiveness
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Bored Lord
Girl U Could Be Down 4
130 bpm • C Maj • 04:55 • -12db
27% Popularity • 74% Danceability • 64% Energy • 9% Liveness
48% Instrumentalness • 74% Positiveness
27% Popularity • 74% Danceability • 64% Energy • 9% Liveness
48% Instrumentalness • 74% Positiveness
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Girl Unit
Pure Gold
130 bpm • C Maj • 03:36 • -6.04db
8% Popularity • 74% Danceability • 76% Energy • 12% Liveness
67% Instrumentalness • 48% Positiveness
8% Popularity • 74% Danceability • 76% Energy • 12% Liveness
67% Instrumentalness • 48% Positiveness
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Lone
Young Star Cluster
130 bpm • A# min • 05:57 • -8.84db
10% Popularity • 83% Danceability • 83% Energy • 2% Liveness
32% Instrumentalness • 64% Positiveness
10% Popularity • 83% Danceability • 83% Energy • 2% Liveness
32% Instrumentalness • 64% Positiveness
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Anz
Stepper
130 bpm • G Maj • 03:30 • -11.27db
12% Popularity • 79% Danceability • 64% Energy • 26% Liveness
90% Instrumentalness • 51% Positiveness
12% Popularity • 79% Danceability • 64% Energy • 26% Liveness
90% Instrumentalness • 51% Positiveness
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Blawan
Bohla
130 bpm • G# Maj • 05:30 • -7.25db
9% Popularity • 84% Danceability • 68% Energy • 18% Liveness
54% Instrumentalness • 53% Positiveness
9% Popularity • 84% Danceability • 68% Energy • 18% Liveness
54% Instrumentalness • 53% Positiveness
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Drexciya
Water Walker
131 bpm • C# min • 03:39 • -10db
22% Popularity • 59% Danceability • 85% Energy • 17% Liveness
87% Instrumentalness • 66% Positiveness
22% Popularity • 59% Danceability • 85% Energy • 17% Liveness
87% Instrumentalness • 66% Positiveness
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Kode9
UH
131 bpm • F# Maj • 04:00 • -6.15db
25% Popularity • 78% Danceability • 81% Energy • 22% Liveness
79% Instrumentalness • 46% Positiveness
25% Popularity • 78% Danceability • 81% Energy • 22% Liveness
79% Instrumentalness • 46% Positiveness
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Demdike Stare
Patchwork
131 bpm • F min • 06:39 • -4.13db
9% Popularity • 74% Danceability • 100% Energy • 37% Liveness
62% Instrumentalness • 4% Positiveness
9% Popularity • 74% Danceability • 100% Energy • 37% Liveness
62% Instrumentalness • 4% Positiveness
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Objekt
Porcupine
131 bpm • C# min • 05:18 • -10.38db
16% Popularity • 79% Danceability • 97% Energy • 11% Liveness
89% Instrumentalness • 55% Positiveness
16% Popularity • 79% Danceability • 97% Energy • 11% Liveness
89% Instrumentalness • 55% Positiveness
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Golden Donna
Foaming - Mixed
132 bpm • G# Maj • 03:13 • -11.57db
15% Popularity • 71% Danceability • 93% Energy • 32% Liveness
81% Instrumentalness • 69% Positiveness
15% Popularity • 71% Danceability • 93% Energy • 32% Liveness
81% Instrumentalness • 69% Positiveness
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Jam City
The Courts
132 bpm • C# min • 04:24 • -3.77db
10% Popularity • 51% Danceability • 93% Energy • 33% Liveness
91% Instrumentalness • 33% Positiveness
10% Popularity • 51% Danceability • 93% Energy • 33% Liveness
91% Instrumentalness • 33% Positiveness
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Drexciya
Sea Snake
131 bpm • F# Maj • 04:45 • -9db
19% Popularity • 70% Danceability • 69% Energy • 8% Liveness
85% Instrumentalness • 58% Positiveness
19% Popularity • 70% Danceability • 69% Energy • 8% Liveness
85% Instrumentalness • 58% Positiveness
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Dj Tameil
Everybody
132 bpm • C# Maj • 03:25 • -7db
22% Popularity • 92% Danceability • 84% Energy • 7% Liveness
90% Instrumentalness • 44% Positiveness
22% Popularity • 92% Danceability • 84% Energy • 7% Liveness
90% Instrumentalness • 44% Positiveness
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DJ Swisha
Shake N Bounce
132 bpm • C Maj • 03:56 • -6.27db
8% Popularity • 79% Danceability • 95% Energy • 39% Liveness
89% Instrumentalness • 47% Positiveness
8% Popularity • 79% Danceability • 95% Energy • 39% Liveness
89% Instrumentalness • 47% Positiveness
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Kush Jones
Earth Note
132 bpm • A min • 03:57 • -6.82db
16% Popularity • 80% Danceability • 92% Energy • 26% Liveness
78% Instrumentalness • 79% Positiveness
16% Popularity • 80% Danceability • 92% Energy • 26% Liveness
78% Instrumentalness • 79% Positiveness
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Taso
New Start
109 bpm • A# min • 04:30 • -11.09db
20% Popularity • 43% Danceability • 47% Energy • 23% Liveness
88% Instrumentalness • 12% Positiveness
20% Popularity • 43% Danceability • 47% Energy • 23% Liveness
88% Instrumentalness • 12% Positiveness
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Jam City
How We Relate To The Body
132 bpm • A min • 05:20 • -8.14db
10% Popularity • 67% Danceability • 79% Energy • 39% Liveness
23% Instrumentalness • 27% Positiveness
10% Popularity • 67% Danceability • 79% Energy • 39% Liveness
23% Instrumentalness • 27% Positiveness
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Loraine James
Glitch Bitch
132 bpm • C Maj • 03:12 • -13db
23% Popularity • 81% Danceability • 55% Energy • 8% Liveness
4% Instrumentalness • 43% Positiveness
23% Popularity • 81% Danceability • 55% Energy • 8% Liveness
4% Instrumentalness • 43% Positiveness
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Lone
Once In A While - mixed
133 bpm • F# Maj • 01:55 • -13.18db
34% Popularity • 59% Danceability • 60% Energy • 13% Liveness
67% Instrumentalness • 59% Positiveness
34% Popularity • 59% Danceability • 60% Energy • 13% Liveness
67% Instrumentalness • 59% Positiveness
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Drexciya
Andreaen Sand Dunes
133 bpm • F# min • 06:16 • -9db
39% Popularity • 65% Danceability • 62% Energy • 12% Liveness
75% Instrumentalness • 50% Positiveness
39% Popularity • 65% Danceability • 62% Energy • 12% Liveness
75% Instrumentalness • 50% Positiveness
