Songs like Don't Drown Me Out by Her
Based on a tempo of (+/- 10%) and a similar genre
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Nashville Phil
Swerve Me Again
177 bpm • F min • 02:01 • -9.79db
13% Popularity • 57% Danceability • 75% Energy • 40% Liveness
0% Instrumentalness • 69% Positiveness
13% Popularity • 57% Danceability • 75% Energy • 40% Liveness
0% Instrumentalness • 69% Positiveness
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Hunger Art
The Wrong Impression
178 bpm • D Maj • 03:17 • -15.45db
11% Popularity • 52% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 52% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Soundscape
Island
176 bpm • A# Maj • 04:10 • -7.55db
11% Popularity • 24% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 24% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Quiet Marauder
Jet From Gladiator
175 bpm • G# Maj • 02:52 • -8.2db
18% Popularity • 57% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 57% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 73% Positiveness
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Her
City Country
175 bpm • D Maj • 03:38 • -6.43db
0% Popularity • 52% Danceability • 89% Energy • 2% Liveness
0% Instrumentalness • 73% Positiveness
0% Popularity • 52% Danceability • 89% Energy • 2% Liveness
0% Instrumentalness • 73% Positiveness
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Zenobia Baker
Surrounding Small
175 bpm • F# min • 02:47 • -13.67db
7% Popularity • 45% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
7% Popularity • 45% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Helen Perris
All I Know
174 bpm • F Maj • 04:28 • -4.19db
12% Popularity • 44% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 44% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Yu-Gi-Oh!
It's Over
174 bpm • B Maj • 03:49 • -6.01db
9% Popularity • 55% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 55% Danceability • 88% Energy • 24% Liveness
0% Instrumentalness • 46% Positiveness
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Grey DeLisle
Little Ol While
174 bpm • C Maj • 02:59 • -9.23db
9% Popularity • 62% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 62% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Andrew Savage
Another Restless Life
174 bpm • G# Maj • 03:29 • -9.37db
9% Popularity • 41% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 41% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Lady Liane
Consciousness Is
180 bpm • A min • 03:09 • -10.91db
7% Popularity • 73% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
7% Popularity • 73% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Eugenio Barahona
Spitfire
180 bpm • G# min • 03:37 • -11.79db
25% Popularity • 54% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
25% Popularity • 54% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 65% Positiveness
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Helen Perris
Rainbows & Thunder
180 bpm • A Maj • 03:47 • -8db
12% Popularity • 45% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
12% Popularity • 45% Danceability • 70% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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Frances Wheatley
A Fortress Made of Ice
173 bpm • G Maj • 04:59 • -8.13db
14% Popularity • 30% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 30% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
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Nashville Phil
Abraham Lincoln and Me
172 bpm • E Maj • 02:16 • -7.96db
31% Popularity • 56% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 56% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
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Hotel Vignette
Emotional Gains Through Monetary Losses
182 bpm • E min • 02:03 • -8.03db
8% Popularity • 40% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
8% Popularity • 40% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Kaye Starh
Hugging Buggin'
172 bpm • D min • 02:48 • -2.99db
25% Popularity • 56% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 56% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 82% Positiveness
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Randy O'neill
Banjo Man
172 bpm • A Maj • 02:55 • -12db
17% Popularity • 41% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 41% Danceability • 75% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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Owen Muir
Hurricane of Me
172 bpm • C# Maj • 01:23 • -9.34db
18% Popularity • 73% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
18% Popularity • 73% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Her
Last Thing
172 bpm • C Maj • 03:19 • -15.4db
0% Popularity • 36% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
0% Popularity • 36% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Gillian Boughey
U Don't Have the Art
184 bpm • F Maj • 03:20 • -16.3db
8% Popularity • 57% Danceability • 28% Energy • 16% Liveness
1% Instrumentalness • 41% Positiveness
8% Popularity • 57% Danceability • 28% Energy • 16% Liveness
1% Instrumentalness • 41% Positiveness
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The infamous HER
In the Summertime
170 bpm • D Maj • 02:40 • -10.06db
16% Popularity • 52% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 52% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 72% Positiveness
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Mr. Smith
Big and Little
170 bpm • A Maj • 01:07 • -4db
17% Popularity • 55% Danceability • 87% Energy • 6% Liveness
96% Instrumentalness • 97% Positiveness
17% Popularity • 55% Danceability • 87% Energy • 6% Liveness
96% Instrumentalness • 97% Positiveness
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The Key of F
Feelin' the Mood
170 bpm • C Maj • 03:39 • -9.97db
20% Popularity • 50% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
20% Popularity • 50% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Frances Wheatley
Believe
185 bpm • D Maj • 04:38 • -7.4db
14% Popularity • 52% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 52% Danceability • 70% Energy • 33% Liveness
0% Instrumentalness • 66% Positiveness
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The Sound of Monday
Charlie Chaplin
185 bpm • C min • 01:01 • -8.99db
11% Popularity • 54% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
11% Popularity • 54% Danceability • 58% Energy • 36% Liveness
0% Instrumentalness • 92% Positiveness
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Ruth Atencia
Childhood
168 bpm • A# Maj • 01:53 • -7.5db
25% Popularity • 53% Danceability • 54% Energy • 45% Liveness
0% Instrumentalness • 73% Positiveness
25% Popularity • 53% Danceability • 54% Energy • 45% Liveness
0% Instrumentalness • 73% Positiveness
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Hunger Art
Fields of Gold
168 bpm • D Maj • 04:57 • -16.46db
11% Popularity • 56% Danceability • 32% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 56% Danceability • 32% Energy • 30% Liveness
0% Instrumentalness • 54% Positiveness
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She 8
Trans
168 bpm • B min • 02:53 • -16.07db
7% Popularity • 58% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
7% Popularity • 58% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 38% Positiveness
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Yeah Wednesday
Deserter
168 bpm • G Maj • 03:22 • -5db
11% Popularity • 57% Danceability • 92% Energy • 13% Liveness
32% Instrumentalness • 80% Positiveness
11% Popularity • 57% Danceability • 92% Energy • 13% Liveness
32% Instrumentalness • 80% Positiveness
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Esterita Vanin
Hold me
168 bpm • G Maj • 03:58 • -6.85db
25% Popularity • 42% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 42% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Andie Moon
Unloved
168 bpm • G Maj • 03:09 • -4.78db
8% Popularity • 54% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
8% Popularity • 54% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 57% Positiveness
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Osbaldo Howell
Pick A Star
167 bpm • G Maj • 02:26 • -11.09db
27% Popularity • 55% Danceability • 59% Energy • 52% Liveness
0% Instrumentalness • 74% Positiveness
27% Popularity • 55% Danceability • 59% Energy • 52% Liveness
0% Instrumentalness • 74% Positiveness
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Bitch
Hello Meadow!
166 bpm • C# Maj • 02:41 • -6.3db
9% Popularity • 58% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 58% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Despite the Rumors
Tweaker
166 bpm • F Maj • 02:36 • -10.49db
12% Popularity • 50% Danceability • 62% Energy • 8% Liveness
74% Instrumentalness • 35% Positiveness
12% Popularity • 50% Danceability • 62% Energy • 8% Liveness
74% Instrumentalness • 35% Positiveness
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Bishop Bennett
Sadness
165 bpm • D min • 05:16 • -12.97db
23% Popularity • 26% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
23% Popularity • 26% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Joel Beaver
Me and Nancy Drew
165 bpm • G Maj • 01:58 • -12db
10% Popularity • 56% Danceability • 70% Energy • 41% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 56% Danceability • 70% Energy • 41% Liveness
0% Instrumentalness • 78% Positiveness
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Queen Moo
Periphery
165 bpm • F# Maj • 03:12 • -8.08db
11% Popularity • 34% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 25% Positiveness
11% Popularity • 34% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 25% Positiveness
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The Dead Speak
Zombie Armageddon
190 bpm • C# Maj • 02:46 • -6.37db
9% Popularity • 40% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
9% Popularity • 40% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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ATTN:
Elegancy - Demo
164 bpm • E Maj • 03:19 • -7.8db
9% Popularity • 67% Danceability • 67% Energy • 49% Liveness
73% Instrumentalness • 92% Positiveness
9% Popularity • 67% Danceability • 67% Energy • 49% Liveness
73% Instrumentalness • 92% Positiveness
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The NErk$
SOVIETS
164 bpm • C Maj • 03:28 • -8.39db
13% Popularity • 47% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
13% Popularity • 47% Danceability • 73% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Salon Betty
Last Cigarette
163 bpm • A min • 04:10 • -9.14db
10% Popularity • 32% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 32% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Infinite Chariots
Metanoia
164 bpm • G# Maj • 02:50 • -7.03db
7% Popularity • 25% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
7% Popularity • 25% Danceability • 89% Energy • 15% Liveness
0% Instrumentalness • 64% Positiveness
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Shorty may
Broken Dreams With You
163 bpm • D Maj • 02:20 • -16.15db
12% Popularity • 59% Danceability • 52% Energy • 36% Liveness
1% Instrumentalness • 56% Positiveness
12% Popularity • 59% Danceability • 52% Energy • 36% Liveness
1% Instrumentalness • 56% Positiveness
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Her
Because Of You
162 bpm • G Maj • 03:18 • -11.46db
0% Popularity • 36% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
0% Popularity • 36% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Sisterblues and the Blue Suede Dykeband
Smoke and Fire
163 bpm • D Maj • 03:42 • -7.14db
11% Popularity • 63% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 63% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Criticize Spiritual
Observe Throat
161 bpm • G Maj • 02:54 • -9.38db
17% Popularity • 46% Danceability • 70% Energy • 72% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 46% Danceability • 70% Energy • 72% Liveness
0% Instrumentalness • 59% Positiveness
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Lolly Lee
Shot at the Devil
160 bpm • E min • 02:35 • -12.66db
13% Popularity • 47% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 47% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Gallows Bound
History
160 bpm • A min • 02:27 • -7.39db
13% Popularity • 39% Danceability • 97% Energy • 14% Liveness
63% Instrumentalness • 54% Positiveness
13% Popularity • 39% Danceability • 97% Energy • 14% Liveness
63% Instrumentalness • 54% Positiveness
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James "J.D." Dallas
Birds Of Prey - Part I
160 bpm • D Maj • 01:12 • -17.64db
14% Popularity • 60% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
14% Popularity • 60% Danceability • 38% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Fatbwoi
The Last Time
160 bpm • D Maj • 03:54 • -2.79db
7% Popularity • 68% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
7% Popularity • 68% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Holiday Sidewinder
100 Degrees
160 bpm • C Maj • 03:58 • -6.75db
13% Popularity • 59% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
13% Popularity • 59% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Possum Kingdom Ramblers
Saturday Midnight Double Feature
160 bpm • C# min • 02:22 • -15.7db
8% Popularity • 54% Danceability • 43% Energy • 66% Liveness
1% Instrumentalness • 53% Positiveness
8% Popularity • 54% Danceability • 43% Energy • 66% Liveness
1% Instrumentalness • 53% Positiveness
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Nursery Rhymes A to Z
Oh My Darling Clementine
160 bpm • G Maj • 01:36 • -9.27db
9% Popularity • 52% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
9% Popularity • 52% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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THE DOLL THIEVES
Good Things (Come To Those That Wait)
159 bpm • C# Maj • 03:26 • -10.74db
14% Popularity • 17% Danceability • 43% Energy • 12% Liveness
81% Instrumentalness • 6% Positiveness
14% Popularity • 17% Danceability • 43% Energy • 12% Liveness
81% Instrumentalness • 6% Positiveness
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Jack's Revenge
Brewhaus
160 bpm • E Maj • 03:21 • -10.33db
8% Popularity • 57% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 57% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Troll 2
The Lighthouse
158 bpm • A min • 05:45 • -10.27db
10% Popularity • 58% Danceability • 65% Energy • 43% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 58% Danceability • 65% Energy • 43% Liveness
0% Instrumentalness • 73% Positiveness
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Dracinda
Rise
158 bpm • F# min • 02:34 • -11.04db
13% Popularity • 52% Danceability • 74% Energy • 33% Liveness
43% Instrumentalness • 28% Positiveness
13% Popularity • 52% Danceability • 74% Energy • 33% Liveness
43% Instrumentalness • 28% Positiveness
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Martin and Scott
We've All Been Here Before
199 bpm • G Maj • 02:32 • -14.4db
9% Popularity • 38% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 38% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Arvin Gray
Function
158 bpm • F Maj • 02:55 • -12.82db
27% Popularity • 57% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
27% Popularity • 57% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Sisterblues and the Blue Suede Dykeband
Stir Crazy
157 bpm • A min • 05:29 • -8.1db
11% Popularity • 64% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
11% Popularity • 64% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Raelyn Nelson Band
Which Jesus
200 bpm • G Maj • 02:35 • -10.74db
9% Popularity • 32% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 83% Positiveness
9% Popularity • 32% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 83% Positiveness
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Me Myself and Fry
Rainbow
157 bpm • C Maj • 03:06 • -9.57db
7% Popularity • 30% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
7% Popularity • 30% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 86% Positiveness
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Grasp
Some Kind Of Hero
157 bpm • A Maj • 03:25 • -11.19db
8% Popularity • 60% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 60% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
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Ma$e
Why Can't We
200 bpm • B min • 03:25 • -6.08db
4% Popularity • 51% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
4% Popularity • 51% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Adam Bryan
Worse Than a Bullet
200 bpm • C Maj • 02:52 • -4.08db
20% Popularity • 37% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 37% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Her
Troubles
200 bpm • G Maj • 03:01 • -5.19db
0% Popularity • 34% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
0% Popularity • 34% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Ruth Atencia
Feel The Winter
157 bpm • B Maj • 02:11 • -9.08db
26% Popularity • 48% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
26% Popularity • 48% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 54% Positiveness
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Hot Liquids Burn Like Fire
98.6°
156 bpm • G Maj • 01:44 • -8.24db
11% Popularity • 58% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 58% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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PRESTIDGE
Just Another (Sad Man with a Guitar)
156 bpm • B Maj • 01:04 • -15.77db
25% Popularity • 63% Danceability • 28% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 63% Danceability • 28% Energy • 27% Liveness
0% Instrumentalness • 79% Positiveness
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SundanceStreams
Things Fall Apart
156 bpm • G Maj • 02:44 • -6.79db
14% Popularity • 33% Danceability • 75% Energy • 41% Liveness
0% Instrumentalness • 45% Positiveness
14% Popularity • 33% Danceability • 75% Energy • 41% Liveness
0% Instrumentalness • 45% Positiveness
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Winfred Houston
Monkeys On Drug
155 bpm • G# Maj • 03:17 • -10.3db
31% Popularity • 45% Danceability • 83% Energy • 22% Liveness
30% Instrumentalness • 56% Positiveness
31% Popularity • 45% Danceability • 83% Energy • 22% Liveness
30% Instrumentalness • 56% Positiveness
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Preston Lang
Conclusion
202 bpm • D Maj • 03:11 • -5.33db
11% Popularity • 40% Danceability • 92% Energy • 8% Liveness
77% Instrumentalness • 54% Positiveness
11% Popularity • 40% Danceability • 92% Energy • 8% Liveness
77% Instrumentalness • 54% Positiveness
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Mike Wilson
Wanna Do
156 bpm • G Maj • 02:15 • -3.7db
12% Popularity • 54% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 54% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Her
Mean Man
155 bpm • A Maj • 02:34 • -9.47db
0% Popularity • 64% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
0% Popularity • 64% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Lo Mejor del Rock del nuevo Milenio
Chelsea Dagger
155 bpm • D Maj • 03:19 • -11.81db
9% Popularity • 67% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
9% Popularity • 67% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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The Really Loud House
Knock ‘Em Loose
155 bpm • C# Maj • 01:20 • -6.22db
22% Popularity • 85% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
22% Popularity • 85% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Howard/Johnson & Friends
First Time Novelist (Fiction Stories)
155 bpm • E min • 02:40 • -11.22db
0% Popularity • 44% Danceability • 52% Energy • 37% Liveness
1% Instrumentalness • 52% Positiveness
0% Popularity • 44% Danceability • 52% Energy • 37% Liveness
1% Instrumentalness • 52% Positiveness
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Stoney Holiday
Special Friend
155 bpm • C Maj • 04:16 • -8.63db
10% Popularity • 44% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
10% Popularity • 44% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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The GUIZE
Bardo House
155 bpm • F# min • 03:36 • -3.62db
23% Popularity • 29% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 29% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Fatbwoi
Ridiculous
154 bpm • F# min • 04:37 • -4.28db
8% Popularity • 64% Danceability • 66% Energy • 5% Liveness
2% Instrumentalness • 82% Positiveness
8% Popularity • 64% Danceability • 66% Energy • 5% Liveness
2% Instrumentalness • 82% Positiveness
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Buffering the Vampire Slayer
Dead Man's Party
154 bpm • A Maj • 01:47 • -8.72db
8% Popularity • 78% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
8% Popularity • 78% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 82% Positiveness
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Geoff Carne
On Your Feet Boy!
204 bpm • F# Maj • 02:53 • -9.49db
19% Popularity • 61% Danceability • 41% Energy • 10% Liveness
2% Instrumentalness • 74% Positiveness
19% Popularity • 61% Danceability • 41% Energy • 10% Liveness
2% Instrumentalness • 74% Positiveness
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Maurice Gill
Sentry
153 bpm • G Maj • 04:09 • -12.72db
0% Popularity • 33% Danceability • 63% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
0% Popularity • 33% Danceability • 63% Energy • 37% Liveness
0% Instrumentalness • 37% Positiveness
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Liability Luke
Thermodynamic Lawyer
205 bpm • F min • 04:23 • -6.47db
10% Popularity • 20% Danceability • 72% Energy • 87% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 20% Danceability • 72% Energy • 87% Liveness
0% Instrumentalness • 46% Positiveness
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Paul & The Rudds
John Mayer Doing Stand-Up
153 bpm • D Maj • 01:06 • -7.64db
13% Popularity • 55% Danceability • 79% Energy • 14% Liveness
57% Instrumentalness • 49% Positiveness
13% Popularity • 55% Danceability • 79% Energy • 14% Liveness
57% Instrumentalness • 49% Positiveness
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Kate Micucci
Don't Be Scared of the Dark
152 bpm • D Maj • 01:40 • -7.57db
9% Popularity • 72% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
9% Popularity • 72% Danceability • 60% Energy • 30% Liveness
0% Instrumentalness • 48% Positiveness
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Patient Wolf
Naked
152 bpm • B min • 03:28 • -13.09db
16% Popularity • 44% Danceability • 70% Energy • 42% Liveness
0% Instrumentalness • 44% Positiveness
16% Popularity • 44% Danceability • 70% Energy • 42% Liveness
0% Instrumentalness • 44% Positiveness
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Mike Junior 1444
Lone
152 bpm • D# Maj • 05:08 • -7.63db
7% Popularity • 66% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
7% Popularity • 66% Danceability • 88% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
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House of Saturn
Sugar of Lead
152 bpm • D Maj • 03:59 • -6.84db
10% Popularity • 34% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
10% Popularity • 34% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Latrece Mcclunuy
Dandelions
152 bpm • C# min • 01:30 • -8.95db
25% Popularity • 48% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
25% Popularity • 48% Danceability • 70% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Scott Ruhs
Connect The Dots
150 bpm • A Maj • 04:08 • -3.04db
11% Popularity • 34% Danceability • 89% Energy • 26% Liveness
6% Instrumentalness • 61% Positiveness
11% Popularity • 34% Danceability • 89% Energy • 26% Liveness
6% Instrumentalness • 61% Positiveness
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SONNIE
In The Moonlight
151 bpm • C# Maj • 01:16 • -17.84db
15% Popularity • 59% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
15% Popularity • 59% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
