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Don't Fuck with Our Dreams
Songs like
Don't Fuck with Our Dreams
by
The Smith Street Band
Based on a tempo of (+/- 10%) and a similar genre
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Sly Withers
Sleep On The Weekends
147 bpm • C Maj • 03:49 • -7db
24% Popularity • 30% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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The Smith Street Band
Song For You
146 bpm • G# Maj • 03:59 • -6db
30% Popularity • 28% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Camp Cope
How to Socialise & Make Friends
146 bpm • B Maj • 03:14 • -6.39db
24% Popularity • 47% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 73% Positiveness
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Ceres
Viv in the Front Seat
146 bpm • C Maj • 03:21 • -4.99db
28% Popularity • 43% Danceability • 87% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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Beddy Rays
On My Own
146 bpm • B Maj • 03:21 • -3.01db
38% Popularity • 41% Danceability • 95% Energy • 40% Liveness
0% Instrumentalness • 49% Positiveness
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West Thebarton
Stuck on You
148 bpm • D Maj • 03:30 • -4db
19% Popularity • 48% Danceability • 93% Energy • 28% Liveness
0% Instrumentalness • 83% Positiveness
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Sly Withers
Sad Guy
147 bpm • A# Maj • 03:25 • -5.76db
31% Popularity • 43% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 20% Positiveness
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The Smith Street Band
Shine
147 bpm • B Maj • 03:46 • -4db
30% Popularity • 26% Danceability • 96% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Tired Lion
Drama Club
149 bpm • F Maj • 02:59 • -3.39db
19% Popularity • 40% Danceability • 94% Energy • 41% Liveness
1% Instrumentalness • 35% Positiveness
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Bleeding Knees Club
Chew The Gum
149 bpm • D Maj • 03:04 • -2.43db
20% Popularity • 51% Danceability • 92% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
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The Buoys
Make It Clear
145 bpm • G Maj • 02:21 • -4.87db
24% Popularity • 41% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
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Alex Lahey
Don’t Be So Hard On Yourself
149 bpm • C Maj • 04:18 • -5.34db
25% Popularity • 50% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Sly Withers
The Scientist
149 bpm • F Maj • 04:23 • -5.38db
33% Popularity • 46% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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The Smith Street Band
Why I Can't Draw
146 bpm • F# Maj • 03:36 • -4.26db
24% Popularity • 39% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Jebediah
She's Like a Comet
145 bpm • F# min • 03:43 • -3.83db
39% Popularity • 46% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Debbies
Waking Up In L.A.
145 bpm • A# Maj • 03:13 • -5.23db
23% Popularity • 53% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Lunatics On Pogosticks
Blood Clot
150 bpm • C Maj • 02:48 • -5.97db
21% Popularity • 36% Danceability • 91% Energy • 41% Liveness
0% Instrumentalness • 62% Positiveness
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The Pretty Littles
Skeleton Run
144 bpm • G# Maj • 03:55 • -3.85db
19% Popularity • 45% Danceability • 94% Energy • 35% Liveness
1% Instrumentalness • 39% Positiveness
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Wil Wagner
More Like Signals Midbest
150 bpm • E Maj • 03:28 • -6.87db
18% Popularity • 62% Danceability • 45% Energy • 29% Liveness
0% Instrumentalness • 61% Positiveness
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The Smith Street Band
Suffer
146 bpm • C Maj • 03:07 • -1.75db
23% Popularity • 38% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 51% Positiveness
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The Lazy Susans
Home Here With Your Friends
150 bpm • E Maj • 04:07 • -6db
18% Popularity • 53% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Teenage Joans
Wine
150 bpm • A Maj • 04:09 • -4.85db
33% Popularity • 55% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Suzi
It's Not A Competition
144 bpm • E Maj • 03:06 • -3.88db
30% Popularity • 53% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Pist Idiots
Princes
144 bpm • A min • 02:51 • -6.37db
20% Popularity • 32% Danceability • 63% Energy • 10% Liveness
1% Instrumentalness • 26% Positiveness
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The Pretty Littles
Sober
150 bpm • C Maj • 03:19 • -3.3db
31% Popularity • 35% Danceability • 93% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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The Smith Street Band
I Don't Wanna Do Nothing Forever
145 bpm • F# Maj • 04:05 • -4.64db
34% Popularity • 45% Danceability • 97% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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TOTTY
RIFF
151 bpm • G Maj • 03:17 • -12db
30% Popularity • 46% Danceability • 65% Energy • 31% Liveness
3% Instrumentalness • 45% Positiveness
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Ball Park Music
Sunscreen
151 bpm • F# Maj • 04:07 • -3.42db
33% Popularity • 36% Danceability • 94% Energy • 17% Liveness
6% Instrumentalness • 20% Positiveness
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Hockey Dad
I Need A Woman
143 bpm • C# Maj • 04:24 • -5.2db
44% Popularity • 34% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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Teen Jesus and the Jean Teasers
See You In A Bit (I Still Care)
143 bpm • F Maj • 04:07 • -6.3db
27% Popularity • 45% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
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The Hard Aches
We All Do
143 bpm • A Maj • 03:03 • -7.21db
19% Popularity • 46% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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The Smith Street Band
Chips & Gravy
149 bpm • F Maj • 02:29 • -5.28db
30% Popularity • 26% Danceability • 94% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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The Dead Love
My Friends
151 bpm • F min • 02:55 • -3.68db
40% Popularity • 57% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 40% Positiveness
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Bluejuice
Broken Leg
143 bpm • D Maj • 03:12 • -3.9db
49% Popularity • 54% Danceability • 83% Energy • 38% Liveness
0% Instrumentalness • 61% Positiveness
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Ruby Fields
Climate
143 bpm • D Maj • 03:09 • -4.88db
34% Popularity • 62% Danceability • 57% Energy • 10% Liveness
1% Instrumentalness • 47% Positiveness
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Ceres
Talking
143 bpm • D Maj • 03:04 • -5.59db
12% Popularity • 22% Danceability • 85% Energy • 17% Liveness
1% Instrumentalness • 44% Positiveness
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The Pretty Littles
Pride
151 bpm • E Maj • 03:15 • -2.75db
20% Popularity • 20% Danceability • 92% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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The Smith Street Band
I Ain't Safe
149 bpm • C# Maj • 04:53 • -4.43db
19% Popularity • 35% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Gang of Youths
The Deepest Sighs, the Frankest Shadows
152 bpm • C Maj • 05:51 • -6db
48% Popularity • 36% Danceability • 81% Energy • 14% Liveness
1% Instrumentalness • 14% Positiveness
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Sly Withers
Clarkson
152 bpm • D Maj • 02:57 • -5.19db
35% Popularity • 42% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Ruby Fields
Dodgy Neighbours (& Tax Evaders)
152 bpm • D Maj • 02:28 • -4.57db
30% Popularity • 58% Danceability • 78% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Semantics
Maximilian
152 bpm • G# Maj • 02:55 • -7.26db
27% Popularity • 41% Danceability • 90% Energy • 22% Liveness
2% Instrumentalness • 59% Positiveness
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Ceres
Laundry Echo
143 bpm • C Maj • 02:26 • -7.74db
12% Popularity • 47% Danceability • 55% Energy • 11% Liveness
5% Instrumentalness • 7% Positiveness
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The Smith Street Band
Sunshine And Technology
152 bpm • E Maj • 03:51 • -7.15db
24% Popularity • 33% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Polish Club
My House
152 bpm • C# Maj • 02:08 • -2.35db
27% Popularity • 19% Danceability • 97% Energy • 4% Liveness
0% Instrumentalness • 10% Positiveness
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The Pretty Littles
Sinkin' feeling
142 bpm • E Maj • 03:17 • -3.25db
22% Popularity • 29% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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West Thebarton
Basics
142 bpm • F# min • 01:35 • -3.37db
22% Popularity • 52% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Pist Idiots
Another Clown
142 bpm • D Maj • 02:36 • -4.57db
26% Popularity • 36% Danceability • 90% Energy • 13% Liveness
7% Instrumentalness • 38% Positiveness
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Children Collide
Social Currency
152 bpm • G Maj • 03:53 • -3.38db
29% Popularity • 42% Danceability • 97% Energy • 36% Liveness
45% Instrumentalness • 68% Positiveness
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The Smith Street Band
Run Into The World
150 bpm • F# Maj • 04:55 • -5.45db
24% Popularity • 56% Danceability • 46% Energy • 35% Liveness
0% Instrumentalness • 53% Positiveness
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Seathru
Good Attitude
142 bpm • A Maj • 03:04 • -6db
26% Popularity • 53% Danceability • 77% Energy • 30% Liveness
0% Instrumentalness • 45% Positiveness
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Dear Seattle
A Modest Mind
142 bpm • G Maj • 03:02 • -3.89db
19% Popularity • 48% Danceability • 91% Energy • 18% Liveness
0% Instrumentalness • 26% Positiveness
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Football Club
This Isn't Who I Am
142 bpm • F Maj • 03:20 • -6.45db
21% Popularity • 55% Danceability • 85% Energy • 51% Liveness
0% Instrumentalness • 78% Positiveness
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Ball Park Music
Exactly How You Are
141 bpm • A Maj • 03:36 • -5.66db
45% Popularity • 44% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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The Pretty Littles
Force
153 bpm • G min • 04:31 • -3.15db
26% Popularity • 29% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
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The Smith Street Band
Life After Football
144 bpm • G# Maj • 04:45 • -5.64db
29% Popularity • 25% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 40% Positiveness
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TOTTY
Uncomfortable
153 bpm • F# Maj • 02:44 • -5.53db
14% Popularity • 41% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Ali Barter
Girlie Bits
153 bpm • E Maj • 03:11 • -6.5db
29% Popularity • 47% Danceability • 80% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Football Club
Ivy
141 bpm • G Maj • 05:07 • -10.31db
29% Popularity • 40% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Sly Withers
Passing Through
141 bpm • A Maj • 03:55 • -5db
32% Popularity • 53% Danceability • 84% Energy • 29% Liveness
0% Instrumentalness • 73% Positiveness
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The Hard Aches
St Helens
141 bpm • E Maj • 02:59 • -6.43db
29% Popularity • 71% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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The Smith Street Band
I Want Friends
151 bpm • G Maj • 03:56 • -4.6db
26% Popularity • 28% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Ruby Fields
Song About A Boy
154 bpm • F Maj • 03:49 • -4.57db
32% Popularity • 41% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 24% Positiveness
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Ali Barter
Cigarette
154 bpm • G Maj • 03:09 • -5.76db
21% Popularity • 49% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Wil Wagner
Eviction Notices
140 bpm • B Maj • 01:56 • -5.75db
14% Popularity • 54% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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The Bennies
Natural Born Chillers
140 bpm • G Maj • 02:27 • -4.92db
16% Popularity • 77% Danceability • 85% Energy • 4% Liveness
0% Instrumentalness • 98% Positiveness
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The Hard Aches
Pheromones
140 bpm • G# min • 03:10 • -6.47db
22% Popularity • 46% Danceability • 59% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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The Pretty Littles
Serve Yourself
154 bpm • C Maj • 02:26 • -3.42db
33% Popularity • 37% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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The Smith Street Band
Young Drunk
142 bpm • G Maj • 04:36 • -4.61db
41% Popularity • 36% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Ruby Fields
Dinosaurs
154 bpm • A# Maj • 03:52 • -9db
47% Popularity • 48% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Tired Lion
Breakfast For Pathetics
140 bpm • G Maj • 03:07 • -4.74db
18% Popularity • 50% Danceability • 88% Energy • 9% Liveness
1% Instrumentalness • 46% Positiveness
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Beddy Rays
Handful
140 bpm • B Maj • 03:03 • -4.01db
43% Popularity • 44% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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TOWNS
Sun
140 bpm • A Maj • 03:57 • -4.87db
12% Popularity • 51% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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WAAX
Nothing Is Always
140 bpm • F min • 03:12 • -4.29db
31% Popularity • 51% Danceability • 96% Energy • 28% Liveness
3% Instrumentalness • 69% Positiveness
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The Smith Street Band
Rooftops
154 bpm • C Maj • 02:45 • -5.05db
24% Popularity • 43% Danceability • 62% Energy • 23% Liveness
0% Instrumentalness • 81% Positiveness
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Children Collide
My Eagle
140 bpm • D Maj • 02:49 • -3.4db
29% Popularity • 53% Danceability • 88% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Tired Lion
Lie To Me
140 bpm • G Maj • 02:07 • -4.23db
25% Popularity • 42% Danceability • 90% Energy • 15% Liveness
1% Instrumentalness • 55% Positiveness
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Pist Idiots
Sweet Headache
140 bpm • C Maj • 03:53 • -4db
31% Popularity • 40% Danceability • 97% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Polish Club
Divided
140 bpm • F Maj • 03:28 • -4.42db
27% Popularity • 26% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 14% Positiveness
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Semantics
Bluelight
155 bpm • C# Maj • 03:52 • -8.1db
14% Popularity • 45% Danceability • 87% Energy • 32% Liveness
0% Instrumentalness • 53% Positiveness
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The Smith Street Band
Big Smoke
140 bpm • A# Maj • 03:31 • -4.94db
26% Popularity • 35% Danceability • 81% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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White Blanks
Get Better
140 bpm • E Maj • 04:00 • -11db
30% Popularity • 34% Danceability • 72% Energy • 16% Liveness
82% Instrumentalness • 48% Positiveness
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Horror My Friend
Stay In
155 bpm • B Maj • 03:37 • -4.01db
8% Popularity • 26% Danceability • 92% Energy • 15% Liveness
2% Instrumentalness • 45% Positiveness
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The Buoys
Blues Point Road
155 bpm • C# min • 02:46 • -3.28db
28% Popularity • 49% Danceability • 95% Energy • 40% Liveness
1% Instrumentalness • 35% Positiveness
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TOWNS
Safe to Stay
155 bpm • B Maj • 03:52 • -11db
25% Popularity • 41% Danceability • 81% Energy • 12% Liveness
3% Instrumentalness • 57% Positiveness
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Children Collide
Across The Earth
155 bpm • A# Maj • 03:56 • -4.09db
28% Popularity • 48% Danceability • 94% Energy • 13% Liveness
25% Instrumentalness • 25% Positiveness
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The Smith Street Band
Postcodes (For People Who Will Not Arres...
140 bpm • D# Maj • 04:30 • -4.79db
18% Popularity • 43% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Verge Collection
Class of '09
139 bpm • G Maj • 03:09 • -6db
28% Popularity • 55% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Camp Cope
Done
155 bpm • E Maj • 04:47 • -4.61db
25% Popularity • 29% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Teenage Joans
Terrible
156 bpm • B Maj • 03:38 • -4.22db
28% Popularity • 27% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Ceres
Choke
139 bpm • E Maj • 04:30 • -9.85db
16% Popularity • 30% Danceability • 38% Energy • 12% Liveness
1% Instrumentalness • 14% Positiveness
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The Pretty Littles
School
156 bpm • C Maj • 02:09 • -4.34db
33% Popularity • 38% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Beddy Rays
Better In Blak - triple j Like A Version
156 bpm • C# min • 03:00 • -12.19db
37% Popularity • 31% Danceability • 72% Energy • 10% Liveness
4% Instrumentalness • 41% Positiveness
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Teen Jesus and the Jean Teasers
Miss Your Birthday
156 bpm • D Maj • 02:48 • -5.09db
27% Popularity • 53% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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Camp Cope
Lost (Season One)
156 bpm • A Maj • 03:52 • -3.07db
29% Popularity • 30% Danceability • 86% Energy • 10% Liveness
4% Instrumentalness • 68% Positiveness
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WAAX
FU
156 bpm • G min • 03:47 • -3.48db
33% Popularity • 27% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Children Collide
Jellylegs
156 bpm • D min • 03:38 • -3.49db
41% Popularity • 48% Danceability • 95% Energy • 34% Liveness
0% Instrumentalness • 38% Positiveness
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Semantics
Sleep at Night
156 bpm • A# Maj • 03:22 • -3.87db
22% Popularity • 45% Danceability • 96% Energy • 43% Liveness
0% Instrumentalness • 49% Positiveness
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The Smith Street Band
25
156 bpm • C# Maj • 04:08 • -3.05db
24% Popularity • 19% Danceability • 93% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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Faker
Are You Magnetic?
138 bpm • D Maj • 03:50 • -3.87db
29% Popularity • 45% Danceability • 97% Energy • 86% Liveness
0% Instrumentalness • 29% Positiveness
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Don't Fuck with Our Dreams