Songs like Don't Hurt (feat. Brezy) by Mike Williams
Based on a tempo of (+/- 10%) and a similar genre
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Mike Williams
AIR
128 bpm • B min • 02:25 • -5.24db
24% Popularity • 59% Danceability • 83% Energy • 21% Liveness
78% Instrumentalness • 23% Positiveness
24% Popularity • 59% Danceability • 83% Energy • 21% Liveness
78% Instrumentalness • 23% Positiveness
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Axwell /\ Ingrosso
Dawn
128 bpm • D# min • 05:32 • -6.75db
37% Popularity • 52% Danceability • 68% Energy • 7% Liveness
79% Instrumentalness • 15% Positiveness
37% Popularity • 52% Danceability • 68% Energy • 7% Liveness
79% Instrumentalness • 15% Positiveness
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Carta
Shanghai
128 bpm • F# min • 02:46 • -5.44db
35% Popularity • 61% Danceability • 71% Energy • 29% Liveness
7% Instrumentalness • 28% Positiveness
35% Popularity • 61% Danceability • 71% Energy • 29% Liveness
7% Instrumentalness • 28% Positiveness
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Maddix
Follow Me
128 bpm • B Maj • 03:06 • -7.23db
40% Popularity • 57% Danceability • 82% Energy • 44% Liveness
16% Instrumentalness • 7% Positiveness
40% Popularity • 57% Danceability • 82% Energy • 44% Liveness
16% Instrumentalness • 7% Positiveness
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Arc North
Never Gonna - Radio Edit
128 bpm • F# min • 03:23 • -3.98db
40% Popularity • 58% Danceability • 93% Energy • 34% Liveness
1% Instrumentalness • 29% Positiveness
40% Popularity • 58% Danceability • 93% Energy • 34% Liveness
1% Instrumentalness • 29% Positiveness
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R3HAB
Lullaby - GATTÃœSO Remix
128 bpm • C# min • 03:42 • -6.28db
37% Popularity • 49% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
37% Popularity • 49% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Mike Williams
When The Sun Is Gone
128 bpm • B Maj • 02:58 • -4.65db
20% Popularity • 61% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 61% Danceability • 93% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Brooks
Pinball - Radio Edit
128 bpm • F min • 03:44 • -3.39db
30% Popularity • 60% Danceability • 92% Energy • 29% Liveness
87% Instrumentalness • 70% Positiveness
30% Popularity • 60% Danceability • 92% Energy • 29% Liveness
87% Instrumentalness • 70% Positiveness
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Maurice West
Don't You Say
128 bpm • C# Maj • 03:10 • -5db
32% Popularity • 58% Danceability • 91% Energy • 35% Liveness
92% Instrumentalness • 46% Positiveness
32% Popularity • 58% Danceability • 91% Energy • 35% Liveness
92% Instrumentalness • 46% Positiveness
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Brynny
Thinking Too Much
128 bpm • B min • 03:52 • -6db
32% Popularity • 87% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 87% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 28% Positiveness
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W&W
Rave Culture
128 bpm • F min • 02:45 • -2.88db
43% Popularity • 56% Danceability • 97% Energy • 36% Liveness
70% Instrumentalness • 30% Positiveness
43% Popularity • 56% Danceability • 97% Energy • 36% Liveness
70% Instrumentalness • 30% Positiveness
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Zedd
Beautiful Now
128 bpm • B min • 03:38 • -4.13db
68% Popularity • 63% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
68% Popularity • 63% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Mike Williams
Konnichiwa
128 bpm • D Maj • 03:51 • -4.81db
33% Popularity • 70% Danceability • 91% Energy • 10% Liveness
44% Instrumentalness • 52% Positiveness
33% Popularity • 70% Danceability • 91% Energy • 10% Liveness
44% Instrumentalness • 52% Positiveness
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Wasback
Rise Again
128 bpm • D min • 03:20 • -4db
12% Popularity • 51% Danceability • 94% Energy • 80% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 51% Danceability • 94% Energy • 80% Liveness
0% Instrumentalness • 38% Positiveness
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Hogland
Ruled the World
128 bpm • D# Maj • 03:03 • -5db
36% Popularity • 56% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
36% Popularity • 56% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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CALVO
On The Move
128 bpm • A# min • 02:35 • -3.93db
49% Popularity • 61% Danceability • 96% Energy • 7% Liveness
64% Instrumentalness • 36% Positiveness
49% Popularity • 61% Danceability • 96% Energy • 7% Liveness
64% Instrumentalness • 36% Positiveness
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Dualmind
Boomslang
128 bpm • D# Maj • 03:37 • -4.42db
12% Popularity • 61% Danceability • 96% Energy • 24% Liveness
8% Instrumentalness • 30% Positiveness
12% Popularity • 61% Danceability • 96% Energy • 24% Liveness
8% Instrumentalness • 30% Positiveness
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David Guetta
Better When You're Gone
128 bpm • C# min • 03:12 • -3.55db
58% Popularity • 65% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
58% Popularity • 65% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 41% Positiveness
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Mike Williams
Step Up
128 bpm • C# Maj • 02:45 • -3.29db
23% Popularity • 61% Danceability • 95% Energy • 33% Liveness
82% Instrumentalness • 33% Positiveness
23% Popularity • 61% Danceability • 95% Energy • 33% Liveness
82% Instrumentalness • 33% Positiveness
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STVCKS
Don't Be Scared
128 bpm • C# min • 02:49 • -1db
29% Popularity • 61% Danceability • 93% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 61% Danceability • 93% Energy • 28% Liveness
0% Instrumentalness • 19% Positiveness
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Third Party
Live Forever
128 bpm • D# Maj • 04:01 • -4.52db
42% Popularity • 56% Danceability • 92% Energy • 52% Liveness
0% Instrumentalness • 28% Positiveness
42% Popularity • 56% Danceability • 92% Energy • 52% Liveness
0% Instrumentalness • 28% Positiveness
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Ummet Ozcan
Krypton
128 bpm • F# min • 04:04 • -4.46db
33% Popularity • 60% Danceability • 96% Energy • 38% Liveness
79% Instrumentalness • 4% Positiveness
33% Popularity • 60% Danceability • 96% Energy • 38% Liveness
79% Instrumentalness • 4% Positiveness
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Jason Gewalt
Done With You
128 bpm • C# min • 03:23 • -5.04db
13% Popularity • 60% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 60% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Our Psych
Misae - Radio Edit
128 bpm • D# min • 03:28 • -5db
28% Popularity • 70% Danceability • 93% Energy • 9% Liveness
62% Instrumentalness • 50% Positiveness
28% Popularity • 70% Danceability • 93% Energy • 9% Liveness
62% Instrumentalness • 50% Positiveness
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Mike Williams
Don't Hurt
128 bpm • C# min • 03:35 • -6.07db
43% Popularity • 65% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
43% Popularity • 65% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 31% Positiveness
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DJ Snake
Let's Get Ill
128 bpm • G# Maj • 04:16 • -5.08db
43% Popularity • 70% Danceability • 99% Energy • 8% Liveness
4% Instrumentalness • 12% Positiveness
43% Popularity • 70% Danceability • 99% Energy • 8% Liveness
4% Instrumentalness • 12% Positiveness
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Sander van Doorn
No Words
128 bpm • F Maj • 03:47 • -4db
36% Popularity • 46% Danceability • 73% Energy • 66% Liveness
0% Instrumentalness • 14% Positiveness
36% Popularity • 46% Danceability • 73% Energy • 66% Liveness
0% Instrumentalness • 14% Positiveness
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Dada Life
We Want Your Soul - Mike Williams Remix
128 bpm • D# Maj • 02:58 • -4.71db
25% Popularity • 62% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 62% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Brooks
Close - Brooks Remix
128 bpm • A# min • 03:50 • -3.94db
48% Popularity • 68% Danceability • 94% Energy • 24% Liveness
1% Instrumentalness • 21% Positiveness
48% Popularity • 68% Danceability • 94% Energy • 24% Liveness
1% Instrumentalness • 21% Positiveness
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Tiësto
Coming Home
128 bpm • C min • 02:16 • -2.96db
44% Popularity • 80% Danceability • 95% Energy • 20% Liveness
52% Instrumentalness • 55% Positiveness
44% Popularity • 80% Danceability • 95% Energy • 20% Liveness
52% Instrumentalness • 55% Positiveness
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Mike Williams
Take Me There - Extended Mix
128 bpm • C# Maj • 03:33 • -4.05db
15% Popularity • 64% Danceability • 88% Energy • 3% Liveness
78% Instrumentalness • 45% Positiveness
15% Popularity • 64% Danceability • 88% Energy • 3% Liveness
78% Instrumentalness • 45% Positiveness
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Bougenvilla
Utami
128 bpm • G Maj • 02:37 • -5db
35% Popularity • 65% Danceability • 92% Energy • 31% Liveness
81% Instrumentalness • 31% Positiveness
35% Popularity • 65% Danceability • 92% Energy • 31% Liveness
81% Instrumentalness • 31% Positiveness
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Sikdope
Snakes
128 bpm • B Maj • 02:54 • -1.61db
45% Popularity • 86% Danceability • 96% Energy • 18% Liveness
72% Instrumentalness • 8% Positiveness
45% Popularity • 86% Danceability • 96% Energy • 18% Liveness
72% Instrumentalness • 8% Positiveness
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DJ BabyGal
Wings to Fly
128 bpm • G min • 03:10 • -4.76db
29% Popularity • 57% Danceability • 92% Energy • 28% Liveness
45% Instrumentalness • 26% Positiveness
29% Popularity • 57% Danceability • 92% Energy • 28% Liveness
45% Instrumentalness • 26% Positiveness
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Brooks
Riot
128 bpm • B min • 02:52 • -3.73db
31% Popularity • 71% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 71% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Galantis
True Feeling
128 bpm • E Maj • 03:59 • -4.1db
46% Popularity • 58% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
46% Popularity • 58% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Mike Williams
Bambini
128 bpm • C# Maj • 02:42 • -4.94db
32% Popularity • 48% Danceability • 92% Energy • 12% Liveness
68% Instrumentalness • 11% Positiveness
32% Popularity • 48% Danceability • 92% Energy • 12% Liveness
68% Instrumentalness • 11% Positiveness
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Axwell /\ Ingrosso
How Do You Feel Right Now
128 bpm • G# min • 02:59 • -4.08db
46% Popularity • 71% Danceability • 92% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
46% Popularity • 71% Danceability • 92% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
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Martin Jensen
Night After Night - Radio Edit
128 bpm • E min • 02:38 • -5.27db
42% Popularity • 66% Danceability • 97% Energy • 32% Liveness
69% Instrumentalness • 40% Positiveness
42% Popularity • 66% Danceability • 97% Energy • 32% Liveness
69% Instrumentalness • 40% Positiveness
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Showtek
We Like to Party - Original Mix
128 bpm • B min • 04:40 • -4.66db
49% Popularity • 59% Danceability • 91% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
49% Popularity • 59% Danceability • 91% Energy • 10% Liveness
94% Instrumentalness • 18% Positiveness
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Brooks
Lynx
128 bpm • F Maj • 03:28 • -6.62db
37% Popularity • 63% Danceability • 79% Energy • 12% Liveness
94% Instrumentalness • 34% Positiveness
37% Popularity • 63% Danceability • 79% Energy • 12% Liveness
94% Instrumentalness • 34% Positiveness
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Galantis
Pillow Fight
128 bpm • E Maj • 03:17 • -3.88db
31% Popularity • 52% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 52% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Mike Williams
When The Sun Is Gone - Extended Mix
128 bpm • B Maj • 04:11 • -5.29db
4% Popularity • 70% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
4% Popularity • 70% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Will Sparks
Ah Yeah So What - Radio Edit
128 bpm • C Maj • 03:15 • -3.91db
46% Popularity • 68% Danceability • 96% Energy • 18% Liveness
65% Instrumentalness • 66% Positiveness
46% Popularity • 68% Danceability • 96% Energy • 18% Liveness
65% Instrumentalness • 66% Positiveness
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Thomas Gold
Take Me Home
128 bpm • C# Maj • 03:30 • -4.48db
31% Popularity • 50% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 50% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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ARTY
Tim
128 bpm • E Maj • 03:46 • -5.41db
39% Popularity • 25% Danceability • 91% Energy • 14% Liveness
85% Instrumentalness • 32% Positiveness
39% Popularity • 25% Danceability • 91% Energy • 14% Liveness
85% Instrumentalness • 32% Positiveness
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Brooks
If Only I Could
128 bpm • D# min • 05:05 • -3.06db
30% Popularity • 66% Danceability • 92% Energy • 9% Liveness
1% Instrumentalness • 29% Positiveness
30% Popularity • 66% Danceability • 92% Energy • 9% Liveness
1% Instrumentalness • 29% Positiveness
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Justin Mylo
Live Like This
128 bpm • F min • 03:03 • -6.6db
30% Popularity • 56% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
30% Popularity • 56% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
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Mike Williams
The Beat
128 bpm • G min • 02:42 • -1.84db
50% Popularity • 56% Danceability • 95% Energy • 27% Liveness
17% Instrumentalness • 79% Positiveness
50% Popularity • 56% Danceability • 95% Energy • 27% Liveness
17% Instrumentalness • 79% Positiveness
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Ryos
Only You
128 bpm • G# min • 03:50 • -6.02db
30% Popularity • 43% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 43% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 20% Positiveness
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DVBBS
Angel
128 bpm • G min • 03:29 • -4.96db
34% Popularity • 51% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 51% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
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Third Party
Everyday Of My Life
128 bpm • D min • 06:19 • -5.22db
34% Popularity • 62% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
34% Popularity • 62% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Brooks
Make Your Move
128 bpm • A Maj • 03:13 • -4.65db
25% Popularity • 58% Danceability • 91% Energy • 62% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 58% Danceability • 91% Energy • 62% Liveness
0% Instrumentalness • 46% Positiveness
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Justin Mylo
Won't Stop
128 bpm • C# Maj • 03:18 • -6.29db
41% Popularity • 68% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
41% Popularity • 68% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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Mike Williams
Take Me There
128 bpm • F min • 02:35 • -4.02db
28% Popularity • 55% Danceability • 98% Energy • 4% Liveness
77% Instrumentalness • 17% Positiveness
28% Popularity • 55% Danceability • 98% Energy • 4% Liveness
77% Instrumentalness • 17% Positiveness
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Sagan
We Are Lost
128 bpm • F# min • 03:03 • -3.2db
18% Popularity • 70% Danceability • 95% Energy • 11% Liveness
10% Instrumentalness • 29% Positiveness
18% Popularity • 70% Danceability • 95% Energy • 11% Liveness
10% Instrumentalness • 29% Positiveness
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W&W
How Many
128 bpm • E min • 02:48 • -3.55db
46% Popularity • 55% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
46% Popularity • 55% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Maurice West
Rhythm Of The Night
128 bpm • D# min • 03:01 • -3.3db
50% Popularity • 51% Danceability • 86% Energy • 64% Liveness
0% Instrumentalness • 24% Positiveness
50% Popularity • 51% Danceability • 86% Energy • 64% Liveness
0% Instrumentalness • 24% Positiveness
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Brooks
If Only I Could - Radio Edit
128 bpm • D# min • 04:21 • -3.28db
42% Popularity • 64% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 14% Positiveness
42% Popularity • 64% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 14% Positiveness
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Janieck
Feel The Love - Mike Williams Remix
128 bpm • D# min • 03:49 • -4.54db
19% Popularity • 70% Danceability • 90% Energy • 4% Liveness
5% Instrumentalness • 44% Positiveness
19% Popularity • 70% Danceability • 90% Energy • 4% Liveness
5% Instrumentalness • 44% Positiveness
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Mike Williams
Jetlag
128 bpm • C# Maj • 02:22 • -3.07db
40% Popularity • 66% Danceability • 95% Energy • 15% Liveness
79% Instrumentalness • 49% Positiveness
40% Popularity • 66% Danceability • 95% Energy • 15% Liveness
79% Instrumentalness • 49% Positiveness
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Bougenvilla
Amazon
128 bpm • G min • 03:22 • -2.71db
22% Popularity • 61% Danceability • 99% Energy • 24% Liveness
80% Instrumentalness • 35% Positiveness
22% Popularity • 61% Danceability • 99% Energy • 24% Liveness
80% Instrumentalness • 35% Positiveness
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Deorro
Bring It Back
128 bpm • F Maj • 02:45 • -4.06db
50% Popularity • 76% Danceability • 90% Energy • 44% Liveness
84% Instrumentalness • 52% Positiveness
50% Popularity • 76% Danceability • 90% Energy • 44% Liveness
84% Instrumentalness • 52% Positiveness
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Jay Hardway
Save Me
128 bpm • C# Maj • 02:34 • -3.45db
34% Popularity • 69% Danceability • 89% Energy • 34% Liveness
36% Instrumentalness • 38% Positiveness
34% Popularity • 69% Danceability • 89% Energy • 34% Liveness
36% Instrumentalness • 38% Positiveness
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Danell Arma
Gargantua
128 bpm • D min • 03:43 • -9.06db
20% Popularity • 66% Danceability • 87% Energy • 15% Liveness
49% Instrumentalness • 7% Positiveness
20% Popularity • 66% Danceability • 87% Energy • 15% Liveness
49% Instrumentalness • 7% Positiveness
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Syzz
90s Better
128 bpm • C# Maj • 02:48 • -2.57db
28% Popularity • 71% Danceability • 99% Energy • 13% Liveness
26% Instrumentalness • 68% Positiveness
28% Popularity • 71% Danceability • 99% Energy • 13% Liveness
26% Instrumentalness • 68% Positiveness
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Mike Williams
I Hope You Know
128 bpm • G Maj • 03:19 • -4.99db
31% Popularity • 70% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
31% Popularity • 70% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Bougenvilla
Nagini
128 bpm • C Maj • 02:47 • -3.91db
29% Popularity • 65% Danceability • 85% Energy • 10% Liveness
89% Instrumentalness • 56% Positiveness
29% Popularity • 65% Danceability • 85% Energy • 10% Liveness
89% Instrumentalness • 56% Positiveness
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Deorro
Five More Hours
128 bpm • F min • 03:31 • -3.23db
73% Popularity • 70% Danceability • 88% Energy • 82% Liveness
0% Instrumentalness • 50% Positiveness
73% Popularity • 70% Danceability • 88% Energy • 82% Liveness
0% Instrumentalness • 50% Positiveness
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Jay Hardway
Stardust
128 bpm • F min • 03:23 • -4.73db
35% Popularity • 65% Danceability • 77% Energy • 72% Liveness
29% Instrumentalness • 12% Positiveness
35% Popularity • 65% Danceability • 77% Energy • 72% Liveness
29% Instrumentalness • 12% Positiveness
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Ryos
Where We Are
128 bpm • B min • 04:03 • -3.08db
34% Popularity • 51% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 51% Danceability • 89% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Justin Mylo
Not Afraid
128 bpm • A Maj • 03:21 • -5.43db
30% Popularity • 62% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
30% Popularity • 62% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Mike Williams
Harmony
128 bpm • A min • 02:34 • -4.61db
36% Popularity • 70% Danceability • 87% Energy • 10% Liveness
3% Instrumentalness • 59% Positiveness
36% Popularity • 70% Danceability • 87% Energy • 10% Liveness
3% Instrumentalness • 59% Positiveness
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Dirty Palm
Flowers
128 bpm • D min • 03:18 • -2.64db
38% Popularity • 68% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
38% Popularity • 68% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Martin Garrix
WIEE
128 bpm • C# Maj • 03:23 • -7.78db
38% Popularity • 52% Danceability • 84% Energy • 7% Liveness
86% Instrumentalness • 37% Positiveness
38% Popularity • 52% Danceability • 84% Energy • 7% Liveness
86% Instrumentalness • 37% Positiveness
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Will Sparks
Take Me
128 bpm • C# min • 04:00 • -3.55db
49% Popularity • 66% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
49% Popularity • 66% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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VAVO
Astronomia 2K17
128 bpm • F# min • 03:41 • -5.51db
28% Popularity • 61% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 61% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 31% Positiveness
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Maurice West
Dojo
128 bpm • F# min • 03:01 • -4.08db
37% Popularity • 59% Danceability • 96% Energy • 32% Liveness
17% Instrumentalness • 17% Positiveness
37% Popularity • 59% Danceability • 96% Energy • 32% Liveness
17% Instrumentalness • 17% Positiveness
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Mike Williams
Sweet & Sour
128 bpm • C# Maj • 02:57 • -5.51db
27% Popularity • 58% Danceability • 92% Energy • 14% Liveness
86% Instrumentalness • 38% Positiveness
27% Popularity • 58% Danceability • 92% Energy • 14% Liveness
86% Instrumentalness • 38% Positiveness
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David Guetta
Like I Do
128 bpm • C min • 03:21 • -4.91db
52% Popularity • 67% Danceability • 87% Energy • 16% Liveness
1% Instrumentalness • 19% Positiveness
52% Popularity • 67% Danceability • 87% Energy • 16% Liveness
1% Instrumentalness • 19% Positiveness
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Brooks
Hold It Down
128 bpm • G Maj • 03:45 • -4.39db
31% Popularity • 61% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 61% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 28% Positiveness
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Justin Mylo
Chasing Shadows
128 bpm • C min • 03:14 • -5.65db
44% Popularity • 58% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
44% Popularity • 58% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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DVBBS
Ur on My Mind
128 bpm • G Maj • 03:31 • -2.13db
37% Popularity • 51% Danceability • 92% Energy • 43% Liveness
0% Instrumentalness • 41% Positiveness
37% Popularity • 51% Danceability • 92% Energy • 43% Liveness
0% Instrumentalness • 41% Positiveness
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W&W
Caribbean Rave
128 bpm • E min • 02:31 • -1.54db
49% Popularity • 60% Danceability • 90% Energy • 63% Liveness
0% Instrumentalness • 67% Positiveness
49% Popularity • 60% Danceability • 90% Energy • 63% Liveness
0% Instrumentalness • 67% Positiveness
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Mike Williams
I Hope You Know - WENHOV Remix
128 bpm • D Maj • 03:00 • -7.65db
6% Popularity • 73% Danceability • 73% Energy • 41% Liveness
0% Instrumentalness • 7% Positiveness
6% Popularity • 73% Danceability • 73% Energy • 41% Liveness
0% Instrumentalness • 7% Positiveness
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Steve Angello
Break Me Down
128 bpm • A# min • 03:57 • -7.03db
31% Popularity • 58% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
31% Popularity • 58% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Brooks
Boomerang
128 bpm • A min • 03:15 • -3.08db
46% Popularity • 65% Danceability • 95% Energy • 6% Liveness
13% Instrumentalness • 37% Positiveness
46% Popularity • 65% Danceability • 95% Energy • 6% Liveness
13% Instrumentalness • 37% Positiveness
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Deorro
Goin Up
128 bpm • F min • 02:42 • -5.79db
35% Popularity • 76% Danceability • 76% Energy • 11% Liveness
2% Instrumentalness • 42% Positiveness
35% Popularity • 76% Danceability • 76% Energy • 11% Liveness
2% Instrumentalness • 42% Positiveness
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Justin Mylo
Cheap Motel
128 bpm • G# Maj • 03:10 • -3.95db
21% Popularity • 68% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 68% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 57% Positiveness
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W&W
Rave After Rave
128 bpm • F# min • 02:41 • -3.21db
50% Popularity • 64% Danceability • 91% Energy • 37% Liveness
1% Instrumentalness • 47% Positiveness
50% Popularity • 64% Danceability • 91% Energy • 37% Liveness
1% Instrumentalness • 47% Positiveness
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Banghook
All The Way High - Radio Mix
128 bpm • G min • 03:28 • -3.04db
26% Popularity • 63% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 63% Danceability • 87% Energy • 36% Liveness
0% Instrumentalness • 31% Positiveness
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Mike Williams
Day Or Night
128 bpm • F min • 02:54 • -4.09db
42% Popularity • 62% Danceability • 88% Energy • 10% Liveness
9% Instrumentalness • 53% Positiveness
42% Popularity • 62% Danceability • 88% Energy • 10% Liveness
9% Instrumentalness • 53% Positiveness
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Tom & Jame
All Day
128 bpm • F min • 03:07 • -3.74db
10% Popularity • 66% Danceability • 84% Energy • 45% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 66% Danceability • 84% Energy • 45% Liveness
0% Instrumentalness • 48% Positiveness
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IZECOLD
Close
128 bpm • C# Maj • 03:07 • -5.3db
39% Popularity • 56% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
39% Popularity • 56% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 31% Positiveness
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STVCKS
Different Place
128 bpm • A# min • 02:51 • -3.6db
29% Popularity • 66% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
29% Popularity • 66% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Third Party
Free
128 bpm • D# Maj • 03:48 • -4.17db
45% Popularity • 48% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 48% Danceability • 92% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Deorro
I Can Be Somebody
128 bpm • C Maj • 04:37 • -8.4db
49% Popularity • 63% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
49% Popularity • 63% Danceability • 48% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Mike Williams
Pretty Little Words
128 bpm • G min • 03:54 • -6.24db
29% Popularity • 61% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 61% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 37% Positiveness
