Songs like Don't Leave Me This Way - Single Version by Thelma Houston
Based on a tempo of (+/- 10%) and a similar genre
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Cher
Take Me Home
122 bpm • E Maj • 06:43 • -12.36db
42% Popularity • 71% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 89% Positiveness
42% Popularity • 71% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 89% Positiveness
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The Philadelphia International All-Stars
Let's Clean Up the Ghetto - 12" Version
122 bpm • A min • 08:41 • -9db
38% Popularity • 82% Danceability • 72% Energy • 5% Liveness
1% Instrumentalness • 95% Positiveness
38% Popularity • 82% Danceability • 72% Energy • 5% Liveness
1% Instrumentalness • 95% Positiveness
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Billy Ocean
When the Going Gets Tough, The Tough Get...
122 bpm • E Maj • 04:08 • -6.32db
61% Popularity • 76% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
61% Popularity • 76% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
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Gibson Brothers
Cuba
122 bpm • D# min • 07:19 • -9.14db
38% Popularity • 68% Danceability • 90% Energy • 6% Liveness
34% Instrumentalness • 96% Positiveness
38% Popularity • 68% Danceability • 90% Energy • 6% Liveness
34% Instrumentalness • 96% Positiveness
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Gino Soccio
Dancer
122 bpm • B min • 08:28 • -10db
44% Popularity • 90% Danceability • 34% Energy • 3% Liveness
55% Instrumentalness • 39% Positiveness
44% Popularity • 90% Danceability • 34% Energy • 3% Liveness
55% Instrumentalness • 39% Positiveness
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Thelma Houston
I'm Here Again
122 bpm • A# min • 04:02 • -7db
18% Popularity • 49% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 49% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Sheena Easton
Morning Train (Nine to Five) - Edit
122 bpm • F min • 03:20 • -8.87db
61% Popularity • 76% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
61% Popularity • 76% Danceability • 56% Energy • 15% Liveness
0% Instrumentalness • 82% Positiveness
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The Spinners
Medley: Working My Way Back to You / For...
122 bpm • A min • 04:03 • -6.4db
40% Popularity • 84% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
40% Popularity • 84% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
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Narada Michael Walden
Tonight I'm Alright
122 bpm • F Maj • 05:15 • -12db
33% Popularity • 68% Danceability • 77% Energy • 4% Liveness
20% Instrumentalness • 74% Positiveness
33% Popularity • 68% Danceability • 77% Energy • 4% Liveness
20% Instrumentalness • 74% Positiveness
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Quincy Jones
Ai No Corrida
122 bpm • B min • 06:26 • -12.16db
55% Popularity • 80% Danceability • 75% Energy • 6% Liveness
10% Instrumentalness • 90% Positiveness
55% Popularity • 80% Danceability • 75% Energy • 6% Liveness
10% Instrumentalness • 90% Positiveness
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Deee-Lite
Groove Is in the Heart
122 bpm • C# min • 03:51 • -4.05db
70% Popularity • 69% Danceability • 88% Energy • 9% Liveness
2% Instrumentalness • 92% Positiveness
70% Popularity • 69% Danceability • 88% Energy • 9% Liveness
2% Instrumentalness • 92% Positiveness
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Thelma Houston
I'm Here Again
122 bpm • A# min • 06:32 • -10.87db
12% Popularity • 52% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
12% Popularity • 52% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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The Marvelettes
Please Mr. Postman - Single Version / Mo...
122 bpm • D Maj • 02:28 • -5.26db
66% Popularity • 78% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
66% Popularity • 78% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 97% Positiveness
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The Spinners
Working My Way Back to You / Forgive Me,...
122 bpm • A min • 04:05 • -9.39db
50% Popularity • 84% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
50% Popularity • 84% Danceability • 70% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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The Temptations
Papa Was A Rollin' Stone - Single Versio...
121 bpm • A# min • 06:59 • -13.51db
66% Popularity • 82% Danceability • 40% Energy • 5% Liveness
5% Instrumentalness • 90% Positiveness
66% Popularity • 82% Danceability • 40% Energy • 5% Liveness
5% Instrumentalness • 90% Positiveness
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Silver Convention
Save Me
123 bpm • F min • 03:26 • -21.07db
25% Popularity • 75% Danceability • 35% Energy • 16% Liveness
93% Instrumentalness • 84% Positiveness
25% Popularity • 75% Danceability • 35% Energy • 16% Liveness
93% Instrumentalness • 84% Positiveness
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John Paul Young
Love Is in the Air
123 bpm • C Maj • 03:28 • -14.26db
68% Popularity • 62% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
68% Popularity • 62% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
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Thelma Houston
Don't Leave Me This Way
122 bpm • C min • 05:42 • -6.9db
43% Popularity • 56% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
43% Popularity • 56% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Carol Douglas
Midnight Love Affair
121 bpm • E min • 06:13 • -12.35db
29% Popularity • 57% Danceability • 83% Energy • 17% Liveness
50% Instrumentalness • 95% Positiveness
29% Popularity • 57% Danceability • 83% Energy • 17% Liveness
50% Instrumentalness • 95% Positiveness
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Four Tops
Baby I Need Your Loving
121 bpm • C min • 02:46 • -6.12db
63% Popularity • 63% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
63% Popularity • 63% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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Tavares
It Only Takes A Minute
123 bpm • F min • 04:01 • -8db
39% Popularity • 64% Danceability • 66% Energy • 66% Liveness
10% Instrumentalness • 96% Positiveness
39% Popularity • 64% Danceability • 66% Energy • 66% Liveness
10% Instrumentalness • 96% Positiveness
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Marvin Gaye
Got To Give It Up - Pt. 1
123 bpm • D Maj • 04:15 • -9.02db
69% Popularity • 86% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
69% Popularity • 86% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
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The O'Jays
Love Train
123 bpm • C Maj • 02:58 • -9.63db
69% Popularity • 74% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
69% Popularity • 74% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Fontella Bass
Rescue Me
123 bpm • E min • 02:51 • -9.47db
68% Popularity • 68% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
68% Popularity • 68% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Deniece Williams
Let's Hear It for the Boy
123 bpm • C Maj • 04:22 • -8.83db
65% Popularity • 81% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
65% Popularity • 81% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Baccara
Yes Sir, I Can Boogie
123 bpm • D Maj • 04:35 • -6.15db
52% Popularity • 47% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
52% Popularity • 47% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Stars On 45
Stars On 45 - 7 inch version - Remastere...
123 bpm • G Maj • 04:50 • -9db
45% Popularity • 77% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
45% Popularity • 77% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 96% Positiveness
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Gibson Brothers
Cuba
121 bpm • A# min • 07:33 • -8.58db
45% Popularity • 68% Danceability • 86% Energy • 13% Liveness
13% Instrumentalness • 89% Positiveness
45% Popularity • 68% Danceability • 86% Energy • 13% Liveness
13% Instrumentalness • 89% Positiveness
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Bee Gees
You Should Be Dancing
123 bpm • C Maj • 04:16 • -10.91db
70% Popularity • 68% Danceability • 72% Energy • 34% Liveness
17% Instrumentalness • 96% Positiveness
70% Popularity • 68% Danceability • 72% Energy • 34% Liveness
17% Instrumentalness • 96% Positiveness
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ABC
The Look Of Love, Pt.1
121 bpm • A min • 03:29 • -4.56db
64% Popularity • 73% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
64% Popularity • 73% Danceability • 91% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
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G.Q.
Disco Nights (Rock Freak) - Single Remix
123 bpm • F min • 03:56 • -9.13db
38% Popularity • 78% Danceability • 68% Energy • 3% Liveness
1% Instrumentalness • 96% Positiveness
38% Popularity • 78% Danceability • 68% Energy • 3% Liveness
1% Instrumentalness • 96% Positiveness
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Commodores
Lady (You Bring Me Up)
121 bpm • C min • 04:53 • -9.43db
56% Popularity • 89% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
56% Popularity • 89% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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The Ritchie Family
The Best Disco In Town
121 bpm • G# Maj • 06:41 • -7.19db
39% Popularity • 53% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
39% Popularity • 53% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 66% Positiveness
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First Choice
Let No Man Put Asunder (Shep Pettibone 1...
121 bpm • B Maj • 08:01 • -6.8db
36% Popularity • 69% Danceability • 84% Energy • 59% Liveness
0% Instrumentalness • 60% Positiveness
36% Popularity • 69% Danceability • 84% Energy • 59% Liveness
0% Instrumentalness • 60% Positiveness
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Jermaine Stewart
We Don't Have To Take Our Clothes Off
123 bpm • F# min • 04:53 • -8.6db
60% Popularity • 82% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
60% Popularity • 82% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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CHIC
Dance, Dance, Dance (Yowsah, Yowsah, Yow...
123 bpm • A# min • 08:22 • -13db
38% Popularity • 83% Danceability • 62% Energy • 8% Liveness
20% Instrumentalness • 76% Positiveness
38% Popularity • 83% Danceability • 62% Energy • 8% Liveness
20% Instrumentalness • 76% Positiveness
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Marvin Gaye
Got To Give It Up
123 bpm • D Maj • 06:01 • -10db
59% Popularity • 84% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
59% Popularity • 84% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 85% Positiveness
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Dan Hartman
Vertigo/Relight My Fire
121 bpm • C Maj • 11:22 • -5.34db
34% Popularity • 74% Danceability • 83% Energy • 28% Liveness
67% Instrumentalness • 93% Positiveness
34% Popularity • 74% Danceability • 83% Energy • 28% Liveness
67% Instrumentalness • 93% Positiveness
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Isaac Hayes
Theme From Shaft - Remastered 2009
121 bpm • A min • 04:39 • -17.69db
59% Popularity • 49% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
59% Popularity • 49% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Kelly Marie
Feels Like I'm in Love - 2022 Remaster
121 bpm • C Maj • 04:16 • -9.4db
47% Popularity • 72% Danceability • 76% Energy • 35% Liveness
1% Instrumentalness • 86% Positiveness
47% Popularity • 72% Danceability • 76% Energy • 35% Liveness
1% Instrumentalness • 86% Positiveness
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Prince
Raspberry Beret
121 bpm • D Maj • 03:35 • -12.76db
65% Popularity • 76% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
65% Popularity • 76% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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First Choice
Armed and Extremely Dangerous
123 bpm • F min • 02:51 • -13.88db
37% Popularity • 62% Danceability • 69% Energy • 42% Liveness
0% Instrumentalness • 82% Positiveness
37% Popularity • 62% Danceability • 69% Energy • 42% Liveness
0% Instrumentalness • 82% Positiveness
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The Doobie Brothers
What a Fool Believes
121 bpm • G# min • 03:43 • -15.31db
72% Popularity • 76% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 98% Positiveness
72% Popularity • 76% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 98% Positiveness
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Thelma Houston
You Never Were My Friend
121 bpm • B min • 04:03 • -10.56db
1% Popularity • 68% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
1% Popularity • 68% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Gibson Brothers
Ooh what a life
121 bpm • B min • 05:43 • -7.77db
29% Popularity • 67% Danceability • 85% Energy • 6% Liveness
2% Instrumentalness • 88% Positiveness
29% Popularity • 67% Danceability • 85% Energy • 6% Liveness
2% Instrumentalness • 88% Positiveness
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Dan Hartman
Relight My Fire - 12" Disco Remix
121 bpm • C Maj • 06:46 • -10.41db
39% Popularity • 77% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
39% Popularity • 77% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Whitney Houston
Love Will Save the Day
121 bpm • C# Maj • 05:21 • -9.45db
48% Popularity • 76% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
48% Popularity • 76% Danceability • 84% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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William Goldstein
To Be Free
123 bpm • C min • 02:36 • -12.56db
0% Popularity • 83% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
0% Popularity • 83% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Donna Summer
Bad Girls
121 bpm • D min • 04:55 • -14.51db
62% Popularity • 86% Danceability • 70% Energy • 41% Liveness
2% Instrumentalness • 97% Positiveness
62% Popularity • 86% Danceability • 70% Energy • 41% Liveness
2% Instrumentalness • 97% Positiveness
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A Taste Of Honey
Boogie Oogie Oogie
124 bpm • D min • 04:05 • -9.23db
53% Popularity • 80% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
53% Popularity • 80% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Bee Gees
You Should Be Dancing - Full Version
124 bpm • C Maj • 04:45 • -13.11db
31% Popularity • 68% Danceability • 68% Energy • 10% Liveness
62% Instrumentalness • 96% Positiveness
31% Popularity • 68% Danceability • 68% Energy • 10% Liveness
62% Instrumentalness • 96% Positiveness
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Dan Hartman
Vertigo / Relight My Fire
121 bpm • C Maj • 09:44 • -10.12db
28% Popularity • 73% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
28% Popularity • 73% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 85% Positiveness
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Karen Young
Hot Shot
120 bpm • G Maj • 08:38 • -14.29db
33% Popularity • 77% Danceability • 66% Energy • 21% Liveness
5% Instrumentalness • 94% Positiveness
33% Popularity • 77% Danceability • 66% Energy • 21% Liveness
5% Instrumentalness • 94% Positiveness
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Lou Rawls
See You When I Git There
124 bpm • C Maj • 04:28 • -3.43db
42% Popularity • 65% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
42% Popularity • 65% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Frantique
Strut Your Funky Stuff - 12" Version
120 bpm • G Maj • 06:16 • -6db
31% Popularity • 84% Danceability • 89% Energy • 26% Liveness
1% Instrumentalness • 81% Positiveness
31% Popularity • 84% Danceability • 89% Energy • 26% Liveness
1% Instrumentalness • 81% Positiveness
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D-Train
Youre the One for Me - Radio Mix
120 bpm • B min • 04:10 • -5.74db
47% Popularity • 70% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
47% Popularity • 70% Danceability • 90% Energy • 5% Liveness
0% Instrumentalness • 93% Positiveness
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Olivia Newton-John
Physical
124 bpm • E min • 03:40 • -8.23db
46% Popularity • 83% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
46% Popularity • 83% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 88% Positiveness
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Alicia Bridges
I Love The Nightlife (Disco 'Round)
124 bpm • G Maj • 05:39 • -11.5db
43% Popularity • 74% Danceability • 50% Energy • 20% Liveness
10% Instrumentalness • 90% Positiveness
43% Popularity • 74% Danceability • 50% Energy • 20% Liveness
10% Instrumentalness • 90% Positiveness
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Thelma Houston
Don't Leave Me This Way - Rerecorded
124 bpm • F Maj • 05:02 • -7.5db
28% Popularity • 67% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
28% Popularity • 67% Danceability • 77% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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CeCe Peniston
Finally
120 bpm • G Maj • 04:05 • -11.13db
64% Popularity • 79% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
64% Popularity • 79% Danceability • 66% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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A Taste Of Honey
Boogie Oogie Oogie - Remastered 2004
124 bpm • D min • 05:38 • -10.37db
52% Popularity • 79% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
52% Popularity • 79% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Stargard
Wear It Out
124 bpm • F# min • 05:17 • -12db
33% Popularity • 76% Danceability • 71% Energy • 3% Liveness
10% Instrumentalness • 97% Positiveness
33% Popularity • 76% Danceability • 71% Energy • 3% Liveness
10% Instrumentalness • 97% Positiveness
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D-Train
You're the One for Me
120 bpm • F# min • 05:09 • -6.69db
50% Popularity • 78% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
50% Popularity • 78% Danceability • 78% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
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Madonna
Borderline
120 bpm • D Maj • 03:58 • -5db
49% Popularity • 81% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
49% Popularity • 81% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Thelma Houston
Love Is A Dangerous Game
120 bpm • C Maj • 04:11 • -11.06db
3% Popularity • 79% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
3% Popularity • 79% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Four Tops
Reach Out I'll Be There
120 bpm • D# min • 02:58 • -8.91db
63% Popularity • 61% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
63% Popularity • 61% Danceability • 60% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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The Brothers Johnson
Stomp!
120 bpm • G min • 06:20 • -12.67db
53% Popularity • 87% Danceability • 73% Energy • 9% Liveness
27% Instrumentalness • 92% Positiveness
53% Popularity • 87% Danceability • 73% Energy • 9% Liveness
27% Instrumentalness • 92% Positiveness
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The O'Jays
Back Stabbers
124 bpm • A# Maj • 03:06 • -11.61db
60% Popularity • 75% Danceability • 71% Energy • 64% Liveness
0% Instrumentalness • 94% Positiveness
60% Popularity • 75% Danceability • 71% Energy • 64% Liveness
0% Instrumentalness • 94% Positiveness
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Dan Hartman
Relight My Fire - Single Version
120 bpm • C Maj • 03:45 • -11.45db
52% Popularity • 79% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 87% Positiveness
52% Popularity • 79% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 87% Positiveness
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Jackie Moore
This Time Baby
124 bpm • A# min • 07:12 • -9db
35% Popularity • 81% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
35% Popularity • 81% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Thelma Houston
If You Feel It
120 bpm • D Maj • 05:56 • -13db
24% Popularity • 86% Danceability • 55% Energy • 6% Liveness
6% Instrumentalness • 94% Positiveness
24% Popularity • 86% Danceability • 55% Energy • 6% Liveness
6% Instrumentalness • 94% Positiveness
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Heatwave
The Groove Line
120 bpm • B min • 04:24 • -9.84db
52% Popularity • 74% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
52% Popularity • 74% Danceability • 73% Energy • 30% Liveness
0% Instrumentalness • 78% Positiveness
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Tavares
Heaven Must Be Missing an Angel - Radio ...
120 bpm • G Maj • 03:53 • -14db
48% Popularity • 68% Danceability • 58% Energy • 6% Liveness
8% Instrumentalness • 89% Positiveness
48% Popularity • 68% Danceability • 58% Energy • 6% Liveness
8% Instrumentalness • 89% Positiveness
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First Choice
Let No Man Put Asunder
120 bpm • B Maj • 04:24 • -5.68db
31% Popularity • 57% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
31% Popularity • 57% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Karen Young
Hot Shot - Vocal Short Version
120 bpm • D min • 03:13 • -8.94db
37% Popularity • 71% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
37% Popularity • 71% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 90% Positiveness
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The B. B. & Q. Band
On The Beat - Full Length Album Mix
120 bpm • G# min • 05:57 • -8db
46% Popularity • 78% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
46% Popularity • 78% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Rick James
Give It To Me Baby
120 bpm • B Maj • 04:08 • -8.71db
64% Popularity • 71% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
64% Popularity • 71% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 96% Positiveness
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Whitney Houston
I'm Every Woman
120 bpm • F min • 04:45 • -8.31db
62% Popularity • 66% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
62% Popularity • 66% Danceability • 85% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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The Brothers Johnson
Stomp! - Single Version
120 bpm • A# Maj • 04:07 • -8.34db
60% Popularity • 86% Danceability • 78% Energy • 7% Liveness
3% Instrumentalness • 93% Positiveness
60% Popularity • 86% Danceability • 78% Energy • 7% Liveness
3% Instrumentalness • 93% Positiveness
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Anita Ward
Don't Drop My Love
125 bpm • F min • 04:02 • -11db
23% Popularity • 81% Danceability • 61% Energy • 17% Liveness
1% Instrumentalness • 96% Positiveness
23% Popularity • 81% Danceability • 61% Energy • 17% Liveness
1% Instrumentalness • 96% Positiveness
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Jackie Moore
This Time Baby - Single Version
125 bpm • A# min • 03:59 • -11db
24% Popularity • 82% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
24% Popularity • 82% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
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Thelma Houston
Fantasy And Heartbreak
119 bpm • F# min • 05:05 • -7.51db
6% Popularity • 91% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
6% Popularity • 91% Danceability • 53% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Prince
Controversy
119 bpm • C# min • 07:15 • -17.14db
48% Popularity • 85% Danceability • 32% Energy • 7% Liveness
24% Instrumentalness • 63% Positiveness
48% Popularity • 85% Danceability • 32% Energy • 7% Liveness
24% Instrumentalness • 63% Positiveness
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Whitney Houston
How Will I Know
119 bpm • F# Maj • 04:35 • -12.7db
72% Popularity • 83% Danceability • 54% Energy • 63% Liveness
0% Instrumentalness • 93% Positiveness
72% Popularity • 83% Danceability • 54% Energy • 63% Liveness
0% Instrumentalness • 93% Positiveness
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Alicia Bridges
I Love The Nightlife
125 bpm • G Maj • 05:35 • -5db
21% Popularity • 64% Danceability • 82% Energy • 37% Liveness
14% Instrumentalness • 93% Positiveness
21% Popularity • 64% Danceability • 82% Energy • 37% Liveness
14% Instrumentalness • 93% Positiveness
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Andrea True Connection
N.Y. You Got Me Dancing
119 bpm • F Maj • 06:01 • -9.81db
18% Popularity • 62% Danceability • 86% Energy • 28% Liveness
73% Instrumentalness • 74% Positiveness
18% Popularity • 62% Danceability • 86% Energy • 28% Liveness
73% Instrumentalness • 74% Positiveness
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Chaka Khan
I Feel for You
125 bpm • B Maj • 05:43 • -8.99db
60% Popularity • 70% Danceability • 91% Energy • 28% Liveness
2% Instrumentalness • 80% Positiveness
60% Popularity • 70% Danceability • 91% Energy • 28% Liveness
2% Instrumentalness • 80% Positiveness
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Carrie Lucas
Dance With You
125 bpm • A Maj • 06:36 • -9.76db
36% Popularity • 85% Danceability • 58% Energy • 6% Liveness
3% Instrumentalness • 94% Positiveness
36% Popularity • 85% Danceability • 58% Energy • 6% Liveness
3% Instrumentalness • 94% Positiveness
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Bimbo Jones
Turn Your World Around - Dark Intensity ...
125 bpm • A Maj • 04:18 • -2.85db
0% Popularity • 70% Danceability • 90% Energy • 10% Liveness
64% Instrumentalness • 55% Positiveness
0% Popularity • 70% Danceability • 90% Energy • 10% Liveness
64% Instrumentalness • 55% Positiveness
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![Ring My Bell (Re-Recorded) [Remastered] cover art](https://i.scdn.co/image/ab67616d00001e02e99cccfae1c5654ccfda6ad6)
Anita Ward
Ring My Bell (Re-Recorded) [Remastered]
125 bpm • F Maj • 03:50 • -12.93db
43% Popularity • 77% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
43% Popularity • 77% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Stacy Lattisaw
Jump to the Beat
119 bpm • F min • 05:20 • -9.53db
44% Popularity • 78% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
44% Popularity • 78% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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M People
Moving on Up
125 bpm • C min • 03:35 • -6.13db
61% Popularity • 90% Danceability • 86% Energy • 11% Liveness
3% Instrumentalness • 96% Positiveness
61% Popularity • 90% Danceability • 86% Energy • 11% Liveness
3% Instrumentalness • 96% Positiveness
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Thelma Houston
I've Got The Music in Me
125 bpm • C Maj • 02:44 • -15db
28% Popularity • 74% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
28% Popularity • 74% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Melba Moore
This Is It
119 bpm • D Maj • 03:31 • -7db
39% Popularity • 73% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
39% Popularity • 73% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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The S.O.S Band
Take Your Time (Do It Right)
119 bpm • E min • 07:40 • -13.92db
48% Popularity • 86% Danceability • 54% Energy • 9% Liveness
2% Instrumentalness • 88% Positiveness
48% Popularity • 86% Danceability • 54% Energy • 9% Liveness
2% Instrumentalness • 88% Positiveness
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Alicia Bridges
I Love The Nightlife
125 bpm • C Maj • 05:37 • -5.84db
44% Popularity • 52% Danceability • 66% Energy • 14% Liveness
80% Instrumentalness • 89% Positiveness
44% Popularity • 52% Danceability • 66% Energy • 14% Liveness
80% Instrumentalness • 89% Positiveness
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Love Unlimited
I'm So Glad That I'm a Woman
119 bpm • A# min • 04:01 • -11db
48% Popularity • 72% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
48% Popularity • 72% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Four Tops
It's The Same Old Song
125 bpm • D min • 02:46 • -9.12db
57% Popularity • 70% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
57% Popularity • 70% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 98% Positiveness
