Songs like Don’t Make Me Have To Come Down There by Dolly Parton
Based on a tempo of (+/- 10%) and a similar genre
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High Valley
Do This Life
112 bpm • A Maj • 03:02 • -3.92db
25% Popularity • 59% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 59% Danceability • 86% Energy • 24% Liveness
0% Instrumentalness • 34% Positiveness
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Pitbull
Powerful Women
112 bpm • F# Maj • 02:45 • -4.12db
60% Popularity • 81% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
60% Popularity • 81% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Dolly Parton
Big Dreams and Faded Jeans
112 bpm • C Maj • 04:07 • -7.88db
29% Popularity • 77% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
29% Popularity • 77% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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The Tenors
Best Of Our Lives
112 bpm • D Maj • 03:27 • -5.99db
25% Popularity • 51% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
25% Popularity • 51% Danceability • 66% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Buddy Davis
If Heaven Had A Window
112 bpm • A Maj • 03:18 • -9.52db
18% Popularity • 46% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 47% Positiveness
18% Popularity • 46% Danceability • 40% Energy • 34% Liveness
0% Instrumentalness • 47% Positiveness
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The Oak Ridge Boys
I Guess It Never Hurts To Hurt Sometimes
112 bpm • A# Maj • 04:00 • -15.39db
35% Popularity • 71% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
35% Popularity • 71% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Olivia Newton-John
Jolene
112 bpm • A# Maj • 03:14 • -6.58db
30% Popularity • 55% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
30% Popularity • 55% Danceability • 81% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Porter Wagoner
If You Go, I'll Follow You
112 bpm • E Maj • 02:40 • -13.32db
22% Popularity • 59% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 59% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Dolly Parton
Silver And Gold
112 bpm • D Maj • 03:50 • -16.37db
29% Popularity • 64% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 64% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Steven Curtis Chapman
Don't Lose Heart
113 bpm • F Maj • 03:31 • -5.53db
41% Popularity • 56% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
41% Popularity • 56% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Austin Brown
Rest of My Life
113 bpm • G# Maj • 03:14 • -9.97db
34% Popularity • 60% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 60% Danceability • 66% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Jessica Willis Fisher
Fire Song
111 bpm • A Maj • 03:24 • -6.3db
21% Popularity • 61% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 61% Danceability • 80% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Tenille Arts
Last Time Last
111 bpm • A Maj • 03:03 • -3.54db
41% Popularity • 60% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
41% Popularity • 60% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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Porter Wagoner
Please Don't Stop Loving Me
112 bpm • D Maj • 02:47 • -13.16db
31% Popularity • 80% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
31% Popularity • 80% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Dolly Parton
Don’t Make Me Have To Come Down There
112 bpm • F Maj • 03:42 • -10.85db
30% Popularity • 69% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 69% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Norah Jones
Creepin' In
113 bpm • A# Maj • 03:03 • -9db
59% Popularity • 70% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
59% Popularity • 70% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Vince Gill
Go Rest High On That Mountain
111 bpm • D Maj • 05:15 • -12.22db
59% Popularity • 32% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
59% Popularity • 32% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Don Williams
It Must Be Love
111 bpm • F Maj • 02:31 • -12db
58% Popularity • 92% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
58% Popularity • 92% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 97% Positiveness
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Sara Evans
Three Chords and the Truth
114 bpm • D Maj • 04:05 • -8.86db
33% Popularity • 60% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 60% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Pentatonix
Jolene
114 bpm • C min • 02:11 • -6.8db
53% Popularity • 65% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
53% Popularity • 65% Danceability • 56% Energy • 31% Liveness
0% Instrumentalness • 81% Positiveness
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Dolly Parton
The Sacrifice
114 bpm • A Maj • 03:26 • -4.71db
0% Popularity • 59% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 59% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Bri Bagwell
Girls Just Wanna Have Fun - Duet
114 bpm • E Maj • 03:14 • -6.35db
29% Popularity • 60% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 60% Danceability • 62% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
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Daniel Grindstaff
Forever Young
110 bpm • D Maj • 03:48 • -6.07db
32% Popularity • 66% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
32% Popularity • 66% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Dennis Quaid & The Sharks
On My Way To Heaven
110 bpm • G Maj • 04:36 • -6.92db
15% Popularity • 61% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 61% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Cheryl Ladd
Miles To Go
110 bpm • G Maj • 03:55 • -9.23db
14% Popularity • 55% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 55% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Crystal Gayle
I'll Get Over You - Remastered
110 bpm • G# Maj • 03:31 • -12.55db
40% Popularity • 57% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
40% Popularity • 57% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Dolly Parton
Yellow Roses
114 bpm • D Maj • 03:55 • -12.88db
29% Popularity • 60% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
29% Popularity • 60% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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Don Williams
Sing Me Back Home
110 bpm • E Maj • 03:58 • -11.77db
45% Popularity • 74% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
45% Popularity • 74% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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Annie Bosko
What Did I Do
110 bpm • G Maj • 04:03 • -6.46db
29% Popularity • 61% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
29% Popularity • 61% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Mary Sarah
Go Rest High On That Mountain
110 bpm • G# Maj • 05:13 • -6.76db
16% Popularity • 48% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
16% Popularity • 48% Danceability • 32% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Lee Matthews
Irish Whiskey on the Shelf
115 bpm • F# Maj • 02:52 • -7db
36% Popularity • 67% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
36% Popularity • 67% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Natalie Grant
Step By Step
115 bpm • B min • 04:10 • -5.96db
22% Popularity • 78% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 78% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Dolly Parton
Snakes In the Grass
110 bpm • D Maj • 02:41 • -8.64db
18% Popularity • 70% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 70% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Shania Twain
Queen Of Me - Spotify Singles
109 bpm • D Maj • 02:35 • -8.48db
29% Popularity • 72% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
29% Popularity • 72% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 71% Positiveness
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Noah Thompson
One Day Tonight (Duet)
109 bpm • C# Maj • 02:45 • -7.31db
34% Popularity • 62% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 62% Danceability • 51% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Chapel Hart
I Will Follow
109 bpm • C Maj • 02:50 • -6.24db
32% Popularity • 67% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
32% Popularity • 67% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Glen Campbell
Rhinestone Cowboy
115 bpm • C Maj • 03:14 • -8.01db
67% Popularity • 64% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
67% Popularity • 64% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
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The Judds
Cry Myself To Sleep
115 bpm • B min • 03:40 • -9.85db
33% Popularity • 90% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
33% Popularity • 90% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Dolly Parton
Go to Hell
114 bpm • C# Maj • 06:58 • -7.99db
31% Popularity • 54% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
31% Popularity • 54% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Shania Twain
Queen Of Me
109 bpm • D Maj • 02:58 • -4.82db
36% Popularity • 72% Danceability • 75% Energy • 48% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 72% Danceability • 75% Energy • 48% Liveness
0% Instrumentalness • 74% Positiveness
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Steven Wood
Heart That Will Never Break Again
116 bpm • D Maj • 03:33 • -4.47db
23% Popularity • 60% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
23% Popularity • 60% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Bob Seger
Chances Are
116 bpm • A# Maj • 04:17 • -5.17db
42% Popularity • 56% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
42% Popularity • 56% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Tania Nichamin
This Is Our Love Song
108 bpm • B Maj • 04:21 • -8.21db
11% Popularity • 39% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 39% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Jo Dee Messina
You're Not In Kansas Anymore
116 bpm • C# Maj • 02:55 • -7db
34% Popularity • 66% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
34% Popularity • 66% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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Dolly Parton
Run
115 bpm • C Maj • 02:45 • -4.8db
22% Popularity • 62% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 62% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 68% Positiveness
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Lorrie Morgan
Back In Your Arms Again
116 bpm • A# Maj • 03:45 • -9db
20% Popularity • 79% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
20% Popularity • 79% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Miley Cyrus
Rainbowland
108 bpm • F# Maj • 04:25 • -6.67db
44% Popularity • 57% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
44% Popularity • 57% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Jay Allen
No Present Like the Time
108 bpm • C Maj • 02:35 • -7.07db
40% Popularity • 72% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 72% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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John Conlee
I Saw the Light/I'll Fly Away
108 bpm • C Maj • 03:05 • -7.62db
34% Popularity • 69% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
34% Popularity • 69% Danceability • 74% Energy • 32% Liveness
0% Instrumentalness • 80% Positiveness
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Don Williams
Amanda
116 bpm • A Maj • 03:07 • -11db
49% Popularity • 65% Danceability • 37% Energy • 12% Liveness
1% Instrumentalness • 48% Positiveness
49% Popularity • 65% Danceability • 37% Energy • 12% Liveness
1% Instrumentalness • 48% Positiveness
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Dolly Parton
Romeo
116 bpm • G Maj • 03:34 • -11.74db
39% Popularity • 68% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
39% Popularity • 68% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Donna Fargo
You Can't Be A Beacon (If Your Light Don...
108 bpm • F# Maj • 03:07 • -10db
30% Popularity • 54% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 54% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Charley Pride
Is Anybody Goin' to San Antone
116 bpm • D Maj • 02:13 • -12db
56% Popularity • 72% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
56% Popularity • 72% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Brandon McPhee
Walking On The Waves
107 bpm • G Maj • 03:44 • -5.73db
24% Popularity • 67% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
24% Popularity • 67% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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Billy Ray Cyrus
Roll That Rock
117 bpm • G Maj • 03:36 • -6.57db
39% Popularity • 67% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
39% Popularity • 67% Danceability • 59% Energy • 6% Liveness
0% Instrumentalness • 63% Positiveness
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Patty Loveless
Chains
117 bpm • D Maj • 02:29 • -12db
46% Popularity • 73% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
46% Popularity • 73% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Barbara Mandrell
Darlin'
117 bpm • B Maj • 03:18 • -12.87db
36% Popularity • 69% Danceability • 40% Energy • 65% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 69% Danceability • 40% Energy • 65% Liveness
0% Instrumentalness • 65% Positiveness
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Shania Twain
Got It Good
117 bpm • G Maj • 02:53 • -4.1db
29% Popularity • 65% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
29% Popularity • 65% Danceability • 89% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Keith Urban
Street Called Main
117 bpm • G# Maj • 03:49 • -6db
45% Popularity • 64% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
45% Popularity • 64% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Lorrie Morgan
Five Minutes
117 bpm • G Maj • 03:32 • -14db
39% Popularity • 75% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
39% Popularity • 75% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Johnny Lee
Everything's Gonna Be Alright
107 bpm • C Maj • 03:20 • -5.87db
11% Popularity • 65% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 65% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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Queen Latifah
Higher Medley
117 bpm • C Maj • 05:32 • -6db
36% Popularity • 71% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
36% Popularity • 71% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Chapel Hart
American Pride
107 bpm • F Maj • 04:00 • -4.62db
33% Popularity • 63% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 63% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Shania Twain
Not Just A Girl
117 bpm • G Maj • 03:11 • -4.26db
37% Popularity • 73% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
37% Popularity • 73% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Carlene Carter
Hallelujah in My Heart
107 bpm • F Maj • 02:43 • -7db
26% Popularity • 72% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
26% Popularity • 72% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Joey Feek
Old Paint
107 bpm • C Maj • 06:44 • -12.07db
10% Popularity • 66% Danceability • 46% Energy • 67% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 66% Danceability • 46% Energy • 67% Liveness
0% Instrumentalness • 14% Positiveness
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Nitty Gritty Dirt Band
Will The Circle Be Unbroken
107 bpm • A Maj • 05:38 • -15.22db
41% Popularity • 45% Danceability • 43% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
41% Popularity • 45% Danceability • 43% Energy • 31% Liveness
0% Instrumentalness • 43% Positiveness
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Trisha Yearwood
I Dare You to Love
118 bpm • D Maj • 03:19 • -10.37db
22% Popularity • 59% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 59% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Lonestar
No News - 2023 Version
118 bpm • G# Maj • 03:06 • -10.66db
12% Popularity • 64% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
12% Popularity • 64% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 87% Positiveness
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Glen Campbell
The Hand That Rocks The Cradle
118 bpm • D Maj • 03:08 • -15db
34% Popularity • 70% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
34% Popularity • 70% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Rhett Walker
Family Is Family
106 bpm • G Maj • 02:53 • -6.5db
33% Popularity • 67% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
33% Popularity • 67% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Elle King
Try Jesus
106 bpm • C Maj • 03:06 • -3.16db
36% Popularity • 54% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
36% Popularity • 54% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 53% Positiveness
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The Bellamy Brothers
You Ain't Just Whistlin' Dixie
118 bpm • A Maj • 04:24 • -16db
39% Popularity • 54% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
39% Popularity • 54% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Trisha Yearwood
That's What I Like About You
118 bpm • G# Maj • 02:40 • -7.41db
45% Popularity • 65% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
45% Popularity • 65% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Dolly Parton
Here You Come Again
106 bpm • C# Maj • 02:59 • -9.37db
66% Popularity • 58% Danceability • 51% Energy • 4% Liveness
1% Instrumentalness • 55% Positiveness
66% Popularity • 58% Danceability • 51% Energy • 4% Liveness
1% Instrumentalness • 55% Positiveness
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Porter Wagoner
The Last Thing On My Mind
106 bpm • B Maj • 02:36 • -13db
49% Popularity • 61% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
49% Popularity • 61% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 71% Positiveness
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Don Williams
'Till The Rivers All Run Dry
119 bpm • D Maj • 03:30 • -16.95db
46% Popularity • 66% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 66% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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Little Big Town
Take Me Home
119 bpm • D Maj • 05:08 • -6.11db
50% Popularity • 53% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
50% Popularity • 53% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Ty Herndon
Dents On A Chevy
119 bpm • D# Maj • 03:17 • -2.11db
27% Popularity • 59% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 59% Danceability • 90% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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Becky Hobbs
Don't Cry For Me
119 bpm • A# Maj • 03:19 • -6.85db
21% Popularity • 68% Danceability • 55% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 68% Danceability • 55% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
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Dolly Parton
Just Because I'm a Woman
105 bpm • C# Maj • 03:03 • -9.6db
40% Popularity • 60% Danceability • 27% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
40% Popularity • 60% Danceability • 27% Energy • 27% Liveness
0% Instrumentalness • 55% Positiveness
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Kelsea Ballerini
hole in the bottle
105 bpm • E Maj • 02:36 • -4.61db
56% Popularity • 56% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
56% Popularity • 56% Danceability • 84% Energy • 37% Liveness
0% Instrumentalness • 78% Positiveness
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Shania Twain
Done & Dusted
105 bpm • D Maj • 02:59 • -5.72db
23% Popularity • 66% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
23% Popularity • 66% Danceability • 84% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
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Elle King
Crawlin' Mood
105 bpm • G# Maj • 02:33 • -2.87db
33% Popularity • 59% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
33% Popularity • 59% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 73% Positiveness
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Porter Wagoner
Is It Real
119 bpm • A# Maj • 02:55 • -13.51db
6% Popularity • 55% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
6% Popularity • 55% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Trailer Flowers
Daughter of a King
105 bpm • B Maj • 04:27 • -6.26db
44% Popularity • 60% Danceability • 32% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
44% Popularity • 60% Danceability • 32% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
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Drake Milligan
Don’t Look Down
105 bpm • C Maj • 02:37 • -7db
43% Popularity • 54% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
43% Popularity • 54% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Tenille Townes
Home to Me
105 bpm • F Maj • 03:25 • -7.54db
26% Popularity • 67% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
26% Popularity • 67% Danceability • 76% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Justin Mcgurk
Through the Eyes of a Child
120 bpm • C# Maj • 03:45 • -8.42db
31% Popularity • 58% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
31% Popularity • 58% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Elle King
Tulsa
120 bpm • E Maj • 02:42 • -4.06db
38% Popularity • 60% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
38% Popularity • 60% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Sarah Lake
Get In or Get Out
120 bpm • C# min • 03:14 • -6.86db
29% Popularity • 65% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 65% Danceability • 89% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Mary Chapin Carpenter
I Feel Lucky
120 bpm • F# min • 03:31 • -5db
39% Popularity • 83% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
39% Popularity • 83% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Megan Danielle
All Around
120 bpm • F Maj • 03:32 • -10.12db
25% Popularity • 53% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 53% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Shania Twain
Brand New
104 bpm • F# Maj • 02:33 • -3.55db
32% Popularity • 70% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 70% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Michelle Wright
Heartbreak Song
104 bpm • C Maj • 03:59 • -11.41db
4% Popularity • 55% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
4% Popularity • 55% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Porter Wagoner
Daddy Was an Old Time Preacher Man
104 bpm • C Maj • 03:03 • -13.16db
24% Popularity • 68% Danceability • 46% Energy • 43% Liveness
0% Instrumentalness • 85% Positiveness
24% Popularity • 68% Danceability • 46% Energy • 43% Liveness
0% Instrumentalness • 85% Positiveness
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Lee Ann Womack
Someone I Used To Know
104 bpm • D# Maj • 02:26 • -7.24db
37% Popularity • 63% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
37% Popularity • 63% Danceability • 46% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
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Mary Chapin Carpenter
I Feel Lucky
120 bpm • F# min • 04:26 • -9.22db
28% Popularity • 78% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
28% Popularity • 78% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
