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Don't Think Jesus
Songs like
Don't Think Jesus
by
Morgan Wallen
Based on a tempo of (+/- 10%) and a similar genre
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Morgan Wallen
Don't Think Jesus
117 bpm • D Maj • 03:45 • -6.81db
63% Popularity • 57% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Dierks Bentley
5-1-5-0
117 bpm • C# min • 03:02 • -5.18db
64% Popularity • 55% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 68% Positiveness
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Justin Moore
Why We Drink
117 bpm • F# Maj • 03:31 • -3.05db
61% Popularity • 62% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 72% Positiveness
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Luke Combs
Where the Wild Things Are
117 bpm • D# Maj • 03:59 • -4.87db
85% Popularity • 71% Danceability • 73% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Kameron Marlowe
Over Now
117 bpm • C# Maj • 03:41 • -4.31db
60% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Conner Smith
Take It Slow
116 bpm • F Maj • 02:43 • -4db
63% Popularity • 59% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Chris Stapleton
Fire Away
116 bpm • A Maj • 04:04 • -9.07db
71% Popularity • 56% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 18% Positiveness
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Kane Brown
I Can Feel It
116 bpm • D# min • 02:43 • -5.82db
73% Popularity • 53% Danceability • 87% Energy • 3% Liveness
1% Instrumentalness • 55% Positiveness
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Jon Pardi
Heartache On The Dance Floor
116 bpm • A Maj • 03:25 • -4.31db
74% Popularity • 60% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Gavin Adcock
Deep End
118 bpm • C# Maj • 02:46 • -4.64db
67% Popularity • 61% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Carly Pearce
I Hope You’re Happy Now
118 bpm • A# Maj • 03:18 • -4.73db
68% Popularity • 59% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Koe Wetzel
Good Die Young
118 bpm • B Maj • 02:45 • -5.63db
66% Popularity • 60% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Zach Bryan
The Good I'll Do
118 bpm • A# Maj • 03:31 • -8db
74% Popularity • 43% Danceability • 22% Energy • 46% Liveness
0% Instrumentalness • 19% Positiveness
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Old Dominion
Memory Lane
119 bpm • F# Maj • 02:52 • -5.14db
72% Popularity • 65% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Morgan Wallen
Warning
115 bpm • A# Maj • 02:36 • -5.04db
71% Popularity • 63% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Luke Bryan
Kiss Tomorrow Goodbye
115 bpm • F min • 03:23 • -3db
71% Popularity • 57% Danceability • 94% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Dierks Bentley
Gold
115 bpm • C# Maj • 02:47 • -4db
65% Popularity • 68% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Dylan Scott
Good Times Go By Too Fast
115 bpm • F Maj • 02:49 • -5.22db
75% Popularity • 66% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Kameron Marlowe
Burn 'Em All
115 bpm • B min • 03:06 • -4.89db
55% Popularity • 65% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 65% Positiveness
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Toby Keith
As Good As I Once Was
119 bpm • F Maj • 03:47 • -4db
75% Popularity • 68% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Morgan Wallen
Dangerous
119 bpm • G Maj • 02:27 • -4.83db
73% Popularity • 64% Danceability • 77% Energy • 28% Liveness
0% Instrumentalness • 95% Positiveness
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Upchurch
Holler Boys
120 bpm • C# Maj • 03:31 • -7.72db
63% Popularity • 67% Danceability • 43% Energy • 17% Liveness
0% Instrumentalness • 10% Positiveness
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Dierks Bentley
Burning Man
119 bpm • F Maj • 03:58 • -7.22db
65% Popularity • 61% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Koe Wetzel
Drunk Driving
120 bpm • C Maj • 03:58 • -5.62db
67% Popularity • 33% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Chase Matthew
We Had It Good
120 bpm • E min • 03:32 • -7.42db
60% Popularity • 58% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Cody Johnson
Dance Her Home
114 bpm • C Maj • 02:54 • -3.77db
72% Popularity • 67% Danceability • 89% Energy • 69% Liveness
0% Instrumentalness • 89% Positiveness
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Morgan Wallen
You Proof
120 bpm • A Maj • 02:37 • -5.01db
84% Popularity • 73% Danceability • 84% Energy • 60% Liveness
0% Instrumentalness • 63% Positiveness
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Parker McCollum
I Can't Breathe
114 bpm • C Maj • 04:17 • -6.66db
63% Popularity • 55% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Josh Ross
Trouble
120 bpm • B Maj • 03:34 • -5.03db
73% Popularity • 64% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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HARDY
TRUCK
120 bpm • D Maj • 03:38 • -3.7db
61% Popularity • 58% Danceability • 89% Energy • 24% Liveness
0% Instrumentalness • 45% Positiveness
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Warren Zeiders
Dark Night - 717 Tapes
120 bpm • A# min • 02:37 • -5.87db
63% Popularity • 78% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 61% Positiveness
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Cody Johnson
Dirt Cheap
120 bpm • C# Maj • 03:59 • -5.89db
75% Popularity • 62% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Pecos & the Rooftops
This Damn Song
120 bpm • C Maj • 04:40 • -6.74db
72% Popularity • 65% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
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Parker McCollum
Young Man's Blues
114 bpm • G# Maj • 03:26 • -5db
62% Popularity • 55% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
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Kenny Chesney
All the Pretty Girls
121 bpm • F# Maj • 03:32 • -3.74db
64% Popularity • 61% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 72% Positiveness
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Morgan Wallen
Ain’t That Some
121 bpm • F# min • 02:38 • -5.78db
79% Popularity • 64% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
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Lee Brice
Soul
121 bpm • B Maj • 02:47 • -8.3db
66% Popularity • 79% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Dylan Scott
What He'll Never Have
113 bpm • F# Maj • 02:33 • -4.47db
75% Popularity • 49% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Eric Church
Drink In My Hand
113 bpm • C Maj • 03:11 • -4.45db
73% Popularity • 63% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 95% Positiveness
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Chris Stapleton
Parachute
113 bpm • F# Maj • 04:13 • -7.41db
76% Popularity • 64% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Thomas Rhett
Look What God Gave Her
113 bpm • D Maj • 02:48 • -3.97db
67% Popularity • 74% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 88% Positiveness
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Oliver Anthony Music
Rich Men North of Richmond
122 bpm • A# Maj • 03:07 • -12.38db
81% Popularity • 68% Danceability • 26% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
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Corey Kent
Something's Gonna Kill Me
113 bpm • E min • 03:03 • -5.77db
69% Popularity • 66% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Hailey Whitters
Everything She Ain’t
122 bpm • D Maj • 02:31 • -6.13db
66% Popularity • 80% Danceability • 62% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Bailey Zimmerman
Rock and A Hard Place
122 bpm • C# Maj • 03:27 • -7.3db
81% Popularity • 58% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Chris Lane
Dancin' In The Moonlight
122 bpm • G# min • 03:19 • -4.86db
59% Popularity • 59% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Warren Zeiders
Pretty Little Poison
112 bpm • C# Maj • 03:38 • -4.16db
76% Popularity • 49% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Trey Lewis
Dicked Down in Dallas
122 bpm • F# Maj • 03:21 • -4.69db
70% Popularity • 51% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Thomas Rhett
Half Of Me
112 bpm • G Maj • 03:03 • -5.06db
68% Popularity • 57% Danceability • 84% Energy • 28% Liveness
0% Instrumentalness • 66% Positiveness
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Luke Bryan
I Don't Want This Night To End
112 bpm • A min • 03:39 • -4.02db
73% Popularity • 62% Danceability • 73% Energy • 23% Liveness
0% Instrumentalness • 38% Positiveness
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Toby Keith
Courtesy Of The Red, White And Blue (The...
112 bpm • D Maj • 03:15 • -5.55db
71% Popularity • 42% Danceability • 66% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Billy Currington
Good Directions
123 bpm • F Maj • 03:35 • -2.18db
72% Popularity • 72% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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George Strait
Check Yes Or No
111 bpm • F Maj • 03:20 • -12.64db
75% Popularity • 71% Danceability • 52% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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Zach Bryan
Dawns
123 bpm • C Maj • 04:50 • -7.66db
82% Popularity • 45% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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Warren Zeiders
Outskirts of Heaven
111 bpm • E Maj • 03:52 • -7.75db
51% Popularity • 45% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Diplo
Heartless
111 bpm • B Maj • 02:49 • -6.42db
78% Popularity • 76% Danceability • 56% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Morgan Wallen
I Deserve A Drink
123 bpm • F Maj • 03:26 • -4.91db
69% Popularity • 48% Danceability • 61% Energy • 9% Liveness
2% Instrumentalness • 30% Positiveness
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Thomas Rhett
Beer Can’t Fix
111 bpm • G Maj • 03:29 • -4.07db
70% Popularity • 71% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Muscadine Bloodline
Pieces
124 bpm • F# Maj • 03:16 • -11.5db
73% Popularity • 49% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Zach Bryan
Oklahoma Smokeshow
123 bpm • G# Maj • 03:31 • -5.69db
83% Popularity • 54% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Maddie & Tae
Every Night Every Morning
124 bpm • G Maj • 03:18 • -4.58db
61% Popularity • 61% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Kameron Marlowe
Strangers
124 bpm • G# Maj • 03:31 • -4.06db
67% Popularity • 54% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Cole Swindell
Drinkaby
124 bpm • A Maj • 03:02 • -2.99db
57% Popularity • 59% Danceability • 92% Energy • 39% Liveness
0% Instrumentalness • 87% Positiveness
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HARDY
UNAPOLOGETICALLY COUNTRY AS HELL
124 bpm • C# Maj • 03:55 • -4.96db
63% Popularity • 54% Danceability • 65% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Rodney Atkins
Caught Up In The Country
124 bpm • G Maj • 02:40 • -7db
73% Popularity • 60% Danceability • 81% Energy • 54% Liveness
0% Instrumentalness • 68% Positiveness
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Zach Bryan
Heading South
110 bpm • E Maj • 02:51 • -14.11db
85% Popularity • 68% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Morgan Wallen
This Bar
110 bpm • D Maj • 03:05 • -5.31db
73% Popularity • 55% Danceability • 88% Energy • 5% Liveness
0% Instrumentalness • 25% Positiveness
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Cody Johnson
Me and My Kind
110 bpm • D Maj • 02:36 • -3.43db
76% Popularity • 59% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Luke Bryan
That's My Kind Of Night
110 bpm • G Maj • 03:10 • -2.91db
74% Popularity • 66% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Dustin Lynch
Stars Like Confetti
110 bpm • A# Maj • 03:14 • -3.06db
67% Popularity • 62% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Jordan Davis
What My World Spins Around
125 bpm • D Maj • 03:06 • -6db
76% Popularity • 69% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Zach Bryan
Motorcycle Drive By
124 bpm • D# Maj • 02:41 • -4.56db
75% Popularity • 66% Danceability • 68% Energy • 67% Liveness
0% Instrumentalness • 52% Positiveness
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Kane Brown
Like I Love Country Music
125 bpm • G# Maj • 03:54 • -6.73db
63% Popularity • 53% Danceability • 80% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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Southall
Why
125 bpm • C Maj • 03:17 • -8.03db
68% Popularity • 67% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Bailey Zimmerman
House On Fire
125 bpm • C Maj • 03:40 • -8.17db
61% Popularity • 58% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Parker McCollum
Like A Cowboy
125 bpm • E Maj • 03:46 • -6.79db
58% Popularity • 49% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Morgan Wallen
Neon Eyes
126 bpm • B min • 03:46 • -5.26db
65% Popularity • 58% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Zach Bryan
From Austin
110 bpm • C Maj • 03:27 • -8db
79% Popularity • 50% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Kane Brown
What Ifs
126 bpm • A# Maj • 03:08 • -4.6db
76% Popularity • 61% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 69% Positiveness
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Bryan Martin
Memory to Drown
126 bpm • F# Maj • 03:35 • -3.29db
73% Popularity • 66% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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HARDY
GIVE HEAVEN SOME HELL
126 bpm • B Maj • 03:37 • -4.98db
71% Popularity • 64% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Luke Bryan
Rain Is A Good Thing
108 bpm • B min • 02:56 • -4.66db
69% Popularity • 62% Danceability • 93% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Morgan Wallen
More Than My Hometown
126 bpm • F# Maj • 03:36 • -5.48db
79% Popularity • 62% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Zach Bryan
Condemned
126 bpm • F Maj • 02:54 • -13.52db
79% Popularity • 62% Danceability • 15% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Jon Pardi
Head Over Boots
108 bpm • G Maj • 03:22 • -4.47db
74% Popularity • 56% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Dylan Scott
Amen To That
108 bpm • F# Maj • 02:52 • -5db
56% Popularity • 57% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Russell Dickerson
She Likes It
127 bpm • E Maj • 02:43 • -12db
61% Popularity • 79% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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HIXTAPE
Turn You Down (HARDY Morgan Wallen, Zakk...
108 bpm • B Maj • 02:34 • -3.38db
69% Popularity • 62% Danceability • 87% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
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Morgan Wallen
Livin’ The Dream
127 bpm • G min • 03:59 • -5.9db
66% Popularity • 62% Danceability • 75% Energy • 22% Liveness
1% Instrumentalness • 44% Positiveness
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Brooks & Dunn
Brand New Man - with Luke Combs
127 bpm • G Maj • 03:11 • -4.87db
68% Popularity • 57% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 56% Positiveness
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Tyler Childers
In Your Love
127 bpm • G Maj • 03:45 • -9.56db
70% Popularity • 53% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Billy Currington
We Are Tonight
128 bpm • B Maj • 03:52 • -5.35db
61% Popularity • 56% Danceability • 81% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Jelly Roll
Halfway To Hell
107 bpm • D min • 02:58 • -5.38db
71% Popularity • 50% Danceability • 86% Energy • 95% Liveness
0% Instrumentalness • 44% Positiveness
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HIXTAPE
Goin’ Nowhere
127 bpm • F Maj • 03:09 • -4.06db
55% Popularity • 64% Danceability • 93% Energy • 19% Liveness
0% Instrumentalness • 77% Positiveness
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Thomas Rhett
Sixteen
107 bpm • C# Maj • 02:58 • -7.03db
61% Popularity • 70% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Travis Denning
After A Few
107 bpm • A# min • 03:33 • -4.32db
56% Popularity • 62% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Riley Green
There Was This Girl
128 bpm • C# Maj • 03:14 • -4.22db
68% Popularity • 62% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Morgan Wallen
Cover Me Up
128 bpm • G Maj • 04:53 • -8.19db
77% Popularity • 55% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Luke Combs
When It Rains It Pours
128 bpm • F# Maj • 04:00 • -5.07db
81% Popularity • 55% Danceability • 80% Energy • 26% Liveness
0% Instrumentalness • 62% Positiveness
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Megan Moroney
I'm Not Pretty
128 bpm • A# Maj • 03:01 • -5.56db
72% Popularity • 57% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 70% Positiveness
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Don't Think Jesus