Songs like Don't Want My Heart by Sarah Cothran
Based on a tempo of (+/- 10%) and a similar genre
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Sarah Cothran
Love Story
117 bpm • D min • 03:10 • -8.3db
57% Popularity • 68% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
57% Popularity • 68% Danceability • 24% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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UPSAHL
Fake Bitch
117 bpm • C Maj • 03:15 • -9.6db
31% Popularity • 67% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
31% Popularity • 67% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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ROSIE
Next Life
117 bpm • F# Maj • 03:07 • -7db
34% Popularity • 66% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 66% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Mad Tsai
that friend
117 bpm • F# Maj • 03:00 • -16.42db
52% Popularity • 68% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
52% Popularity • 68% Danceability • 23% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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Em Beihold
Egg in the Backseat
116 bpm • G min • 02:25 • -7.51db
46% Popularity • 78% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
46% Popularity • 78% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
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Beth McCarthy
If You Loved Me Right
116 bpm • E Maj • 03:15 • -6db
37% Popularity • 55% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 55% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Sarah Cothran
Don't Want My Heart
117 bpm • C Maj • 02:52 • -4.77db
41% Popularity • 62% Danceability • 60% Energy • 43% Liveness
0% Instrumentalness • 22% Positiveness
41% Popularity • 62% Danceability • 60% Energy • 43% Liveness
0% Instrumentalness • 22% Positiveness
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Sara Kays
Watching TV
118 bpm • A Maj • 02:40 • -7db
37% Popularity • 58% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 58% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Madison Beer
Baby
118 bpm • C Maj • 03:27 • -5.17db
60% Popularity • 70% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
60% Popularity • 70% Danceability • 71% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Elizabeth Gerardi
1960
116 bpm • A Maj • 02:43 • -4.14db
27% Popularity • 71% Danceability • 76% Energy • 62% Liveness
0% Instrumentalness • 77% Positiveness
27% Popularity • 71% Danceability • 76% Energy • 62% Liveness
0% Instrumentalness • 77% Positiveness
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Lauren Aquilina
The Knife
118 bpm • C Maj • 02:56 • -6.35db
18% Popularity • 68% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
18% Popularity • 68% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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FLETCHER
Cherry
118 bpm • D Maj • 02:32 • -4.64db
55% Popularity • 81% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
55% Popularity • 81% Danceability • 58% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
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Em Beihold
Too Precious
118 bpm • G# Maj • 02:49 • -4.74db
52% Popularity • 80% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
52% Popularity • 80% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Nico Collins
Our Way Out
118 bpm • E min • 04:03 • -4.92db
47% Popularity • 56% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 56% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Frawley
Kiss And Tell
116 bpm • D min • 02:32 • -7db
42% Popularity • 85% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
42% Popularity • 85% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Nessa Barrett
i hope ur miserable until ur dead
116 bpm • D Maj • 02:57 • -7.28db
65% Popularity • 71% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
65% Popularity • 71% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Haiden Henderson
Can't Hurt Me
115 bpm • B min • 03:08 • -8.07db
39% Popularity • 68% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
39% Popularity • 68% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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jenny nuo
EXPIRED
115 bpm • C Maj • 02:26 • -8db
40% Popularity • 84% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
40% Popularity • 84% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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The Attire
Girls Like You
119 bpm • E min • 02:43 • -6.53db
40% Popularity • 85% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 85% Danceability • 52% Energy • 38% Liveness
0% Instrumentalness • 60% Positiveness
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Isaac Dunbar
love, or the lack thereof
115 bpm • C# Maj • 03:07 • -7.06db
50% Popularity • 69% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
50% Popularity • 69% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Charlotte Sands
Dress
115 bpm • F Maj • 02:23 • -10db
60% Popularity • 81% Danceability • 44% Energy • 46% Liveness
0% Instrumentalness • 80% Positiveness
60% Popularity • 81% Danceability • 44% Energy • 46% Liveness
0% Instrumentalness • 80% Positiveness
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Luke Hemmings
Starting Line
120 bpm • D Maj • 04:30 • -5.31db
53% Popularity • 26% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
53% Popularity • 26% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 21% Positiveness
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Leyla Blue
It Still Rains in Paradise
120 bpm • D Maj • 02:42 • -10.01db
23% Popularity • 59% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
23% Popularity • 59% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Ashe
Moral of the Story - Bonus Track
120 bpm • A# Maj • 03:18 • -8.9db
70% Popularity • 58% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
70% Popularity • 58% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Marisa Maino
drugs with god
120 bpm • A Maj • 03:15 • -6.05db
26% Popularity • 52% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
26% Popularity • 52% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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EMELINE
cinderella's dead
120 bpm • F# min • 02:00 • -6.18db
71% Popularity • 60% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
71% Popularity • 60% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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GAYLE
kiddie pool
120 bpm • E Maj • 03:20 • -9.08db
19% Popularity • 61% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 61% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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amanda williams
attached
120 bpm • G# Maj • 02:06 • -11.27db
24% Popularity • 52% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 52% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Cloudy June
High Waist to Hell
120 bpm • F Maj • 03:14 • -7.1db
39% Popularity • 85% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
39% Popularity • 85% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 60% Positiveness
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Ashe
Moral of the Story
120 bpm • A# Maj • 03:21 • -8.62db
77% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
77% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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chloe moriondo
I Want To Be With You
120 bpm • E Maj • 02:59 • -6.97db
58% Popularity • 74% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
58% Popularity • 74% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Faith Marie
NVM
120 bpm • D min • 03:36 • -4.98db
42% Popularity • 58% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
42% Popularity • 58% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Caroline Kole
I LIKE CARS
120 bpm • F# Maj • 02:22 • -6.38db
37% Popularity • 74% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
37% Popularity • 74% Danceability • 66% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Melina KB
If We're in Love
120 bpm • G Maj • 03:34 • -9db
29% Popularity • 80% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
29% Popularity • 80% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Lexi Jayde
newbury park
120 bpm • C# Maj • 02:54 • -7.13db
52% Popularity • 68% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
52% Popularity • 68% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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J. Maya
Library Card
120 bpm • A min • 03:26 • -7db
39% Popularity • 65% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
39% Popularity • 65% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Em Beihold
Painful Truth
120 bpm • A min • 03:28 • -8.12db
37% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
37% Popularity • 73% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Stela Cole
The Day It Rained in Southern California
114 bpm • G# Maj • 03:51 • -6.98db
37% Popularity • 73% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
37% Popularity • 73% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Madison Beer
Blue
114 bpm • G Maj • 03:49 • -7.86db
51% Popularity • 64% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
51% Popularity • 64% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Jules Paymer
Past Life
120 bpm • E min • 03:38 • -8db
34% Popularity • 68% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
34% Popularity • 68% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Lexi Jayde
Oldest Teenager
114 bpm • C# Maj • 03:16 • -12.6db
40% Popularity • 65% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
40% Popularity • 65% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Mckenna Grace
do all my friends hate me?
114 bpm • D# Maj • 03:24 • -6.93db
50% Popularity • 42% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
50% Popularity • 42% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Alec Benjamin
If I Killed Someone For You
121 bpm • G Maj • 03:05 • -5.36db
72% Popularity • 51% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
72% Popularity • 51% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Leanna Firestone
Hide
113 bpm • A# Maj • 02:59 • -6.82db
25% Popularity • 38% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 38% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 34% Positiveness
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Madison Beer
BOYSHIT
121 bpm • C# Maj • 02:40 • -6.54db
59% Popularity • 64% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
59% Popularity • 64% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Sophie Cates
ghosts!
121 bpm • G# Maj • 02:50 • -4.13db
35% Popularity • 77% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 77% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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GAYLE
abcdefu (chill)
113 bpm • C# min • 02:56 • -7.69db
37% Popularity • 55% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 55% Danceability • 43% Energy • 23% Liveness
0% Instrumentalness • 20% Positiveness
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chloe moriondo
Bodybag
113 bpm • A Maj • 02:38 • -4.66db
50% Popularity • 78% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
50% Popularity • 78% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Chloe Adams
Time Machine
122 bpm • C Maj • 02:25 • -7db
28% Popularity • 67% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 67% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Halsey
1121
122 bpm • E min • 02:42 • -7.52db
48% Popularity • 61% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
48% Popularity • 61% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Sara Kays
Traffic Lights
122 bpm • B Maj • 03:24 • -7.63db
49% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
49% Popularity • 52% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Cayley Spivey
Bad For Each Other
122 bpm • C# min • 03:32 • -8db
13% Popularity • 67% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 67% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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UPSAHL
Time of my Life
122 bpm • C Maj • 02:16 • -4.68db
43% Popularity • 80% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
43% Popularity • 80% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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JESSIA
But I Don'T
122 bpm • C Maj • 02:17 • -10db
41% Popularity • 89% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
41% Popularity • 89% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Sarah Cothran
Sway
112 bpm • G# Maj • 02:54 • -8.95db
26% Popularity • 64% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
26% Popularity • 64% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Jade LeMac
Same Place
112 bpm • C# Maj • 03:42 • -6db
38% Popularity • 60% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 60% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Javailin
Two Nights
112 bpm • G# min • 03:28 • -5.69db
34% Popularity • 66% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
34% Popularity • 66% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 58% Positiveness
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Sody
Bitch (I Said It)
112 bpm • C min • 03:11 • -6.07db
45% Popularity • 76% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 23% Positiveness
45% Popularity • 76% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 23% Positiveness
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Rory Webley
Genie in a Bottle
112 bpm • C min • 03:32 • -8.18db
35% Popularity • 65% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 65% Danceability • 61% Energy • 21% Liveness
0% Instrumentalness • 27% Positiveness
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Bryce Xavier
Romeo
122 bpm • D# Maj • 03:03 • -13.66db
36% Popularity • 57% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 57% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Marisa Maino
jenny
112 bpm • E Maj • 02:39 • -4.28db
25% Popularity • 63% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 63% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Sabrina Carpenter
skinny dipping
122 bpm • E Maj • 02:57 • -8.86db
58% Popularity • 45% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
58% Popularity • 45% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Sage Charmaine
June
123 bpm • G Maj • 03:03 • -3.42db
35% Popularity • 68% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 68% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 38% Positiveness
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Sarah Barrios
Thank God You Introduced Me to Your Sist...
123 bpm • G# Maj • 02:39 • -4.93db
45% Popularity • 70% Danceability • 74% Energy • 45% Liveness
0% Instrumentalness • 91% Positiveness
45% Popularity • 70% Danceability • 74% Energy • 45% Liveness
0% Instrumentalness • 91% Positiveness
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Bahari
Bipolar
123 bpm • A Maj • 03:19 • -9db
28% Popularity • 65% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
28% Popularity • 65% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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Gaustad
93 Days
123 bpm • C Maj • 02:40 • -8db
27% Popularity • 85% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 85% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Leah Kate
Boy Next Door
111 bpm • A min • 02:22 • -5.38db
36% Popularity • 88% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
36% Popularity • 88% Danceability • 58% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Sody
is your bedroom ceiling bored?
124 bpm • F# Maj • 03:27 • -9.83db
51% Popularity • 62% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
51% Popularity • 62% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Brye
Letter to Blueberry
124 bpm • C Maj • 03:45 • -10db
21% Popularity • 73% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
21% Popularity • 73% Danceability • 31% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Sophie Pecora
I'm in a Rut
124 bpm • E Maj • 02:58 • -6db
24% Popularity • 84% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
24% Popularity • 84% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Sara Kays
Remember That Night?
124 bpm • G min • 03:47 • -10.94db
74% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
74% Popularity • 68% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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The Aces
Going Home
124 bpm • A Maj • 03:55 • -8db
39% Popularity • 66% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
39% Popularity • 66% Danceability • 55% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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Olivia Rodrigo
brutal
124 bpm • E Maj • 02:23 • -6.45db
79% Popularity • 67% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
79% Popularity • 67% Danceability • 53% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
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Sarah Cothran
As the World Caves In
124 bpm • C Maj • 02:41 • -6.84db
72% Popularity • 42% Danceability • 25% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
72% Popularity • 42% Danceability • 25% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
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Jade LeMac
Aimed to Kill
124 bpm • C Maj • 03:22 • -2.79db
51% Popularity • 63% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
51% Popularity • 63% Danceability • 75% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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SKYLAR
Angel Eyes
110 bpm • B min • 02:44 • -8.82db
34% Popularity • 70% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 70% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Sara Kays
I’m Okay Though
124 bpm • C Maj • 03:02 • -6.68db
39% Popularity • 66% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 66% Danceability • 66% Energy • 29% Liveness
0% Instrumentalness • 38% Positiveness
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DEZI
Boba
124 bpm • G# Maj • 03:33 • -9db
30% Popularity • 76% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 76% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Rachel Bochner
ghosted my therapist
110 bpm • E Maj • 03:09 • -10db
34% Popularity • 78% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 78% Danceability • 38% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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Crimson Apple
Break Your Heart Worse
110 bpm • B Maj • 03:44 • -3.48db
35% Popularity • 60% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 60% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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EMELINE
what it means to be a girl
110 bpm • C min • 02:48 • -8db
58% Popularity • 79% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
58% Popularity • 79% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Jessie Paege
Not Jessica, I'm Jessie
110 bpm • G min • 03:53 • -8.73db
14% Popularity • 62% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
14% Popularity • 62% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 69% Positiveness
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Anna Shoemaker
Mariah
110 bpm • A Maj • 02:56 • -5.71db
24% Popularity • 67% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 67% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Leah Kate
Veronica
110 bpm • C min • 02:36 • -4.52db
39% Popularity • 88% Danceability • 79% Energy • 14% Liveness
1% Instrumentalness • 89% Positiveness
39% Popularity • 88% Danceability • 79% Energy • 14% Liveness
1% Instrumentalness • 89% Positiveness
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Alec Benjamin
Hipocrite
110 bpm • G Maj • 02:16 • -4.6db
47% Popularity • 81% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
47% Popularity • 81% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Stela Cole
Kiss or Kill
110 bpm • A min • 03:00 • -7.99db
56% Popularity • 79% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
56% Popularity • 79% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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ROSIE
Social Stamina
110 bpm • D# Maj • 02:34 • -9db
41% Popularity • 70% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
41% Popularity • 70% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Zoe Clark
Last One Standing - Acoustic
125 bpm • C Maj • 02:17 • -4.2db
33% Popularity • 77% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
33% Popularity • 77% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 75% Positiveness
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Sarah Cothran
Stronger Than Me
125 bpm • D min • 03:13 • -8.36db
43% Popularity • 55% Danceability • 34% Energy • 43% Liveness
0% Instrumentalness • 16% Positiveness
43% Popularity • 55% Danceability • 34% Energy • 43% Liveness
0% Instrumentalness • 16% Positiveness
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Abigail Barlow
Future Ex
125 bpm • C# Maj • 02:36 • -4.77db
41% Popularity • 85% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
41% Popularity • 85% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Conan Gray
People Watching
126 bpm • F Maj • 02:38 • -7.28db
77% Popularity • 53% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
77% Popularity • 53% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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UPSAHL
Thriving
126 bpm • G Maj • 02:15 • -5.23db
44% Popularity • 80% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
44% Popularity • 80% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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renforshort
i drive me mad
108 bpm • G Maj • 02:57 • -5.5db
44% Popularity • 53% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
44% Popularity • 53% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Andi
Devil's Work
108 bpm • D# Maj • 03:30 • -8db
40% Popularity • 71% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
40% Popularity • 71% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Sarah Cothran
Poor Marionette
125 bpm • G# min • 02:23 • -6.8db
41% Popularity • 60% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
41% Popularity • 60% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Leah Kate
Boyfriend
108 bpm • B min • 02:23 • -6.04db
35% Popularity • 90% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 90% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Conan Gray
Maniac
108 bpm • G# Maj • 03:05 • -5.46db
79% Popularity • 63% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
79% Popularity • 63% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 49% Positiveness
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Cloudy June
Kill Your Darling
108 bpm • F# min • 02:34 • -6.57db
40% Popularity • 84% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
40% Popularity • 84% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
