Songs like Don't Worry - Single Version by Appleton
Based on a tempo of (+/- 10%) and a similar genre
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Appleton
Don't Worry
146 bpm • E Maj • 04:42 • -9db
21% Popularity • 50% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 50% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Mark Owen
Child - Full Length
146 bpm • F# Maj • 05:05 • -12.52db
21% Popularity • 52% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 52% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Savage Garden
This Side Of Me
147 bpm • E min • 04:11 • -8db
31% Popularity • 71% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 71% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Sophie B. Hawkins
Did We Not Choose Each Other
147 bpm • B Maj • 04:25 • -9db
23% Popularity • 65% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 75% Positiveness
23% Popularity • 65% Danceability • 57% Energy • 25% Liveness
0% Instrumentalness • 75% Positiveness
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Ainslie Henderson
Keep Me A Secret
147 bpm • A Maj • 03:31 • -3.87db
12% Popularity • 48% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
12% Popularity • 48% Danceability • 91% Energy • 19% Liveness
0% Instrumentalness • 83% Positiveness
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Honeyz
Finally Found
148 bpm • A# Maj • 04:47 • -10db
43% Popularity • 70% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
43% Popularity • 70% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Appleton
Don't Worry - Single Version
146 bpm • E Maj • 04:17 • -9.21db
24% Popularity • 50% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
24% Popularity • 50% Danceability • 54% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Sinead Quinn
I Can't Break Down
148 bpm • C Maj • 03:31 • -3.88db
16% Popularity • 59% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
16% Popularity • 59% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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ABS
Stop Sign
148 bpm • F min • 02:54 • -3.2db
14% Popularity • 74% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
14% Popularity • 74% Danceability • 96% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Dido
All You Want
148 bpm • G# Maj • 03:53 • -8db
42% Popularity • 57% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
42% Popularity • 57% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Emma Bunton
Spell It O.U.T.
144 bpm • F# Maj • 03:14 • -7.15db
14% Popularity • 54% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
14% Popularity • 54% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Siobhan Donaghy
Medevac
143 bpm • E min • 03:58 • -5.14db
13% Popularity • 40% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 40% Danceability • 79% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Appleton
I'm Your Angel
146 bpm • E min • 02:58 • -6.34db
2% Popularity • 45% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
2% Popularity • 45% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Nerina Pallot
Turn Me On Again
149 bpm • D Maj • 03:41 • -5.63db
13% Popularity • 52% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 52% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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S Club
You - Single Version
150 bpm • C Maj • 03:32 • -4.71db
22% Popularity • 62% Danceability • 79% Energy • 50% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 62% Danceability • 79% Energy • 50% Liveness
0% Instrumentalness • 67% Positiveness
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Martine McCutcheon
Love Me
150 bpm • B min • 03:48 • -8db
22% Popularity • 59% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 59% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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Girl Thing
Pure and Simple
142 bpm • D Maj • 04:30 • -4.65db
10% Popularity • 68% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 68% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Siobhan Donaghy
Don't Give It Up
143 bpm • A Maj • 03:12 • -5db
17% Popularity • 47% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 47% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Jennifer Love Hewitt
Can I Go Now
150 bpm • C# min • 03:36 • -6db
30% Popularity • 64% Danceability • 70% Energy • 2% Liveness
0% Instrumentalness • 86% Positiveness
30% Popularity • 64% Danceability • 70% Energy • 2% Liveness
0% Instrumentalness • 86% Positiveness
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Shaznay Lewis
Dance
142 bpm • F min • 03:29 • -5.29db
17% Popularity • 80% Danceability • 93% Energy • 43% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 80% Danceability • 93% Energy • 43% Liveness
0% Instrumentalness • 86% Positiveness
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Tasmin Archer
In Your Care
150 bpm • A min • 04:22 • -13db
25% Popularity • 53% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
25% Popularity • 53% Danceability • 27% Energy • 25% Liveness
0% Instrumentalness • 14% Positiveness
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Martine McCutcheon
Perfect Moment
142 bpm • C# Maj • 03:52 • -8.03db
36% Popularity • 50% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
36% Popularity • 50% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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Dannii Minogue
Everything I Wanted
141 bpm • G min • 04:39 • -10.2db
15% Popularity • 66% Danceability • 65% Energy • 65% Liveness
0% Instrumentalness • 75% Positiveness
15% Popularity • 66% Danceability • 65% Energy • 65% Liveness
0% Instrumentalness • 75% Positiveness
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B*Witched
To You I Belong
152 bpm • G# Maj • 03:04 • -4.94db
33% Popularity • 35% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 18% Positiveness
33% Popularity • 35% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 18% Positiveness
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Appleton
Sugarman
152 bpm • D Maj • 03:55 • -6.66db
2% Popularity • 49% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
2% Popularity • 49% Danceability • 65% Energy • 32% Liveness
0% Instrumentalness • 39% Positiveness
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Nerina Pallot
Heart Attack (remastered)
152 bpm • G Maj • 03:25 • -4.29db
16% Popularity • 60% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
16% Popularity • 60% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Shaznay Lewis
Never Felt Like This Before
152 bpm • G Maj • 04:20 • -4.54db
29% Popularity • 57% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 57% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 62% Positiveness
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Martine McCutcheon
I'm Over You
142 bpm • C Maj • 03:43 • -5db
30% Popularity • 55% Danceability • 81% Energy • 42% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 55% Danceability • 81% Energy • 42% Liveness
0% Instrumentalness • 44% Positiveness
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Billie Piper
Honey To The Bee - Single Version
140 bpm • G# Maj • 03:42 • -5.4db
17% Popularity • 63% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
17% Popularity • 63% Danceability • 68% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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B*Witched
To You I Belong
152 bpm • G# Maj • 03:06 • -6.63db
17% Popularity • 36% Danceability • 68% Energy • 35% Liveness
2% Instrumentalness • 23% Positiveness
17% Popularity • 36% Danceability • 68% Energy • 35% Liveness
2% Instrumentalness • 23% Positiveness
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Beverley Knight
Not Too Late for Love
140 bpm • A# Maj • 04:22 • -5.51db
9% Popularity • 66% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
9% Popularity • 66% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Nerina Pallot
Geek Love (remastered)
140 bpm • F Maj • 04:00 • -3.9db
23% Popularity • 47% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
23% Popularity • 47% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Lucie Silvas
The Game Is Won
139 bpm • B Maj • 04:00 • -6db
17% Popularity • 40% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 40% Danceability • 67% Energy • 19% Liveness
0% Instrumentalness • 18% Positiveness
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Martine McCutcheon
Talking In Your Sleep
140 bpm • G# Maj • 04:38 • -9.53db
25% Popularity • 31% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
25% Popularity • 31% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Billie Piper
Honey To The Bee
140 bpm • G# Maj • 05:04 • -6db
37% Popularity • 63% Danceability • 69% Energy • 74% Liveness
0% Instrumentalness • 60% Positiveness
37% Popularity • 63% Danceability • 69% Energy • 74% Liveness
0% Instrumentalness • 60% Positiveness
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Siobhan Donaghy
Overrated
154 bpm • B Maj • 04:46 • -4.4db
18% Popularity • 46% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 46% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Beverley Knight
Shoulda Woulda Coulda
152 bpm • D Maj • 03:32 • -4.76db
46% Popularity • 67% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
46% Popularity • 67% Danceability • 66% Energy • 19% Liveness
0% Instrumentalness • 80% Positiveness
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Nerina Pallot
Idaho (Jack Joseph Puig Mix remastered)
153 bpm • D min • 04:28 • -4.61db
24% Popularity • 45% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 45% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Victoria Beckham
Unconditional Love
154 bpm • C# Maj • 03:52 • -5db
22% Popularity • 72% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
22% Popularity • 72% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 74% Positiveness
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Martine McCutcheon
I've Got You
154 bpm • G Maj • 03:46 • -7.54db
25% Popularity • 47% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
25% Popularity • 47% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Emma Bunton
Better Be Careful
138 bpm • C Maj • 03:19 • -4.44db
12% Popularity • 64% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 64% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Zero 7
Destiny - Edit
138 bpm • G# Maj • 03:48 • -8.15db
25% Popularity • 65% Danceability • 63% Energy • 15% Liveness
27% Instrumentalness • 50% Positiveness
25% Popularity • 65% Danceability • 63% Energy • 15% Liveness
27% Instrumentalness • 50% Positiveness
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Honeyz
Never Let You Down
156 bpm • G Maj • 03:31 • -5.97db
29% Popularity • 38% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 38% Danceability • 76% Energy • 28% Liveness
0% Instrumentalness • 62% Positiveness
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Scooch
More Than I Needed to Know
137 bpm • F Maj • 03:30 • -7db
27% Popularity • 61% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 61% Danceability • 86% Energy • 34% Liveness
0% Instrumentalness • 28% Positiveness
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Alisha's Attic
I Won't Miss You
156 bpm • B min • 04:00 • -4.98db
13% Popularity • 62% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
13% Popularity • 62% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 80% Positiveness
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Appleton
Everything Eventually - 29 Palms Remix
136 bpm • B min • 09:11 • -8.54db
0% Popularity • 52% Danceability • 96% Energy • 26% Liveness
77% Instrumentalness • 42% Positiveness
0% Popularity • 52% Danceability • 96% Energy • 26% Liveness
77% Instrumentalness • 42% Positiveness
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Spice Girls
Goodbye
136 bpm • E Maj • 04:47 • -7.5db
18% Popularity • 56% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 56% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Hear'Say
Everybody
136 bpm • G Maj • 03:54 • -6db
28% Popularity • 61% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
28% Popularity • 61% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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True Steppers
Out of Your Mind - Radio Edit
136 bpm • B Maj • 03:24 • -4db
26% Popularity • 69% Danceability • 89% Energy • 67% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 69% Danceability • 89% Energy • 67% Liveness
0% Instrumentalness • 88% Positiveness
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Sinead Quinn
What You Need Is...
157 bpm • F# min • 03:32 • -3.14db
8% Popularity • 40% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 40% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Mutya Buena
Strung Out
135 bpm • A min • 04:14 • -3.37db
11% Popularity • 60% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
11% Popularity • 60% Danceability • 78% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Appleton
Don't Worry - Lucien Foort Dub Mix
135 bpm • A min • 07:56 • -8.95db
0% Popularity • 78% Danceability • 93% Energy • 6% Liveness
89% Instrumentalness • 58% Positiveness
0% Popularity • 78% Danceability • 93% Energy • 6% Liveness
89% Instrumentalness • 58% Positiveness
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Holly Valance
Harder They Come
135 bpm • F Maj • 03:38 • -4.86db
8% Popularity • 69% Danceability • 91% Energy • 14% Liveness
11% Instrumentalness • 96% Positiveness
8% Popularity • 69% Danceability • 91% Energy • 14% Liveness
11% Instrumentalness • 96% Positiveness
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Samantha Mumba
Lately
134 bpm • G# Maj • 05:09 • -6db
33% Popularity • 63% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
33% Popularity • 63% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Delta Goodrem
Born to Try - Radio Edit
134 bpm • G# Maj • 03:51 • -6.51db
13% Popularity • 53% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 53% Danceability • 60% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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Rachel Stevens
Blue Afternoon
134 bpm • F# min • 04:12 • -7.7db
11% Popularity • 63% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 63% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Dannii Minogue
All I Wanna Do
134 bpm • G# Maj • 04:29 • -8db
33% Popularity • 58% Danceability • 94% Energy • 34% Liveness
27% Instrumentalness • 34% Positiveness
33% Popularity • 58% Danceability • 94% Energy • 34% Liveness
27% Instrumentalness • 34% Positiveness
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Appleton
Don't Worry - Lucien Foort Vocal Mix
135 bpm • E Maj • 09:22 • -8.18db
0% Popularity • 73% Danceability • 84% Energy • 17% Liveness
69% Instrumentalness • 51% Positiveness
0% Popularity • 73% Danceability • 84% Energy • 17% Liveness
69% Instrumentalness • 51% Positiveness
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Republica
Try Everything
160 bpm • A Maj • 04:01 • -4.53db
11% Popularity • 35% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
11% Popularity • 35% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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Rogue Traders
Voodoo Child - Radio Edit
132 bpm • E Maj • 03:34 • -8.37db
31% Popularity • 68% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
31% Popularity • 68% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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Holly Valance
Down Boy - Radio Edit
161 bpm • G Maj • 03:25 • -6.68db
28% Popularity • 68% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 68% Danceability • 77% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
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Martine McCutcheon
On The Radio
132 bpm • B min • 03:49 • -5db
29% Popularity • 60% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 60% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Louise
Pandora's Kiss
162 bpm • C Maj • 03:15 • -6.4db
15% Popularity • 69% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
15% Popularity • 69% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Appleton
Don't Worry - Lucien Foort Vocal Edit
135 bpm • C# min • 04:59 • -9.02db
0% Popularity • 69% Danceability • 80% Energy • 6% Liveness
81% Instrumentalness • 57% Positiveness
0% Popularity • 69% Danceability • 80% Energy • 6% Liveness
81% Instrumentalness • 57% Positiveness
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Belinda Carlisle
Always Breaking My Heart
132 bpm • E Maj • 03:12 • -6.54db
29% Popularity • 59% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 59% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Rachel Stevens
I Said Never Again (But Here We Are)
162 bpm • C Maj • 03:25 • -3.77db
30% Popularity • 46% Danceability • 94% Energy • 42% Liveness
0% Instrumentalness • 63% Positiveness
30% Popularity • 46% Danceability • 94% Energy • 42% Liveness
0% Instrumentalness • 63% Positiveness
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Dannii Minogue
Disremembrance
131 bpm • A Maj • 04:06 • -6.84db
17% Popularity • 53% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 53% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 15% Positiveness
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Natasha Bedingfield
I Bruise Easily
131 bpm • E min • 04:13 • -7db
48% Popularity • 61% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
48% Popularity • 61% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Sarah Whatmore
When I Lost You - Radio Version
131 bpm • A min • 03:25 • -6.73db
25% Popularity • 77% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
25% Popularity • 77% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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Dina Carroll
Don't Be A Stranger - Radio Edit
131 bpm • D min • 04:46 • -11.9db
31% Popularity • 50% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
31% Popularity • 50% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 21% Positiveness
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Eternal
Crazy - West End Remix
130 bpm • B Maj • 03:57 • -12.14db
17% Popularity • 55% Danceability • 92% Energy • 23% Liveness
83% Instrumentalness • 91% Positiveness
17% Popularity • 55% Danceability • 92% Energy • 23% Liveness
83% Instrumentalness • 91% Positiveness
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Liberty X
Thinking It Over
130 bpm • C# Maj • 04:05 • -8db
33% Popularity • 62% Danceability • 84% Energy • 15% Liveness
1% Instrumentalness • 81% Positiveness
33% Popularity • 62% Danceability • 84% Energy • 15% Liveness
1% Instrumentalness • 81% Positiveness
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Rachel Stevens
Sweet Dreams My LA Ex - Radio Edit
130 bpm • D Maj • 03:28 • -3.59db
47% Popularity • 85% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
47% Popularity • 85% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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Natasha Bedingfield
I Bruise Easily
131 bpm • E min • 03:44 • -8db
24% Popularity • 61% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
24% Popularity • 61% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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A1
Be the First to Believe
130 bpm • F min • 03:19 • -6.67db
26% Popularity • 69% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
26% Popularity • 69% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 87% Positiveness
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Appleton
Don't Worry - King Britt Funke Dub
130 bpm • B min • 09:40 • -9.58db
0% Popularity • 66% Danceability • 70% Energy • 20% Liveness
41% Instrumentalness • 52% Positiveness
0% Popularity • 66% Danceability • 70% Energy • 20% Liveness
41% Instrumentalness • 52% Positiveness
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Delta Goodrem
Throw It Away
130 bpm • G min • 03:52 • -7.32db
27% Popularity • 70% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 70% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 67% Positiveness
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S Club
Say Goodbye
130 bpm • G Maj • 03:57 • -7.58db
26% Popularity • 52% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
26% Popularity • 52% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Rachel Stevens
Some Girls
130 bpm • D Maj • 03:33 • -4.57db
37% Popularity • 70% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 70% Danceability • 86% Energy • 37% Liveness
0% Instrumentalness • 38% Positiveness
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Bardot
I Need Somebody
129 bpm • G# Maj • 03:26 • -7db
27% Popularity • 64% Danceability • 98% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 64% Danceability • 98% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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Puretone
Stuck In A Groove
165 bpm • C Maj • 03:16 • -4.92db
10% Popularity • 64% Danceability • 81% Energy • 5% Liveness
1% Instrumentalness • 56% Positiveness
10% Popularity • 64% Danceability • 81% Energy • 5% Liveness
1% Instrumentalness • 56% Positiveness
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Appleton
Don't Worry - King Britt Vocal Mix
130 bpm • B min • 07:29 • -7.62db
0% Popularity • 70% Danceability • 72% Energy • 7% Liveness
25% Instrumentalness • 62% Positiveness
0% Popularity • 70% Danceability • 72% Energy • 7% Liveness
25% Instrumentalness • 62% Positiveness
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Mica Paris
One - Perfecto 7" Edit
166 bpm • C Maj • 04:30 • -8.73db
18% Popularity • 56% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 56% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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Lucie Silvas
Breathe In
128 bpm • G Maj • 03:49 • -6.19db
34% Popularity • 67% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
34% Popularity • 67% Danceability • 73% Energy • 33% Liveness
0% Instrumentalness • 69% Positiveness
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Michelle McManus
All This Time
128 bpm • F# Maj • 04:22 • -5db
36% Popularity • 53% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
36% Popularity • 53% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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ABS
7 Ways - Seven Ways
128 bpm • G# min • 03:52 • -7db
15% Popularity • 73% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
15% Popularity • 73% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Rachel Stevens
Every Little Thing
128 bpm • C# Maj • 03:44 • -4.01db
14% Popularity • 72% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 72% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Appleton
Don't Worry - King Britt Vocal Edit
130 bpm • B min • 05:12 • -6.43db
0% Popularity • 65% Danceability • 79% Energy • 5% Liveness
27% Instrumentalness • 61% Positiveness
0% Popularity • 65% Danceability • 79% Energy • 5% Liveness
27% Instrumentalness • 61% Positiveness
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Paul Mac
Sunshine Eyes
128 bpm • C min • 04:00 • -4.68db
16% Popularity • 70% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
16% Popularity • 70% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Lisa Scott-Lee
Lately
128 bpm • F# Maj • 03:56 • -5.59db
21% Popularity • 68% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 91% Positiveness
21% Popularity • 68% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 91% Positiveness
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Adam Rickitt
I Breathe Again
128 bpm • F min • 03:45 • -3.73db
33% Popularity • 64% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
33% Popularity • 64% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
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Nerina Pallot
All Bets Are Off
168 bpm • E min • 04:12 • -6.96db
15% Popularity • 38% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 38% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Joe McElderry
Ambitions
127 bpm • F# Maj • 02:55 • -6.62db
25% Popularity • 67% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 67% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Appleton
Fantasy
166 bpm • A Maj • 03:47 • -5.19db
23% Popularity • 50% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 50% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 53% Positiveness
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S Club 8
Sundown
127 bpm • D Maj • 04:04 • -6.53db
32% Popularity • 73% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
32% Popularity • 73% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Lisa Scott-Lee
Too Far Gone
128 bpm • E min • 03:37 • -4.23db
19% Popularity • 63% Danceability • 88% Energy • 24% Liveness
15% Instrumentalness • 86% Positiveness
19% Popularity • 63% Danceability • 88% Energy • 24% Liveness
15% Instrumentalness • 86% Positiveness
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Thunderbugs
Friends Forever
127 bpm • A Maj • 03:40 • -7db
15% Popularity • 55% Danceability • 83% Energy • 45% Liveness
0% Instrumentalness • 83% Positiveness
15% Popularity • 55% Danceability • 83% Energy • 45% Liveness
0% Instrumentalness • 83% Positiveness
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Nerina Pallot
Everybody's Gone To War (Chris Lord-Alge...
128 bpm • D Maj • 03:54 • -3.41db
33% Popularity • 61% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
33% Popularity • 61% Danceability • 94% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
