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doomsday
Songs like
doomsday
by
Lizzy McAlpine
Based on a tempo of (+/- 10%) and a similar genre
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Chance Peña
In My Room
134 bpm • E Maj • 02:57 • -13.63db
81% Popularity • 41% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness
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Lizzy McAlpine
firearm
134 bpm • D Maj • 03:02 • -7.73db
52% Popularity • 61% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Olivia Rodrigo
making the bed
133 bpm • G Maj • 03:18 • -7.74db
80% Popularity • 54% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Genevieve Stokes
17
133 bpm • A Maj • 04:45 • -17.45db
31% Popularity • 33% Danceability • 13% Energy • 12% Liveness
2% Instrumentalness • 15% Positiveness
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Phoebe Bridgers
Scott Street
135 bpm • A# Maj • 05:05 • -9.63db
75% Popularity • 51% Danceability • 42% Energy • 9% Liveness
9% Instrumentalness • 48% Positiveness
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Gracie Abrams
Mess It Up
133 bpm • C Maj • 02:51 • -4.53db
76% Popularity • 76% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Chance Peña
Sleep Deprivation
134 bpm • D Maj • 02:35 • -11db
75% Popularity • 59% Danceability • 41% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Lizzy McAlpine
doomsday
135 bpm • C# Maj • 04:28 • -10db
68% Popularity • 40% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Lucy Dacus
Hot & Heavy
135 bpm • C Maj • 04:10 • -6.66db
61% Popularity • 55% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Trousdale
Any Day Now
135 bpm • D Maj • 03:21 • -6.51db
46% Popularity • 53% Danceability • 67% Energy • 28% Liveness
0% Instrumentalness • 29% Positiveness
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Leith Ross
Everyone I've Never Met
135 bpm • A Maj • 03:11 • -12.98db
45% Popularity • 61% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Julia Michaels
What A Time
133 bpm • C Maj • 02:53 • -6.18db
79% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Olivia Rodrigo
teenage dream
136 bpm • C Maj • 03:42 • -10.21db
76% Popularity • 42% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Ashe
Fun While It Lasted
136 bpm • A Maj • 02:26 • -7.59db
49% Popularity • 49% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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John Vincent III
Next to You
132 bpm • G Maj • 04:16 • -7.98db
73% Popularity • 44% Danceability • 42% Energy • 40% Liveness
0% Instrumentalness • 7% Positiveness
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Taylor Swift
this is me trying
136 bpm • A Maj • 03:15 • -9.84db
78% Popularity • 52% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Reneé Rapp
Gemini Moon
136 bpm • B Maj • 02:40 • -8.34db
66% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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boygenius
Emily I'm Sorry
136 bpm • B Maj • 03:34 • -12.16db
67% Popularity • 58% Danceability • 38% Energy • 10% Liveness
18% Instrumentalness • 49% Positiveness
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Lyn Lapid
In My Mind
136 bpm • D min • 02:42 • -12.18db
72% Popularity • 67% Danceability • 39% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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Searows
End Of The World
136 bpm • G Maj • 03:54 • -12.78db
56% Popularity • 49% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Gregory Alan Isakov
Honey, It's Alright
132 bpm • C Maj • 03:11 • -15.66db
60% Popularity • 47% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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Lizzy McAlpine
weird
132 bpm • G Maj • 03:29 • -13.75db
46% Popularity • 47% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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quinnie
man
136 bpm • C Maj • 03:58 • -9db
49% Popularity • 49% Danceability • 44% Energy • 38% Liveness
0% Instrumentalness • 21% Positiveness
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Conan Gray
The Cut That Always Bleeds
136 bpm • C Maj • 03:51 • -6.5db
76% Popularity • 49% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 25% Positiveness
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boygenius
Revolution 0
136 bpm • C Maj • 04:17 • -14.22db
59% Popularity • 26% Danceability • 30% Energy • 11% Liveness
3% Instrumentalness • 31% Positiveness
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Searows
Keep The Rain
132 bpm • C# Maj • 04:47 • -17.66db
56% Popularity • 47% Danceability • 12% Energy • 9% Liveness
1% Instrumentalness • 23% Positiveness
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Phoebe Bridgers
Kyoto
131 bpm • B Maj • 03:04 • -6.89db
69% Popularity • 60% Danceability • 75% Energy • 9% Liveness
30% Instrumentalness • 48% Positiveness
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Lizzy McAlpine
A Little Bit of Everything - Spotify Sin...
132 bpm • C Maj • 05:17 • -13.15db
54% Popularity • 45% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Chappell Roan
Casual
131 bpm • C# Maj • 03:52 • -6.85db
71% Popularity • 51% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Ryan Beatty
Bruises Off The Peach
132 bpm • B Maj • 03:12 • -8.8db
55% Popularity • 53% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Cordelia
Little Life
131 bpm • B Maj • 04:30 • -15.61db
62% Popularity • 51% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Novo Amor
State Lines
137 bpm • A Maj • 03:28 • -10.62db
76% Popularity • 51% Danceability • 31% Energy • 10% Liveness
23% Instrumentalness • 15% Positiveness
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Conan Gray
Yours
130 bpm • D Maj • 03:24 • -8.87db
65% Popularity • 52% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Lizzy McAlpine
hate to be lame
137 bpm • A# min • 02:36 • -12.63db
68% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Gracie Abrams
I should hate you
138 bpm • F Maj • 04:18 • -8.07db
63% Popularity • 50% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Tom Rosenthal
Hope - Acoustic
138 bpm • B Maj • 03:43 • -13.44db
46% Popularity • 59% Danceability • 14% Energy • 33% Liveness
0% Instrumentalness • 23% Positiveness
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Ryan Beatty
Ribbons
138 bpm • D# Maj • 03:17 • -13db
53% Popularity • 40% Danceability • 25% Energy • 15% Liveness
1% Instrumentalness • 24% Positiveness
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Rachel Chinouriri
So My Darling - Acoustic
138 bpm • A Maj • 03:48 • -11.11db
63% Popularity • 57% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Taylor Swift
right where you left me - bonus track
138 bpm • A# Maj • 04:05 • -6.52db
80% Popularity • 58% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Sadie Jean
16
130 bpm • E Maj • 02:45 • -8.96db
61% Popularity • 64% Danceability • 51% Energy • 22% Liveness
2% Instrumentalness • 25% Positiveness
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Sabrina Carpenter
Vicious
130 bpm • C Maj • 02:29 • -6.92db
70% Popularity • 72% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 63% Positiveness
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Zeph
world
130 bpm • C min • 01:02 • -16.68db
57% Popularity • 79% Danceability • 43% Energy • 19% Liveness
3% Instrumentalness • 38% Positiveness
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Jensen McRae
My Ego Dies At The End
130 bpm • D# Maj • 04:02 • -6.36db
51% Popularity • 70% Danceability • 45% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Chance Peña
i am not who i was
130 bpm • C Maj • 02:25 • -13.7db
85% Popularity • 70% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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boygenius
Afraid of Heights
138 bpm • G# Maj • 02:41 • -12.81db
62% Popularity • 69% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Richy Mitch & The Coal Miners
Lake Missoula
138 bpm • B min • 01:46 • -13.04db
74% Popularity • 45% Danceability • 25% Energy • 11% Liveness
23% Instrumentalness • 24% Positiveness
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Hazlett
Please Don't Be
130 bpm • A Maj • 02:55 • -11db
69% Popularity • 58% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Zeph
my fault
138 bpm • G Maj • 01:00 • -14db
65% Popularity • 59% Danceability • 31% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Chappell Roan
California
130 bpm • C# Maj • 03:18 • -10.07db
60% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Phoebe Bridgers
Waiting Room
130 bpm • D Maj • 06:33 • -10.07db
75% Popularity • 53% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Leith Ross
Music Box
130 bpm • C# Maj • 04:25 • -14.52db
45% Popularity • 33% Danceability • 22% Energy • 34% Liveness
1% Instrumentalness • 15% Positiveness
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Tiny Habits
some things (i've learned)
130 bpm • C Maj • 03:06 • -13db
39% Popularity • 51% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Ethel Cain
A House In Nebraska
129 bpm • D Maj • 07:46 • -7.89db
62% Popularity • 24% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Paris Paloma
yeti
139 bpm • B min • 04:12 • -11.3db
56% Popularity • 55% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Lizzy McAlpine
called you again
129 bpm • G Maj • 03:12 • -10.36db
56% Popularity • 48% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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The Paper Kites
For All You Give
139 bpm • B min • 03:11 • -17.14db
52% Popularity • 50% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Delaney Bailey
Praying for July - Spotify Singles
129 bpm • B Maj • 03:06 • -18.18db
37% Popularity • 50% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Phoebe Bridgers
Savior Complex
129 bpm • E Maj • 04:01 • -11.88db
67% Popularity • 38% Danceability • 44% Energy • 10% Liveness
2% Instrumentalness • 22% Positiveness
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Bruno Major
Nothing
140 bpm • D Maj • 02:42 • -15.89db
76% Popularity • 56% Danceability • 27% Energy • 10% Liveness
54% Instrumentalness • 27% Positiveness
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Billianne
Simply The Best
140 bpm • B Maj • 02:53 • -11.81db
68% Popularity • 59% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Taylor Swift
the 1
140 bpm • C Maj • 03:30 • -6.94db
80% Popularity • 78% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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BabyJake
Glue
140 bpm • G Maj • 02:53 • -11.92db
23% Popularity • 58% Danceability • 38% Energy • 11% Liveness
8% Instrumentalness • 27% Positiveness
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Wasia Project
My Lover Is Sleeping
140 bpm • G# Maj • 03:46 • -9.54db
50% Popularity • 50% Danceability • 40% Energy • 11% Liveness
50% Instrumentalness • 16% Positiveness
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Conan Gray
Winner
140 bpm • C Maj • 03:37 • -4.84db
67% Popularity • 42% Danceability • 51% Energy • 34% Liveness
0% Instrumentalness • 16% Positiveness
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Lilacs.
Lately I've Been Sad
140 bpm • A Maj • 03:02 • -15.93db
32% Popularity • 74% Danceability • 35% Energy • 41% Liveness
0% Instrumentalness • 65% Positiveness
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beabadoobee
Tired
140 bpm • G min • 03:19 • -7.11db
72% Popularity • 63% Danceability • 42% Energy • 11% Liveness
15% Instrumentalness • 34% Positiveness
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Maya Hawke
Backup Plan
140 bpm • C Maj • 03:17 • -12.87db
44% Popularity • 62% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Grace Gardner
Deny Me
140 bpm • D Maj • 05:07 • -16.78db
41% Popularity • 37% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Devon Gabriella
afraid of heights
140 bpm • A# Maj • 02:34 • -15.06db
36% Popularity • 60% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Billie Eilish
TV
140 bpm • E min • 04:41 • -15.16db
83% Popularity • 41% Danceability • 24% Energy • 15% Liveness
1% Instrumentalness • 12% Positiveness
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Brenn!
4runner
128 bpm • C# Maj • 04:25 • -10.64db
72% Popularity • 58% Danceability • 52% Energy • 41% Liveness
0% Instrumentalness • 53% Positiveness
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Gracie Abrams
Block me out
128 bpm • A# Maj • 04:09 • -7.47db
58% Popularity • 63% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Sophie Holohan
Cognitive Dissonance
128 bpm • C# min • 02:56 • -7.09db
58% Popularity • 65% Danceability • 59% Energy • 14% Liveness
1% Instrumentalness • 51% Positiveness
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Olivia Rodrigo
the grudge
128 bpm • A# Maj • 03:09 • -9.21db
81% Popularity • 55% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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beabadoobee
Lovesong
128 bpm • F Maj • 04:05 • -10.17db
63% Popularity • 48% Danceability • 37% Energy • 11% Liveness
8% Instrumentalness • 23% Positiveness
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Holly Humberstone
Deep End
128 bpm • C Maj • 02:51 • -8db
55% Popularity • 40% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Lizzy McAlpine
Lady In Blue (Pickup Live Session)
127 bpm • F Maj • 03:10 • -14.9db
41% Popularity • 40% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Searows
Older
141 bpm • C Maj • 06:55 • -12.99db
50% Popularity • 37% Danceability • 28% Energy • 10% Liveness
4% Instrumentalness • 14% Positiveness
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Ashe
Love You Need
127 bpm • A Maj • 03:15 • -7.05db
46% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Wild Rivers
Thinking 'Bout Love
142 bpm • F Maj • 03:19 • -8.12db
73% Popularity • 73% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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boygenius
Not Strong Enough
127 bpm • C# Maj • 03:54 • -5.85db
79% Popularity • 51% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Harry Styles
Little Freak
142 bpm • D# Maj • 03:22 • -7.72db
76% Popularity • 56% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Olivia Rodrigo
Can’t Catch Me Now - from The Hunger G...
142 bpm • B min • 03:25 • -7.76db
82% Popularity • 52% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Lizzy McAlpine
Pancakes for Dinner
142 bpm • B Maj • 03:55 • -11.45db
64% Popularity • 75% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Gracie Abrams
Camden
126 bpm • A# Maj • 04:06 • -12.57db
61% Popularity • 65% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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David Kushner
Burn
126 bpm • C Maj • 02:59 • -9.73db
77% Popularity • 57% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Tiny Habits
one more
126 bpm • F# Maj • 03:43 • -12.7db
41% Popularity • 72% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Trousdale
Happy Anymore
126 bpm • D Maj • 03:14 • -9db
42% Popularity • 60% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
Wasia Project
why don't u love me? - re-recorded
126 bpm • F Maj • 03:36 • -12.15db
46% Popularity • 47% Danceability • 31% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
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Conan Gray
People Watching
126 bpm • F Maj • 02:38 • -7.28db
78% Popularity • 53% Danceability • 59% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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Gracie Abrams
Rockland
126 bpm • F Maj • 03:37 • -11.34db
63% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Holly Humberstone
Scarlett
143 bpm • D Maj • 03:16 • -9db
58% Popularity • 62% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Hozier
From Eden
143 bpm • C Maj • 04:43 • -5.46db
66% Popularity • 40% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
► Preview
Maisie Peters
History Of Man
125 bpm • F Maj • 03:28 • -5.68db
69% Popularity • 45% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
► Preview
SZA
Ghost in the Machine
125 bpm • F# Maj • 03:38 • -9.57db
78% Popularity • 62% Danceability • 43% Energy • 11% Liveness
3% Instrumentalness • 59% Positiveness
► Preview
Trousdale
Wouldn't Come Back
125 bpm • B Maj • 03:39 • -9.42db
56% Popularity • 60% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
► Preview
Novo Amor
Oh, Round Lake
125 bpm • C# Maj • 02:55 • -15db
61% Popularity • 56% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Holly Humberstone
London Is Lonely
143 bpm • A# Maj • 03:54 • -7.22db
51% Popularity • 48% Danceability • 43% Energy • 34% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Tommy Lefroy
The Mess
144 bpm • B Maj • 01:08 • -10.21db
55% Popularity • 56% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
FINNEAS
Break My Heart Again
144 bpm • E min • 03:57 • -14.23db
69% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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doomsday