Songs like Double Barrel by Dave & Ansell Collins
Based on a tempo of (+/- 10%) and a similar genre
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Trinity
Three Piece Suit
80 bpm • G Maj • 03:04 • -4.41db
32% Popularity • 68% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
32% Popularity • 68% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Dave & Ansell Collins
Double Barrel
80 bpm • D# Maj • 02:45 • -3.87db
36% Popularity • 84% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
36% Popularity • 84% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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The Versatiles
Long Long Time
80 bpm • A# Maj • 02:19 • -5.93db
23% Popularity • 80% Danceability • 71% Energy • 10% Liveness
77% Instrumentalness • 99% Positiveness
23% Popularity • 80% Danceability • 71% Energy • 10% Liveness
77% Instrumentalness • 99% Positiveness
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Desmond Dekker & The Aces
Beautiful and Dangerous
80 bpm • G# min • 02:49 • -11.6db
38% Popularity • 85% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
38% Popularity • 85% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Brentford All-Stars
Race Track
80 bpm • G# Maj • 02:17 • -12.69db
28% Popularity • 86% Danceability • 50% Energy • 12% Liveness
46% Instrumentalness • 96% Positiveness
28% Popularity • 86% Danceability • 50% Energy • 12% Liveness
46% Instrumentalness • 96% Positiveness
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The Tennors
Do the Reggae (aka Do the Reggay Dance)
80 bpm • G# Maj • 02:38 • -12.08db
17% Popularity • 73% Danceability • 69% Energy • 12% Liveness
2% Instrumentalness • 93% Positiveness
17% Popularity • 73% Danceability • 69% Energy • 12% Liveness
2% Instrumentalness • 93% Positiveness
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The Ethiopians
Come On Now
79 bpm • C Maj • 03:15 • -11.84db
29% Popularity • 81% Danceability • 37% Energy • 46% Liveness
1% Instrumentalness • 60% Positiveness
29% Popularity • 81% Danceability • 37% Energy • 46% Liveness
1% Instrumentalness • 60% Positiveness
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Pluto Shervington
I Man Bitter
81 bpm • G Maj • 03:17 • -12.56db
15% Popularity • 83% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
15% Popularity • 83% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Phyllis Dillon
Picture On the Wall
81 bpm • D Maj • 02:44 • -11.38db
37% Popularity • 69% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
37% Popularity • 69% Danceability • 44% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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Dave & Ansell Collins
On Broadway
81 bpm • B Maj • 02:57 • -11.36db
0% Popularity • 75% Danceability • 52% Energy • 32% Liveness
6% Instrumentalness • 91% Positiveness
0% Popularity • 75% Danceability • 52% Energy • 32% Liveness
6% Instrumentalness • 91% Positiveness
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Desmond Dekker & The Aces
Keep a Cool Head
81 bpm • F min • 02:04 • -7.04db
26% Popularity • 72% Danceability • 45% Energy • 7% Liveness
2% Instrumentalness • 90% Positiveness
26% Popularity • 72% Danceability • 45% Energy • 7% Liveness
2% Instrumentalness • 90% Positiveness
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Susan Cadogan
In the Ghetto
81 bpm • A# Maj • 02:49 • -9.36db
14% Popularity • 59% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
14% Popularity • 59% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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Althea And Donna
Uptown Top Ranking
81 bpm • G Maj • 03:49 • -7db
42% Popularity • 82% Danceability • 55% Energy • 7% Liveness
6% Instrumentalness • 72% Positiveness
42% Popularity • 82% Danceability • 55% Energy • 7% Liveness
6% Instrumentalness • 72% Positiveness
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Pluto Shervington
Your Honour
79 bpm • A Maj • 03:44 • -11.44db
23% Popularity • 87% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
23% Popularity • 87% Danceability • 49% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Clancy Eccles
Rod of Correction
79 bpm • F Maj • 02:24 • -7.36db
22% Popularity • 81% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
22% Popularity • 81% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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The Untouchables
Tighten Up
79 bpm • C Maj • 02:39 • -6.72db
37% Popularity • 76% Danceability • 73% Energy • 10% Liveness
26% Instrumentalness • 88% Positiveness
37% Popularity • 76% Danceability • 73% Energy • 10% Liveness
26% Instrumentalness • 88% Positiveness
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Dave & Ansell Collins
Double Barrel
81 bpm • A Maj • 03:07 • -13db
11% Popularity • 81% Danceability • 37% Energy • 9% Liveness
13% Instrumentalness • 58% Positiveness
11% Popularity • 81% Danceability • 37% Energy • 9% Liveness
13% Instrumentalness • 58% Positiveness
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The Jamaicans
Ba Ba Boom
79 bpm • E Maj • 02:51 • -5.93db
23% Popularity • 79% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
23% Popularity • 79% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 56% Positiveness
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Jackie Edwards
Johnny Gunman
81 bpm • A# Maj • 02:18 • -8.56db
13% Popularity • 84% Danceability • 51% Energy • 7% Liveness
3% Instrumentalness • 51% Positiveness
13% Popularity • 84% Danceability • 51% Energy • 7% Liveness
3% Instrumentalness • 51% Positiveness
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Ansel Collins
Nuclear Weapon
81 bpm • A# Maj • 02:42 • -10.38db
9% Popularity • 80% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
9% Popularity • 80% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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The Ethiopians
Give Me Your Love
81 bpm • E min • 02:23 • -9.99db
34% Popularity • 74% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
34% Popularity • 74% Danceability • 33% Energy • 6% Liveness
0% Instrumentalness • 78% Positiveness
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Dandy
(People Get Ready) Let's do Rocksteady
79 bpm • F Maj • 02:49 • -10.07db
30% Popularity • 78% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
30% Popularity • 78% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Dave & Ansell Collins
Impossible Mission
81 bpm • A# Maj • 02:37 • -12.17db
6% Popularity • 82% Danceability • 43% Energy • 21% Liveness
21% Instrumentalness • 87% Positiveness
6% Popularity • 82% Danceability • 43% Energy • 21% Liveness
21% Instrumentalness • 87% Positiveness
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The Gaylads
ABC Rocksteady
79 bpm • A# Maj • 02:08 • -9.71db
29% Popularity • 81% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
29% Popularity • 81% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Bruce Ruffin
Rain
79 bpm • B min • 02:21 • -7.5db
25% Popularity • 46% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
25% Popularity • 46% Danceability • 53% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Bob & Marcia
United We Stand
81 bpm • F Maj • 02:46 • -11.35db
11% Popularity • 63% Danceability • 48% Energy • 11% Liveness
3% Instrumentalness • 88% Positiveness
11% Popularity • 63% Danceability • 48% Energy • 11% Liveness
3% Instrumentalness • 88% Positiveness
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Ken Parker
True True True
79 bpm • G Maj • 02:15 • -10db
36% Popularity • 74% Danceability • 44% Energy • 5% Liveness
9% Instrumentalness • 67% Positiveness
36% Popularity • 74% Danceability • 44% Energy • 5% Liveness
9% Instrumentalness • 67% Positiveness
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Phyllis Dillon
Love the One You're With
79 bpm • A Maj • 02:51 • -9.92db
28% Popularity • 80% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
28% Popularity • 80% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Jackie Bernard
Another Scorcher
79 bpm • C# min • 02:46 • -12.52db
18% Popularity • 78% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
18% Popularity • 78% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 94% Positiveness
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Lord Creator
Big Bamboo - Remastered
81 bpm • G Maj • 02:37 • -5.38db
19% Popularity • 67% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
19% Popularity • 67% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Pluto Shervington
Your Honour
79 bpm • A Maj • 03:52 • -11.43db
9% Popularity • 87% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
9% Popularity • 87% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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The Sound Dimension
Real Rock
81 bpm • D# Maj • 02:29 • -9db
31% Popularity • 82% Danceability • 46% Energy • 6% Liveness
94% Instrumentalness • 82% Positiveness
31% Popularity • 82% Danceability • 46% Energy • 6% Liveness
94% Instrumentalness • 82% Positiveness
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The Melodians
Last Train to Expo 67
81 bpm • D Maj • 02:54 • -11.04db
22% Popularity • 76% Danceability • 36% Energy • 8% Liveness
25% Instrumentalness • 57% Positiveness
22% Popularity • 76% Danceability • 36% Energy • 8% Liveness
25% Instrumentalness • 57% Positiveness
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Rudy Mills
John Jones
81 bpm • C Maj • 03:20 • -5.44db
30% Popularity • 79% Danceability • 80% Energy • 7% Liveness
7% Instrumentalness • 93% Positiveness
30% Popularity • 79% Danceability • 80% Energy • 7% Liveness
7% Instrumentalness • 93% Positiveness
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The Tennors
Ride Your Donkey
82 bpm • C# Maj • 02:03 • -6.43db
33% Popularity • 85% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
33% Popularity • 85% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Wayne Smith
Under Me Sleng Teng
82 bpm • D Maj • 04:07 • -9db
43% Popularity • 83% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
43% Popularity • 83% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 91% Positiveness
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Dave & Ansell Collins
Only The Strong Survive
82 bpm • C# Maj • 03:46 • -13.05db
1% Popularity • 82% Danceability • 43% Energy • 8% Liveness
1% Instrumentalness • 77% Positiveness
1% Popularity • 82% Danceability • 43% Energy • 8% Liveness
1% Instrumentalness • 77% Positiveness
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Nicky Thomas
Tell It Like It Is
82 bpm • G Maj • 02:38 • -11.28db
9% Popularity • 57% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 57% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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The Melodians
Come On Little Girl
82 bpm • G Maj • 02:26 • -13.28db
28% Popularity • 88% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
28% Popularity • 88% Danceability • 26% Energy • 6% Liveness
0% Instrumentalness • 64% Positiveness
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Pluto Shervington
No Joshua No
82 bpm • A Maj • 03:29 • -10.93db
7% Popularity • 81% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
7% Popularity • 81% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Prince Jazzbo
Crabwalking
78 bpm • A min • 03:15 • -6db
27% Popularity • 68% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
27% Popularity • 68% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 91% Positiveness
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The Gaylads
It's Hard To Confess
78 bpm • G# Maj • 02:26 • -7.79db
30% Popularity • 77% Danceability • 41% Energy • 14% Liveness
21% Instrumentalness • 56% Positiveness
30% Popularity • 77% Danceability • 41% Energy • 14% Liveness
21% Instrumentalness • 56% Positiveness
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Dave & Ansell Collins
On Broadway
78 bpm • A# Maj • 03:09 • -9.48db
10% Popularity • 80% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
10% Popularity • 80% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Scotty
Draw Your Brakes
82 bpm • F Maj • 02:55 • -11db
38% Popularity • 82% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 82% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Desmond Dekker & The Aces
Intensified '68
82 bpm • A# Maj • 02:45 • -6.73db
34% Popularity • 79% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
34% Popularity • 79% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Tommy McCook
Green Mango
82 bpm • G# Maj • 03:41 • -10db
18% Popularity • 83% Danceability • 53% Energy • 18% Liveness
88% Instrumentalness • 95% Positiveness
18% Popularity • 83% Danceability • 53% Energy • 18% Liveness
88% Instrumentalness • 95% Positiveness
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Dennis Alcapone
Wake Up Jamaica
82 bpm • F Maj • 02:34 • -11.72db
22% Popularity • 70% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
22% Popularity • 70% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Winston Wright
Moonlight Groover
82 bpm • F Maj • 02:35 • -7.37db
16% Popularity • 71% Danceability • 60% Energy • 7% Liveness
9% Instrumentalness • 84% Positiveness
16% Popularity • 71% Danceability • 60% Energy • 7% Liveness
9% Instrumentalness • 84% Positiveness
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Dave & Ansell Collins
My Best Girl
82 bpm • F# min • 02:52 • -13.14db
5% Popularity • 79% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
5% Popularity • 79% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Sophia George
Girlie Girlie
82 bpm • D# Maj • 03:06 • -7.7db
48% Popularity • 75% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
48% Popularity • 75% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Pat Kelly
Little Boy Blue
82 bpm • A# Maj • 02:46 • -5.82db
39% Popularity • 71% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
39% Popularity • 71% Danceability • 62% Energy • 13% Liveness
0% Instrumentalness • 83% Positiveness
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Althea And Donna
Uptown Top Ranking - Remastered 2001
82 bpm • G Maj • 03:49 • -8db
63% Popularity • 89% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
63% Popularity • 89% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 79% Positiveness
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Joya Landis
Moonlight Lover
82 bpm • F Maj • 02:20 • -11.01db
25% Popularity • 70% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 70% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Jackie Edwards
Your Eyes Are Dreaming (Reggae Version)
78 bpm • F# Maj • 03:20 • -10.32db
14% Popularity • 76% Danceability • 62% Energy • 17% Liveness
5% Instrumentalness • 95% Positiveness
14% Popularity • 76% Danceability • 62% Energy • 17% Liveness
5% Instrumentalness • 95% Positiveness
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The Ethiopians
Engine 54
77 bpm • A# Maj • 02:39 • -10.91db
44% Popularity • 85% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
44% Popularity • 85% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
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The Hippy Boys
The Hippys Are Here
77 bpm • A# Maj • 02:27 • -9.69db
23% Popularity • 80% Danceability • 46% Energy • 18% Liveness
85% Instrumentalness • 59% Positiveness
23% Popularity • 80% Danceability • 46% Energy • 18% Liveness
85% Instrumentalness • 59% Positiveness
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Willie Williams
Armagideon Time - Disco Mix Vocal
83 bpm • D# min • 02:24 • -13db
32% Popularity • 73% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
32% Popularity • 73% Danceability • 43% Energy • 20% Liveness
0% Instrumentalness • 68% Positiveness
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Dave & Ansell Collins
Monkey Spanner
77 bpm • F min • 02:45 • -10.93db
8% Popularity • 86% Danceability • 53% Energy • 9% Liveness
86% Instrumentalness • 96% Positiveness
8% Popularity • 86% Danceability • 53% Energy • 9% Liveness
86% Instrumentalness • 96% Positiveness
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Johnny Nash
Tears On My Pillow
77 bpm • D Maj • 03:14 • -6db
28% Popularity • 62% Danceability • 57% Energy • 12% Liveness
3% Instrumentalness • 86% Positiveness
28% Popularity • 62% Danceability • 57% Energy • 12% Liveness
3% Instrumentalness • 86% Positiveness
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Clancy Eccles
Don't Brag, Don't Boast
77 bpm • G Maj • 02:31 • -9.65db
28% Popularity • 70% Danceability • 65% Energy • 41% Liveness
0% Instrumentalness • 96% Positiveness
28% Popularity • 70% Danceability • 65% Energy • 41% Liveness
0% Instrumentalness • 96% Positiveness
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The Ethiopians
Reggae Hit the Town
77 bpm • C Maj • 02:26 • -8.31db
25% Popularity • 72% Danceability • 46% Energy • 15% Liveness
3% Instrumentalness • 82% Positiveness
25% Popularity • 72% Danceability • 46% Energy • 15% Liveness
3% Instrumentalness • 82% Positiveness
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The Upsetters
Return Of Django
77 bpm • C# Maj • 02:30 • -6.59db
41% Popularity • 79% Danceability • 67% Energy • 12% Liveness
85% Instrumentalness • 93% Positiveness
41% Popularity • 79% Danceability • 67% Energy • 12% Liveness
85% Instrumentalness • 93% Positiveness
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Glen Adams
Run Come Dance
83 bpm • E min • 02:33 • -5db
34% Popularity • 83% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
34% Popularity • 83% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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Niney The Observer
Blood and Fire
83 bpm • G Maj • 03:08 • -16db
41% Popularity • 85% Danceability • 27% Energy • 4% Liveness
1% Instrumentalness • 82% Positiveness
41% Popularity • 85% Danceability • 27% Energy • 4% Liveness
1% Instrumentalness • 82% Positiveness
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Ken Boothe
Everything I Own (7'' Mix)
77 bpm • F Maj • 03:44 • -9.36db
53% Popularity • 72% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
53% Popularity • 72% Danceability • 43% Energy • 26% Liveness
0% Instrumentalness • 58% Positiveness
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Michigan & Smiley
Nice Up The Dance
83 bpm • A# min • 04:58 • -12db
16% Popularity • 73% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 73% Danceability • 52% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
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Val Bennett
Baby Baby (aka 5-10-15 Hours)
77 bpm • A# Maj • 02:15 • -11.75db
28% Popularity • 78% Danceability • 45% Energy • 7% Liveness
60% Instrumentalness • 96% Positiveness
28% Popularity • 78% Danceability • 45% Energy • 7% Liveness
60% Instrumentalness • 96% Positiveness
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Dandy
People Get Ready
84 bpm • F# Maj • 02:27 • -10.14db
10% Popularity • 46% Danceability • 61% Energy • 16% Liveness
1% Instrumentalness • 71% Positiveness
10% Popularity • 46% Danceability • 61% Energy • 16% Liveness
1% Instrumentalness • 71% Positiveness
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Desmond Dekker & The Aces
Fu Man Chu
84 bpm • A min • 03:17 • -12.43db
50% Popularity • 75% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
50% Popularity • 75% Danceability • 33% Energy • 17% Liveness
0% Instrumentalness • 76% Positiveness
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Jackie Edwards
Too Experienced
84 bpm • F# min • 02:56 • -6.09db
12% Popularity • 54% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 54% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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The Gaylads
Over The Rainbow's End
76 bpm • C Maj • 02:49 • -6.51db
26% Popularity • 72% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
26% Popularity • 72% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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The Kingstonians
Hold Down
84 bpm • C Maj • 02:51 • -11.69db
24% Popularity • 68% Danceability • 47% Energy • 35% Liveness
1% Instrumentalness • 53% Positiveness
24% Popularity • 68% Danceability • 47% Energy • 35% Liveness
1% Instrumentalness • 53% Positiveness
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The Sound Dimension
Rockfort Rock
84 bpm • G Maj • 02:23 • -10.98db
27% Popularity • 72% Danceability • 46% Energy • 24% Liveness
89% Instrumentalness • 56% Positiveness
27% Popularity • 72% Danceability • 46% Energy • 24% Liveness
89% Instrumentalness • 56% Positiveness
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Ken Parker
The Three Bells (Jimmy Brown)
84 bpm • G Maj • 02:27 • -10.16db
30% Popularity • 67% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
30% Popularity • 67% Danceability • 45% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
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Carlton & The Shoes
Love Me Forever
76 bpm • A Maj • 03:54 • -10.68db
25% Popularity • 68% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
25% Popularity • 68% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 95% Positiveness
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Dave & Ansell Collins
Nothing Matters When Your Young
76 bpm • G min • 04:12 • -11.36db
1% Popularity • 80% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
1% Popularity • 80% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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The Ethiopians
Pirate
76 bpm • A Maj • 02:32 • -6.33db
33% Popularity • 85% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
33% Popularity • 85% Danceability • 52% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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The Kingstonians
Lion's Den
76 bpm • F# Maj • 02:52 • -7.26db
24% Popularity • 84% Danceability • 49% Energy • 16% Liveness
48% Instrumentalness • 92% Positiveness
24% Popularity • 84% Danceability • 49% Energy • 16% Liveness
48% Instrumentalness • 92% Positiveness
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Desmond Dekker & The Aces
Unity
84 bpm • A# Maj • 02:23 • -8.22db
30% Popularity • 77% Danceability • 47% Energy • 6% Liveness
30% Instrumentalness • 83% Positiveness
30% Popularity • 77% Danceability • 47% Energy • 6% Liveness
30% Instrumentalness • 83% Positiveness
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Stranger & Gladdy (feat. Lee Perry)
Seeing Is Knowing/ Kimble
85 bpm • F# Maj • 06:17 • -10.16db
9% Popularity • 87% Danceability • 29% Energy • 11% Liveness
9% Instrumentalness • 55% Positiveness
9% Popularity • 87% Danceability • 29% Energy • 11% Liveness
9% Instrumentalness • 55% Positiveness
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Tommy McCook
Last Flight to Reggae City
85 bpm • E Maj • 02:45 • -4.44db
9% Popularity • 78% Danceability • 56% Energy • 15% Liveness
3% Instrumentalness • 95% Positiveness
9% Popularity • 78% Danceability • 56% Energy • 15% Liveness
3% Instrumentalness • 95% Positiveness
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Clancy Eccles
What Will Your Mama Say
85 bpm • D min • 03:18 • -10.38db
26% Popularity • 81% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
26% Popularity • 81% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Justin Hinds
Botheration
75 bpm • G Maj • 02:11 • -10.9db
14% Popularity • 83% Danceability • 43% Energy • 58% Liveness
13% Instrumentalness • 97% Positiveness
14% Popularity • 83% Danceability • 43% Energy • 58% Liveness
13% Instrumentalness • 97% Positiveness
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The Ebony Sisters
Let Me Tell You Boy
75 bpm • F# Maj • 03:06 • -7.29db
24% Popularity • 70% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
24% Popularity • 70% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Jim Brown
Seen Him
85 bpm • A# Maj • 02:03 • -5.92db
11% Popularity • 60% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
11% Popularity • 60% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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Pat Kelly
Somebodys Baby
85 bpm • F Maj • 02:59 • -7.62db
29% Popularity • 77% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
29% Popularity • 77% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 80% Positiveness
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Dandy Livingstone
I'm Your Puppet
75 bpm • C min • 03:13 • -10.47db
25% Popularity • 73% Danceability • 44% Energy • 9% Liveness
3% Instrumentalness • 91% Positiveness
25% Popularity • 73% Danceability • 44% Energy • 9% Liveness
3% Instrumentalness • 91% Positiveness
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Dennis Alcapone
In Fine Style
75 bpm • C Maj • 02:36 • -10.24db
14% Popularity • 84% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
14% Popularity • 84% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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The Ethiopians
The Whip
85 bpm • A# Maj • 03:01 • -8.75db
30% Popularity • 75% Danceability • 51% Energy • 9% Liveness
83% Instrumentalness • 90% Positiveness
30% Popularity • 75% Danceability • 51% Energy • 9% Liveness
83% Instrumentalness • 90% Positiveness
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The Uniques
My Conversation
85 bpm • C# Maj • 03:27 • -14db
35% Popularity • 65% Danceability • 35% Energy • 43% Liveness
1% Instrumentalness • 51% Positiveness
35% Popularity • 65% Danceability • 35% Energy • 43% Liveness
1% Instrumentalness • 51% Positiveness
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Desmond Dekker & The Aces
It Mek
75 bpm • G# Maj • 02:32 • -7.79db
45% Popularity • 60% Danceability • 56% Energy • 23% Liveness
69% Instrumentalness • 66% Positiveness
45% Popularity • 60% Danceability • 56% Energy • 23% Liveness
69% Instrumentalness • 66% Positiveness
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Tenor Saw
Ring The Alarm
85 bpm • A# min • 03:07 • -5.23db
45% Popularity • 71% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 71% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Dandy Livingstone
Don't Break Your Promise
85 bpm • F min • 02:52 • -12.11db
30% Popularity • 85% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
30% Popularity • 85% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Shorty The President
President Mash Up the Resident
85 bpm • G# min • 02:49 • -5.46db
14% Popularity • 58% Danceability • 69% Energy • 35% Liveness
38% Instrumentalness • 74% Positiveness
14% Popularity • 58% Danceability • 69% Energy • 35% Liveness
38% Instrumentalness • 74% Positiveness
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Phyllis Dillon
One Life to Live, One Life to Give (aka ...
86 bpm • F Maj • 02:33 • -11.02db
35% Popularity • 77% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
35% Popularity • 77% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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The Melodians
Swing and Dine
75 bpm • G Maj • 03:09 • -13.83db
25% Popularity • 77% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 77% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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The Rudies
Patches
86 bpm • B Maj • 02:56 • -8.13db
7% Popularity • 64% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
7% Popularity • 64% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 65% Positiveness
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David Isaacs
A Place in the Sun
75 bpm • G Maj • 02:46 • -12.54db
24% Popularity • 56% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
24% Popularity • 56% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
